PREVIEW: The Huntsman: Winter’s War

Monday night, March 28th, State Theater is hosting a special advance screening of “The Huntsman: Winter War”. The movie doesn’t actually premier until April 22. Interested? The movie starts at 7 pm but arrive early! Seating is limited. Make sure to print out the flyer on the Facebook page and BRING a valid student ID as well.

I’m excited because having seen “Snow White and the Huntsman” I’m interested to see another part of the story. I enjoyed Charlize Theron as Ravenna much more than Kristen Stewart’s Snow White in the first one, so am happy she was brought back for this film. Chris Hemsworth embraced traits of Thor, a character he portrayed in another film series, last time he took to the screen as the Huntsman. I’m interested to see if he changes any of that in this movie. Watch the trailer below and see what’s in store for the advance screening:

https://www.youtube.com/watch?v=F2-_OQL9fBk

REVIEW: Release The Oleander Review!

The Oleander Review, after being out of print for a few years, has returned with force! At a release party and reading on Friday, Literati was packed full with standing room only; the best turnout I’ve seen at a reading there. There were even light refreshments of coffee, tea, bread, cheese, and snack meat. Sarah Sala and Amanda Nichols, the original co-founders of Oleander, were there as well. Nichols with her baby boy (who was so cute) and Sala opened the reading with some of her pieces. They were fun, at times touching, and steeped in depth. She read a poem about surfing that included the line “trampoline of black matter”, which just was so beautiful to me. Others included a catalog of excuses for not going to class and two science based poems, that somehow managed to reference Miley Cyrus. It was a great beginning and the rest didn’t disappoint.

The overall event was a huge success and I encourage everyone to stop by Literati and buy a copy for just $5. There was so much talent, I can’t hope to do all of them justice so here are some pieces that were read Friday which stood out to me:

“If You Can’t Stand the Kitchen” by Moe Koltun was dynamic and fast paced poem. It sounded great spoken and was an almost epic style narrative in verse. My favorite line was “more carcass than being” which in the mists of the poem was so graphic and perfect it made me squirm.

Grace Daley Bydalek got up to read her piece “Peaches” talking about how it was only five lines. Don’t preface your poem with criticism; because it may be only five lines but it was simple, elegant, and beautiful and that’s all it needed. One of my favorites.

“The Summer of Emily and Ice Cream” by Miranda Hency put me back in time to previous summers. I was there. And the ending and was probably my favorite part: “…and my travelling box of/ “to read” books/ shrunk in size. I transferred them to my bookshelf, casting black shadows/ that spelled Emily”. This is such a nice idea and I can relate; books I read with others or while with others always remind me of them.

Jordyn Fishman has two pieces of art in the journal and talked about them at the reading. They are called “4 Girls” and “Yo Can I Bum a Cig”. Even without hearing her speak about them, you’ll hear what she has to say just by looking.

Megan Koopman read her prose piece “Schadenfreude”. I really enjoyed this work and she had a very nice reading voice. She made some really beautiful connections linking construction and her character’s grandfather, equating power tools with new life. Comparing Detroit to an empire in some really vivid language.

There were so many more talented readers and the issue is full of many more. It’s sure to be a great read, make sure and get your copy!

PREVIEW: The First University of Michigan Improv Festival

Saturday, March 26th is the first ever University of Michigan Improv Festival! Organized by UofM’s very own groups of hilarity: Funny or Die, ComCo, and Midnight Book Club. In addition to performing themselves, these comedians have brought in other outside artists. Check out the full line-up in this video posted on the Festival’s Facebook Event page: 

There is a show at 6 pm and 9 pm; yes, there are TWO shows! Really want to avoid your homework? See both and get twice the laughs, plus each performance features different groups. But, RSVP to reserve your seat. Visit their Facebook Page to RSVP by noon on Saturday. Not a planner? No problem! Doors open to the public, those who did not reserve seats, at 5:45 pm for the first show and 8:45 for the second show. Reserved seat or not this event is totally FREE!

I’m so excited for this festival and can’t believe UofM hasn’t had one before now! It’s a chance to see our local on-campus talent and that of other universities all in one place. Without ever having to actually leave campus! It should be a great show and the first of many improv festivals!

Both performances are in Rackham Auditorium

PREVIEW: Release The Oleander Review!

Like reading? Are you the friend who decides to stay in on a Friday night, just so you can catch up on your latest book (because, really, who has time for actual reading during the academic week)? Well, Friday night put on your coat and head to Literati, a prime book-lover hangout and a local bookstore that is a must for anyone visiting/living in Ann Arbor. Set out into the night, among whatever weather the state of Michigan has decided to throw at you, and indulge in your love of reading at a party! The Oleander Review is releasing their latest issue in the Espresso Bar (above Literati) Friday night at 7 pm and artists will be reading from the issue.

The Oleander Review is an undergraduate run literary journal that publishes work- writing and art- from both students and established writers. It is a platform in which artists at various points in their careers meet and present their work. For more details about what Oleander is all about visit their website! For a full list of the readers at the Release Party visit their Facebook Event.

This party is FREE; I’ve even heard talk of refreshments. Copies of the journal are $5. You’ll get a chance to meet some of the people that produced the journal and some of artists it features. Hope to see all you book lovers there supporting your peers and celebrating how much we love art!

REVIEW: BEWARE the Ives of March

Sunday evening in the Keene Theater RC drama students performed 8 of David Ives’ popular farces. It was a joint production with the course RC HUMS 482 providing the directors and RC HUMS 281 suppling the actors. The Ives collaboration has become an annual tradition and if all the years are like Sunday night’s energetic and witty performance it should definitely be continued.

