REVIEW: Guys and Dolls

*Performances of Guys and Dolls took place in the Lydia Mendelssohn Theatre from October 5-8 and 12-15*

On the many websites promoting SMTD’s performance of Guys and Dolls, it was called a “true crowd pleaser,” and it truly was! Guys and Dolls is a brilliant romantic comedy built around lies and deceit with themes of religion and gambling. I found myself smiling the entire two hours of the show. Because I’m so accustomed to classical music where the audience only claps at the end, I was surprised when the crowd cheered after each song. That added to the excitement and joy in the theatre, and before I knew it time flew by.

The acting, singing, and dancing were the highlight of the show. Performers in this production were all students in the Department of Musical Theatre, but they embodied their characters so well I couldn’t see them as anybody but their character even as they were taking their bows. I loved how they never left their roles when the curtains dropped, the lights turned off, and they exited the stage. They captured the regional slang and accents perfectly while singing too! I had trouble understanding at times, but that just indicates the cast’s mastery in embodying New Yorkers in the 1950s.

The main characters were gambler Nathan Detroit, played by Chad Marge (Senior, BFA Musical Theatre); Nathan’s girlfriend and night club performer Adelaide, played by Catie Leonard (Junior, BFA Musical Theatre); gambler Sky Masterson, played by Diego Rodriguez (Senior, BFA Musical Theatre); and the straight-laced missionary Sarah Brown, played by Alex Humphreys (Senior, BFA in Musical Theatre).

The musical opened with the orchestra, and afterward, beautiful props such as neon store signs representative of Times Square were brought onto the stage. Following soon after was a charming dance hinting at the motif of flirtatious and sleazy love. The work of choreographer Mara Newbery Greer was just fantastic overall. The dances showed off the talent of the cast by incorporating full usage of the body through leaps and acrobatics as well as adding personality befitting of the song and scene. My favorite choreography was Luck Be a Lady featuring Sky & Crapshooters, which emphasized Sky’s charm. Sit Down, You’re Rockin’ the Boat by Nicely-Nicely & Company was super fun too, and definitely one of the comedic highlights.

My absolute favorite song was My Time of Day/I’ve Never Been in Love Before, a duet between Sky and Sarah that concluded Act I. Their voices had such gorgeous contrasts when harmonizing and responding to one another. Everyone’s singing was so stable and clear as if they were in a studio and not dancing, jumping, and running around.

I was surprised that the musical was being performed at the Lydia Mendelssohn Theatre since it’s small compared to other venues, but they made great use of space by incorporating the actual theatre exit and aisles into their play. Props to the Creative Team, Production Crew, Running Crew, and Orchestra for making it possible to have such a smooth showing of Guys and Dolls. I can see why it won so many awards and is so popular, and the experience made me determined to watch more musicals!

REVIEW: Guys and Dolls

8:00pm • Saturday, Oct. 7, 2023 • Lydia Mendelssohn Theater

This Saturday’s performance of Guys and Dolls was one of the best musicals I have seen on campus. SMTD’s production staff, crew, and performers breathed life into the classic “Broadway fable” through their thoughtful and critical treatment of the 70-year-old subject matter, while remaining true to the musical’s original humor and optimism. 

First and foremost, the cast’s performance was exceptional. The actors embodied their characters with charisma and authenticity, making them relatable despite some of the more dated stereotypes. Their command over dialects transported us to the streets of New York, and their chemistry on stage gave the story’s romances real gravity that completely absorbed my attention. In particular, I was blown away by Alex Humphreys’ soprano (just like I was in last semester’s production of Rent!) in “I’ll Know” and literally all of her songs afterwards. 

I loved how the set and costume design expertly combined to craft a convincing world onstage, without visually overwhelming the talent of the actors. When the curtain rose at the beginning of the performance for “Runyonland,” the sparsity of the stage put the spotlight on the orchestra for a few well-deserved moments. An unexpected sense of excitement and anticipation overtook me as the curtain lifted a second time, revealing the blinking neon signs of Broadway and immersing me in the production’s vibrant atmosphere. 

Despite Guys and Dolls being a product of its time, based on the archetypes developed in Damon Runyon’s 1920s and ’30s stories about the New York underworld and Broadway, SMTD managed to navigate this delicate terrain with finesse. The show’s dramaturgs thoughtfully interpreted some of the more outdated themes in the show, making it relevant and engaging for a modern audience. I especially appreciated the incorporation of informational placards in the hallway, shedding light on the broader social context of the era. These additions offered audiences a deeper understanding of historical context like the LGBTQ+ scene in 1950s New York and the nascent Civil Rights Movement, adding layers of depth to the narrative we saw in the play.

