PREVIEW: VOTE! 2018 Fashion Show at the Museum of Art

Where- UMMA

When- November 5th, 6-8PM

 

While my own absentee ballot has long been sealed, stamped and sent off, seeing how much fervor is building across campus for the upcoming election warms my heart in the chilly autumn weather. Whether it be posters, short comedic videos, or social media advertisements it seems like reminders are becoming a daily if not hourly occurrence, and for good cause.

Despite the ever-increasingly creative ways that I’ve seen companies and various organizations alike spreading the voting fervor, the last thing I expected to touch down on our campus was a fashion show dedicated to “what to wear to the polls” and how to exert your political influence through fashion. If you’re feeling a little uninformed on the eve of the election the Ginsberg center will be present to help talk through this year’s ballot as well. The project is a collaboration between various creative organizations and groups on campus such as SHEI Magazine, Bronze Elegance Fashion Show, NOiR Runway Fashion, enspiRED, Stamps School of Art & Design #VotingisSexy class, and the Ginsberg Center/U-M Big Ten Voter Challenge, so you know you’re in for a treat.

So if you’re passionate about fashion, exercising your right to vote, or just want some tips on how to roll up to the polls in absolute style, make sure to check out “Vote!” at the Umma November 6th.  The event will be free of charge and food will be provided so be sure to swing on by!

 

PREVIEW: Women’s Glee Club Fall Concert

Tomorrow at 4pm, I’ll be heading to Hill Auditorium to the Women’s Glee Club fall concert. I’m always astounded by the quality of their sound and can’t wait to immerse myself once again. Aside from that, this concert also has a relevant theme: reflections of the past … with a focus on remembering the Holocaust.

The main languages concerned will be Hebrew and Latin. Songs will be performed by artists like Jake Runestad, Levente, and Daniel J. Hall.

I have a friend on Women’s Glee so I’m excited to see her perform! Knowing the Glee Club, this will be a gorgeous, resonant way to celebrate their 125 years of song.

REVIEW: The Rocky Horror Picture Show

Let’s do the time warp again. And let’s do it with a drag moth.

Rocky Horror Picture Show’s cult following came through, as the Leather Medusas performed a sold-out show at the Michigan Theater over the weekend. With many fans dressed in wigs, there was massive excitement and anticipation for the annual Rocky Horror Picture Show. And then, a beautiful Moth emerged onstage and everyone lost it. With sass and pride on full display, the Moth got the show started in style.

As a Rocky Horror Virgin who knew very little about the show going in except for the fact that it was weird, I was a bit unprepared for what the next hour and a half had in store for me. Little will be said about the movie, since the 1975 film has become a cult classic that is either known in its entirety or known with very actual knowledge of the show (the latter of which I happened to fall in before myself). And for the other Rocky Horror Virgins out there, I won’t spoil the very first experience for you, because let me tell you — it is quite the experience indeed.

One of the things that makes the Rocky Horror Picture Show a true experience is the talking back to the screen, which is understandable because some things in that movie just make you want to scream — and with this movie, you actually get to. However, the audience participation was at times rather annoying since it was hard to understand what everyone was shouting, and since I had no idea what was happening to begin with, I wanted to understand what everyone was shouting. Granted, some preparation beforehand could’ve been done on my part to help fully prepare myself for this experience. But I didn’t really know what I was getting myself into, so I didn’t know what I had to prepare for. Nonetheless, clever lines were shouted every now and then that made the callbacks bearable. Particularly because Rocky Horror is a known cult classic, all the shouting was part of the experience, so I embraced it through my waves of annoyance.

The Leather Medusas shadow cast put on a phenomenal and amusing show full of hypersexual dancing and well-timed acting that didn’t disappoint as they received a standing ovation at the end. With Demetrius Markel as the muscular Rocky, he showed off his cheerleading skills through impressive moves that got the crowd riled up. The entire cast with wondrous costumes was exceptional in performing this show that requires a lot.

Now that I have lost my Rocky Horror virginity, I await for next year’s show with sweet, sweet antici…pation.

REVIEW: The Rocky Horror Picture Show

“I wish to lose all morals, and accept decadence into my heart.”

The night starts off with crowds of people in sparkles and lingerie and all black  piled up outside of the Michigan Theater, eager to begin their Rocky Horror experience. An experience that is varied and cannot be restricted by just one adjective. An experience that is energetic, erotic, campy, and…. scientific?

With an introduction from a moth, who welcomes all of the groups who are out – the straights, the gays, the sorrorities – the crowd is riled up before the film has started. Prohibited items include: ice, confetti, water guns, candles or lighters, whole rolls of toilet paper, hot dogs, and prunes. But the moth pointed out that squares of toilet paper, or streamers, or 3/4 of a roll of toilet paper, are allowed. It is only the Leather Medusa’s second year putting on a shadow cast show of RHPS at the theater, but they’re sold out.

