REVIEW: Oscar nominated shorts-Animation

Don’t expect kids’ favorite stories when you think of Animation. One (Robin, Robin) of the five of this year’s Oscar-nominated shorts (Robin, Robin / Boxballet / Affairs of the Art / Bestia / The Windshield Wiper ) did fall into this category, but the others either hold confusion, bizarreness, obsessions, and horror of the world. Here I’ll focus mainly on ‘Affairs of the Art’, an animation in a pencil-drawn style that reflects on how modern society defines art and allow strange things to happen in its name while giving short comments on others.

Robin, Robin – very cute, fluffy animation with the ever-selling theme of finding your value despite the environment that says otherwise. Cliche told again but not boring.

Boxballet – Very interesting visual contrast of the characters, explaining very much through this visual information. Surprising and bitter point-back to the political reality at the very end.

Affairs of the Art – Strong, grotesque criticism on ‘Arts’. This features a story of a middle-aged woman who gloats that she is doing ‘Art’ while forcing a model to move for her even when it’s clear that the model is suffering from it. Her story expands over her family members, who each seem to have a weird obsession. The main character gives an example of art as her sister’s obsession with dead and rotting things which occasionally involving animal abuse points could refer to obsessions and grotesque, even immoral things being allowed as ‘Art’, and her sister’s success seems to refer to the society’s funding poured to that form of ‘Art’ when it catches people’s attention and is demanded by the market. The main character’s gloat of finally doing art also criticizes how Art is praised like something divine and desired the snobbism, or the neglecting of questions asking whether the deeds done in the name of art are acceptable or right. The story tells about how obsessions for such art could be bizarre and grotesque, and even expands it toward a more commercialized form of art, the art of ‘the body’, by the main character’s sister saying that her reformed body is like ‘an exhibition’. The sweet art style of pencil drawing did not prevent this animation from conveying disturbing emotions. This one is a strong one.

Bestia – Chilling cross-showing of reality and mental breakdown based on a horrible historical villain of Chile. Dolls made of Regin were a perfect choice to convey the character. Because of its storyline crossing over reality and imagination, sometimes it was hard to tell whether a scene was in reality or not without the historical background.

The Windshield Wiper – Visually very satisfying and colorful. In this collection of short scenes, the scenes of each very short that last less than a minute, even with chunks of dialogues or not at all, tell a strong story and conveys emotions, and for that, I praise this film. However, how the scenes will add up was not as clear.

PREVIEW: Oscar nominated Shorts – Live Action

Shorts TV annually released oscar nominated short films. This year’s nominations are:

On My Mind (Martin Strange-Hansen and Kim Magnusson / Denmark)

Please Hold ( K.D. Dávila and Levin Menekse / USA)

The Dress (Tadeusz Łysiak and Maciej Ślesicki / Poland)

The Long Goodbye (Aneil Karia and Riz Ahmed / UK/Netherlands)

Ala Kachuu – Take and Run (Maria Brendle and Nadine Lüchinger/ Kyrgyzstan/Switzerland)

Ranging from 12-38 minutes, they all seem to tell strong stories within a short time span. Click here for trailers.

Among the movies, the synopsis of ‘Please Hold’ was especially interesting. It’s based in the future in a mysterious jail controlled by the ‘computed bureaucracy of the privatized American justice system‘. The trailer of ‘The Long Goodbye’ also intrigued my interest as well – the irony between bright, cheerful rap music as the background and something serious and dangerous seems to be happening to the characters made me wonder what’s going on.

Again, U of M students can get a ticket to the Oscar-nominated shorts series free if they use the Passport to the Arts before March 22th. The movie is playing on the 19th and 22nd at the Michigan theater. Please refer to the webpage of Arts at Michigan for further information on where to find the ticket / how to use them.

PREVIEW: Oscar nominated shorts – Animation

2022 Oscar-nominated short films are playing at Michigan theater. It’s divided into three categories – live-action, Animation, or Documentary.

