REVIEW: RCP Red Eye Winter 2022

Each semester, the RC Players hold their Red Eye Theatre, a spectacular event that is succinctly contained within the confines of a 24-hour period, starting on Friday evening and ending in a showcase performance on Saturday night. What happens in between?

Students audition to write, direct, and/or act in pieces that are concocted and created based on the group of performers present. The group comes together for the first time on Friday evening in East Quad, meeting each other briefly before teams split up to do their own work. While the actors sharpen their improv skills and bond with each other, the writers are banging out comedy skits for their assigned casts. 

Sometime in the early morning, the actors and directors finally receive their scripts, and from then on it’s a race against the clock to put it on the stage: fully blocked, set, costumed, memorized, and energized. This is all unseen to the audience, who roll in at about 8pm to witness the products of this bizarre sleep-deprivation process.

      

Before the Red Eye acts, there was a delightful performance by the Improfessionals—a UMich comedy improv group who set the stage for the wacky comedy ahead. 

The Red Eye acts did not disappoint. The first act took a “princess switch” approach to a prince who doesn’t want to get married (Kyle) and a lonely peasant who just wants a girlfriend (Mina). In a fantastic fairy tale ending, the prince follows his musical dreams and gives a concert for the kingdom, the queen falls in love with the Mina’s rock-eating mother, and Mina ends up with the princess Kyle was supposed to marry. The second act was a twisted play on Dora the Explorer: Boots is feeling like Dora doesn’t see him as an important part of the team anymore. As Backpack and Map are mysteriously murdered one after the other, it’s discovered that Boots will truly stop at nothing to get Dora’s attention. 

Broad summaries don’t do justice to the amount of comedic detail and timing put into the performances, a testament to the work put into these pieces over the span of just 24 hours. The actors brought full energy and action to the pieces, and it worked: even I, who had gotten a full 8 hours of sleep, found myself cackling at the delirious humor that had been created and performed as the result of a group collective all-nighter.

The next Red Eye won’t be until the Fall 2022 semester, but if you’re interested, keep an eye out for how to get involved. Or, if staying up all night isn’t your style, at least make sure to check it out next time it hits the stage.

REVIEW: Junk: The Golden Age of Debt

I don’t know where to begin. Junk was a phenomenal show and the team behind it really put effort into every. single. detail.

Let’s begin with the actors. It is hard to think who acted the best because all of them were so good. The plot of this play was quite corporate and the actors carried the theme of the play well.
They spoke dialogues in a believable tone such that I could see real CEOs speaking like that. Their strong delivery also made it stage-worthy. They combined the best of both worlds to up the stakes of the story.

Another star of the show was the set design. I have rarely seen such a well-integrated setup. The set was designed perfectly. It wasn’t meant to be beautiful but to go complement the plot. And complement the plot it did. They had lightboxes that synced up fast-paced music and blinked. It reminded me of stockbroking and the 80s architectural design. The audience also got to see the set being dismantled when a company lost its financing. To see that happen at the very end was just amazing. It reminded me of how important people working behind the scenes of a show are.

The techniques used in the play for phone conversations were nice and brought out the interconnectedness of the characters in the play. The costumes were well designed and fit the 1980s period (the play is set in 1985). Despite the play being set in the 80s, it had a topic as relevant as could be. Its similarities to the 2008 financial crisis and the chaos of the Gamestop situation reminded the audience of the stakes involved when people play around with stocks.

I really liked the ending of the play (I won’t spoil it for you). It highlighted how much money rules everybody. Some accept the cards they’ve been dealt with, some try to hack the system, and so on. The protagonist tries to hack the system and we see how he too gets trapped by it and it’s all a game of numbers. The system speaks in another language and only some can understand it and those who do try to get to the top. Others might have different interpretations of the ending but I think it was about the irrationality of who gets the most money.

The show got a standing ovation from the audience so you know everyone loved it. It showed a lot about the financial world and the power of money without being too dramatic or obvious. It was a great show!

REVIEW: A Midsummer night’s dream

This performance of a midsummer night’s dream was very special. With minimal backdrop and music, the attention was really focused on the acting. The actors really took this opportunity to showcase their range of voice and such. I especially loved the performance of Helena and Oberon (the fairy king). Their performances especially commanded everyone’s attention and their stage presence was powerful.

The outfits of the fairies were very cool. That brings me to the topic of costumes! This play had an interesting fusion of modern costumes in a Shakespearean play. Seeing people in modern school uniforms talk Shakespeare and the human King and queen wearing modern formal outfits like tuxedoes was special. I think it was a good choice and made the show really different from traditional Shakespearean performances. This choice of costumes like t shirts, heels, tartan skirts, Winx Club like outfits on the fairies made the play experimental and I liked how displaced it made the play seem! It was a nice clash of time periods.

