My First Drag Pageant

This past weekend I had the pleasure of competing in Basement Arts’ first-ever drag pageant (in recent years), Lady Walgreen 2022. As someone who considers themselves a “look queen” and a bedroom queen (ie, someone who focuses on my makeup and looks and generally creates my drag in my bedroom without showing it to many other people or going out in it), this was actually my first time going out and performing in drag. And it was the best experience I could’ve ever asked for. Quite literally, I’ve never seen an audience as packed or as excited as I did in the Newman Studio last Saturday night.

The pageant had three parts: fashion, interview, and talent. For fashion, we got scored by a panel of judges (aka other students who are drag aficionados or style icons). As a look queen known for outlandish makeup, this was the category I was focused the most on. My look was a demon-like creature who had all my skin removed from my face and sections of my body, a ribcage peeking out on my chest, and muscles exposed all across my face and body. This has been some of the most extravagant and ambitious makeup I have ever done, and I couldn’t be prouder of what I ended up creating. 

 

The makeup was all done by me, mainly using eyeliners, face paint, and a ton of powder and patience. The ribcage is made out of cardboard I stole from a housemate and covered in duct tape, and the hair is similarly held up by a cardboard frame for the horns. The skirt is a long, ugly thrifted skirt I found, cut up, and stained with fake blood just hours before. Who said you can’t create stunning drag on a budget?

A lot of my drag is freaky, alien, and just a tad bit insane, and this look was no different. And the audience loved it, from the cheering I got the moment I stepped out. Not to brag, but I was the only queen to get a perfect score of tens across the board for my look, which honestly was the biggest win in my book. Listen, I’m a look queen through and through and to be validated on my effort in my looks is the most amazing thing for me.

Next came the interview, which might have been the most chaotic part of the night. I’d like to first apologize to the couch, which has incurred a large red mark from when I decided to man-spread across it during my interview. Rip to that couch (and the one section of my body I didn’t set with powder well enough).

The final part was the talent portion, which included performances of incredible dance numbers, live singing, a spoken-word version of “I’m Sexy And I Know It”, and for me, a pair of rollerblades and licking blood off the floor of the Newman. I may not be the best dancer, but I did create a memorable performance of falling flat on my face, spilling blood all across the floor, and then getting up to lick all the blood off my fingers and garner the most wonderfully disgusting responses from the audience as Kim Petras played. Honestly, what more could I ask for of my first live performance?

While I didn’t make top two (congrats to ElleXL, our Lady Walgreen winner, and Tampa, the runner-up), I don’t think I’ve ever cheered louder during a lip-sync than I did for those two going CRAZY to “I Will Survive”. Seriously, you’ve never seen a performance like theirs. Plus, who cares about winning? I not only got to show off my art to a huge audience of my friends and classmates, I also made some of the most wonderful friends. There’s truly something so joyful about a room of queer folks all half in drag, taking shots and helping each other out. When I couldn’t find my eyelash glue, Tampa offered me hers. I did Mrs. Worldwide’s makeup since it was her first time in drag, and Olympia offered me hairspray to keep my wig down. There could not have been a more different group of performers up there on that stage, but each and every one was incredible and it was such an incredible honor to see them all perform. Shout out to the UMich drag scene and shout out to everyone who came out to the Newman last weekend! And to Basement Arts for hosting!

Clowns Have a Union (and I Think That’s Neat)

I saw a post recently about how clowns have a union (which is true) and how strange that is, and how drag queens don’t have a union. I’m no expert on unions and economics, so I’m not going to try and sound smart talking about that here. But the connections between clowns and drag queens certainly interest me. I mean, what really is the difference between them? We both wear a ton of makeup, often try to look a bit ridiculous, and we’re both entertainers– just for slightly different age groups. 

According to firsthand.co, the profession of clown is as follows: “Clowns dress in outlandish costumes, paint their faces, and use a variety of performance skills to entertain audiences. They work in circuses, amusement parks, schools, malls, rodeos, and hospitals, as well as on stage, in films, and even on the street. Clowns are actors and comedians whose job is to make people laugh.”

According to Wikipedia, drag queens are people who “use[] drag clothing and makeup to imitate and often exaggerate female gender signifiers and gender roles for entertainment purposes… People partake in the activity of doing drag for reasons ranging from self-expression to mainstream performance. Drag shows… occur at events like pride parades, carnivals, drag pageants, and in venues such as cabarets and nightclubs.”

