The Ann Arbor Comedy Showcase hosts its Comedy Jamm night every Wednesday at 8 p.m. For only $5 you can see 12 up-and-coming comedians perform live, most from the Detroit area but others are from various places all over the country. I’ve been once before, and I am looking forward to going again and writing a review for all of you! The one show I attended was pretty interesting–one comedian actually cussed out the crowd and stormed off of the stage because no one was laughing at her jokes! Never a dull moment. Even if the jokes aren’t funny, you can still have a good laugh! Especially if you’ve never had the chance to go to the Ann Arbor Comedy Showcase, you should definitely check out Comedy Jamm on Wednesday night, if not this week, then sometime in the weeks to come. It certainly makes for a cheap, fun night out on the town, and a great way to de-stress on a Wednesday night! Hope to see you there!
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REVIEW: Musket’s Cabaret
Upon attending Musket’s production of Caberet Saturday night, I had no idea what to expect. I knew the title song “Caberet” from an old recording I have on a Broadway Classics CD I bought at a used bookstore. I always thought it was cheerful and upbeat, and, logically, I presumed the musical itself would be just as light, fun, and energetic as the title song I knew it by.
Umm…not quite.
Caberet tells the story of Berlin at a dangerously turbulent time in Germany, directly before Hitler comes into power. It is a heart-wrenching story with multiple layers enshrouded by the rising influence of the Hitler youth. Two of the plot lines include an affair between an American writer and a British dancer and a tentative engagement between a landlady and one of her Jewish residents. It is the most moving and thought-provoking musical I’ve seen since Spring Awakening (a musical about teenagers trying to handle the new changes in their minds and bodies; also set in Germany, coincidentally).
The star of the evening was by far Connor Ryan, a sophomore Musical Theatre major, playing his “dream role” as Emcee. If you’ve never seen Cabaret before, Emcee is the caricatured narrator who directs the audience as the story unfolds. Ryan’s body language, expressions, and singing voice, of course, were positively magnificent. My friends and I were heatedly discussing the show afterwards, and we realized that there were times when Emcee would say something like “Life is beautiful,” but you’d know he didn’t really believe that. We were left wondering – how do we know he doesn’t think that? It was possibly the best role played by a student performer that I’ve ever seen.
That’s the other crazy part of this performance: it was entirely student directed and performed! Even the music director is only a junior Musical Theatre major! Musket is a student-run organization and their performances are always amazing. Last year, I had the opportunity to see both of their musicals (they do two a year), and they were both equally as well done. I think Caberet was the first time I’d seen them do such a deeply moving show, and they pulled it off with the ease of a professional theatre company.
After the performance, I went back to my room and was reading through the director’s note in the program. I think he sums up the essence of the musical quite well. I hope all of you get a chance to see Caberet performed because it is truly a remarkable show:
“With Cabaret, you get a chance to see how human beings survive in an increasingly evil, decadent society. It serves as a warning to those who would rather sleep in a dream of complacency, ignorant to the injustice around them and helpless to the powers above them instead of face their demons head on and do their part to make a change before it is too late.” – Roman Micevic, Director’s Note
REVIEW: Broadway Comes Home
Our Women’s Glee Club president snagged free tickets for a few of us to go to the “Broadway Comes Home” concert Friday night, featuring Michigan alumni that have made it on Broadway. All I had to hear was Broadway, Gavin Creel, and free to nearly tackle our president, Allison, for a ticket to the show.
Rackham was lit up pink for the “walk the pink carpet” theme of the event. Fabulously dressed men took our pictures as we filed in and awkwardly avoided their lenses. Allison said it was formal attire required, so I felt especially classy in my slacks, boot, lacey top, and pearls. A man seated behind me was slightly classier, however, rocking a cocktail dress, heels, and sequined purse.
The event was dedicated to celebrating the 40th anniversary of the Spectrum Center. The Spectrum Center is an organization on campus that actively supports the LGBTQ community in Ann Arbor, offering guidance and support in a safe and welcoming environment. Interspersed between performances, many active members in the LGBTQ community spoke about their experiences and how the Spectrum Center has influenced them. It was possibly the most inspiring part of the evening. I heard how so many people have been impacted by the Spectrum Center and motivated with the knowledge that “it gets better.” The speakers, including our past student body president Chris Armstrong, were incredibly uplifting, spreading love, strength, and pride. The messages were universal, and I doubt there was a single person in the audience who walked away uninspired.