I stand for my virgin pledge, with about half of the audience who are marked with red lipstick Vs. Surprisingly, such a prominent cult classic still remains unseen by many. Not so surprisingly, the Rocky Horror virgins of the world are curious about the film and its culture, intrigued by its ostentatious reputation and loyal followers. And tonight, our curiosity is to be fulfilled. Soon everyone stands together, for the Rocky Horror pledge and with much anti… cipation – the show begins.

Newly engaged Brad and Janet get stuck in the rain, and wander into Dr. Frank-N-Furter’s castle, where they have a long night ahead of them. The shadow cast saunters around the stage, their costumes and movements perfectly matching those of the film’s characters. The audience yells “ASSHOLE!” at Brad, “SLUT!” at Janet, “WHERE’S YOUR NECK?” at the criminologist, and a variety of other more specific, seemingly-scripted, comments. The film can barely be heard. This culture is not exactly for the prude or sensitive – although they are the ones that the culture loves to deflower the most. Similarly to the audience culture around Tommy Wiseau’s ‘The Room’, some describe this movie-going experience as wildly inconsiderate and vulgar. But the lines of accepted norms are blurred in the midst of such a cult classic, one that drew counterculture crowds as a midnight movie at its release and still draws those audiences (or those who shapeshift into such for a night) today.

Attempting to watch the film over the yelling of the crowd, I do my best to stay in-tune while actively participating. But the participation doesn’t take away from the film’s grandeur. The unusual set, defined characters, theatrical costumes and makeup, peculiar sci-fi characteristics, lively songs and dances, canted angles, effective use of various lenses, irony, and sexual notions, are enough to interest audiences even when they are unclear of the plot (which is somewhat unclear, anyway.) I’m sure all of the other virgins sometimes sat just as confused as me, but also pleasantly entertained.

Seeing Rocky Horror is a uniting experience: the audience, together, are just as important as the film. Dancing the time warp, throwing cards and pieces of toast, everyone is in tune with one another. Even the virgins. We catch on. If all goes as planned by the Transylvanians, by the end of the film you’re going to want to dance and yell and touch everyone and be covered in sequins and dramatic makeup.

PREVIEW: The Rocky Horror Picture Show

Halloween is here, and what better way to celebrate the spooky season than with The Rocky Horror Picture Show? In the 10th hour of the night on October 20th, the Leather Medusas, a group of University of Michigan students, are bringing the cult classic show in the annual Ann Arbor showing. In a sing-along, shout-along, and dance-along fashion, come out to the Michigan Theater to do the Time Warp with the Leather Medusas this year.

REVIEW: Reverence by Salto Dance Company

It’s not too often that you see dancers en pointe, wearing Hawaiian shirts with sunglasses and holding up a beach towel.

But that’s exactly what Salto Dance Company did in their winter show, Reverence. And though unexpected, it was a move that cemented Salto’s identity as one of the most unique, innovative dance groups on campus.

Reverence is a French word meaning “a feeling of great respect.” At the end of performances, dancers perform a gesture called a reverence to show respect to the audience, and the audience applauds to return that respect to the dancers. After Salto’s opening number, the club presidents came onstage to teach the audience how to perform a reverence. Then they continued the show and put the crowd under their spell.

Salto is known for its blend of many different styles of dance; they are the only student dance group on campus that performs en pointe, but they also perform contemporary and lyrical pieces. Many of their dances transcend genre entirely. And indeed, Reverence provided a perfect blend of tempo, genre and mood.

Say My Name was the first piece that really stuck out to me.  A contemporary piece, the choreography pulled me in from the beginning and the leaps and turn sequences were technically impressive.

Several dances evoked nature with their movement. Revolution, a contemporary pointe piece, flowed like water, and San Francisco, the second act finale, made me envision birds. The technique and choreography were beautiful and captivating.

The solos — mostly classical variations — also impressed. The audience oohed and ahed over the difficulty and quality of movement. However, where Salto really shined was when it went outside its comfort zone.

Sunshine was the first example. Set to the song by Kyle and Miguel, it featured dancers en pointe wearing beach clothes. In the middle of the number, they held up a towel with the words “Salto brings the sunshine.” The dance was full of personality and evoked an almost Broadway feel. It was unexpected from a ballet and contemporary company, but it worked.

And when Salto came on for the second act, their opening number was entitled simply Broadway. Set to a medley of songs from Chicago and A Chorus Line, the musical theatre number was different from anything else in the show. It showcased a completely different side of the dancers and brought out a performance quality that was sometimes lacking in other pieces, especially in the first act.

Another unique piece was Focus, which featured three dancers using contemporary technique and three dancers en pointe. The choreography blended the two styles seamlessly and highlighted the strengths of each individual dancer.

When the show ended and the dancers came out for a curtain call, they did their reverence. And while the gesture was meant to show respect to us to thank us for coming, all I could feel was respect for them for blending so many styles, for displaying a full range of emotion, for pulling me in and never looking back.