Clearly, there are distinct differences here. But when it boils down to the details, there are a lot of similarities too. Drag queens and clowns work in a wide variety of different locations and events and utilize a variety of performance skills to entertain audiences. I’ve seen a drag queen fix a computer as part of her act before, so there’s really no performance skill that hasn’t been utilized as a part of a drag show. They both wear outlandish costumes and paint their faces, and as drag moves further and further away from regular gendered norms, outlandish and bizarre makeup is a more normalized part of what we expect with drag. Some queens even actively choose to paint more like clowns, myself included many times.

So then what really separates drag artists from clowns? Is it just because we don’t have to go to school for it? If I start making balloon animals, will I suddenly switch from being a drag artist to a clown?

I think what defines drag artists from clowns, or makeup artists or gogo dancers or burlesque performers or any of those other performer types is truly the artists themselves and what they make of their drag art. Drag is what you make it, it’s a performance of self-expression. There’s no real rules to drag, certain way things have to be done. It’s all up to the artist themself. Also, we don’t need degrees to do drag. Sorry clowns.

So it doesn’t matter if I’m dressing in a clown-themed drag look if I’m making balloon animals or riding a unicycle or pulling handkerchiefs out of my sleeve. I’m still a drag artist, I’m still doing my drag in my own expressionist way. But we still don’t have a union as drag artists. Maybe that is something that could happen in the future. Who knows!

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The Melanin Dynasty

It’s impossible to talk about modern mainstream drag and Rupaul’s Drag Race without looking at the iconic Melanin Dynasty, the name for the slate of Drag Race winners since season 11 that are all queens of color. Let’s do a quick Drag Race history lesson! (no, I won’t say “herstory” lesson. I think that’s stupid.)

Season 11 saw the crowning of winner Yvie Oddly, a surprise underdog with one challenge win (though she deserved more) to frontrunner Brooke Lynn Hytes’ four wins. Yvie and Brooke Lynn’s finale lip-sync to Lady Gaga’s “Edge of Glory” was iconic, and showed exactly how deserving of the win Yvie was. Seriously, her reveal of the stoned head on the back of her own head gave me chills! Yvie has since released a rap album during her reign and it highkey slaps.

Following Yvie’s win was All Stars 4, which technically saw a tie of winners. But we chose to actively ignore Trinity “The Tuck” Taylor’s win, cause she’s been in hot water since then (a story for another day). Instead, we look at the other incredibly deserving winner, Monet X Change, a former contestant from season 10. Monet was a powerhouse on her season and All Stars, and has since remained a huge name in the Drag Race-sphere, hosting the popular podcast “Sibling Rivalry” with season 8 winner Bob the Drag Queen, as well as hosting the official recap show for Drag Race for the current season.

Season 12 saw the crowning of Jaida Essence Hall, a beautiful pageant queen who showed she was one of the funniest members of the cast that season. Jaida’s reign was one of the shortest and took place during a pandemic, which is pretty awful for her, but she’s made the most of it with modeling, hosting the Halloween show for Drag Race, and looking stunning overall. Season 12 also saw the first-ever Black winner AND Miss Congeniality duo, with Jaida and Heidi N Closet.

Following Jaida’s crowning was All Stars 5, which many consider just a season for Shea Coulee to finally get her crown. Shea was a frontrunner and fan-favorite back on season 9, losing out in the final lip sync battle to eventual winner Sasha Velour in one of the most iconic Drag Race moments ever, (which included a wig pouring rose petals out of it). Shea was the clear winner of All Stars 5, from the moment she walked in and announced “I’m blaaaack!” She absolutely dominated, 

Season 13 crowned Symone, who was the obvious frontrunner and winner the entire season and is currently our reigning queen. Symone brought everything to her season, she was an obvious winner from the moment she walked through the werkroom doors. She brought fashion like no one had seen before on the show, bringing Black culture and iconic references with every look that made her always stand out. Season 13 also saw another winner and Miss Congeniality duo with Symone being paired alongside Lala Ri.

Armed With Style and a Message, Symone Earned Her &#39;Drag Race&#39; Win | Vogue

So why go through this history of the past five~ish years of Drag Race? Drag Race and drag in general often is full of racist practices, especially in booking and producing shows. Even though drag culture and ballroom culture, which a lot of drag comes from, were created by Black people, especially Black trans women. And while the show is imperfect, we can appreciate the incredibly talented winners of the past few seasons, and the current ruling Melanin Dynasty.

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Industrial District, Pedja Colony

The industrial complex– steel and concrete and smoke, an urban jungle of thick cables and dizzying heights– rises out of the dusty landscape, shadows thrown into stark relief against the foothills by a reddish glow. As the Red Giant makes its ponderous trek across the sky, so does a neighboring, gaseous titan, a looming darkness racing in its wake to swallow the light.