REVIEW: Boy Erased

The leaves have fallen, snowfall has commenced, and the best time of the year has finally arrived — the “sweet spot” for Oscar contenders. October through December have proven to be the most influential months to release the greatest Oscar-nominated films. With each year, it seems that more films are becoming more diverse and inclusive whether it be seen through its cast, its creative team, or its storyline. Since Moonlight’s monumental success in 2016, we’ve also seen Call Me by Your Name in 2017 and for 2018, it appears that the next biggest contender will be Boy Erased. Not only does Boy Erased put LGBTQ at the forefront, but it also attempts to address a challenging topic.

 

Boy Erased is a film based on Garrard Conley’s memoir. It tells the story of a teenage boy whose religious-bearing parents enroll him in a conversion therapy camp. Throughout the film, we see minimal glimpses of Jared Eamon’s past. In a rather typical nature, Jared portrays a generalized heterosexual lifestyle as a high schooler. He plays on the basketball team, has a cheerleader girlfriend, and is encouraged to spend time at his girlfriend’s house to avoid freezing up “when the time actually comes.” In a relatively understated scene, we get the first glimpse into Jared’s uncertainty and battle with his sexuality where he swiftly rejects his girlfriend’s sexual attempts and counters it with his religious morals.

 

During Jared’s college career, it is apparent of his crush on a peer who he frequently spends time with outside of class. However, this relationship led to a painful and terribly disturbing sexual assault scene. Following Jared’s assault, his assaulter, Henry, falsely claimed to be a school counselor as he called Jared’s mother to inform her of his “behavior.” When confronted of his sexuality by his parents, Jared initially declines then later returns to confess that he is indeed gay. In a firm tone, Jared’s father asks him if he wants to change, which Jared responds with compliance and the desire to change.

 

Marshall (Jared’s father), a Baptist minister, insists on enrolling Jared in a conversion therapy program. Upon his arrival at the camp, it seemed like he was arriving for a jail sentence. All of his belongings were taken, stored away in a cabinet, and informed that notebooks, phones, etc. would be monitored. In a typical motherly fashion, Nancy expressed some uncertainty and discomfort with dropping her son off. Jared initially accepts the principles of the “Love in Action” program conducted by former LIA participants. The program utilizes Christian principles to define their sexuality as a sin that they willingly chose to make. Through various activities, Jared quickly acknowledges that these exercises are nothing short of psychological and physical abuse.

 

Aside from the societal (and even political) significance of this film, it suffered most from its cinematic elements or lack thereof. The entire film was centered solely between Jared and his parents, Nancy and Marshall. They were presented as a wholesome, loving family. Throughout the film, it is evident that Jared has had a decent upbringing where he expresses his understanding of moral beliefs. Furthermore, it seems that his parents are presented as fairly innocent throughout — as in, they deeply love their son, but his “choice” is simply against their beliefs and is not to be accepted. My only caveat to this was in what I found to be the most powerful scene throughout the entire film. Following Jared’s dramatic exit from the camp, we watched a raw scene between Jared and his mother. Played by the skillful Nicole Kidman, the dialogue was extremely moving and emotional as she spoke with regret on sending him to the camp and explained her intuitions of a mother.

 

For this film to have tackled such a sensitive topic, it lacked the power of evoking emotion, especially where it had the most potential. Many scenes that felt important were presented in such a way that you knew they were intended to progress the story but did not punch the audience as it could have. Moreover, the film also failed to capitalize on its supporting characters. Since so much emphasis was placed on Jared and his parents, the purpose of other characters was confusing in retrospect. Consequently, when presented with extremely emotional instances from other characters, the audience could not empathize as much as we should have simply because the other characters weren’t given an adequate chance to be developed.

 

In conclusion, this film represented an important subject matter and was successful in that regard. However, its quality of filmmaking is what will hold this film back from being amongst the most competitive Oscar contenders that follow. Boy Erased is inevitably a heart-wrenching film to sit through but its relevant purpose should not be ignored.

 

REVIEW: The Reign of Pops

The Michigan Pops Orchestra never fails to be entertaining with its program and exception with its music. This semester, we entered the Pops Kingdom and were greeted by many crown jewels of the classical music scene as Music Director Rotem Weinberg and Assistant Music Director Tal Benatar walked out dressed like kings and directed some royally magnificent songs.

The orchestra started with the “Overture to Nabucco,” followed by songs from Enchanted accompanied by a wonderfully-produced adventure video. There was some friendly banter where the person who claimed that he could play the violin with both hands tied behind his back was dubbed the “Lyin’ King,” which was a perfect segue into the Lion King Medley. Other selections from movies also featured some stunning soloists, including Mikaela Secada in “Almost There” from Princess and the Frog, Lorna Courtney in “Just Around the Riverbend” from Pocahontas. More quintessential royal pieces included Swan Lake, “Emperor Waltz,” and “The Prince of Egypt,” and we also explored the video game world with the “Kingdom Hearts Overture” that continued the journey of Enchanted. Finally, we ended with an out-of-this-world performance of the Star Wars Suite before wrapping up with the traditional “Hail to the Victors” encore.

The interactive piece of the program was a game called Name That Royal. We started off easy, with Queen Elizabeth, and then the responses became more clever, such as King Kong, Burger King, and Princess Fiona, so props to Pops for being just as witty as always. The music, though it seemed to fall apart a bit towards the end of the program, was enchanting and beautiful, parking during the “Kingdom Hearts Overture” and “The Prince of Egypt.” The Pops Orchestra took us on a magical journey, and the music they delivered was certainly worthy of a king.

