REVIEW: Lightworks Fall 2014

In case you haven’t heard of this wonderful (and free) 2 day event, Lightworks is the biannual film fest that showcases student films made through the Screen Arts and Cultures (SAC) department.

That being said, the norm for student film fests goes something like: most films are not immaculate, and the quality can range from good to pretty awful. Fortunately for us, U of M students consistently churn out films that are at worst watchable, and at best better than many Hollywood films (that means you, Mike Bay).

You can’t have a film event without popcorn, and the hosting Film and Video Student Association (FVSA) was happy to oblige. I was pleasantly surprised to find that not only was the popcorn free, but it had just the right amount of flavoring to enjoy the array of films in the Natural Science Auditorium.

This year was Nicolas Cage themed, with his image, quotes, and movies in every nook and cranny. I thought it was a step in the right direction, as it provided comic relief to the festival and helped group the films into categories roughly based on the titles of Cage films.

Last semester was a particular good stretch of Lightworks films and this semester was able to keep up the pace. I was extremely happy to see that a couple of the 300 level films (intermediate production level) were able to keep up with the higher level films. In fact one of them, Jessie Micallef’s “Between the Lines” was runner-up for best drama.

Furthermore, the independent projects truly showcased what students can do with autonomy. The winner for best drama, and my personal favorite of the festival, was Anthony Khalil’s “Old Stones.” A fictional tale about a son trying to win his father’s favor by playing shuffleboard at a retirement home, it was quirky enough to be a fresh take on the banal sports film genre.

I think the best part about “Old Stones” however, was that it never tried to be some esoteric analysis of the human condition. Unlike a lot of the upper-level projects, “Old Stones” didn’t attempt to go unnecessarily deep in the father-son relationship, nor did it waste time exploring the lead character’s fall from grace as an Olympic curler. Oh, and did I mention the gorgeous color throughout the film? Check it out.

“Cold Cut Comedy Shorts” was basically a live-action Robot Chicken. It was a delightfully incomprehensible collection of random shorts that drew laughs from the audience. The only fault with this project is that, like Robot Chicken, I was left wanting more.

Below is the list of winners from the festival. I recommend the winners from each category. However, one that didn’t even make it onto the list was Brian Collins’ horror flick “Closet,” which I was shocked to see did not even make honorable mention.

Ligthworks Winners
Drama: Old Stones, Anthony Khalil
Runner-Up: Between the Lines, Jessie Micallef
Honorable Mention: Nonna, Sam Gioia
Comedy: Cold Cuts Comedy Shorts, Joe Biglin
Runner-Up: You Can’t Sit With Us, Emily Browning & Jamie Dean
Honorable Mention: A Little Time Away, David Olonoff
Experimental: Easy, Alex Holmes
Runner-Up: The Golden Apple, Andrea Rivera
Honorable Mention: Time Space, Yunzhi Ou
Alternative Narrative: I’m a Wicked Child, Jingru Yang
Runner-Up: Pace of Life, Yihong Chen
Honorable Mention: A Flower to Pick, Jeremy Borison
Animation: Little People, James Reslier-Wells
Runner-Up: Living on the Earth, Layne Austin Simescu
Honorable Mention: Copy Cat, Sam Barnett
Documentary: Cooley Reuse Project Teaser, Jennifer Larson
Runner-Up: SALT, Phillip Wachowiak
Mary Lou Honorable Mention: Unsocial Media, Al Smith
Feroz Honorable Mention: Meta, Charlotte Lichtman
Josh Honorable Mention: Candy Ball, Yunzhi Ou

PREVIEW: LIGHTWORKS FALL 2014

Have you ever wondered what Screen Arts and Cultures students do each semester? Interested in seeing the next generation of filmmakers? Looking for a relief from studying?

Cage Poster - PS

 

Come to Lightworks!

Where: Natural Science Auditorium

When: December 12 & 13 at 7-10:30 PM

This is a two day event with a ton of student films. If you are strapped for time, at least check out the upper level projects at the end, as they are the best of the best the SAC department has to offer.

REVIEW: FUSION OF CULTURES

Although it got off to a bit of a slow start, Fusion of Cultures soon picked up and jumped around quickly from one act to another. In an effort to keep people around until the end, the schedule of events was hidden from the audience, but I kind of liked the uncertainty, especially since I didn’t gain anything by knowing who was up next.

First of all, the food. There was a range of Hispanic, Middle Eastern, and African cuisine, and let’s just make it clear that all of it was absolutely delicious. There may be a variety of finals breakfasts and meals around campus, but this kind of food is rare and should be cherished. I drank a sweet Mango Lassi while munching on fried plantains, refried beans and hummus, to name a few of the dishes that I can remember.

IMG_7433
Pictured: Not Dining Hall Food

The best part about the food was that it was not even the best part. We (the audience) watched a number of dance routines juxtaposed with poetry readings, videos, and even a fashion show.

Translated Poetry Reading
Translated Poetry Reading

As I’m sure we were supposed to see, the variety of cultures that we saw were surprisingly similar. Yes the exact dance moves differed, but all of them had an invigorating, sophisticated quality that one does not normally see at a frat party.

Pictured: A typical frat party
Pictured: A typical frat party

 

Furthermore, the poetry read was heated, especially in the weak of recent national tragedies. It is a sad fact that much of what we heard was characterized by oppression and discrimination, but that is the truth of our world for people other than white heterosexual males.