This year’s Animation nominations consists of five animations:

  1. Robin Robin (Dan Ojari and Mikey Please / UK) – A holiday movie featuring Robin
  2. Boxballet(Anton Dyakov / Russia) – a love story of a boxer and a ballerina, not just romantic
  3. Affairs of the Art (Joanna Quinn and Les Mills / UK/Canada) – This is about a factory worker who aspires to be an artist. It has unique drawing styles that has soft but vivid lines, like a pencil or conte
  4. Bestia (Hugo Covarrubias and Teo Diaz / Chile) – This will be a scary one, inspired by a violent secret police agent of Chile’s military dictator
  5. The Windshield Wiper (Alberto Mielgo and Ledo Sanchez / USA/Spain) – According to the director, the central question of this one is  “What is love?”

As can be guessed by the drawing style of each animation (please refer to the featured image if you want to check them out yourself), this combination seems to be different from the pleasant, heart-warming, and dreamy Disney fantasies. After all, this is an animated film rated R. Instead, they look a bit eerie and definitely unique; the LA Times described that they plumb the heart – and the heart of darkness“.

Passport to the Arts offers free student entry until March 22. For more information, please visit the Arts at Michigan Website. (Passport to the Arts – Arts at Michigan (umich.edu))

REVIEW: The Oscar Nominated Short Films 2018 — Animated.


List:
Dear Basketball – Glen Keane and Kobe Bryant, USA, 5 min.
Negative Space – Max Porter and Ru Kuwahata, France, 5 min.
Lou – Dave Mullins and Dana Murray, USA, 7 minutes
Revolting Rhymes – Jakob Schuh and Jan Lachauer, UK, 29 minutes
Garden Party – Victor Caire and Gabriel Grapperon, France 7 minutes
Lost Property Office (additional film) – Daniel Agdag, Australia, 10 minutes
Weeds (additional film) – Kevin Hudson, USA, 3 minutes
Achoo (additional film) – Elise Carret, Camille Lacroix, Charlotte Perroux, Lucas Boutrot, Maoris Creantor, Pierre Hubert, France, 7 minutes

Somehow, The Boss Baby is now an Oscar-nominated film – and so maybe it’s sufficient to say it’s been a darn slow year for animation.

But even with an unexpected nomination in the category, there’s no lack of talent featured in the animated Oscar Nominated Shorts of this year. Dear Basketball, Negative Space, Lou, Revolting Rhymes, and Garden Party are all contenders. Lost Property Office, Weeds, and Achoo are additional, highly-commended films you can catch in theatres alongside the Oscar nods.

In 2018, Kobe Bryant is now both a star basketball player and a star film producer, with Dear Basketball penned as a love letter to the end of an illustrious career. It’s sweet and simple, pleasant to watch, but probably more touching for basketball fans than for the uninterested layperson.

Despite a narrative that perhaps borders upon just being a highlight reel of Kobe Bryant’s career, Glen Keane does what Glen Keane does – just as he had in many other short films like Duet and Nephtali, and just as he did for Disney. His animation style in undeniably compelling, sketches full of a motion and fluidity that fills us in where the film may come up empty in terms of a more captivating story.

Opposite of what Dear Basketball may lack, Negative Space gives life to a suitcase, to the simpleness of Ron Koertge’s poem with clothes like a tidal wave, belts slithering like snakes into the sides of a bag. The premise is easy, but the execution is sophisticated.

A boy floats in an ocean of clothes and emerges between of the buttons of his dad’s shirt. A taxi cab drives onto wooden floorboards and becomes a toy car circling around the living room. These are beautiful transitions done through stop-motion, a creative practice in breathing tone and vision into a script. It’s uncomplicated at only five minutes long, but the visuals are delicate, creative, and with an incredible punch line.

The obligatory Pixar nomination of the year is Lou – cute and heart-warming and absolutely beautifully rendered. It follows the story of a pile of lost and found objects that becomes the guardian of the playground, rising from its box to set things right when a bully begins to terrorize the other kids.

The film is interesting and very endearing, but is also very standard Pixar-fare. Not a bad thing at all, considering the general consistency and quality of films produced over the years by the studio. And Lou is no exception to that. It’s engaging and sweet, but it is also nothing ground-breaking.

