Review: Carter Lezman – A casual Thursday on S. State St.

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Last Thursday the 25th of September, a former classmate of mine, Carter Lezman, took the stage at World of Beer on South State Street with his friend David Heilig. The two serenaded the bar of friends, family and strangers with 90s throwbacks, current favorites, some original tunes written by Carter and a few classics like Sweet Home Alabama.

Carter has a strong tenor voice, which works very well for the ballads he chooses to sing. His passion and love for music comes across in his performance. David and Carter pair harmonic chords well together on the guitar and clearly enjoy playing with one another.

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I had the pleasure of meeting one of Carter’s inspirations for playing music, his mother Lori. Her enthusiasm and excitement for Carter’s show was infectious. Many of his friends turned out to see him perform as well.

Be sure to keep your eyes open for the next time Carter Lezman is performing in Ann Arbor.

Follow Carter on Facebook.

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REVIEW: JOHNNYSWIM Live

As one of the first warm and sunny weekends of the year comes to a close and Ann Arbor begins to recover from an eventful couple of days, I’m still riding a natural high in the wake of Johnnyswim’s performance at The Ark on Saturday night. The ghosts of endorphins are kicking around in my brain as we speak – and with good reason.  My expectations were high, but the pressure was nothing for these two, whose energy upon their return to Ann Arbor in the wake of a crowd-pleasing performance at the Folk Festival in February left them shining like a couple of polished gems.

The intimate space of The Ark was a perfect venue for the acoustically driven sound and incredible vocals of this songwriting pair.  The sold-out crowd was taken from the moment they stepped on stage, kicking off the show with a sweet and simple track from their upcoming debut LP.  While their ability to weave their voices – each distinct and rich in their own right – into a unique and mesmerizing union was enough to capture the attention of the audience, it was the couple’s magnetism that set them apart.  Married in real life, wife Amanda and husband Abner played off each other in a refreshing and intimate way that is seldom seen on stage.

As they moved on to the title track, Diamonds, the two offered an even deeper look into their lives by providing insight on the inspiration of this empowering song.  Abandoning all pretenses for frank honesty, Abner explained that this song was their “suck it” song, directed at an individual in their personal life who continues to doubt them in spite of their mounting success.  While in looking into the lyrics one can find that this message is there, the two were quick to point out that the song is also one of hope – indeed it stood for hopeful optimism to the 250 cancer children they performed it for soon after its conception.

This early peek into the minds of these talented musicians set the tone for the night, as the remainder of their performance was filled with anecdotes about various songs, new and old, and silly stories about their experiences.  The audience particularly enjoyed a long and very involved story by Abner about the events surrounding his proposal to Amanda three years into their relationship, the inspiration of their soft and rhythmic piece Paris In June.  Upon flying her to Paris for their three year anniversary on 24 hours’ notice, Abner found that just about everything that could go wrong did, though in the end he got his storybook proposal.  These insights added to the charm of their songs, deepening one’s understanding of their already graceful tracks.

Their set list gave those excitedly anticipating their debut album, Diamonds, which drops at the end of the month, a taste of what to expect. Songs like Pay Dearly, a revenge-seeking piece full of falsetto and strong riffing, bring out the soulful side of the versatile couple, while tracks like Home capture the country-folk influence of Tennessee, where the two met.  Their wide sampling of genres appeals to many different kinds of listeners, and by the end of the show everyone had found music that suited their style, calling excitedly for an encore. The two didn’t fill the request, instead showing their appreciation by holding a meet-and-greet in the lobby after the show.

As a fan of Johnnyswim, I wasn’t expecting to have the opportunity to meet them, so I was pleasantly surprised to make my way to the line near their merchandise.  Their grace and charisma translated off-stage, and I was happy to find that they are even more kind and humble than I could have imagined.  Their genuine interest in their fans was rather uplifting and I found myself walking away with a phone full of selfies that Abner insisted on taking. I will leave you with a few of my favorites, though the quality is not the best (it seems my iPhone has let me down once again.) Their debut album, Diamonds, hits iTunes on April 29th, and their EPs Home and Heart Beats are available now.

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REVIEW: Women’s Glee Club Spring Concert

Compared to the noise and excitement in the diag yesterday (the first Saturday of April, if that means anything to you), the calm atmosphere set by the Women’s Glee Club’s second song was a welcome change. After opening with “The University”, per tradition, the women sang a composition by Gustav Holst of “Ave Maria” that quickly reminded all in attendance that we were no longer walking about on a sunny Saturday afternoon, we were sitting in a nearly acoustically perfect space listening to talented women sing meaningful music.

