Preview: A Night of Magic, Music, and Milk Based Espresso Drinks

I’ve been waiting for this weekend for almost a month now. It’s Valentine’s Day, love is in the air, and a good friend of mine is singing at Café Ambrosia. Abigail Stauffer is performing in the basement seating section of this fantastic café, a place where members of the LGBT Commission has spent many hours studying and building friendships and that serves exceptional coffee.

Abbie is a campus artist that plays at many different venues, one of the most notable being the Ark in downtown Ann Arbor! She is absolutely amazing and I love to hear her sing. Last I knew there were still some tickets available at Café Ambrosia for $5, but they’ve been going fast. I encourage you to visit the café to purchase tickets. If you don’t, you’re really missing out, and for that I am sorry.

It really will be a wonderful night, this Saturday night. I’m taking my date to the concert, and then we’re heading over to the U-Club in the Union to attend the Valentine’s Day dance hosted by the LGBT Commission “A Rainbow Tie Affair.” Quite a night and I’m so excited. Just to add a little more advertisement for the dance…I’m not really sure if I’m aloud to do this, but I’m going to do it anyway. Michigan is all about intergroup relations and collaboration. The Dance is Saturday from 9:00 pm to 12:00 am in the U-club. The dress is semi-formal, but no plain black and white. Many of us will be wearing rainbow ties or bright colors. Good music, friends, and possible new dates for Sunday. We ask that you bring some sort of donation for the Ruth Ellis Center in Detroit, such as toiletries, clothes, or non-perishable foods. We are also collecting money for a second charity, an MSM group in Kenya. Please be as generous as your college pockets will allow, but there is no mandatory cover charge for the dance.

Enough said about that, back to Abigail. Like I said; fantastic singer and guitar player!

What: An Evening with Abigail Stauffer- An Intimate Valentine’s Day Weekend Show
When: Saturday February 13, 2010, 8:00-9:00pm
Where: Ambrosia Café basement. Ambrosia is on Maynard, right after walking through Nickel’s Arcade
Cost: $5 tickets for sale now at the Café
Who: My friend Abigail Stauffer

I hope to see people there, or at the dance, or both. I’ll be the one in the Rainbow striped vest (hopefully).

As Always,
This is Danny Fob: Artist and Art Reviewer

Review: The Bad Plus (++++)

The Bad Plus (Ethan Iverson, Reid Anderson, and Dave King)
The Bad Plus (Ethan Iverson, Reid Anderson, and Dave King)

In high school, in our age of the new driver’s license, I had a crew of friends that became very anti-social.  Most of the kids with new driver’s licenses found a new freedom in planning a night out, not on a dad’s watch- but their own, or not having to ask a mom for a drop off at a girl’s house (or even worse, a pickup at a girl’s house. Awkward).  Instead, these guys asked their parents for use of the family car for the night just to drive around town with each other.  They would pack five in a five seater or seven in a mini van, open all the windows, pass a spliff, and, most importantly, put on a jazz record- full blast.  Then, for hours, just cruise.  The only communication was the focused passing of the spliff and the yelps and groans that were their responses to the jazz record.

I never rode with them. I didn’t smoke but, more isolating, I didn’t know when to yell.  I enjoyed jazz. I always have. But, I enjoyed jazz with the old folk that frequented Hill Auditorium for Wynton Marsalis.  We put on nice clothes on a Sunday afternoon,Wynton charmed us with his anecdotes, and played impeccably. We clapped politely when the set was over.

This was not how the boys in the car on Huron River Drive listened to jazz.  They interrupted when they wanted, responded when they were moved.  They didn’t just let Wynton play for them (well, they quickly wrote Wynton off as a square and a sell out so it wasn’t Lincoln Center from the speakers anyway)- they were fully engaged as a part of the music.  They said this is what jazz, the only true American art form, is about.  Not about playing to concert halls and suits but to people, to individuals, to communities.

