REVIEW: The Future Is With Our People: Sustainability Art Exhibition

On the first floor of the Michigan Union there is a showcase full of stories, small moments captured in time that discuss the complex, yet integral, relationship between students and the environment. Amidst a time of climate crisis, this exhibition aims to remind us of the essential ways that we can heal through community, culture, and relationships, and how through these experiences we may discover paths to a better future. “The Future is With Our People” is an art exhibition created by the Student Life Sustainability Cultural Organizers and I cannot recommend it enough. Seriously. Go spend time with it. While you are at it, check out the Cultural Organizers and get familiar with who they are and what they do here — you will not want to miss out. 

The opening ceremony of the art installation, held in the South Lounge of the Union last Monday, was filled with music, storytelling, laughter and community. A group of ~10 students and members of the UM community, called to share stories of strength and creativity in a changing climate, came together to share these pieces of themselves. It was the perfect extension of the exhibit itself, allowing the flow of stories to seep into the audience through different forms of performing arts. 

“Labu Sayong” and “Peanut” by Shiryn Anissa Noor Affendi

The exhibit, on display until February 24th, is a collection of art through a variety of mediums that showcase the artistic ways we can have a conversation about climate and our place within it. The driving question behind the work is this: What about your culture sustains you, your community, and your environment? It is a beautiful web to weave between the shared sustainability between peoples and their environment, each being essential to the other. The artists that are featured allow the audience to look into what this relationship looks like for them. Although I wish the exhibit was given a larger space, its impact cannot be understated; I guarantee that each piece will make you think differently about how people connect with the environment, and the importance of culture and community within that. 

“N’Zaagidiwin biish” by Zoi Crampton

Each participating artist had their own unique piece of art and story to tell. Artist Shiryn Anissa Noor Affendi used clay to sculpt one of her pieces, “Labu Sayong,” representing a traditional Malaysian method of using a hollowed out gourd as a water container. She discussed the ways she must find connections between her heritage and her experience at Michigan in order to stay centered. Another artist, Zoi Crampton, collected plastic from the Great Lakes and threaded them together with intention to make a jingle dress, a teaching rooted in Crampton’s Anishinaabe culture, to send prayers toward healing community. Crampton ties this form of art to the healing of the Great Lakes.

I could go on and on about these artists and their stories, but it would make much more sense for you to go see it yourself. This exhibition deserves more time and space at our University, but I am glad to see it for the time that it is here. Thank you to the Cultural Organizers and every artists that participated and created this absolutely beautiful space on our campus.  

REVIEW: Đêm Việt Nam

I had a blast at this year’s Đêm Việt Nam (DVN)! Pictured above was my favorite performance from the night – the opening act done by The Detroit Lion Dance Association. I didn’t expect to see an actual traditional lion dance; it was my first time watching one as well!

It was fascinating in multiple ways. Exclaimed gasps were heard throughout the venue when the two lions suddenly appeared in the aisles. Their dance incorporated humor and storytelling, and the lions themselves showed so much emotion through their movements and eyes alone. One highlight for me was when the lions pretended to drink alcohol and afterward stumbled onto the ground in a deep slumber; then the sound of the drums awakened them and they gathered their surroundings to the rhythmic beat of the instruments. The crowd favorite was the moments when the lions would rise to face either the audience or each other. I’m truly impressed by the stamina and hard work that must’ve been put into this performance.

 

Despite being a non-dance-based organization, I enjoyed the performances the members of VSA prepared. They incorporated a lot of character and I could tell the students had a lot of fun on stage. I realized at DVN how important lighting is and how it can increase the quality of a viewer’s experience. Darker lighting heightened anticipation in the room; brighter lighting gave playful energy; and pure silhouettes on a colorful background emphasized the movements of the dancers. I think these special effects helped show off the energy the performers wanted to showcase. In my opinion, it also relieved the pressure of giving an immaculate and in-sync performance. The Power Center is an amazing venue and I hope to watch more performances there.

 

Guy/Girl traditional – this was another one of my favorite performances; the chemistry between the dancers was very charming and I loved all the romantic nuances hidden within their dance moves alongside the use of the hats

 

Fans – an example of how the background shift can change the atmosphere of a performance. The dark red was very alluring and the dark green let the shape and colors of the fans standout

 

Traditional Melody – one of the ending acts that incorporates multiple traditional dances and outfits

The event was an appropriate length: not too long that it was tiring or too short that it felt disappointing. I liked the intermittent mini-skits that helped create smooth transitions between different performances too. I even found myself smiling at the heartwarming atmosphere between the club members.

