PREVIEW: Concert on the Hill is Where Dreams Go Blue

Facebook Event Photo
                     Facebook Event Photo

Dust off your crowns, tiaras, and vocal pipes! Find the newest Disney’s classic playlist on Spotify and groove to those childhood or (if you’re like me) earlier this week tunes. Friday night at 8pm at Hill Auditorium the University of Michigan Women’s Glee Club is having their spring concert: Where Dreams Go Blue!

Later this summer Women’s Glee is going to Orlando, Florida and performing these same songs. But you have the chance to see them here in Ann Arbor, without having to travel across the country! Though, I guess that’d be pretty cool. Their set-list features a number of Disney tunes and melodies. I can’t wait to see what they have in store!

Tickets are $5 for both students and the general public, available at the door. Arrive early for a good seat!

REVIEW: For National Poetry Month a word to the Wise, don’t Mess(with)er

With awesome cheese and bread from White Lotus Farms and 3 spectacular poets, Monday evening’s Poetry Series at Literati was a great start to the week! And a great tribute to the celebration of April as National Poetry Month.

While nibbling on the cheese that Sarah Messer brought from White Lotus Farms (where she works), Messer and Kidder Smith, her co-author, began reading from their book Having Once Paused: Poems of Zen Master Ikkyu (1394-1481). Similar to their collaboration on the book, Smith read the poems first in Chinese and Sarah then read the final poetic English version. Smith explained before reading, in his quiet but resonating voice, that Master Ikkyu was a Japanese monk but that during this period all really well educated Japanese monks wrote poems in Chinese. It was fascinating to hear him read the poem and then immediately to get to hear the English. Even for me, who doesn’t understand the language in which the poem was written, there is something inspiring by hearing it how it was originally meant to be heard.

Sarah Messer then read some of her work on her own. She actually started with a poem that was inspired by her work with Kidder Smith. One night she mistranslated a line they were working on and it inspired her poem “Today.” One of my favorites of the evening, and one she had shared in the poetry class I take with her, is her poem “My life as a Puritan Bedpost.” My favorite lines are in the ending: “Now all the Puritans have died. But their ghosts keep trying/ to lie down again and again inside me.” Read the rest of the poem HERE, from when it was published in the Michigan Quarterly Review.

Suzanne Wise, the other featured reader of the evening, read from her new manuscript. It is a book length love letter to Ray Johnson. Ray Johnson was an artist who worked in mail art. Wise introduced us to some insights as to how he worked and some of his quirks that she used to spark her poems, which was REALLY helpful because I knew nothing about him before Monday. Ray Johnson would often send collages to famous artists (usually friends of his) and have them add to it before sending the work back. He often refused to show his work and made it difficult for admiring collectors to obtain his art. He was the founder of the New York Correspondence School. Wise’s poetry, in this extended letter form, is very sound conscious; her lines are full of assonance, alliteration, and slant rhymes. It was great to listen to and her voice has such a clear quality to it that her reading was very beautiful. Along with its beauty there were also humorous and entertaining moments by her personification of death, lines like “yesterays,” or vivid lines such as “slamming into a wall…we are a wallflower.” I can’t wait to see the whole manuscript!

As April is National Poetry Month, Literati and other local bookstores will be hosting more amazing events that my fellow poets and I don’t want to miss out on. Keep a look out!

PREVIEW: For National Poetry Month a word to the WISE, don’t MESS(with)ER

April is National Poetry Month and Literati’s poetry series is celebrating! Monday, April 11th at 7 pm Sarah Messer and Suzanne Wise will read some of their respective work in the Espresso Bar (the second floor space of Literati).

Sarah Messer is a professor here at the University of Michigan. Actually, she’s my poetry professor. I’m very excited to get the chance to hear her read some of her work and talk about it! Aside from explaining to students like me the effect of syntactic doubling, Messer also runs One Pause Poetry here in Ann Arbor and works on White Lotus Farms. She’s received multiple awards and has four published works, including a history/memoir “Red House”.