So, in order to get a chance to hang out with my friends and stuff, I am trying to learn jazz, “the language of jazz” (as taught by UM jazz prof. and jazz legend Geri Allen).  On Thursday night, as a hands-on lesson, I had the great opportunity to see The Bad Plus, a ridiculous trio with roots in the Midwest.  The Bad Plus is probably best known for covers of well known pop and rock songs including Nirvana’s Smells Like Teen Spirit and Neil Young’s Heart of Gold along with a new album of covers- For All I Care- that features vocalist Wendy Lewis.  However, in the second of two shows, The Bad Plus played a set of mostly originals.

These guys are nuts. Ethan Iverson, on the keys, introduces the band and the set list with a stoicism straight out of a Roman sculpture however, upon sitting down, Iverson, the bass man Reid Anderson, and the drummer Dave King swing so hard and with so much emotion.  While Iverson strokes the keys while seemingly doing leg squats over his bench, King pounds then caresses then pounds away at his drum set while pulling out an army of children’s play instruments to augment his sound.  And, King yells just like my friends driving down Main St.  He’s not speaking to his band mates or the audience, he’s yelling at his drum set, the sounds of his trio.  Also, just like the dudes packed into the green CRV, the 9:30 show audience was a hip, young crowd- a bunch of giddy kids in the lobby after the show.

It was still the Lydia Mendelssohn Theater with assigned seating and shiny programs.  There were still nicely dressed ushers escorting us to our seats.  But, Thursday night, the spirit of the communal jazz experience- or, at least, how I am beginning to understand it- seemed to be in full fight with the powers that be, ‘the man’.  Next time, UMS presents the Bad Plus live at the Blind Pig? Doors at 9, $10 cover?  Or, UMS presents Wynton Marsalis and Lincoln Center Jazz playing ‘Flim’ by Aphex Twin (as The Bad Plus did Thursday night)? Or, will I have to start smoking weed to really understand what goes on in the car rides around town?

Over and out, Bennett

(Below are streams of my favorite Bad Plus album, ‘These Are The Vistas’ and the new album ‘For All I Care’) Oh, and for more live jazz, check out the UM Jazz Festival next Saturday.  Christian McBride Band, Geri Allen, Rodney Whittaker, Detroit Jazz Festival Orchestra, University of Michigan Jazz Ensemble.  Going to be crazy.  Schedule here.  Tickets here from Ticketmaster (or, as others have noted, ‘TicketBastard’).

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Review:Chicago Symphony Orchestra

Ahh… where do I start to describe the magical evening with the CSO?

The program  started with scintillating Ravel’s Le tombeau de Couperin (“a piece written as a memorial”). As was his style, Ravel composed each movement in memory of  a friend.  Originally a piano piece, Ravel made into a orchestral suite and it was simply superb! Though it is a memorial, it is so delightful and delicate yet at the same time carries weight. The prelude was so graceful. The rest of the movements are all based on dances and the outcome is so pleasant. That was a treat! I luuuuuuuuv Ravel’s music!

The second piece of the evening was the Flute concerto by Dalbavie. This contemporary piece was so different. The flute concerto had so much going on (so many twists and surprises) that you had to pay attention to it throughout ( unlike Ravel’s  piece where you could close your eyes and be transported to your favorite ballroom and have a nice dance!). It had a mysterious feel to it and would have suited so well to a movie with a sober and dark theme. It is not my kind of music though!

Mathieu Dufour, Prinicpal Flute for CSO
Mathieu Dufour, Prinicpal Flute for CSO

As for the execution of the piece, Mathieu Dufour, the principal flute for CSO was absolutely mind-blowing.This piece is immensely complex with varying patterns that demand the best fom the flautist and my oh my, M. Dufour was just perfect. The high notes were so clear, his absolute control over the notes and his breath control- it was just a pleasure being there.  It is so amazing to see someone who is so good at what he does. To me, he was the highlight of the show!

And then came the dessert of the evening’s program- Bluebeard’s Castle!

The awesome imagination of the composer Bartok, the perfect background score where the music described the surrounding so well,the great lyrices , amazing vocals of the lead singers
(Michelle DeYoung and Herr Struckmann were really at their best), the nice balance of  tragedy and dark humor and of course the flawless execution under Mr.Boulez- it was just the best you could get from a symphony orchestra!