I’m already looking forward to next year’s DVN and hope you guys consider attending in the future too!

PREVIEW: Đêm Việt Nam

If you have time tomorrow evening, consider coming to Đêm Việt Nam (also known as DVN), which is the Vietnamese Student Association’s annual show! The theme this year is “Tìm Đường Về”, which means “Find Your Way Home.”

This will be my first Đêm Việt Nam, so I don’t have a clear picture of what their show is like. However, I know there is a highlight on dancing. These are the specifics listed on their Instagram (@vsa_michigan) post teasing DVN a while back:

Guy/Girl Hiphop

Umbrellas

B2Viet

Guy Hiphop

Fans

Girl Hiphop

Traditional Melody

Guy/Girl traditional

Furthermore, they’re featuring a long list of guest performers, some that I found rather surprising:

The Detroit Lion Dance Association – This is a group I haven’t seen before

K-Motion + Female Gayo + DB3 (Kpop-focused dance groups collab)

Revolution (Chinese Yo-yo club)

UMTKD (The University of Michigan Tae Kwon Do Club) – I didn’t expect there to be a martial arts performance!

Photonix (Glowstick Performance Group)

It’ll be at the Power Center tomorrow, which is a really nice venue that holds various professional performances like ballet, theater, etc. The doors will open at 6:00 PM but the actual performances will be from 7-9 PM. You can buy tickets (they’re beautifully designed by the way) at the door, so if you’re looking for something to do Saturday night, stop by for some exciting performances!

REVIEW: FASA’s Philippine Culture Night

The featured image above is a performance on a musical instrument called a kulintang, and the weaving of the mallets represents the motion of weaving a basket.

Saturday night, the Michigan Union was bustling with activity for FASA’s long-awaited PCN. Everybody was elegantly dressed in long gowns and suits. The audience consisted of not only students, but friends, families, alumni, special keynote speakers, and even Filipino American student associations from Universities in Grand Rapids, Oakland County, and Dearborn.

FASA prepared multiple acts, such as various live singing performances (including a featured performance from FASOU, a student band from Oakland University), traditional instrumental music accompanied by dance, a poem reading, and many more.

 

A cover of “All I Ask” by Adele

This was the most memorable live music performance for me. The students covering the song showcased so much musical talent in their harmonies and synchrony with one another, and they’re not even an established music group. I don’t even see the same chemistry or skill in groups that focus on live singing.

 

The traditional music ensemble

 

The fan dance performed alongside the ensemble

What interested me the most about this dance is the lack of facial expressions on the dancers. Normally, facial expressions are a key focus in dance, because it’s the most blatant way to express emotional depth. In this case, the poker faces created a very elegant atmosphere.

 

Dance incorporating modern music with a cultural twist

This was another performance that really stood out to me. It was so much fun seeing how modern and cultural art can collaborate with each other. As they performed the traditional dance steps, students showcased goofy and joyful facial expressions in contrast to the fan dance performed just previously.

 

FASA’s band

 

A hip-hop dance to American and Philippine pop music to end the night

 

Unfortunately, there were serious sound issues at PCN. The mics often rang and that really took away from the experience. In addition, the technical difficulties dragged the event to become an hour longer due to frequent awkward pauses between and even in the middle of performances. Overall, it was an amazing, lively, and lovely event to attend. However, I’m not sure if I would come back to PCN next year because of how long it was. That doesn’t mean I wouldn’t consider going again, though, and I highly encourage anybody interested to attend the event next year!

PREVIEW: FASA’s Philippine Culture Night

We’re still in the beginning of the semester but various organizations are already throwing events. You’ve probably heard of the one coming up this Saturday: FASA’s Philippine Culture Night. Their pre-sale tickets went live last semester and sold out within 30 minutes! After various struggles and being put on a long waitlist, I finally managed to get my hands on a ticket to the overflow room. Unfortunately my seat isn’t the best, so I’m not sure if I’ll be able to get any good pictures.