Event FlyerSuzanne Wise is the author of “The Kingdom of the Subjunctive” and “Talking Cure.” I’m currently reading “The Kingdom of the Subjunctive” (for Sarah Messer’s class) and have found it fascinating, intricate, and full of discoveries. She has taught at Middlebury College, Pratt Institute, and Poets House.

Check out the Facebook Event for more details. It’s sure to be a great night to celebrate National Poetry Month!

REVIEW: National Theater Live presents Shakespeare’s “As You Like It”

Sunday evening at Michigan Theater there was a screening of the National Theater Live presenting Shakespeare’s “As You Like It”. One of Shakespeare’s comedies, Polly Findlay directed a dynamic, innovative, and truly enjoyable rendition of this classic, supported by a talented cast.

Rosaline Craig as Rosalind (Photo Credit: Johan Persson)
Rosalie Craig as Rosalind (Photo Credit: Johan Persson)

Rosalie Craig starred in the title role of Rosalind (funny how that worked out) and was by turns both a woman seeking to be free and a humorous youth; showcasing not just her stunning versatility but also the full depth of Rosalind’s character. Craig and Patsy Ferran, who played the subtler Celia, had an intimate and pure friendship that really was the heart of the show. While Celia deciding to run away to the forest with Rosalind is always a pivotal scene of the show, the humor and devotion each imbued their characters with made Celia’s declaration one of my favorite moments. Ferran’s Celia found amusement at every turn and her loyalty was so admirable that one didn’t wonder how Oliver fell in love with her at a glance.

Orlando was played by Joe Bannister, who was awkward, earnest, and adorably well meaning. Orlando always comes off the less strong minded in comparison to Rosalind (especially Craig’s energetic performance), but the quirky sweetness of Bannister’s Orlando complimented his franker counterpart. He made me love him as much as

Rosalind (Rosalie Craig) and Orlando (J Bannister) (Photo Credit: Johan Persson)
Rosalind (Rosalie Craig) and Orlando (Joe Bannister) (Photo Credit: Johan Persson)

Rosalind.

Fra Fee, who studied at the Royal Academy of Music, played Amiens and could he sing! “As You Like It” has lyrics written into it, but with Fee at the head they expanded this aspect of the show. His performance was stunning and he just about stopped the show with his powerhouse voice; the only thing that came close to dropping the audience’s jaws more was the spectacular scene change as the characters entered the forest.

Paul Chahidi as Jaques and Fra Fee as Amiens with other exiled lords (Photo Credit: Johan Persson)
Paul Chahidi as Jaques and Fra Fee as Amiens with other exiled lords (Photo Credit: Johan Persson)

While the show started in a corporate office setting, equating the royalty of Shakespeare’s time to today’s big business tycoons, once the daughters decide (or are exiled) to leave, the office started to rise. It began with the ceiling which rose, and then took everything with it: chairs, lamps, and desks were strung together, as the carpet pulled back to reveal a forest floor. And the forest’s trees were the office setting itself. The lighting then created dappling through this modern industrialized forest, reminding audience members simultaneously of nature and standing on the edge of civilization, the place where nature and city meet. In the “trees” ensemble member sat in chairs, often suspended over the stage, and made the sounds of the forests. It was a really neat touch and added an air of authenticity. Not only were actors birds, but during the scene where the Touchstone and Corin are discussing their differing views, the rest of the cast came on as the sheep of Corin’s flock. Dressed in khakis and white wool sweaters, crawling on their knees, it was so funny to watch as these two characters debated. This scene is just one example of a series of great creatively innovative moments that characterized this production, making for a wonderful evening!

REVIEW: The Huntsman: Winter’s War

Monday night I went and saw an advanced screening of “The Huntsman: Winter’s War” at the State Theater. Since the movie does not actually premier until April 22nd, and I do not want to be responsible for any spoils, I will not be talking about any specifics of the movie. Instead I will discuss my impressions and feelings from seeing the movie and then encourage you to go see it for yourself. See if you agree!

