PREVIEW: The Holy Bones Festival

To all Halloween enthusiasts,

I will be the brave one to address what’s on everyone’s mind: Fall break is just around the corner and you don’t know what to do! Halloween season is about to start! Your midterm couldn’t have been scheduled at a worse time! AT&T stock drops toward 11-year low, as dividend yield rises further above 8%!

Fear not I have an event for you that will cast away your worries and give you the perfect, ghoul fuelled start to your fall break.*

*applies to folks free between 3 pm EST and 10 pm EST on the 16th October 2021 only Terms and Conditions apply.

Skeletons partying like there’s no tomorrow

Thee (with the special e sound) Holy Bones Festival!

If you were looking for a sign then here is the official start to Halloween season for you. This spooktacular event is held right in your backyard: Ypsilanti. A quick (did I mention free?) bus ride away from CCTC. Forget taking the bus to your North Campus 8ams this is where the groovy kids take the bus to. 

The festival will have over FORTY local artisans and tarot readers, live music, drag shows, an art show, an auction (c’mon have you ever been to a freaking auction?),  and an improv show.

So put on your Jack Skellington T-shirts and be ready to have fun in the sun like the skeletons in the poster. Do you see how much fun they’re having?! 

Also, their early tickets are prices devilishly at $6.66 so don’t wait too long. Grab a friend and let’s go!

 

PREVIEW: ComCo Presents: Chest Hairs Roasting On An Open Fire

When I saw the poster for this event and noted the strikingly distinct abdominal muscles of their Burt Reynolds drawing, I knew I had to go. Finals szn is truly upon us, and I for one am crawling out of my skin trying to pull my GPA out of the grave I’ve dug for its once-great body. We deserve a break to simply sizzle in nonsense for a while.

Join me in this holiday-scented adventure in improv comedy Friday, December 6th at 8pm in Angell Hall, Auditorium A. Admission is just $2 for a wild night of laughs. Bring your friends, your coworkers, your lovers, and (most importantly) your chest hair. If I can find some way to stick some of my split end trimmings on my chest, I promise to do it in the shape of a heart.

REVIEW: Zombieland: Doubletap.

Zombieland: Doubletap was written to be Zombieland’s sequel — it seems to exist more for the actors to have a nice time and for the fans of the first film to relive the Good Old Days™ than try to be a sensationally moving film. While the first movie was accidentally pioneering in its genre, Doubletap makes no promises. It is nothing visionary, but works its simple, nostalgic charm enough for it to be fun and fresh. It is the ultimate tribute to a classic film.

In 2009, Jesse Eisenberg hadn’t been in The Social Network yet, and La La Land was but a stray thought to Damien Chazelle who had only finished directing his first movie. In 10 years time, the actors have reached loftier calibers, each one becoming Academy Award nominees and winners. And although the script isn’t the most emotionally complex, they play their parts perfectly, regardless of how vast and complicated their recent roles they’ve grown to fill are. The characters of Zombieland still fit seamlessly from out of the time capsule, despite the decade of change and progress in between.

Horror elements improve the comedy; the underlying morbidity of the tragic demise of humanity helps the banality of some of the more cliché jokes become more palatable. New characters also add a kind of sparkling appeal and novelty to a plot that’s structurally a copy of the first film. Madison, played by the magnetic Zoey Deutch, is simply a trope with a singular note, and yet Deutch makes the note hit bright and spectacular. Although the other new characters contribute to the movie’s success, Madison, with her effervescent denseness, is so obviously the standout element amongst all else.

Much of the comedy in Zombieland: Doubletap stems from Zombieland itself, deriving jokes that often stroke the fourth wall with a kind of impish wit in reference to its predecessor. The movie can certainly be enjoyed as a stand-alone, but it’s main purpose, it’s true blood, can only be recognized in conjunction with the first film. It is full of details written in for the amusement of old fans, with a keen enough self-awareness about its intent that it does falter when it comes to the delivery either. While Doubletap may not be an inspiring, original film, it is an excellent commendation of Zombieland. Enough of the components are there, and given enough heart, Doubletap is fun to watch. It is enjoyable, uncomplicated, and the end credits are killer.

PREVIEW: NT Live: Fleabag

You may have heard of the BBC hit TV show “Fleabag”, which won big at the Emmys. Now’s your chance to see the inspiration for the show. NT Live: Fleabag is the original one-woman play written and performed by Phoebe Waller-Bridge. Showing at the Michigan Theater this Thursday, September 26 at 7:30 PM, you won’t regret these 67 minutes. Student tickets are $16 and can be purchased at https://www.michtheater.org/show/nt-live-fleabag/.

