REVIEW: Lemaître

When I first walked into Necto nightclub to see one of my favorite bands of the last several years, I didn’t know what to expect.  It was the first night after an unprecedented election that left many, myself included, reeling. As I had expected, the audience was small, only a few people lingering around the edges of the dance floor at my time of arrival, and while more people trickled in as the night progressed, it certainly never felt busy.


The opening act was none other than Chet Porter, who despite battling a cold was able to impress the crowd with his unique remixes of popular songs.  I shamefully admit that I had never heard of him or his work before the show, but I was instantly struck by the distinctive calming and dream-like sound of his work.  His unique style allowed each song to seamlessly blend into the next. I’ve since looked up his music online, and found that he has no small share of popularity himself.  Below is his original song, “Stay” featuring the vocals of Chelsea Cutler.

When Lemaître finally took the stage, the energy in the room ratcheted up several levels. What the audience may have been lacking in numbers was more than made up for in enthusiasm. After the band members themselves encouraged the crowd to pack in around the stage, the performance started in earnest. Despite having listened to almost all of the songs on the set list tens if not hundreds of times, I was amazed at how the band was able to breathe new life into each and every song, never letting their energy flag.

There was a large sculpture of Lemaitre’s logo behind them, and it was lit up in flashing lights and colors that were synchronized with their songs, further enhancing the energy of the performance.  During one of their songs, “We got U,” they even projected a picture of Bernie Sanders onto the sculpture, as a response to the recent election.


If you are interested in hearing more, I highly suggest checking out the band on Spotify or YouTube.  Just yesterday they released a stunning new live version of “Playing to Lose.”

REVIEW: Mary Mattingly- Stamps Speaker Series

The room was solemn when I first walked in, the lights turned low and the entire auditorium awash in a deep green glow.  After a brief introduction, Mary Mattingly took to the podium.  With a silent video of a burning boat playing on the screen behind her, Mattingly opened the night’s lecture with reflections on img_3145the election, which had only been decided in the wee hours of that very morning.  Instead of directly addressing the results, she chose to highlight the slew of emotions many were feeling that night by delivering a poem, an amalgamation of the various responses she had seen across social media, interspersed with her own reflections.

Mary Mattingly started out her presentation by giving a brief overview of her artistic journey.  With a formal training in photography, she now uses it in three different ways to interact with her work; as a proposal and reimagining of existing locations, as a documentation of the sculptural work that she does, and as an element within the sculptures themselves.   Her current work is focused on several ideas, such as reimagining and making a statement on public food, transforming industrial equipment into sculptural ecosystems and exploring our relationships with objects.

She then began to take us through some of her more recent projects.  “Wading Bridge,” in Des Moines, IA is an invitation for locals to directly interact with the Raccoon River, which is considered both polluted and dangerously swift. The piece was commissioned to inspire thoughts and discussion about water quality in the area.

Another one of her current projects involved the construction of a park in New York City.  The following clip shows some of the process, as well as the final product of this project.

One of her current projects in New York City is a “floating food forest” called Swale, located on a large floating platform.  She says the work was created in part because it is illegal to pick food from public land, whereas there are no such rules about picking food on water. The food grown on Swale is made of mostly perennial plants that were donated by the park service.  If you are interested in learning more about the project, please check out the official website, .

She then dove into discussing her influences as an artist. She says she has always been attracted to dealing with basic necessities such as food, water, and shelter.  The area in which she grew up did not have potable ground water, which lead to her “obsession” with water.  She then began to think about the way that humans will have to survive the aftermath of climate change, particularly in terms of human migration. This eventually led to her work on the Waterpod Project, as shown in the video below.

The original idea for the Waterpod Project had been to create a space that supports growing food and would also be a sustainable living environment. One of the most difficult parts of the project was simply obtaining the permits necessary to legally begin work.  Over the course of a year and a half she and her team had to collect 18 different permits, one of them being an approval to photograph chickens by the actors guild. The project was launched in 2009, and visited a grand total of 5 piers.  She and several of her friends lived on it for 5 months, after which she claims to have realized why most artists stick to working on land.

pullOne of the more interesting projects she worked on was a documentation of every object she owned at the time at .  It was an intentionally absurd project to document her shame at her own consumption.   To further drive the message home, she bundled up all of her belongings and dragged them across New York, purposefully making useful objects nothing more than a useless burden.  In turn, this project has given her a substantial amount of respect for the true value of each object.

This lead directly into her work at the University of Michigan and her newly opened exhibit, Object’s Unveiled: Boxing, Rolling, Stretching and Cutting. For this exhibit she wanted to learn more

about the background behind these objects that we study. In particular, she became drawn to cobalt, which is not only use to produce beautiful blue pigments, but is also used in defense technology and green energy. The state of Michigan has ties to cobalt as we house one of the country’s few cobalt mines. She ended the lecture on this note, ending a few minutes early due to the events of the prior day.

After the lecture was over I made the quick walk over to the Institute for the Humanities with many of the other audience members to enjoy a reception for Mattingly’s exhibit opening there that night. While a somber air still permeated the room, it was clear everyone was impressed by the exhibition. I had a chance to chat with Mattingly briefly, and got her permission to take photos of the exhibit to display on this blog.  The following were some of my favorite pieces.