Best of all, I think, the room was packed. This season has been especially filled with protests and anger in our society, and Fusion of Cultures was a reminder of why we want and need to celebrate diversity in the United States. Throughout the night I watched dozens of talented individuals perform for a packed room and everyone was enjoying their evening. To me, that fit perfectly with the name of the event.

Peace
Peace

PREVIEW: The Theory of Everything

Eddie Redmayne stars as Stephen Hawking.
Eddie Redmayne stars as Stephen Hawking.

What: The Theory of Everything
Where: Michigan Theater
When: Various times until 12/11 (click here for showtimes)
Price: $8 for students with a valid MCard, $10 for adults

The Theory of everything is about the love story of Jane and Stephen hawking. If the nature of this movie doesn’t already entice you to watch it, then the indie-classic quality of the movie should. The film stars Eddie Redmayne (Marius from Les Miserables) as Stephen Hawking and Felicity Jones as Jane Hawking. Under the direction of James Marsh, The Theory of everything delves into an interesting world of philosophy, science, and love, all while being set in beautiful locations such as the University of Cambridge.

REVIEW: Sing-Along White Christmas

What does a tissue, a feather, a bottle of bubbles, a party popper, a plastic horse, a glow stick, and a hand clapper have in common? They could all be found in the goodie bag I received, as I entered the Michigan Theater last Friday night, ready to belt out the classic songs of Bing Crosby’s “White Christmas.”

Image Courtesy of Wikipedia
Image Courtesy of orientaltrading.com
Image Courtesy of galleryhip.com

Donning the Santa Hat handed to me along with the goodie bag, I felt like an elf from the Polar Express. I followed the hordes into the theater, where the antique Barton organ was humming old classic favorites like ‘Frosty the Snowman’ and the ‘Chipmunk Song.’

The theater was packed with mostly families starting new traditions, and old friends remembering the past – a glorious mash-up of the new and classic, the young and old, coming together to celebrate the holidays. And if anyone could turn “White Christmas” into a “Rocky Horror” style experience, it is the Michigan Theater.

The red curtain lifted and the eponymous title song, “White Christmas” came on. In case you didn’t know the lyrics (????), the words were digitally projected onto the screen and looked just like the subtitles of those Disney Sing Along tapes we all watched so long ago. Throughout the movie, the subtitles prompted us to retrieve certain items from our goodie bag. Every time Emma the hotel clerk takes out her hankie, we shook our napkins (very lady-like, of course) at the screen and cried, ‘Boo-hoo.’

Image Courtesy of hookedonhouses.net

Grab your bubbles! It’s starting to snow!

The movie is centered around performances, and so, to imitate our role as an audience member for both the fictional performances as well as the movie itself, we were encouraged to flap our hand clappers when Bing Crosby and Danny Kaye finish their big dance number, or when Rosemary Clooney and Vera-Ellen take their final curtsy. But, basically, we could “hand clap” whenever we wanted (very much like in a poetry slam when you snap for anything that you find especially smooth). Among this particular audience, the hand-claps seemed to be synchronized with the kissing scenes. It was like we were all back in seventh grade when we had to say something at the sight of kissing. Except, instead of “eww,” we let out a collective, “ooh!!!”

At the final scene when the General (who owns the hotel which has been financially saved) blows out the candles on his cake, we were prompted to get out the poppers. We all waited, hands at the ready. Anticipation bubbled throughout the theater, as we waited for him to signal the celebration. It was as if we, the audience, were part of the movie! Suddenly, POP!!!! Streamers flew every which way throughout the theater and the smoky smell of gunpowder filled the air.

If you ever get the chance to take part in a communal sing along experience, do it! Even if you don’t like to sing. Because it isn’t all about the singing. The community of movie watchers and you become one. Together, you bond over the 5D experience of the movie. The smells, the sounds, the tangibility of the fictional movie become real with your help! You help bring it alive, which is an amazing thing to experience. The Michigan Theater is unique in that they put on events like this: events that you the audience member bring to life; events that will become an annual tradition time and time again. Someday, when I’m 89 years old, I hope to bring my friends, my kids, and grandkids back there to the ole’ Michigan Theater and sing along to “White Christmas” tunes, just like I did in 2014.

 

 

PREVIEW: Sing-a-Long White Christmas

Image Courtesy of michtheater.org.

For those of you who have practiced such discipline and have restrained from listening to holiday music before Thanksgiving, congratulations! (I can’t say I’ve been as strong…darn that Vince Guaraldi). Once the feasting has subsided this Thursday, it is officially appropriate to rock out to festive music! And what could be more fun than ringing in the holiday spirit than with a sing-a-long of the beloved holiday movie, White Christmas?

The 1954 classic film, featuring Bing Crosby and Danny Kaye, tells the story of two war buddies turned entertainers who fall for a pair of sisters (Rosemary Clooney and Vera Ellen). The boys follow the girls to a resort, conveniently owned by their former commanding officer. But the resort is in jeopardy of getting shut down. What better excuse to stage a show than to help save the resort?

If you’ll be in town for the long weekend, come get into the holiday spirit at the Michigan Theater! It’s been scientifically proven that singing is good for your mental health! Trust me…Buzzfeed says so… 🙂 http://www.buzzfeed.com/juliapugachevsky/reasons-why-you-need-to-start-singing.

What: Sing-a-long White Christmas

When: Friday, November 28 at 7:30 pm.

Where: Michigan Theater

How Much?: Students (w/ ID) – $13.00

*Come early for caroling with the Barton organ from 7-7:30.