REVIEW: Lemaître

When I first walked into Necto nightclub to see one of my favorite bands of the last several years, I didn’t know what to expect.  It was the first night after an unprecedented election that left many, myself included, reeling. As I had expected, the audience was small, only a few people lingering around the edges of the dance floor at my time of arrival, and while more people trickled in as the night progressed, it certainly never felt busy.

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The opening act was none other than Chet Porter, who despite battling a cold was able to impress the crowd with his unique remixes of popular songs.  I shamefully admit that I had never heard of him or his work before the show, but I was instantly struck by the distinctive calming and dream-like sound of his work.  His unique style allowed each song to seamlessly blend into the next. I’ve since looked up his music online, and found that he has no small share of popularity himself.  Below is his original song, “Stay” featuring the vocals of Chelsea Cutler.

When Lemaître finally took the stage, the energy in the room ratcheted up several levels. What the audience may have been lacking in numbers was more than made up for in enthusiasm. After the band members themselves encouraged the crowd to pack in around the stage, the performance started in earnest. Despite having listened to almost all of the songs on the set list tens if not hundreds of times, I was amazed at how the band was able to breathe new life into each and every song, never letting their energy flag.

There was a large sculpture of Lemaitre’s logo behind them, and it was lit up in flashing lights and colors that were synchronized with their songs, further enhancing the energy of the performance.  During one of their songs, “We got U,” they even projected a picture of Bernie Sanders onto the sculpture, as a response to the recent election.

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If you are interested in hearing more, I highly suggest checking out the band on Spotify or YouTube.  Just yesterday they released a stunning new live version of “Playing to Lose.”

REVIEW: El Ten Eleven

El Ten Eleven is an amazing band. If you have never heard them please do so immediately!
Kristian Dunn is probably the most incredible guitarist I’ve ever seen perform live. His skill with rhythm and melody are unparalleled from anything I’ve experienced before. He loops live, playing with tempo, melody, harmony, key signature you name it. Knowing what little I do about loop pedals I can imagine this is a very difficult process that requires a great deal of attentiveness and command over this particular approach. Dunn is also a rather likable fellow. He interacts well with a crowed and seemed pleasantly surprised at the enthusiastic reception they received at The Blind Pig.
Tim Fogarty, the drummer, has mastered his instrument to an expert level. I appreciated the way he and Dunn interacted musically, combining their rhythmic patterns and respective melodies. They are a seamless team of highly skilled, innovative artists.

The entr’acte for the evening was Beacon (Thomas Mullarney III (vocals) and Jacob Gossett), hailing from Brooklyn NY. (http://www.ohmyrockness.com/bandbio.cfm?bandid=34842, http://beacon.bandcamp.com/). They mix samples with haunting, high falsetto vocals from Mullarney (reminiscent of Michael Jackson, with a lack of pop, not to mention his curtain of black hair!). This duo was a great set up for El Ten Eleven. Different enough to keep things interesting but not so different that the collaboration felt disjointed.

The size of the venue was very conducive to this kind of show. Some people wanted to hang out on the fringes and bobble head, others, myself included, were in the thick of things, full body jamming to the beats of these two excellent bands.

Please take a moment to check out their music and broaden your horizons. Also, be sure to take advantage of all the amazing music that comes through this lovely college town of ours! It really is a treat!

PREVIEW/ Announcement: EQMC presents MUSICAL SENSATIONS 10/19/12

Work Gallery: 306 S. State St. Ann Arbor
Friday October 19th
8pm Free (donations appreciated)

A group of experimental musicians are going to showcase their music for an enthusiastic crowed tomorrow night!
Their music varies in style and content although they all mix and sample other artists, loop sounds and play around with different themes to create interesting new musical pieces.
Much of their music is listening rather than dancing music, although it’s definitely good social hang out/ get to know each other and move around to a beat kind of music at times too.

If you want to broaden your auditory surroundings I suggest you join us tomorrow night!

Blithe Field (Ohio)
http://blithefield.bandcamp.com/

Samn Johnson (Ann Arbor – Michigan Student)
http://samnjohnson.bandcamp.com/

Jonah Baseball (Ann Arbor – Michigan Student)

Preview: “Collapsing Borders—Einstürzende Grenzen.”

Sometimes, all the good stuff come at the same time. This week is one such week where there are  just so many great events to choose from. One  great event is the “Collapsing Borders—Einstürzende Grenzen” on Fri, Nov 20, 2009 between 6-8.30 pm.

This is a live digital audio-video jam session with Markus Guentner (from Regensburg, Germany) and nospectacle (Detroit- Ann Arbor, USA) at the Video and Performance Studio, Duderstadt Center, 2281 Bonisteel Blvd.

Guentner, hailed as “the inventor of pop ambient”, is a dj as well and is known for his work on Cologne’s Kompart record label.  Here’s a sample of Guentner’s music.

nospectacle is based right here in Detroit. The group is made up of  Christopher McNamara (who teaches at the U of M’s Dept of Screen arts and Cultures), Jennifer A. Paull, and Walter Wasacz and is an electronic music, video and DJ project.They play mostly McNamara’s original compositions.They performed  a set of music to Andy Warhol’s multimedia experience at the Cranbrook Art Museum.Here’s a link on youtube.

Both the artists are known for melding sound, art and visuals. As per the program flyer, “The point of focus is to show how art and entertainment technologies play a crucial role in transcending political, cultural, and psychological borders.”

This free event is followed by an after-party, 9 p.m. – 2 a.m. at Sava’s (in the space once occupied by Zanzibar), 216 S. State St., Ann Arbor. Called Sonic Subliminal, the dance-friendly event features DJ sets by Guentner, nospectacle and Forest Juziuk of Dark Matter. $5 for the party.

Hmm…electronic music and a dance party on a friday night after a hectic week full of studying appeals to me immensely. You ready to party too?

Krithika, for [art]seen