PREVIEW: Schleswig-Holstein Festival Orchestra with Lang Lang

Date: Wednesday, April 7th, 2010 at 8 pm
Location: Hill Auditorium
Tickets: rush tix available at the League today!

Program:
· Prokofiev : Symphony No. 1 in D Major, Op. 25 (“Classical”) (1917)
· Prokofiev : Piano Concerto No. 3 in C Major, Op. 26 (1917-21)
· Brahms : Symphony No. 2 in D Major, Op. 73 (1877)

I have finally taken advantage of the UMS Arts and Eats Program and I look forward to a pizza dinner, talk from an expert, and good seats. Though I have been to many piano and orchestra concerts, I am excited to hear the “biggest, most exciting keyboard talent encountered in many years” (quoted from the Chicago Tribune). I’ll keep y’all posted about the “good” seats and the talk from the expert!

Review: ChristianTetzlaff and the San Francisco Symphony Orchestra

San Francisco Symphony- March 19,2010

They say each symphony orchestra is different than the other in many many ways. Until now, I was really into learning the basics that this concept escaped me. But when I saw the San Francisco Symphony in action, I finally got what they meant. The difference was not only in the arrangements, the music they chose but also in the way they performed as one. They were a more contained unit.

The program started with a piece called “Post-scriptum” by contemporary composer Kissine. No offense, but I didn’t like it. It had this dreading , urgent tone that was disturbing and annoying-a smorgasbord of notes (often jarring and out of place)- no rest for the musician, no rest for the listener. There was definitely an innovative use of the sounds of the entire orchestra. But the piece was abstract and felt purposeless, always aiming towards the dramatic, as if pandering to today’s love for things “abstract”. My frustration sprang from the fact that I couldn’t connect with it at all. There were “bravos” when the piece ended, to my surprise.

Intrigued by this, during the intermission, when I asked a couple of people if they liked it, one (an older person) said that it was uncomfortable and screechy) and the other (younger one)  said that she had liked it for the novelty in the tempo and musical arrangement.  So I guess there was a divided house, based on my pathetic sample size. <Shrug>.

But then the second piece, a definitely classic composition by Tchaikovsky, “Violin Concerto in D Major”  just gave me my ticket’s worth . Listening to the violin solo  felt like stepping out onto the fresh, dew-kissed grass while the smell of the earth lingers in the air after the first rain of spring. Christian Tetzlaff has  perfect technique and when he plays the high notes, especially in the recurrent melody in this piece, you can’t help but bow to his bow.

The brilliant Christian Tetzlaff
The brilliant Christian Tetzlaff. Master of the bow!

This piece touched so many moods but there was no despair of non-comprehension at the end, like the first one. The compelling beauty of the violin was hard to resist. Mr. Tetzlaff  totally owned the piece.

Ravel’s piece was interesting but didn’t leave me that impressed as his other works before. The Liszt work of “lament and triumph” was intriguing and sad. In this piece, I thought that the use of the trumpets and horns as ‘highlighters” in order to emphasize a musical sequence of importance was neat. It started off  on a gloomy note but grew on me.

Michael Tilson Thomas
Michael Tilson Thomas

Mr.Thomas breezed through these tough compositions and everything was executed so well. I think that kind of clockwork precision comes only with amazing natural talent as well as years of practice and hardwork. Overall, it was a great show.

That night, the triangle was used maybe seven times at the max. On my way back, I was wondering what the musician who played the triangle must feel. Maybe  it is pure discipline. Maybe it is the fact that they know that they are contributing, even though it is a small role. ” They also serve who only stand and wait.”

Krithika, for [art]seen

Preview: The Gender Bender Revue is Finally Here!

And excitingly queer! I’ve heard about this event since the beginning of the year and have been waiting with desperate patience for its arrival. And here it is J. The Gender Bender Revue is a gender performance variety show; a talent show based on gender expression and sexual orientation. There will be drag kings and queens, acoustic renderings of pop songs, lip-syncs, and other performances all on a fantastic stage in possibly the best club in Michigan, Necto Nightclub! (You must be 18 years or older to enter and have a valid photo ID. Guests under 21 years of age are not permitted to buy, accept, or drink alcohol of any kind at any time.)

This event is always a big hit in Ann Arbor and on campus. The Facebook event already has 83 confirmed guests! FACEBOOK GROUP The tickets are cheap (only $5!) and they get you into Necto for the night, free food, half off drink specials (only for people 21 years and older!!) and this fantastic show!

There will also be a raffle so don’t forget extra money if you have it! All proceeds from the show will be donated to the LGBT scholarships at the University of Michigan. You can purchase tickets at the Spectrum Center or from any of the Stonewall Democrats (who are putting on the event). You can email them at GBR2010@UMICH.EDU. Tickets will also be available at the door.

Once last thing, which I need to tell you before I sign off, the day and time. I can’t believe I almost forgot! The 4th Annual Gender Bender Revue is this Friday, March 27th from 6:30 to 9:00pm. Just to sum up…

What: 4th Annual Gender Bender Revue!!
Where: Necto Nightclub, 516 East Liberty
When: Friday, March 26, 2010, 6:30pm – 9:00pm
How Much: $5 tickets purchased at Spectrum Center, at the Door, or from Stonewall Dems

As Always,
This is Danny Fob: Artist and Art Reviewer

Review: The Qui to Happiness

“Man of La Mancha” is the adventurous story of a man on the brink of madness. To outsiders he may seem insane or even out of his mind, but to Sancho and Dulcinea, he is perfectly sane, seeing the beauty in life instead of the pain. This story “Don Quixote de la Mancha,” written by Miguel de Cervantes was the first Novel ever written. Pretty impressive. “Man of La Mancha” takes this classic and turns it into a musical fit for the stage, and oh how well it is done. I thoroughly enjoyed myself at the Power Center during Sunday’s matinee and, judging by the laughing and applause throughout the show, so did my companions in the audience. The student theatre group MUSKET does an excellent job performing and presenting this piece to the campus community.