I had the sense, especially during the beginning of the movie (probably the first 30 to 45 min), of being lost as to what the timeframe of the movie was. I hadn’t been sure when I went to go see the movie if this was a prequel or a sequel; one of the trailers mentions this is the story before Snow White but other shots in the trailer seemed to take place after the events of the film “Snow White and the Huntsman”. The movie starts obviously before Snow White’s story but I was not sure where the movie was going because events started clipping along right from the beginning; it was looking like it was going to be a short movie. But instead of ending, the film skipped 7 years ahead to AFTER Snow White’s story. The film is both a prequel AND a sequel!

Now while this is an efficient method to pack a lot of twists and turns, action scenes, characters, and special effects into one film, as I an audience member, I’m not sure how much it worked. You really did have to have seen the first film, because it’s the entire middle of the story that they are weaving and it was not shown. And they really did have more than enough material to be two separate movies; separating much shorter stories into two or three or even four movies has been a common strategy in Hollywood and for once, I think that might have been better for the story they were telling.

That being said, once I understood it was a prequel and sequel I found it more enjoyable. So I think simply better advertising over what audiences can expect would have solved much of my confusion. There were a fair number of comedic lines, loveable characters, and intrigue; It kept me constantly watching to follow the many turns. Audience members are in for a ride!

REVIEW: The First University of Michigan Improv Festival

The First Annual University of Michigan Improv Festival went off with barely a hiccup, and its successful debut hopefully foreshadows many more. The first show was at 6 pm and moderately attended. The 9 pm had more people but still didn’t nearly fill Rackham, which was surprising for a top notch performance that was free. Those who didn’t attend missed out!

The only hiccup for patrons, in the otherwise smooth comedic journey, was the RSVP feature the festival had tried to instigate. As advertised, by RSVPing people would get to sit 15 min before the public. In reality the difference in time and pick of seat was almost nothing. The idea was good, and also potentially effective in crowd control if there had been more people, but the execution wasn’t quite there and might want to be changed if they use the system in future years.

A lively audience sat down to an alternative rock playlist before the show began with a short skit by Funny or Die, one of the organizing groups. The sketch featured a president who continually mispronounced words so they became nonsense and was charmingly unaware of the frustration this caused. I can’t hope to do justice in describing each group’s performance but I’ll talk about some of the highlights from each group in an effort to make showcase the array of talent that was present.

After Funny or Die, George Washington University’s Recess performed some sketch comedy. From a Jersey Shore rendition of the Final Supper, a not so appropriate sexual misconduct in the workplace seminar, and a girl named Meredith making up illnesses to get boys to kiss her, their cast was varied and talented, gaining lots of laughs from the audience. Recess was followed by Paperback Rhinos from the University of Iowa, who wanted to interview someone in the audience who’d had an interesting day. And it was an interesting, intricate, and wandering journey the audience member had been on which inspired some bizarre and hilarious comedy. Wet Bus then performed, followed by Alterboyz, both of which are post-college improv groups. Wet Bus was my favorite group at the 6 pm show, while I honestly couldn’t quite get into Alterboyz’s set. Wet Bus got a suggestion from the audience, cheese, and then preceded to start with a technique I’ve never seen before. One person started speaking, and then one at a time, people joined and raised their voices so they all took turns following one person’s lead but all speaking at the same time. It was amazing! And the rest of the show worked on associations with that first piece, even as they performed different scenes, where characters were repeated, and interwoven in a continuous flow of ever changing scenes. It was beautiful to watch!

At the 9 pm show Midnight Book Club and ComCo opened for Upright Citizens Brigade Touring Company (UCB). They did UofM proud and got the audience in the right mood for the featured UCB. UCB started just asking for random information about the campus with audience members jist shouting things out. One of the UCB players was a UofM alumni and seemed to have a lot of fun being back! They then interviewed an audience member who was in the acting school and part of greek life. She spilled about the inner workings of the infamous ski trip and taught us about the variety of shapes condoms come in. Both of which became great fuel for the improv UCB then performed. I also learned that the man who plays the washboard outside the library is a professor here at the University, not just a talented community member! UCB put on an amazing show featuring a crazy moth bred Miley Cyrus, a silent rendition of Chopsticks played by jumping on a giant imaginary floor piano, lots of rolling on the floor, and even off the stage at one point!

The Festival was a hit and I look forward to another one next year!