Bartok’s Bluebeard’s Castle was amazing in terms of musical as well as lyrical content. But would I listen it to it a 100 times?- No! It is just kind of creepy music that you associate with a horror movie. But it is so well-suited to the libretto it was written for!

Mr.Pierre Boulez, the emeritus conductor,led the orchestra so effortlessly through the complicated Bluebeard’s castle. It is so great to be in the presence of such greatness.

Summing up, it was an enchanting evening!

Delighted,

Krithika, for art[seen]

PREVIEW: Interview with Pierre Boulez (conductor of the Chicago Symphony Orchestra on Wed Jan 27th!)

Thursday, January 28, 2010
12 pm
Rackham Building, Fourth Floor Amphitheatre

Interviews are fascinating. I also wonder how and why the interviewer chooses certain questions…and are there any taboo questions? Although, I can’t really think of a taboo question when it comes to orchestras and music.

According to the UMS website, “U-M School of Music Professor Emeritus of Musicology Glenn Watkins and Maestro Boulez will discuss the past, present, and future of orchestras, live performance, artistic choices, and contemporary composition.”

How do you feel about live performances? With advances in technology and sound recording, do you think orchestras and concerts will become a thing of the past? What about contemporary music? I’m particularly curious to hear what Boulez has to say regarding contemporary music (he’s a composer as well). Occasionally, contemporary music is too crazy for my baroque and classical music brain, but I’d like to hear his thoughts. Perhaps I’ll be able to “understand” the music better.

Preview: Chicago Symphony Orchestra

Chicago Symphony Orchestra (CSO)

Wednesday, Jan 27, 8 pm@ Hill Auditorium

If you are a symphony fan, then attending a performance of the “Big Five” (more on this later) must certainly be on your must-do list. And guess what, the Chicago Symphony Orchestra, one of the “Big Five” is in town today! Another great thing about this performance is that the CSO’s emeritus conductor, Pierre Boulez, returns to Ann Arbor for the first time since 1972 as part of the CSO’s month-long celebration of his 85th birthday. He is such a celebrated conductor with a long trail of achievements and is considered one of the most important musical and intellectual figures of our time. I am really excited about seeing him performing live.

Pierre Boulez, emeritus conductor of the Chicago Symphony Orchestra

And what a treat they have in store for us- the less-heard, obscure but absolutely fascinating works of Ravel and Bartok.

Remember the fairytale Bluebeard by Charles Perrault? There are many versions of it. But  when my mom told me the grim tale when I was about 7 years old, I had nightmares for days.   Bela Bartok, a Hungarian composer with a unique perspective, created an opera based on the story.  The story is about how Judith, Bluebeard’s wife uncovers Bluebeard’s grisly secret by opening the seven doors in her husband’s castle and her sad end as a result of her curiosity. The opera didn’t see much success and popularity in Bartok’s times. But it was revived later by young musicians.

The CSO will give us a very rare concert performance of the one-act opera. The pieces presented today are all relatively unknown and it will be great to see them being performed live.

A flute concerto, a relatively modern piece (it was released in 2006) by the avant-garde composer Marc-Andre Dalbavie, will also be played by the orchestra.

So this is a performance you will definitely not want to miss. Tickets  @ the Michigan League Office or in the Box Office before the show.

Yours truly,

Krithika for art[seen]

Krithika is excited to be back and wishes to write more on the arts.

PREVIEW: Rosseels String Quartet

PREVIEW: Rosseels String Quartet

Date: Sunday, Dec 13th, 2009

Location: Michigan League – Room D (3rd floor)

Time: 8:30pm

Tickets: free!

Program:

String Quartet in a minor, Op. 51 #2 ——————————————————-Johannes Brahms

String Quartet in g minor, Op. 10————————————————————Claude Debussy

Performers: Paula Muldoon and Christopher Jones, violins

Jarita Ng, viola

James Jaffe, cello

Though the Rosseels Quartet is the official “Graduate Student Quartet” at the University, some of them are only undergraduates! This talented group will perform a dramatic piece by Brahms and a dreamy, impressionistic piece by Debussy. Only an hour long, this program will be the perfect study break to clear your mind of the stress of exams and prepare you for a long night of studying.

A reception with delicious cookies with follow.