If you missed the talk, but are still intrigued by Mattingly’s work, I encourage you to check out her exhibit at the Institute of Humanities Gallery, located in the South Thayer Building.  The exhibit will be up until December 15th, so head on over and experience Objects Unveiled yourself.

PREVIEW: Athi-Patra Ruga- Stamps Speaker Series

  img_5617Tonight, October 10th, 5:10 PM, acclaimed artist Athi-Patra Ruga will be taking to the stage as part of the Stamps Speaker series.  Hailing from South Africa, Athi-Patra Ruga combines performance art, textiles, printmaking, photography, and mixed media to explore ideas of cultural identity, utopia, and dystopia.

The following short video clip provides footage of his  piece of performance art for the Roskilde Festival.  The lively colors and surreal nature of this piece are both very characteristic of Ruga’s individual style.

This work is a part of his continuing series,The Future White Women of Azania which features the unique motif of exaggerated female characters, often played by Ruga himself. A contrast is drawn between their exposed legs and their upper bodies, which are completely swallowed by brightly colored balloons.


Tonight’s lecture will also mark the debut of Ruga’s latest project, Queens in Exile. Bellow are several assorted photos relating to this project, taken from his studio’s Facebook page, giving us a brief taste of what’s to come.

Tonight’s presentation, like all of the speaker series, will be free to the general public.  I advise you to get there early to secure the best seats!

Featured Image from Lumieres D’Afriques

PREVIEW: Battle Espresso Royal- Comco

We could all take a cue from the age-old-adage “laughter is the best medicine.” After a long, long week14976815_10154609894388818_6795676064434312967_o of stresses and woes, loosen up and laugh for a bit with one of the University’s oldest and most well developed comedy groups, Comco, as they present Battle Espresso Royal. For those who have never attended an improv comedy show before, it’s a spontaneous, one-of-a-kind performance that features talented actors and comedians bouncing off one another with a quick wit and good comedic timing.

The show will be in Angell Hall Auditorium A starting at 8 PM Tomorrow, November 11th. Tickets are only $2 at the door, so for the price of a Starbuck’s (or Espresso Royale!) latte bring a friend or two and take some time to laugh together.

PREVIEW: Mary Mattingly- Stamps Speaker Series

As a special treat, the Stamps Lecture Series will be offering not one, but two lectures this week. Today, November 9th at 5:10 pm at the Rackham Amphitheater, the esteemed artist, Mary Mattingly will give us a personal glimpse into her creative process. You will soon be able to see her installation work either on the diag as a part of your daily walk to class, or at the Institute for Humanities. Tomorrow, November 10th, join us in the Michigan Theater at the same time to see a speech by the inventive and inspiring Athi-Patra Ruga.

a21boulder_textMattingly’s installation at the Institute for Humanities is entitled, “Objects Unveiled: Boxing, Rolling, Stretching and Cutting,” and it explores the use of cobalt as a pigment throughout the ages, and the social issues surrounding it. There will be an opening reception for this exhibit immediately following her lecture today. You can find more information about the event here.

Mattingly uses her work to explore ideas such as nomadic lifestyles and travel, connections and human relations, and exactly what it is that defines our home. Her work merges performance art, architecture, sculpture and more in harmony to make a bold statement.

Her project to design “wearable portable architecture,” and to create a “wearable home,” embody this melding of ideas perfectly. The contrast between fashion, and the most extreme form of function, is strikingly obvious in the following pictures.


One of her most exciting projects is the Waterpod Project, a livable floating platform that was docked outside New York and has housed many artists.  You can watch a video highlighting some of what made this project so special below.

Her “House and Universe” photo series is also strikingly resonant, and the photos featured here are just a small sample of those in the series.

Lastly, she returned to many of the ideas she has worked with on the Waterpod Project, in her 2014 project WetLand.  This work explored the responses to the changing environment and the future of the human race because of this changing environment. Mary and several other artists created and lived in this work as it floated along the Philadelphia river, making a statement about sustainable living.  I have included another video about the project below.

All images and videos are from

PREVIEW: Lemaître “We Got U” Tour

Ready to scream into the void about the results of last night’s election? Why not dance your troubles away with the Norwegian indie electronic duo, Lemaître, before launching right back into the thick of things like a true wolverine? They will be performing Tonight, November 9th at Necto Nightclub as a part of their “We Got U” tour.

I have personally been listening to their music for years, and love their sound, but the best way to showcase their music would be to simply listen to it for yourself.  The following video is for “Playing to Lose,” off their latest EP, Afterglow. The video also features some footage of their live show in London, perhaps giving us a sneak peek of what awaits us tonight.

The following music video is for “Closer” off of their Singularity EP. This song was used in one of the first promotional videos released for the launch of Google’s Pixel Phone.


The doors will open at 9 PM, and you can buy tickets online or at the door for $18.  You can find more information about the event at Necto’s Website.

Tickets are available for pre-sale here. Note that while online tickets are only $15, there is an additional $3 charge for the transaction.

Featured Image from Interview Magazine.