The dream-like quality and confusion of the plot suited this clashing outfit choice and put the audience also in an air of amazement and confusion like the characters being played with by the fairy cohort.

The sound effects and lighting added a nice hint of magic and surrealness to the play. The parts involving the fairies singing and magic were probably my favorite parts because of how elusive they were. The play’s highest moment, leaving the audience in shrieks of laughter, was definitely when Helene, Hermia, and their lovers meet after the men have been given love potions. The energy of the characters and the comic timing of the situation was very well suited.

This play was a lovely treat of magic, love, and playfulness. It did not try to be more serious than it should be and the jokes were funny. It was a perfect show to see to have a fun evening!

REVIEW: Much Ado About Nothing

This weekend, the RC Players put on a fantastic rendition of Shakespeare’s Much Ado About Nothing. The choice to set the tale in a modern-day office environment was a good one, suiting well a story of drama, deception, and debate. Beatrice and Benedick can’t stand each other, but their scheming friends know they’re perfect for each other. While Beatrice’s cousin and Benedick’s fellow soldier friend await their wedding day, they scheme with Don Pedro to get the two fated lovebirds Benedick and Beatrice together. Through classic knowingly-overheard conversations and witty banter, the scheme works! But the besotted bickering couple can’t meet a happy ending without some scandal first, involving public disgrace and a rumored death…

Shakespeare, for the modern general audience, can be a little hard to digest, but director and assistant director Will McClelland and Darby Williams did a fantastic job of making the story engaging and entertaining on many levels. Shakespearean shenanigans were well carried out by the energetic cast who scarcely ever hesitated on a line’s delivery. I was especially impressed by Leonato’s scorning-his-daughter monologues performed by Laila Krugman and Maeson Linnert’s suave Don Pedro.

A truly great performance!

REVIEW: Legal Courtship

NERDS (Not Even Really Drama Students) return to the stage with a full-length original musical written by Adrian Beyer and Emma Laible. A fun, quirky story about a court case, a very big building, and finding love amidst (or even through!) conflict, Legal Courtship centered around a lawsuit over scientist Jeff Spaceballs’ laboratory building in the city of Courtlandia.

With a pun-loving judge, a distracted jury, and a defense and prosecution that can’t stop bickering, the pressure builds… but what explodes in the end isn’t Jeff Spaceballs’ building (through which he intends to commit insurance fraud), it’s love. Prosecutor Zephyr and defense attorney Jove, who have long-seated conflict from back in the law school days, end up finding their gay love for each other in the middle of a heated trial, coming together to figure out just what to do with Spaceballs’ building. Jeff Spaceballs also rediscovers love, discovering that insurance fraud and his capitalistic tendencies just aren’t worth it, when his building and his wealth could be used to serve the community and he could fully dedicate his time to his ex-wife, who he still loves.

Congrats to NERDS for their return to the stage and for their continued dedication to produce and perform student work! It’s always inspiring to see such support for student creativity and the enthusiasm the performers and crew bring.

REVIEW: Choir Boy by the Rude Mechanicals

The subtitle “…A moving story of sexuality, race, hope, gospel music, and a young gay man finding his voice” was already enough to get me to the Lydia Mendelssohn Theater on a Saturday night to see this play. Then I found out that Choir Boy was written by Tarell Alvin McCraney, the Academy Award-winning writer of the film Moonlight, and I was doubly sold. Something to know about me: I love any chance to walk in someone else’s shoes for a bit, especially those with vastly different stories than mine.

This production was put on by Rude Mechanicals, a student-run theater group on campus. They produce one play a semester and run everything themselves, from costumes to set design to the actors and crew. This was the first Rude Mechanicals production I’d ever been to and I was impressed. The trailer they made for the play was really cool and just shows how much work they put into it:

I won’t spoil the plot for anyone who has yet to see this gem of a play, but I will say that it is so very RELEVANT. A recurring theme throughout the story is intimacy: who gets deprived of it in society, who you’re allowed to have it with. The actors were so incredibly talented and displayed the intimacy of the play so well. My favorite character was Anthony, the main character’s roommate, for this reason. Whenever the cast sang together it filled the entire theater and gave me chills. They harmonized like they could do it in their sleep. The audience was super into it – cheering and clapping after each musical number, ooh-ing in sympathy when characters got hurt, hmm-ing to the lines of dialogue that struck the deepest.

I will say that I don’t think this was a very accessible production. None of the performers wore microphones which made it hard to hear them at times, especially when they were speaking with their backs to the audience. More than once I would hear the audience burst out into laughter around me and wonder what joke I had just missed on stage. The seating arrangement of the Lydia Mendelssohn theater is also not my favorite and isn’t tiered in a way that allows you to see the stage well from the rows that are not at the front. It’s a historic theater which is something to keep in mind. All in all I think the students did what they could with the space they had.

If you have a chance to go see the Rude Mechanicals’ production of Animal Farm next March, I highly recommend you take it!