REVIEW: Happy Death Day 2U

I watched Happy Death Day and Happy Death Day 2U in somewhat close conjunction with one another, which made for a somewhat bizarre and disorienting (or weirdly orienting?) viewing experience. A large part of this is due to the eerie, albeit absolutely deliberate, similarities between the structures of the two movies. At their very heart, the central problem is almost the same: Theresa “Tree” Gelbman (Jessica Rothe, La La Land) is stuck reliving the same day.

Anyone who has seen Happy Death Day (2017) is familiar with this conceit and with the problems it spells for Tree, a college student. There are the typical Groundhog’s Day-style frustrations of retaining her memories of previous days — falling in love, for instance — while everyone around her forgets. And then there’s the somewhat more distressing problem of the killer in a baby mask, who stalks Tree and murders her every time on the night of her birthday.

The sequel, Happy Death Day 2U, directed by Christopher Landon and released recently through Blumhouse Productions, presents a new complication. Not only is Tree stuck reliving the same day—it’s now the wrong day. In the completely wrong universe.

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The film sets itself up in an interesting way, holding a close focus on Ryan Phan (Phi Vu), who had a marginal role in the first movie as the roommate of Tree’s love interest, Carter Davis (Israel Broussard, To All the Boys I’ve Loved Before). It seems at the beginning like the focus of this movie is going to be on Ryan, but this remains the case just long enough to explain to the viewers that Ryan and his science friends are responsible for the strange time-looping that Tree has experienced. After a strange altercation involving multiple Ryan’s and the panicked pressing of Ryan’s student-made quantum reactor, Tree wakes up back at the beginning of the previous day. Only this time, she’s been thrown into another dimension, and things are a little different: The original Babyface culprit, Tree’s roommate Lori Spengler (Ruby Modine, Shameless), is no longer the killer, and Carter is now dating Tree’s sorority nemesis, Danielle Bouseman (Rachel Matthews). Perhaps most significantly, while Tree’s mother (Missy Yager) was dead in her original timeline, she is now alive and well.

Tree’s transplantation into this new world kicks off a wild journey, as she is confronted by the simultaneous problems of learning how to navigate the changes to her life in this new world and the implications of those changes, figuring out how to get back to her home dimension (and indeed, whether she even wants to), and solving the Babyface killer mystery all over again. Although interestingly, the latter of these winds up taking something of a backseat. While the original Happy Death Day was a black comedy slasher film, working largely within the sphere of horror, its sequel ditches the horror almost entirely in favor of comedy, emotional drama, and adventurous science fiction. The segues into hallway-creeping and killer-unmasking don’t feel out of place at all, but they also don’t feel particularly haunting or scary, especially not in comparison to some of the emotional scares that Tree must deal with instead.

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On the whole, Happy Death Day 2U is a success not because it delivers scares, but because it recognizes and builds on the elements that worked so well in its predecessor: comedy, irony, and a real sense of heart that carries emotional resonance. A great deal of this is concentrated in Tree’s character, actualized by Rothe’s wonderful acting; we spend almost the entire movie in Tree’s head, and we’re along for the ride as she finds herself forced to tackle conflict after conflict, eventually having to choose between a life that’s not hers that would mean reuniting with her mother (albeit under somewhat false pretenses) and the world she knows, where her real friends and loved ones are back waiting for her, but her mother is not. The implication that her choice is as simple as her mother versus her boyfriend is a bit of a red herring, and the film tries to stay attentive to this, stressing how the memories everyone else has of Tree in this new dimension don’t align at all with her own. Ultimately, Happy Death Day 2U is an adventurous and captivating success, demonstrating how the continuation of Tree’s story can again have more profound and intriguing implications — not only for her, but, in the end, for the people around her as well.

PREVIEW: Happy Death Day 2U

Directed by Christopher Landon, Happy Death Day 2U is a follow-up to 2017’s slasher hit, Happy Death DayHappy Death Day told the story of Theresa “Tree” Gelbman, a college girl who is murdered by a masked killer on the night of her birthday — and then wakes up and finds herself reliving the same day over and over. Happy Death Day 2U takes place immediately after (or, in a way, concurrently with?) its predecessor, as it follows Tree after she is transported to a different dimension, where she must again relive that same Monday while figuring out a way back to her home dimension.

Jessica Roth (La La Land) reprises her starring role as Tree, with Israel Broussard, Phi Vu, Rachel Matthews and Ruby Modine also returning. Happy Death Day 2U is currently showing at local theaters such as the Quality 16 and the Ann Arbor 20 IMAX.