PREVIEW: The Reign of Pops

A new year means new music from the Michigan Pops Orchestra. For the fall semester, Michigan Pops is taking over the world with its show, “The Reign of Pops.” The great theme of royalty can be seen in the music of Swan Lake, Prince of Egypt, and many Disney tunes. As usual of Pops concerts, The Reign of Pops will combine vocal performers, special effects, and multimedia for an unforgettable musical experience. The concert is Sunday, November 18 at 7pm at the Michigan Theater. Tickets are $5 for students, $8 for adults, and free for students in public schools and seniors 65+. Tickets are available at the door on the night of the concert.

REVIEW: Whose Live Anyway?

I could barely contain my excitement as I sat in the Michigan Theater, processing that I was in the same room as Ryan Stiles and Jeff Davis, comedic legends who I have grown to love after watching them on Whose Line Is It Anyway, one of my favorite tv shows of all time. After spending months looking forward to this event, Whose Live was finally happening, and it did not disappoint.

Jeff Davis, Greg Proops, and Ryan Stiles were just as funny live as they are on Whose Line, proving that the television show really is improv comedy driven by audience suggestions. While Joel Murray is not a regular on the tv show, his comedic timing and improv was up to par with the rest of the more established improv comedians.

Classic improv games such as “Options” and “New Choice” were played, resulting in an interesting Dr. Seuss nihilism scene. Celebrity Jeopardy was also clever, with responses such as “What comes after Hamil-nine” in response to “Hamilton” and “What do you call a drunk grizzly” in response to “Beer.”

Music was present throughout the entire night, completely improvised by the musical director Bob Derkach, who was also musical director for Second City Toronto for 25 years. Jeff Davis sang a song for Stephanie, an avid fan of the show who was asked onstage at a previous show. He tried to serenade her in the style of Diana Ross but her love for Cathy, her partner, won out over her love for Jeff. The greatest hits infomercial about hairdressers resulted in wonderful duos by Jeff and Ryan in the style of country western, folk, and rock.

Audience participation was crucial, as always, to an improv show. In addition to all the suggestions shouted out as prompts for scenes, there was more direct participation in certain games. Ryan and Greg acted out the soap opera, “The Secrets of Saginaw”, with scripted lines written by audience members. The four comedians reenacted the first date of Karen and her partner of 17 years with a very similar name. The Polish and Macedonian couple kept the comedians honest in their improved reenactment by honking a horn when they got something wrong and ringing a bell when they got it right. Many truths were humorously exaggerated as their story played out onstage. “Sound Effects” was a game with two volunteers who provided the sound effects for Jeff and Joel, who were steel miners. Finally, for the encore, they invited Cathy, Stephanie’s partner, onto the stage. Ryan conducted a story of Cathy’s sick horse by pointing to each of the comedians and Cathy to continue the story, which ended in a injured and dead horse and zero sympathy from Cathy.

Many jokes were made about Saginaw and the Lions, probably because there are many jokes that can be made there. Stabs were also made at Canada, and Columbus, Ohio was booed, making this a true Ann Arbor show. The comedians also walked away enlightened about Michigan culture. Greg Proops learned the correct way to use his hands as a map of Michigan and about the delicious reputation of Zingerman’s. I couldn’t control the hearty and genuine laughter that escaped from my mouth, and getting to see Whose Live was definitely something I’ve always dreamed of and finally got to experience.

PREVIEW: Whose Live Anyway?

If you’re a fan of the show where “everything’s made up and the points don’t matter,” then turn off your TV and come to this live event based completely off of audience suggestions. With classic games, scenes, and improv legends in front of your very eyes onstage, Ryan Stiles, Greg Proops, Jeff B. Davis, and Joel Murray present Whose Live Anyway? Catch their quickest wit and catchiest songs at the Michigan Theater on October 29 at 8 PM.

REVIEW: The Rocky Horror Picture Show

Let’s do the time warp again. And let’s do it with a drag moth.

Rocky Horror Picture Show’s cult following came through, as the Leather Medusas performed a sold-out show at the Michigan Theater over the weekend. With many fans dressed in wigs, there was massive excitement and anticipation for the annual Rocky Horror Picture Show. And then, a beautiful Moth emerged onstage and everyone lost it. With sass and pride on full display, the Moth got the show started in style.

As a Rocky Horror Virgin who knew very little about the show going in except for the fact that it was weird, I was a bit unprepared for what the next hour and a half had in store for me. Little will be said about the movie, since the 1975 film has become a cult classic that is either known in its entirety or known with very actual knowledge of the show (the latter of which I happened to fall in before myself). And for the other Rocky Horror Virgins out there, I won’t spoil the very first experience for you, because let me tell you — it is quite the experience indeed.

One of the things that makes the Rocky Horror Picture Show a true experience is the talking back to the screen, which is understandable because some things in that movie just make you want to scream — and with this movie, you actually get to. However, the audience participation was at times rather annoying since it was hard to understand what everyone was shouting, and since I had no idea what was happening to begin with, I wanted to understand what everyone was shouting. Granted, some preparation beforehand could’ve been done on my part to help fully prepare myself for this experience. But I didn’t really know what I was getting myself into, so I didn’t know what I had to prepare for. Nonetheless, clever lines were shouted every now and then that made the callbacks bearable. Particularly because Rocky Horror is a known cult classic, all the shouting was part of the experience, so I embraced it through my waves of annoyance.

The Leather Medusas shadow cast put on a phenomenal and amusing show full of hypersexual dancing and well-timed acting that didn’t disappoint as they received a standing ovation at the end. With Demetrius Markel as the muscular Rocky, he showed off his cheerleading skills through impressive moves that got the crowd riled up. The entire cast with wondrous costumes was exceptional in performing this show that requires a lot.

Now that I have lost my Rocky Horror virginity, I await for next year’s show with sweet, sweet antici…pation.