The musical performances, as my initial reason for coming, were just as inspiring. Gavin Creel, tony-nominated Broadway star, recruited several other Michigan alumni to accompany him in performing at this event. Creel was absolutely amazing and kicked the evening off to an outstanding start with “Could Be” from West Side Story. His enthusiasm on stage was infectious. His voice was beautiful. His shining moment of the night was his concluding song, “Let the Sun Shine In” from the musical Hair he himself sang on Broadway. The freshman class of the musical theater program this year accompanied him, encircling the audience and wowing us with their powerful sound.
And Gavin Creel wasn’t even the best performer of the evening (it was a close tie between all the alumni, in my opinion)! Other returning Wolverines included Celia Keenan-Bolger, an incredibly adorable person with a beautiful voice, and Maddy Wyatt. Those two sang a song they wrote together about gay marriage that was both hilarious and powerful. Others included Daniel Reichard, who starred in Jersey Boys on Broadway and actually sang “Don’t go, Baby” from that musical while backed up by three men from the musical theater department. The other featured performer was Danny Gurwin. I know him as having played Laurie in Little Women the musical on Broadway and a few other notable roles. What’s crazy too about Gurwin is he is actually directing the Little Women production U-M is doing in December (I’ll be previewing and reviewing that performances as well – can’t wait!!). Towards the end of the evening, all these Broadway-bound alumni joined together to sing “Ordinary Miracles.” It was gorgeous and gave me serious goose bumps.
When speakers weren’t presenting or Broadway alums weren’t singing, the University of Michigan Jazz Ensemble was performing. I’d never heard them before, but they were so talented. I was blown away.
As you can probably conclude, this night marked one of the most epic performances I’ve attended all semester. So many amazing performers, speakers, and musicians – it was fantastic. I was absolutely inspired and I hope you get a chance to go to one of the Spectrum Center’s events because it is an admirable organization that deserves all the recognition it has acquired.
P.S. For more information on the Spectrum Center and the resources available there, check out their website: http://spectrumcenter.umich.edu/home
PREVIEW: Questioning Perceptions
This weekend the UM School of Music, Theatre, and Dance is holding their BFA Dance Concert: Questioning Perceptions. The performance features original choreography by Daniela Blechner, Andrea Davis, Rachele Donofrio and Collen Shaughnessy, and will be held tonight (Nov. 18) and tomorrow night (Nov. 19) at 8 p.m. at the Betty Pease Studio Theatre, by the CCRB. Tickets are only $5 and go on sale at 7 p.m. before the show.
REVIEW: Katie Herzig @ The Blind Pig
Where do I even begin to review this performance? I am actually at a loss for words. I was so pleasantly surprised last night at the Katie Herzig performance at The Blind Pig. Prior to the concert I had only heard one or two of her songs. I expected her to be a poppy solo artist, a chick with a guitar playing upbeat love songs all night, which would have been enjoyable, but what I saw was so much better!
Katie had a full band, and an extremely multi-talented one at that. They used instruments that you would rarely see in a live performance. She had a cellist, who also occasionally played the keyboard, a guitarist who also played the accordion, ukulele, french horn, and xylophone, a keyboardist, drummer, and bassist. It was really cool to see the musicians move between instruments with such ease. They clearly knew their music inside and out, and fully immersed themselves into the performance. They were completely comfortable onstage–it often felt like we were watching a private jam session rather than a concert, like we were all just hanging out and playing music. They really seemed to enjoy themselves, and so did the audience. They had energy, but more pronounced than that, they had heart. I felt that they were completely comfortable and open to sharing the best of their art with the audience.
Katie Herzig’s style is very unique. She has some poppy, upbeat love songs, like “Forevermore”, but even these have a unique sound, due to the variety of instruments used and the delicate, folky sound to her voice. Then she has fuller, more epic, rock/electronic songs, like “Lost and Found”, which was actually played in an episode of Grey’s Anatomy. Throughout the variability in the style of her music, her ethereal voice runs through, connecting her songs to create one genuinely unique artist.
Here’s a great example of Katie Herzig live (thought it still doesn’t compare to being there!)– a video someone took at one of her other concerts: http://www.youtube.com/watch?v=Eveegew3-Co
Preview: “… one of the most exciting guitar duos on the scene today.”

And if that isn’t enough to convince you, you can read the whole bio of the Beijing Guitar Duo on their website.
These two women are incredibly talented and mix their very skilled technique with a passionate musicality, at least so says the UMS website. I can’t wait to find out for myself. This event takes place this weekend, Sunday, November 21 at 4pm at Rackham Auditorium.
Sending you love and light,
Danny Fob
(Coffee is on me if you can name the show that my sign off is from!)