The production opened with Ives’ Mere Mortals, during which 3 construction workers take their lunch break. In addition to having convincing New Jersey accents, the actors had a group chemistry that made the scene both believable and entertaining. The entire farce took place almost stationary as they never moved from where they were sitting, despite the fact that during the course of the conversation one person declared themselves to be the lost Lindbergh baby and another to be the czar of Russia. Minute changes of body position and tone of voice were the only physical indicators of a change in attitude or emotion. The simplicity of the setting made Mere Mortals one of my favorite because it let the words and actors speak the message without any overt distraction.

In both The Philadelphia and Sure Thing, I felt the believability and chemistry between the actors, that was so prevalent in the first piece, was missing at times. I enjoyed The Philadelphia for its unique idea that metaphysical states of being have equivalents with places, such as Cleveland being like death and in a philadelphia you never get what you want. But the two friends in the piece lacked a closeness in their interactions and the play missed a chance to increase the natural humor in the play.

I had a similar experience while watching Sure Thing. The two characters have a chance meeting and their conversation repeats itself whenever they hit a dead end- where normally their relationship would be stopped from developing. Each conversation restart is marked by the ding of a bell, so everyone knows the conversation is going back a bit. But they are both given a second chance. It is all in the timing and the word choice of each character. In this way the concept is really interesting and it was extremely entertaining to watch them repeat the same line until the other responded with an acceptable answer. It is the way we all wish we could meet people, with the guarantee its a sure thing. They did a very good job of jumping back and forth whenever they had to rewind and restart the last section of their conversation It was fast paced and snappy. But I missed the chemistry that could have been between them; true, they were playing strangers meeting for the first time but even as they got to know each other better, with many restarts, I did not believe the build up that finally led to them liking each other.

Another one of my favorites was Moby-Dude: Or, The Three Minute Whale. A solo farce, Mardheanna Md Yasin was animated and energetically dynamic in her performance. It was three minutes of her talking and accounting, in the stereotype of a surfer dude’s laid back manner, the tale of Moby-Dick. She stumbled a few times with the words in the middle but it was a very long piece and she recovered quickly. Her rendition was a highlight of the show.

There were three other pieces, each just as much fun as the others. The Universal Language was a riot of known and unknown languages, ultimately ending on an optimistic note for a global community which was portrayed by two dedicated and comedic actors. Honestly, I didn’t quite get Variations on the Death of Trotsky though the actors capitalized on the humorous moments with great effect and made it enjoyably entertaining all the same. The production ended with Time Flies which is a close up on the brief life of a mayfly. The actors had a familiar chemistry and were not afraid to embrace the awkward moments in the play but instead made the show all the more humorous for their fearless representation. Overall, “BEWARE the Ives of March” was an evening of good theater and good laughs that ensures I’ll be back for more farces by Ives next March!

REVIEW: ComCo Presents

Audience members at Friday night’s ComCo show were treated to an improv show with live music and a guest appearance by former ComCo member, Guy Madjar. Guy graduated in December but was back in town during this show. The performance began with every member dancing together in a surprisingly together opening number. With the unique addition of music they created a fun filled musical improv show, with members singing song lyrics, in unison, as easily as they would say them.

After the opening, the show proceeded with a number of short form comedy games. One of my favorites was where one player, Michael Duczynski, left the room. The remaining actors took suggestions from the audience on how he got to work, what problem he encountered, and how he overcame that problem. Then the absent player was called back into the room and had to explain to his boss why he was late to work, as the other players acted it out for him. He had ridden a subway sandwich to work; that one was more complicated for the obvious reason that it was a subway BUT he had to also mention that it was a sandwich part. The problem he faced was intoxication and he overcame it by meeting Christ, both of which he succeeded in getting fairly quickly. That one is one of my favorites simply because of how much fun it is to watch the actors pantomiming the clues and having to get creative when wasn’t immediately obvious.

Perhaps the only moment where the show lagged a little was the game where they were putting on a movie and then kept changing the genre of the film; on Friday, genres ranged from Westerns to a National Geographic documentary. Despite a good title, “My wife left me”, it just didn’t pick up steam.

The rebound was quick though as the next two games were called “Sing it” and “Bucket of Death”. “Sing It” took place in Hell, per an audience suggestion, and whenever the keyboardist started playing a song, the person who had been talking had to start singing. It went over really well and both Kelsey Fox and Maya Crosman were not afraid to belt it out! The “Bucket of Death” game was met with some whispers from the audience- A ComCo actor holds their breath while putting their face in a bucket of water and then hits the table when they next to be relieved, and another actor takes their place, all the while trying to perform one continuous scene. Despite the audiences hesitation it was a huge success, especially when Adam Konig came back from his turn in the Bucket of Death with a really spectacular head swish which sprayed an impressive amount of water across the stage. And then he tried to pass off the fact that his head was dripping wet from nerves about the exam they were supposed to be taking.

Before closing with ComCo’s traditional games “World’s Worst” and “Innuendo”, which are always a crowd favorite and didn’t disappoint, they played one of their long form games. What in past shows has been a book, narrated by the author Kelsey Fox, while the other players act it out, was instead a failed Musical! Entitled Sauna from an audience member’s suggestion, it was original, hilarious, bizarre, and overall put on with the usual ComCo flare. Having seen previous ComCo shows, Friday night’s was one of their best most innovative performances.

Here are some highlights from Sauna: The Musical!, probably not coming to a theater near you (apologies for the my amateur photography skills)

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