In conclusion, SMTD’s Guys and Dolls was a resounding success on all fronts. The students’ dedication and talent elevated every aspect of the production, from the outstanding musical performances to the impeccable set and costume design. I was impressed by the production’s ability to breathe new life into a classic while addressing its historical context with sensitivity. 

If you haven’t yet seen Guys and Dolls, you still have the opportunity to buy tickets for this Thursday, Friday, or Saturday’s performances, and I urge you to do so! You might see me there as well!

REVIEW: 17th Annual Multicultural Greek Exhibition

*The image above features Lambda Theta Alpha Latin Sorority, Incorporated; sorry I didn’t have a good seat to take a picture from :,)*

I saw many familiar organizations from the Yardshow last semester at the Multicultural Greek Exhibition (MGX) on Saturday. Since this event was in a smaller and more private venue, I think I got to know more about the community; one art form I really appreciated seeing again is called a ‘salute’. It’s a tradition unique to many Latino-Greek organizations and is performed in a line formation. They described it as being different from a step or stroll, which are more dance-like, and compared it to a form of poetry expressed through both recitation and movement honoring past accomplishments and cultural history.

Saluting can be startling when seeing it for the first time due to its intense nature, and I hadn’t heard of it before last Saturday; when I first saw it at the Yardshow I didn’t even know that some of the performances I was watching were called a salute. I’m sure many others haven’t heard or seen a salute before either because of how integrated it is in Greek (specifically Latino-Greek) culture and there aren’t many opportunities to see them. I highly recommend it though, because it’s truly a special experience.

It’s impossible for me to capture the salutes I saw only in words, but in my best attempt to describe it the members were SO powerful with their facial expressions, had amazing coordination, showed unbreakable unity, and expressed passionate language. You truly see a whole other side to someone who is performing a salute. Their hard work is so impressive.

I did enjoy the other groups too! I’ve only been attending more serious dance-focused events recently, as in the performers and centered around dance performance, and coming to this event reminded me of how much fun it is for the audience AND the performers when they’re not even ‘dancers’.

While I don’t want to compare, I did prefer the Yardshow more, largely due to the location. Since it was indoors and in a smaller room, there wasn’t much awareness or accessibility to the general public that the event was happening. This meant that the amount and kind of audience were limited and the view I had of the stage wasn’t very good.

Still, it was a fun time and I’m glad I went! Shoutout to all the organizations that performed, especially Lambda Theta Alpha Latin Sorority, Incorporated for organizing it and doing such a good job hosting.

 

PREVIEW: 17th Annual Multicultural Greek Exhibition

The Multicultural Greek Exhibition (MGX) hosted by Lambda Theta Alpha Latin Sorority, Incorporated is tomorrow: Saturday, March 25th at 7:00 PM in the Michigan Union Rogel Ballroom. This event will be a collaboration between various multicultural greek organizations on campus, where they’ll give all kinds of performances expressing their pride and showcasing their greek traditions.

Last semester I attended the Yardshow, a similar event hosted in the Diag by Sigma Lambda Beta International Fraternity, Incorporated. It was an indescribable experience and certainly a night to remember, with one of the largest and most supportive crowds I’ve ever been a part of. Not only did I witness great performances, I also had a valuable learning experience regarding what multicultural greek life entails and how it differentiates itself from other kinds of fraternities and sororities. Through powerful dances and facial expressions, they showed the audience the significance of their values and history.

I can’t wait to see what MGX has in store, as they promised on their instagram (@lta_betaomicron) a “night full of energy”. The event is free and open to the public; there will also be a chance to participate in mini-games and win prizes.

If you’re still curious as to what kind of experience it may be, I recommend checking out my previous review on the Yardshow (no promises as to how alike they are though). However, the best and most accurate way to find out is by attending yourself tomorrow night!

