Artist Spotlight: Black History Month

February is Black History Month, an annual celebration of and recognition of all generations of African Americans, who are and have been vital to the history of the United States. Since 1976, Black History Month has been an official American event.

I thought today’s artist spotlight post would be a prime opportunity to share Black media to watch/read/appreciate. These stories can be enjoyed and examined all the time, of course–not just February.

While Black voices in films, television, music, and literature are becoming more visible and diverse, many stories are dominated by the exploitation of Black trauma and struggle, or overtaken by white voices. Like any identity, it’s important to have multi-dimensional representation that are complex and thoughtful. We should always examine the media we consume through a critical lens.

I also recognize that I am Asian American. I am a minority, but I will never be able to truly understand what it’s like to be Black in the United States. However, I can still consume and engage with media made by Black people, talk to my peers, and open up my perspective.

Be sure to check out BIPOC creators this month and every month. Here’s my list of media featuring, directed by, or written by Black artists to enjoy (This is by no means an exhaustive list, just a few items I recommend):

Films:

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  • Cinderella (1997)
  • Drumline (2002)
  • Moonlight (2016)
  • Hidden Figures (2016)
  • Jump In! (2007)
  • Soul (2020)
  • Spider-Man: Into the Spider-Verse (2018)
  • Get Out (2017)
  • 13th (2016)

 

Books:

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  • The Hate U Give by Angie Thomas
  • Their Eyes Were Watching God by Zora Neale Hurston
  • Between the World and Me by Ta-Nehisi Coates
  • The Color Purple by Alice Walker
  • Invisible Man by Ralph Ellison
  • How to be an Antiracist by Ibram X. Kendi
  • Americanah by Chimamanda Ngozi Adichie
  • The New Jim Crow by Michelle Alexander

 

Donate:

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Art Biz with Liz: Amanda Gorman’s “The Hill We Climb”

At President Joe Biden’s inauguration on January 20th, 2021, 22-year-old Amanda Gorman delivered her poem, “The Hill We Climb.” The Los Angeles resident made history as the youngest known inaugural poet, sparking admiration and conversation the following weeks.

The poem isn’t without criticism, however. People have taken to the comment sections in newspapers like The Hill to voice their opinions. Check out Reddit’s r/Poetry subreddit, a place to share and discuss published poetry, and you’ll find similar sentiments. One user said, “The meter is all over the place. The wordplay is inane. It’s full of patriotic platitudes and contains nothing new or surprising. It wouldn’t inspire anyone at any time except Americans, today.”

I’m not qualified to judge what makes good poetry and what doesn’t. I’ve heard various people commend the artist yet criticize the poem for things such as “cliches” and “frustrating meter.” Additionally, some praise “The Hill We Climb” for its messages and pacing but question whether it is “technically strong.” Regardless, I think that there is great merit in the work as a piece of art. Art and creativity can be important tools in inspiring people, and Ms. Gorman utilizes them to do just that. A Forbes article says, “Gorman has produced poetry and studied sociology, so in combining complex social science into an art form, she has developed a unique offering in both fields.” I’d have to agree.

Rewatching her performance, I hear rhythms and repetitions that remind me of Hamilton. There are two references to the musical within the poem, in addition to commentary on current events. Journalists, teachers, and Youtubers alike have begun analyzing Gorman’s piece, noting references to the bible and other poets’ work, as well. The significance? Gorman is purposeful in her words and presentation. One thing that I believe is incredible about her piece is its accessibility, which is somewhat indifferent to the “technicality” of it as poem. There is still value that can be measured in the conciseness of words and density of thought within Gorman’s piece, but its reach to the general masses could be considered invaluable. The outbursts in feelings it evoked in countless people, if only for a moment, have been monumental (just check out the positivity related to #AmandaGorman on Twitter). Gorman’s position as an inaugural poet gave her a platform to send a message in a moving way, reaching to those who previously wouldn’t have given poetry a second thought. I think this is one area that she succeeds, not just in her poem, but in her touching yet empowering performance.

Gorman’s presence exudes strength, but her poem also reflects pain. Poignant words remind young Americans–not unlike Gorman–that our work is not done. We must strive for progress in a society that is fast-paced and continuously evolving. Accommodating changing times also means acknowledging the dark that remains. In doing so, perhaps we might “raise this wounded world into a wondrous one,” as Gorman states in “The Hill We Climb.” Will the poem be remembered and recited for years to come? I don’t know, but I don’t believe that its relevance to the “now” detracts from the message it has to tell. If anything, the call for light and unity is one that we needed.

Look below for a video of Gorman reciting “The Hill We Climb”  (courtesy of The New York Times) and a full transcript of the poem.