Much less feel-good, much less full of those clear-cut morals of Lou, Revolting Rhymes is an adaption of Roald Dahl’s poems, featuring the nominated first episode. Having read these fairytales a long time ago, the film does measure up in some ways by wrapping up the story with a terrific ending and some very tongue-in-cheek story-telling. However, it still comes second to the charm of the original rhymes. It feels a bit lacking in some ways, but the characterization, the animation details, the picture-book perfect palette, and the satirical material it’s built upon prove to be still very appealing to watch.

When we move away from the obvious comedy of Revolting Rhymes, we have Garden Party, a pic that is much more subdued and sinister in its humour. It’s a gorgeous, hyper-realistic film, full of lush colours and gaudy scenery. And while Garden Party is a visual banquet, it’s an understated story of macabre undertones, an apprehensive underbelly to the stunning animation. Amphibians from the garden follow their instincts into an extravagant house. A fat toad feasts in a rotting kitchen on multi-coloured macarons. Two frogs find themselves underneath the plush covers of a bed in disarray, and countless croaking creatures lounge about, swimming in the murky depths of a pool. As night falls, the lights come up, the garden is lit with fountains, music, and a terrible twist.

There’s an interesting selection, from realistic CGI frogs to the organic pencil and pastel sketches of basketball players. And while I have my opinions, it’s difficult to predict a winner from the fact that Dear Basketball, Negative Space, Lou, Revolting Rhymes, and Garden Party are pretty much nothing alike.

So catch the Oscar Nominated Shorts at Michigan Theater and other select places before March 4th, and decide for yourself.

Student tickets are $8.

REVIEW: Silver Linings Playbook

Silver Linings Playbook

For months, the word on everyone’s lips has been “Silver Linings Playbook.” As far back as  Thanksgiving break, my friends had been advising me to see it. I missed my chance because it left theaters, but after the big Oscar buzz struck, the film reappeared on the silver screen and is now playing at The State Theater. For the first time in….decades (?), all four major acting categories draw nods from one film: Best Actor/Actress and Best Supporting Actor/Actress. With that knowledge in mind, I had high expectations for the film. And yes! It absolutely met my expectations, and exceded them.

Its hard to decide who I fell more in love with, JLaw or BCoop, as my celebrity-savvy  housemate might call the duo. Bradley Cooper’s character, Pat,  has recently been released from a mental institution after serving a sentence for reacting violently to his wife unfaithfulness. In the process of recovery, he discovers that he suffers from far more severe personality disorders, which he inherited from his father- a relationship that still challenges him upon his return home. As he re-integrates into his former lifestyle, he struggles to forget his wife, but in the process discovers a love that is far more passionate and whole hearted.

Jennifer Lawrence’s character plays Tiffany, an equally wounded but independent and caring character who helps Pat get back on  his feet by teaching him to dance- literally (and figuratively I suppose). In the process she falls in love with him and waits for him to come around and realize how very much in love he also is with her. The chemistry between them is very natural but also electric. (I will add here that it is, indeed, a great movie date if you are looking for a way to celebrate Valentine’s day. I noticed  a good number of couples in the crowd).

The film did a very refined job of telling an atypical story while maintaing a sense of realism. It was about family, struggle, finding love, letting it go, and keeping it without getting too crazy. These characters were very familiar; it was not a period piece or a computerized fantasy story- often the winners of Oscar awards. The acting was  so real, so believable, and so authentic- that surely  is why this film has garnered so much praise. One particularly touching and truthful scene was when Robert Deniro,  an aging father, opens to his son for the first time about his love for him and his mistakes as a parent. I was moved  and nearly found myself in tears as well!

My favorite part about this movie was that I went by myself. If you’ve ever avoided going to a movie by yourself because you fear it will be uncomfortable and pitiful, the way a solo restauteur sometimes appears, I highly recommend you revamp your opinions. Going to moveis by myself is the most therapeutic alone time I can think of! I was so happy to spend my Monday evening watching this adorable movie. It’s only in Ann Arbor for the week, so get yourself to the theater- with or without a date!