REVIEW: G-Fest

With an almost full lower level at the Power Center for the Performing Arts, student performance groups across Michigan pulled together October 18 for G-Fest, a 2-hour extravaganza of singing, dancing, comedy, slam poetry, percussion and glow-stick dancing. Each act brought something fresh and new to the 5th Annual G-Fest. Alumni G-Men from the inaugural show had the honors of opening this one. Not only were the acts solidly executed, but the ever quirky, comical G-Men introducing them kept the show’s momentum running strong throughout the entire program. Personal favorite included when two G-Men made dubstep with their mouths, including dubbing the beats to Snoop Dogg’s “Drop it Likes it Hot” and Ginuwine’s “Pony.” I think this was when the crowd cheered the loudest the whole time, although each group received a respectable amount of loud, rambunctious applause, and for good reason.

The G-Mens opening number
The G-Men's opening number

The Harmonettes killed it in black pumps and blue jeans.
The Harmonettes killed it in black pumps and blue jeans.

I found myself feeling like I was an extra cast member in Pitch Perfect when the G-Men and Harmonettes sang in harmony and pitch together. The G-Men pulled off a catchy Spanish number to open the show, followed by a mash-up of Maroon 5’s “Harder to Breathe” and Adele’s “Skyfall.” Pure ear candy. In the second part of the show, the self-proclaimed always classy, sometimes sassy Harmonettes brought their girl power with Little Mix’s “Wings,” my favorite number from their set. To quote the movie, both groups were “aca-awesome.”

Asante looks dapper in his top hat and jacket.
Asante looks dapper in his top hat and white jacket.

Asante, the only solo act on the bill, sang two original compositions at the piano. He described the process of creating his own music by visualizing different keys as different colors and putting it all together. His two pieces complemented each other perfectly well, and had the venue feeling like a small intimate jazz club. As a senior in the School of Music, Theatre and Dance, he was one of my favorite acts for his ability to silence and mesmerize the crowd with his smooth voices and even smoother piano playing. He’s got showmanship down, looking and sounding mighty classy. I loved every minute of it.

The Michigan Raas Team
The Michigan Raas Team
Photonixs eye candy
Photonix's eye candy

The first dance group, Michigan Raas Team, performed to traditional Indian music wearing traditional Indian costumes. Their fluid movements had me wanting to get up and dance too, if I knew how to dance like that. G-Fest ended with Photonix, a group that dances with glow sticks to create visual art with trippy trance music in the background. It takes a whole lot of talent to wave glow sticks up and down to create something magical, and Photonix’s did just that in this out-of-this-world finale.

Grooves jamming out on trash cans
Groove's jamming out on trash cans

Before intermission, Groove beat their trashcans and quad drums made of plastic bins to perform several numbers of carefully crafted percussion numbers. The intensity and speed at which these performers can go is remarkable, and I can only imagine how much time and practice they endure to get it just right. These guys nailed it, and the best part is all their instruments are random, common items one wouldn’t expect to find in a formal show. Groove’s ingenuity, coupled with their urban allure, made for a stylistic success to round out the first half.

ComCos improv players provided plenty to laugh about.
ComCo's improv players provided plenty to laugh about.

Not only did talent lie in the musicality of performances, but in comics and poets, too. The first half featured six ComCo. members, campus’s oldest improv comedy group, playing various games with audience participation. They pulled off one of comedy’s greatest exercises, telling a story with someone else’s hands behind them guiding the action. Another game had the game master control the flow of dialogue, interrupting a “mother/daughter” pair whenever he didn’t like what they were saying and making them redo the line in a different way. The best part about the players was the sheer improvisation–these guys can think fast on their feet and that makes it all the more enjoyable and entertaining. One of the highlights of the night for me was being able to laugh at the absurdity of the situations the players acted out.

Four members of the Slam Poetry Club read their poems on stage, giving the audience chills with their themes of growing up, being there for someone in tough times and a poem chronicling Adam and Eve’s experience in couple’s therapy. Each poet slammed really well, slowing and quickening their voices at the appropriate times and really speaking from the heart. It takes a lot of guts to speak like that in front of such a large audience, and these kids nailed it.

I couldn’t have asked for a better Friday night listening to and seeing all the great talent this campus has to offer. Each group shined, and it made me even prouder to be a Michigan Wolverine. Even though G-Fest was just a sampling of the many performance groups on campus, it accomplished its goal of entertaining attendees. Bravo, everyone, for your amazing performances.

