Directing student Leah Block (BFA 24′) presents her senior thesis: The Grown Ups by Simon Henriques and Skylar Fox. This effortlessly quirky piece revolves around a group of young counselors from a summer camp who are earnestly cultivating the next generation of camp-goers. The counselors all love camp! And all their camp traditions! Except for the racist ones…like the previous Indigenous name of their predominantly white cohort or the exclusionary structure of camp games (lending preference to older kids and men). But besides that, it’s all fine…..right?
New counselor Cassie joins for her first summer at the newly renamed “Indigo Woods” and meets the easygoing Lukas, high-strung (but well-intentioned) Becca, overly excited Maeve, and the odd and hardworking Aidan. The group indoctrinates Cassie, welcoming her and really wanting her to have a good experience at camp. Each evening the group comes together at the campfire, recalling scary stories of their previous camp years, debating the best tactics to support the campers all while a national online argument is breaking out, shifting the political sphere of the world. Summer camp can feel isolating for some, (especially as their world is crumbling underneath them) and these young adults are now the “Grown Ups” in the face of crisis.
This cast was thoroughly cohesive and enormously charming. Each character was undeniably unique yet eerily resembling someone you’ve met before (probably from summer camp). Becca (Sarah Hartmus) and Aidan (Hugh Finnigan) were house favorites, with electric chemistry and sidesplitting comedic moments. I enjoyed both their attention to comedic timing and thoughtful physical acting. While I was drawn to Becca and Aidan’s characters specifically, I felt deeply connected to each counselor as an audience member. The way Henriques & Fox crafted their intimate dialogues made it feel as though I instantly knew each of these characters. The seamless flow of the actors’ choices among one another further enhanced the sense of familiarity. This ensemble was tight, with a deep-cutting emotional payoff in the end.
When I walked in, I was apprehensive of an in-the-round setting—a notoriously difficult set-up to direct for. But Ms. Block had perfected it and some. Her direction was personable and genuine, I felt like I was involved in all of the camp discourse, and ultimately a part of the demise. The in-the-round choice was brilliant for the storytelling aspects of this show, leaving another theater full of young adults to look inward at our place in a world facing escalating disasters. Her vision was clear and cohesive, as so many poignant themes made their way out of the writing onto the stage, cultivating a really powerful performance.
Camp Counselor Leah taught us many things throughout our time at Indigo Woods: “Just because it’s the way we have always done it does not mean that it is the best way”, “comfort is the death of progress”, and “We can’t let resentment of not getting the world we want to stop us from leaving it better than we found it (Directors Note)”. She brought us all inside an idyllic summer camp and from there we were abruptly shot back into reality—perhaps that was the point of camp all along.
[Photo above depicts Sam Smiley as Lukas.] Photo thanks to SMTD’s Theater & Drama Dept.
guitar and violin/trumpet combo. I loved the selection of songs and the mediation of energy. Annabella Paolucci presented a beautiful violin sound throughout the set,