One thing that I very much appreciate about the Women’s Glee Club is that they are not trying to be the Men’s Glee Club. The men’s organization is older with a wider alumni base and a bigger reputation that precedes them, and this allows them to fill Hill Auditorium more easily. The women do not have that advantage, and I think that this encourages them to take risks that are to their benefit. They are willing to change up the formations they stand in, to use all parts of the stage, and really add life in the performance of their songs to a degree that is not always matched by the more solemn men (I’m referring especially to the songs “El Vito” and “Usilethela Uxolo (South Africa)”, which both incorporated movements around the stage that enhanced the songs). Neither is the correct way to hold a concert and both are fantastic groups, but I do wish to stress that what works for one is not always best for the other.

My favorite song from the afternoon was “Two Strings, But One Voice (O Sweetest of Songs)”. The voices of the Women’s Glee Club soared in this arrangement, and it filled the auditorium effortlessly. I got so many chills during this song, it was insane. If you’re interested, it sounded like this (that’s not the Women’s Glee Club, obviously, but they’re still pretty good).

I’m so glad I attended the Women’s Glee Club Spring Concert. I really don’t think I’m biased in any way when I say that these ladies deserve much more love and attention from the university. The more of their concerts I attend, the more I realize how lucky I was to be a part of them for a couple semesters because they are an impressive group. This concert was enjoyable from beginning to end, and I look forward to seeing their a capella octet, Midnight Blue, perform on Friday.

PREVIEW: JOHNNYSWIM Live

Who: JOHNNYSWIM

When: Saturday, April 5th @ 8pm

Where: The Ark

Tickets: $20 General Admission

The married musical duo JOHNNYSWIM are bringing their mix of folk, soul, and pop to Ann Arbor on April 5th as they perform at The Ark in promotion of their new album, Diamonds, out April 29th.  Featured on 2014’s VH1 You Oughta Know, twosome Amanda Sudano-Ramirez and Abner Ramirez combine impeccable lyrics with powerful vocals and a captivating stage chemistry that you won’t want to miss.

For a little taste of their versatile sound, check out the music video for their 2013 single Heart Beats, their toe tapper Home, and Abner’s killer falsetto in a live performance of Pay Dearly, featured on the upcoming record.

REVIEW: UMICH Welcomes Chance the Rapper

Michigan welcomed 20-year-old singer and rap artist Chance the Rapper to the U of M campus last night. The concert was produced by Big Ticket Productions, a branch of the University Activities Center (UAC). Chance’s first mixtape, 10 Day, was released in 2012. Since then he has come out with his second mixtape, Acid Rap, in 2013 which has had incredible success: named the #1 mixtape of 2013 and ranked 4th best album this past year by Complex Magazine. Having been featured on tracks with artists like Childish Gambino, Rapsody, Justin Bieber, and James Blake, Chance has been quickly gaining popularity in recent years.

The concert was held at 8 p.m. Saturday, March 22, 2014 in the Hill Auditorium on campus. The first opener, Quinn, began right on time and his performance lasted about a half hour. Quinn performed slow-tempo songs, having a lower energy than expected. Freshman Maher Hachem described Quinn’s songs as having “slow, summer vibes.” Though talented, the feel of his set didn’t quite seem to match the expectations of the crowd. The second opener, Noname Gypsy, was more up-beat with powerful backup singers. Her performance ended around 9 p.m. Both of the opening artists, Quinn and Noname Gypsy, had rap/hip-hop music styles.

Though there was a bit of a gap between the performances of the openers and Chance, his high energy and exciting stage presence quickly made up for any disappointment during the first half of the event. Chance put on a show. Including crowd pleasers like,”Cocoa Butter Kisses,” “Pusha Man,” and “Chain Smoker” kept the audience enamored throughout the night. He really got the crowd involved, the lights were on point with the music, and his transitions between songs was very professional. Chance entertained from the moment he came on stage to his very last song.

After speaking with a few other students who attended the concert, it seemed very evident that seating played a major role in the quality of experience. Though students who had seating in the balcony said they enjoyed the concert, they made it clear that their experience would have been greatly enhanced with better seating. Freshman Corey Johnson admits, “My seats were all the way in the back on the balcony. It would’ve been better with better seats, but Chance was great and I would go again.” Other than some discontent with the openers and some reservations about seats, the overall consensus was a good show and a good time.

If you happened to miss the concert last night and want to see Chance in concert, he will be performing at various locations and music festivals over the next couple of months (including Good Times, Ultra, Coachella, and more).

Special thanks to Maher Hachem and Corey Johnson.

PREVIEW: Israel Philharmonic Orchestra

Who: Israel Philharmonic Orchestra

What: Performance of Bruckner’s Symphony No. 8 in C Minor

When: This Saturday, March 15 at 8:45pm

Where: Hill Auditorium

The University Musical Society presents the Israel Philharmonic Orchestra for this one-night only event. Tickets are still available on the UMS website, and there are special discounted prices for students.

If you would like to know what you’re getting into, here’s a link to the symphony they’ll be playing, but don’t think that listening to this version is comparable to what you’ll hear on Saturday. I’m sure the 1955 version in this video is significantly different from the 1890 version that the Israel Philharmonic will be performing.