Review: El Ten Eleven – they did infact begin at Eleven

While many people were cheering on the Victorious Wolverines on Saturday night (Go Blue!) a crowd of music enthusiasts traipsed across Ann Arbor to flail and bounce to El Ten Eleven’s masterful instrumental compositions.

El Ten Eleven have been creating music since 2002. An LA based “indi or post – rock” group with Kristian Dunn on a fretless bass or 1977 Carvin guitar/bass doubleneck with loop pedals and various methods of sound modulation and Tim Fogarty keeping the beat on electric drums, acoustic drums and drum pads.

This duo are, in my personal opinion, some of the most talented musicians and composers working in music today. Their songs are heavily layered with contrasting melody, harmony and rhythm. singular pieces can range from 5-15 minutes in length and time seems to slide right on by as Dunn and Fogarty weave their way from melody to melody.

The Blind Pig is a perfect venue for this group. The small space, intimate proximity to the artist and one’s fellow audience members, creates a relaxing yet thrilling experience of the brilliance these musicians bring to the stage. El Ten Eleven performed at the Pig last fall as well. There were many returning fans as well as some who had only explored BandCamp and SoundCloud (https://soundcloud.com/elteneleven) to experience a taste of what these musicians are capable. Each walked away from this event in awe of the talent, dedication and musicianship of El Ten Eleven.

Video: El Ten Eleven \"Living on Credit Blues\"

Review: Akron/ Family

I wasn’t quite sure what to expect from Akron/ Family. Turns out they are a lot like “El Ten Eleven” in the way they just play for long periods of time. Each song was about ten minutes long, which wasn’t a problem, their sound is easy to zone out to.
With a combination of drums, bass, guitar, keyboard sound manipulation and vocals, there is a lot to listen to. Unfortunately the Blind Pig has a habit of raising the volume on instruments too high and not equalizing the vocals, so they get swallowed. The nice thing about Akron/ Family is that their vocals only added to the ambiance of the over-all sound. It was annoying not to hear the lyrics though.

This was one of the more relaxed shows I have been to at the Blind Pig. It was a nice, chill crowed.

Preview: Akron/ Family

I don’t know this band all that well. Was introduced to them back in high school, around 2007.

their sound can be a bit hard on the ears…. but ya know, it’s that time of year.

http://akronfamily.bandpage.com/

TICKETS:
http://www.songkick.com/concerts/15375399-akronfamily-at-blind-pig

PREVIEW: Friars’ Concert

One of the University of Michigan’s most beloved a cappella groups, the Friars will present their 57th annual Best Concert Ever, Friday April 19th, 8pm in Rackham Auditorium. Wowing us with their vocals, humor, and terrible dance moves, I’m sure they will not disappoint. Tickets are $5 for students, $10 for adults. Hope to see you there!!

REVIEW: UM Men’s Glee Club Spring Concert

As always, UMMGC left it all on the stage last night at their Spring Concert in Hill Auditorium. The performance was spectacular and their director, Dr. Eugene Rogers, should be thoroughly congratulated for a job well done. The precision with which those men perform is absolutely admirable. While I was listening, I couldn’t help but remark how all of their faces expressed so much joy in being on stage and performing with their fellow clubbers. It was fantastic.

A distinct highlight of last night’s performance was the Friar’s performance just after intermission. The Friar’s is the Men’s Glee Club’s a cappella group, a small, auditioned subset of the larger group. They wowed us away with their utter hilarity and charm – I know I wasn’t the only girl swooning when they hit those high notes.

My favorite song of the night by far was the Harriet Tubman song in the second half. A spiritual crying, “Harriet Tubman didn’t take no stuff!” – it was uplifting, inspiring, and, in my opinion, an accurate portrayal of the amazingly courageous woman she was. They had Robert Hurst, renown bassist and professor at the UM School of Music, Theatre, & Dance, play on the bass alongside a fantastically rhythmic drummer. It was absolutely awesome.

Job well done to the Men last night of UMMGC and (shameless plug) if you liked what you saw last night, be sure to check out the UM Women’s Glee Club, Sunday April 21st at 4pm, Hill Aud as well as the upcoming Friar’s concert next Friday.