Here’s the description written on their instagram account: “This year’s PCN is themed Hiraya: Bridging the Generational Gap. With this theme, we want to honor our parents and those who came before us by highlighting our intergenerational differences in dreams, journeys, and aspirations. With this, we hope to spur forward-thinking conversation through dance,  performances, speeches, and more.” – @fasa_umich

Before coming to the University of Michigan, I didn’t know many Filipino people or anything about Filipino culture. It’s amazing to see how large and passionate FASA is as a community: FASA has been practicing at the Mason Hall posting wall for months now, and their dance team is extremely large. I believe modern and cultural dances will be performed on Saturday night, and it’s what I look forward to seeing the most at their event. This will be my second time exposing myself to Filipino culture (the first time being a traditional music ensemble performance), and I look forward to learning more!

I’m still unsure if tickets are viable at this point, but good luck to those trying!

PCN will be from 5:30-9:30 PM (doors open at 5 PM) in the Michigan Union, Rogel Ballroom (second floor).

REVIEW: Celebrasia

I arrived promptly at 5:15, and through the windows of Mason Hall, I could see the place was already swarmed. The performances wouldn’t start until 6:30, but eager supporters ravaged the food booths, arriving early to secure good seats and snag Asian snacks like scallion pancakes, spam musubi, samosas, onigiri, tea eggs, and dumplings, just to name a few. 

After destroying the best tofu pudding of my life, and a quick fishbowl study sesh (grind never stops), we headed to auditorium A to catch the performances. Only to find an overflow of people out into the hall. There was absolutely no way to get a seat, let alone see past the crowd of heads cramming the walkway. Despite many technical difficulties, and my late arrival to the show, the student groups were a hit. From the doorway of the auditorium, through the screen of a phone filming between two heads (shout out to the dude who was recording), we gasped, bug-eyed at Revolution Yo-yo’s flying tricks and coordinated routine to “Stereotype” by STAYC. When they threw and caught their yo-yos and jumped to the beat of the song, the audience emitted oohs, ahs, and wahs

By the time the intermission hit, we were able to finally find seats and sit down. Pretending we were a part of Seoul Juice, who were all suited up in forest, olive, and dark green (one member even dyed their hair green), we wove through the crowd with ease. With the fairy lights and floral compositions framing the stage, the band resembled Christmas trees, a little grove of them. They absolutely murdered their new setlist, blazing through “Pink + White” by Frank Ocean, “Jealous” by Gummy and Ailee, and “Hype Boy” by NewJeans with character and ease. Suzy’s high notes alone were enough to bring about collective chills. Nods and grimaces of admiration (expressions like that of K-drama characters after downing a smooth shot of soju) between members solidified a sense of not only skill, but group support and dynamic. Their unique color showed when they grooved with one another during instrumental riffs. Like when Darren swooned against the back of the stage when one of the new members sang solo. Or when the mics started beatboxing (more tech issues!) and a few members stalled while the situation was being sorted out. The distraction, in the form of playing around with pleasant, jazzy sounds, made the dim auditorium feel like a street-side restaurant in Italy. Along with roars towards individual members of the band, cheers from the audience (“Slay Juice”) hyped the whole group up.

Seoul Juice performing Pink + White.

As a (mediocre) dancer and dance enthusiast, I especially enjoyed the dance groups’ performances. DB3, in matching schoolboy outfits, had the audience barking, singing along, and screaming fanchants. rXn demonstrated a versatile variety of dances that blended the traditional with trendy. 

rXn during two different dances.

FunKtion’s final pose.

“Hype Boy” came on again during Female Gayo’s performance medley. The K-pop dance group flaunted the strengths they’re known so well for: sharp stage presence, clean coordination, and charming charisma. The choreography caught every eye; mine were glued, dry from forgetting to blink. And I wasn’t the only one. The person sitting in front of me was filming a literal fancam for one of the members.

So when the speakers stopped, mid-song, it was all the more disappointing, for both the audience and the performers. Some members kept dancing, while the other half froze in their positions, mid-step; both moves oozing professionalism. The music was fixed, the song replayed, they got back into formation again. But the technical difficulties were still being difficult; as soon as the song started back up, it grinded to a halt again, at the same time as before. Luckily, third time was a charm, and they were able to finish out the performance both smoothly, and with a bang. 

Female Gayo while waiting for the music to get fixed.

I wasn’t able to see nor write about every group, but I look forward to next year’s Celebrasia, and I’m sure many can say the same!

I left with several shazamed songs in my pocket, a satisfied stomach, and cheeks that hurt from cheesing.