Transcript of the poem:

When day comes we ask ourselves,
where can we find light in this never-ending shade?
The loss we carry,
a sea we must wade.
We’ve braved the belly of the beast,
We’ve learned that quiet isn’t always peace,
and the norms and notions
of what just is
isn’t always just-ice.
And yet the dawn is ours
before we knew it.
Somehow we do it.
Somehow we’ve weathered and witnessed
a nation that isn’t broken,
but simply unfinished.
We the successors of a country and a time
where a skinny Black girl
descended from slaves and raised by a single mother
can dream of becoming president
only to find herself reciting for one.
And yes we are far from polished.
Far from pristine.
But that doesn’t mean we are
striving to form a union that is perfect.
We are striving to forge a union with purpose,
to compose a country committed to all cultures, colors, characters and
conditions of man.
And so we lift our gazes not to what stands between us,
but what stands before us.
We close the divide because we know, to put our future first,
we must first put our differences aside.
We lay down our arms
so we can reach out our arms
to one another.
We seek harm to none and harmony for all.
Let the globe, if nothing else, say this is true,
that even as we grieved, we grew,
that even as we hurt, we hoped,
that even as we tired, we tried,
that we’ll forever be tied together, victorious.
Not because we will never again know defeat,
but because we will never again sow division.
Scripture tells us to envision
that everyone shall sit under their own vine and fig tree
and no one shall make them afraid.
If we’re to live up to our own time,
then victory won’t lie in the blade.
But in all the bridges we’ve made,
that is the promise to glade,
the hill we climb.
If only we dare.
It’s because being American is more than a pride we inherit,
it’s the past we step into
and how we repair it.
We’ve seen a force that would shatter our nation
rather than share it.
Would destroy our country if it meant delaying democracy.
And this effort very nearly succeeded.
But while democracy can be periodically delayed,
it can never be permanently defeated.
In this truth,
in this faith we trust.
For while we have our eyes on the future,
history has its eyes on us.
This is the era of just redemption
we feared at its inception.
We did not feel prepared to be the heirs
of such a terrifying hour
but within it we found the power
to author a new chapter.
To offer hope and laughter to ourselves.
So while once we asked,
how could we possibly prevail over catastrophe?
Now we assert,
How could catastrophe possibly prevail over us?
We will not march back to what was,
but move to what shall be.
A country that is bruised but whole,
benevolent but bold,
fierce and free.
We will not be turned around
or interrupted by intimidation,
because we know our inaction and inertia
will be the inheritance of the next generation.
Our blunders become their burdens.
But one thing is certain,
If we merge mercy with might,
and might with right,
then love becomes our legacy,
and change our children’s birthright.
So let us leave behind a country
better than the one we were left with.
Every breath from my bronze-pounded chest,
we will raise this wounded world into a wondrous one.
We will rise from the gold-limbed hills of the west.
We will rise from the windswept northeast,
where our forefathers first realized revolution.
We will rise from the lake-rimmed cities of the midwestern states.
We will rise from the sunbaked south.
We will rebuild, reconcile and recover.
And every known nook of our nation and
every corner called our country,
our people diverse and beautiful will emerge,
battered and beautiful.
When day comes we step out of the shade,
aflame and unafraid,
the new dawn blooms as we free it.
For there is always light,
if only we’re brave enough to see it.
If only we’re brave enough to be it.

The Artist’s Panel: Mentorship

 

The Stamps School Of Art And Design is launching a new mentorship program that helps connect current students with Stamps alumni! The program, aptly called M-Bassadors, connects students to Stamps grads through avenues including networking events and informal portfolio reviews. As this program is just getting off the ground, Stamps administration strongly encourages students to sign up for this great new opportunity. This program is a great example of creatives on campus working together to build each other up. If you are a Stamps student looking to get involved or a reader interested in learning more, you can find additional information on M-Bassadors on the Stamps website: https://stamps.umich.edu/creative-work/stories/m-bassador%C2%A0

Artist Spotlight: Jeffrey Cheung and There Skateboards

Artist, skateboarder, and musician Jeffrey Cheung, based in California, is known for his work in carving out space in historically heterosexual, white spaces, namely skateboarding. In 2017, he and his partner founded Unity, a skateboard company/community/printing press, and now runs There Skateboards, a collective also dedicated to supporting queer and trans skateboarders of color (QTPOC).

Although skateboarding is known for pushing boundaries, it is an activity that has been dominated by white men since its inception. Women and skaters of color are rising in popularity, yet skating remains rife with misogyny. Cheung’s collectives work to fight for marginalized voices and expand diversity, hosting skate sessions and art shows with different communities. There Skateboards also sponsors several pro queer skateboarders–including Cher Strauberry (who has started new brand Glue Skateboards) and Marbie Miller. Unity and There are more DIY and “underground” companies spearheaded by an authentic artist.