I remember reading an excerpt of the novel in high school, but that only gave me the general story line of a self proclaimed knight in a time after chivalry, his battles with windmill giants and the evil enchanter, and his quest to be dubbed a true knight with his lady by his side. Incredibly funny! Especially when acted out by people on a stage. It was hard to believe that this man was actually so ridiculous as to think himself a knight, Aldonsa as his Lady Dulcinea, his servant as his Squire Sancho, and the Innkeeper as a mighty Lord of a castle. The presentation was wonderful.

The musical is written to take place in a jail in which Cervantes is being kept to await trial by the Spanish Inquisition. While waiting, he is put on trial by his jail mates. His defense is the story of his eccentric knight acted out by the prisoners themselves. This format flowed really well and the actors transitioned from reality to imagination seamlessly.

And it was so funny. Sancho provided some of the best comic relief AND he had the perfect singing voice to represent his character. You would have to hear it to understand, but it was comedic and sort of serious at the same time.

Then the show got really sad for a few minutes when Don Quixote’s nephew attempted to destroy this beautiful dream, but thankfully Dulcinea saved the dream and helped Quixote remember everything before passing away. “Don Quixote is not dead!” Dulcinea exclaims over the body of the man that had made up this identity. Cervantes’ story lives on today and imagination is key to society. Where would we be without Disney, yesteryear’s Don Quixote?

Definitely one of my top choices of the events I’ve gone to. I’ve enjoyed so many events so far this year that it becomes difficult to write that statement, but I am confident that it is a high ranking event in my arts calendar. And like I always say, get out there and see these things! They’re usually pretty cheap and provide many different times to attend. This is what makes our college experience an experience. I’ve expanded my cultural awareness, artistic involvement, and my own personal boundaries by going out to theaters and performances all year. Now it’s your turn.

As always,
This is Danny Fob: Artist and Art Reviewer

Preview: San Francisco Symphony Orchestra Today!

What beautiful weather we have been having! No longer does the sun disassociate its  twin functions of producing heat and light and to feel the lovely sunshine while you lay under the cerulean blue skies -it just makes you feel so alive!

Well , you can experience that same feeling of warmth and joy when you come to the San Francisco Symphony Orchestra performance under the direction of  the highly renowned Michael Tilson Thomas tonight. The performance will also feature Christian Tetzlaff, a violinist who is claimed to be the most important violinists in our times for his perfect technique and musical perception . Do I see you raising your eyebrows with disbelief? Then listen to this!

Christian Tetzlaff – Bach Sonata No. 3 (III. Largo)– Courtesy, www.youtube.com

Tonight’s program features works of Kissine, Tchaikovsky, Ravel and Liszt- all masters with such distinct signatures.

What:

San Francisco Symphony

Michael Tilson Thomas, conductor
Christian Tetzlaff, violin

When: Friday, March 19, 8 pm
Where: Hill Auditorium

Tickets at Box Office  before the show or the Michigan League Ticket Office.

Come bask in the Hill Auditorium as the lovely notes of the San Francisco Symphony Orchestra lift you to your heaven!

For [art]seen,

Krithika

Review: When we beat the donkey!

Cyro Baptista’s “Beat the donkey” can be best described as a delightful audiovisual smorgasbord of  all forms of sounds and grooves  that you can possibly fit in within an hour’s time. It had everything to capture the hard-to-get interest of tiny tots (a trait shared by many adults these days ) .

Cyro Baptista
Cyro Baptista

The eight member strong team, dressed in wild colors and costumes (one was wearing a chicken head and Cyro made a dramatic entry in a magician’s cape)  moved between various nameless instruments on stage  performing a different something every time. The background color of the stage kept changing to all bright colors ( like  a willowish green or an organza pink or a fiery ochre) and added that extra element to captivate the kids.

As for the program itself, there was a bit of everything! Cyro started out with a loud vigorous beating and his band members picked up and produced some really creative percussion sequences. There were Kodo style drums, an Indonesian dance with Gamelan music (the girl who did this was so graceful and beautiful!), a delightful tap dance, a lovely Brazilian song ( by a team member who belted out  really well), some amazing rock style keyboard playing (this guy is good!), some cool guitar action and of course the numerous instruments made from gigantic Coca-cola caps to leftover PVC pipes and recycled gas pipes .

Given that it takes so much to get our interest these days (nothing short of a 4D show), the performance might be considered “i would rather be taking an afternoon nap than listening to this loud what-do-you-call-it” by many adults. But it was a family performance, people! And the many kids jumping around and doing goofy moves in the well between the stage and the audience were obviously enjoying every moment.

It was so good to see an older kid show his moves to a toddler (who must have just started walking and was wobbling his baby arms around  with one of the loveliest smiles on his face) and I think that’s what Cyro’s band was aiming for!

Overall, a lovely evening,

For [art]seen,

Krithika