REVIEW: The Future Is With Our People: Sustainability Art Exhibition

On the first floor of the Michigan Union there is a showcase full of stories, small moments captured in time that discuss the complex, yet integral, relationship between students and the environment. Amidst a time of climate crisis, this exhibition aims to remind us of the essential ways that we can heal through community, culture, and relationships, and how through these experiences we may discover paths to a better future. “The Future is With Our People” is an art exhibition created by the Student Life Sustainability Cultural Organizers and I cannot recommend it enough. Seriously. Go spend time with it. While you are at it, check out the Cultural Organizers and get familiar with who they are and what they do here — you will not want to miss out. 

The opening ceremony of the art installation, held in the South Lounge of the Union last Monday, was filled with music, storytelling, laughter and community. A group of ~10 students and members of the UM community, called to share stories of strength and creativity in a changing climate, came together to share these pieces of themselves. It was the perfect extension of the exhibit itself, allowing the flow of stories to seep into the audience through different forms of performing arts. 

“Labu Sayong” and “Peanut” by Shiryn Anissa Noor Affendi

The exhibit, on display until February 24th, is a collection of art through a variety of mediums that showcase the artistic ways we can have a conversation about climate and our place within it. The driving question behind the work is this: What about your culture sustains you, your community, and your environment? It is a beautiful web to weave between the shared sustainability between peoples and their environment, each being essential to the other. The artists that are featured allow the audience to look into what this relationship looks like for them. Although I wish the exhibit was given a larger space, its impact cannot be understated; I guarantee that each piece will make you think differently about how people connect with the environment, and the importance of culture and community within that. 

“N’Zaagidiwin biish” by Zoi Crampton

Each participating artist had their own unique piece of art and story to tell. Artist Shiryn Anissa Noor Affendi used clay to sculpt one of her pieces, “Labu Sayong,” representing a traditional Malaysian method of using a hollowed out gourd as a water container. She discussed the ways she must find connections between her heritage and her experience at Michigan in order to stay centered. Another artist, Zoi Crampton, collected plastic from the Great Lakes and threaded them together with intention to make a jingle dress, a teaching rooted in Crampton’s Anishinaabe culture, to send prayers toward healing community. Crampton ties this form of art to the healing of the Great Lakes.

I could go on and on about these artists and their stories, but it would make much more sense for you to go see it yourself. This exhibition deserves more time and space at our University, but I am glad to see it for the time that it is here. Thank you to the Cultural Organizers and every artists that participated and created this absolutely beautiful space on our campus.  

REVIEW: Đêm Việt Nam

I had a blast at this year’s Đêm Việt Nam (DVN)! Pictured above was my favorite performance from the night – the opening act done by The Detroit Lion Dance Association. I didn’t expect to see an actual traditional lion dance; it was my first time watching one as well!

It was fascinating in multiple ways. Exclaimed gasps were heard throughout the venue when the two lions suddenly appeared in the aisles. Their dance incorporated humor and storytelling, and the lions themselves showed so much emotion through their movements and eyes alone. One highlight for me was when the lions pretended to drink alcohol and afterward stumbled onto the ground in a deep slumber; then the sound of the drums awakened them and they gathered their surroundings to the rhythmic beat of the instruments. The crowd favorite was the moments when the lions would rise to face either the audience or each other. I’m truly impressed by the stamina and hard work that must’ve been put into this performance.

 

Despite being a non-dance-based organization, I enjoyed the performances the members of VSA prepared. They incorporated a lot of character and I could tell the students had a lot of fun on stage. I realized at DVN how important lighting is and how it can increase the quality of a viewer’s experience. Darker lighting heightened anticipation in the room; brighter lighting gave playful energy; and pure silhouettes on a colorful background emphasized the movements of the dancers. I think these special effects helped show off the energy the performers wanted to showcase. In my opinion, it also relieved the pressure of giving an immaculate and in-sync performance. The Power Center is an amazing venue and I hope to watch more performances there.

 

Guy/Girl traditional – this was another one of my favorite performances; the chemistry between the dancers was very charming and I loved all the romantic nuances hidden within their dance moves alongside the use of the hats

 

Fans – an example of how the background shift can change the atmosphere of a performance. The dark red was very alluring and the dark green let the shape and colors of the fans standout

 

Traditional Melody – one of the ending acts that incorporates multiple traditional dances and outfits

The event was an appropriate length: not too long that it was tiring or too short that it felt disappointing. I liked the intermittent mini-skits that helped create smooth transitions between different performances too. I even found myself smiling at the heartwarming atmosphere between the club members.

I’m already looking forward to next year’s DVN and hope you guys consider attending in the future too!