Cheung’s art itself speaks toward his mission; they are colorful, androgynous figures that are vibrant and dynamic. They interact with each other and seem to spread the message that self-love as well as community are important. Featuring an assortment of tees, hoodies, prints, skateboards, and even a collaboration with Adidas Skateboarding, Cheung and his company, as well as other queer skaters of color are make a big and refreshing difference in the world of skateboarding.

You All
Pink
Triangle
Unity Skateboards
Mural

The Artist’s Panel: Value

Hannah Levine-Drizin is a Stamps Senior with an interest in mixed-media arts. She has a successful business as a freelance artist that she maintains on top of her busy academic schedule. The most common artwork that people request from her is collaged pet-portraits, so her work is a must see for any animal enthusiast. Aside from making collage art, Hannah is also a talented animator and sculptor. After graduation, she will be applying to grad school to further pursue her studies in Art and Design. You can follow Hannah on her Instagram, @hannahldart, to see her impressive body of work.

The Indian Artist: The Incarnations

Vishnu is one of the most important deities in the Hindu religion. He is known as the preserver and protector of the universes and Hinduism teaches that when humanity is threatened by chaos or evil, Vishnu will descend to Earth his incarnations to restore righteousness. These incarnations of Vishnu are called avatars and it is said in the scriptures that there are ten avatars total. Each of these avatars has a different form and purpose. When an individual is faced with a challenge, a particular avatar shows up to address the issue. In a recent piece done in mixed media from colored pencil, ink, and acrylic, I demonstrate the avatars of Vishnu. For this week’s post, I thought that I would briefly talk about each avatar!

1) Matsya the FishMatsya is said to be the avatar that rescued the first man, as well as other creatures of the earth, from a great flood. Matsya is sometimes depicted as a great fish or as a human torso connected to the tail of a fish. It is said that Matsya forewarned man about the coming flood and ordered humans to preserve all the grains and living creatures in a boat. This story is similar to many stories found in other cultures. Can you think of any?

2) Kurma the TortoiseKurma is seen in a mixed human-animal form.  The tortoise incarnation relates to a classic Hindu myth where he churns the ocean of milk to obtain treasures dissolved within. In this myth, Vishnu took the form of a tortoise to support the churning stick on his back.

3) Varaha the BoarVaraha, depicted as either a full boar form or as a boar head on a human body, raised the earth from the bottom of the sea after the demon Hiranyaksha dragged it to the bottom of the sea. After a battle of 1,000 years, Varaha raised the earth out of the water with his tusks.

4) Narasimha the LionAs the legend goes, the demon Hiranyakashipiu obtained a blessing that he could not be killed or harmed by any means, making him virtually invincible. Arrogant in his security, Hiranyakshipiu began to cause trouble both in heaven and on earth. To put a stop to this, Vishnu emerged in the form of a man-lion known as Narasimha to slay the demon.

5) Vamana the Dwarf: Vamana appeared when the demon king Bali ruled the universe and the gods lost their power. One day, Vamana visited the court of Bali and begged for as much land as he could cover in three steps. Laughing at the dwarf, Bali granted the wish. The dwarf then assumed the form of a giant. He took the whole earth with the first step and the entire middle world with the second step. With the third step, Vamana sent Bali down to rule the underworld.

6) Parasurama:  In his form, Vishnu appears as a priest who comes to the world to kill bad kings and protect humanity from danger. He appears in the form of a man carrying an ax, sometimes referred to as Rama with an ax.

7) Lord Rama: As you may remember from my story about Diwali, Rama was sent by the gods to do battle with the multi-headed demon Ravana when he was sent to the forest with his wife and brother for 14 years. He a major deity in the Hindu religion and even considered the supreme lord in some traditions.

8) Lord Krishna: Krishna is one of the most widely revered deities in Hinduism. He was a cowherd who was notoriously known to be a troublemaker in his youth. Krishna is depicted in a variety of forms because there are so many stories surrounding him. Krishna often has blue skin and wears a crown of peacock feathers with a golden loincloth.

9) Balarama, Krishna’s Brother: Balarama, the elder brother of Krishna, engaged in many adventures alongside his brother. Stories of Balarama always focus on his prodigious strength. In visual representations, he is usually shown with pale skin in contrast to Krishna’s blue skin.

10) Kalki the Mighty Warrior: Kalki is the last incarnation of Vishnu. He is not expected to appear until the end of Kali Yuga, the current time period we are in right now. Kalki will come, it is believed, to rid the world of oppression by unrighteous rulers riding a white horse and carrying a fiery sword.

I hope that you all enjoyed reading these brief descriptions and stories of each of Vishnu’s avatars. As always, if anything that I discussed in this post stands out or if any questions arise please feel free to comment and share your thoughts! Looking forward to next Sunday.

 

~ Riya

 

Personal website:   https://riyarts.weebly.com/