Wolverine Stew: Making Plans

Tonight I saw

A cord wrapped round a bike

Without its wheels

I wonder whether the wheels or chord

Were there first

I wonder where it goes

The sky is clear except for

The wisps of orange built over the

Day, still the moon is always

Visible, always getting closer to full

I once saw a line of crows calling to

One another across the Diag, from

Downtown to the cemetery to the woods

Today, there were four

Are they here early or late?

I hope to see them all again

Filling budding branches with

Black-feather leaves

The snow melts away, comes back, melts

Away, and I’m not sure where the day went

I just know there’s still more of it

And somewhere in that time inside my room of

Half-lit string lights I’ll have to replace someday

And in those late-night walks, trying to find Orion each time

Remembering a stage formed from

Paper hyacinths and rubber chickens

And in those moments talking about

How falling forever was high school me’s heaven

And taking friends to see the sunset

I think I might be ok

MediaScape Musings # 13 : Calling All Creators to Arts Electronica Festival – Submission Deadline March 1st!

Are you passionate about blending art and technology to create innovative masterpieces? If so, the Arts Electronica Festival is the perfect platform to showcase your work to a global audience! Held annually in Linz, Austria, this prestigious event is a celebration of digital arts, culture, and technology. It offers artists, technologists, scientists, and thinkers from around the world an opportunity to exhibit their cutting-edge projects that push the boundaries of creativity and tech.

This year, the festival is eagerly awaiting submissions from talented individuals who are exploring new horizons in the digital arts sector. Whether you specialize in interactive art, computer animations, digital music, or any other form of electronic art, Arts Electronica is the place to be seen and heard.

The deadline for submissions is fast approaching on March 1st. This is your chance to be part of an extraordinary event that not only showcases the latest in digital art but also provides a platform for networking, learning, and inspiration. Your work will be exposed to a diverse audience, including industry experts, fellow artists, and digital art enthusiasts from across the globe.

Don’t miss this opportunity to make your mark in the world of digital arts. Prepare your submissions today and be part of an event that celebrates innovation, creativity, and the future of electronic arts. Let’s push the boundaries of what’s possible together at Arts Electronica!

For more information on submission guidelines and how to apply, please visit the Arts Electronica Festival’s official website.

aSoSS 15 | Shoot

Put your hands on your hips… one leg up… yeah!

You know how I do it? I don’t even take photos! I take a video and screenshot!

I take live photos!

Ichiban, 7:00PM, 11/11/2023

our strongest memories are linked by sounds and smells. the running exhaust, the radio leaking through the window, the heat gradient running up the side of my arm from the incandescent lightbulb. photos can only take us so far — they are shortcuts, figures without depth or dimension. try committing these words, this moment, this raindrop of time. let it disappear behind the veil. sights, smells, sounds, me and you. point, grip, pull the trigger.


You look at pictures of your relatives and that’s the only thing you know them by… when people only know you through photos, it’s important to be present.

Couzens Hall, 8:00PM, 1/24/2024

there is a bin of photos for sale at the scrap center, fifty cents per stacked inch. they are shaken out of albums and cards, tossed aside, ink yellowing in the sun. i look through them and i imagine you looking with me, behind my shoulder. i have no photos of you — deleted or neglected, i do not remember — but it does not matter. i think about going to art school so i can learn to draw your face. what force flows through a pencil when it etches the subconscious into reality?


Actually, I didn’t show my teeth because I was insecure, so I didn’t smile.

Glen/Catherine Inbound, 12:00PM, 2/18/2024

an insecure mouth suffocates laughter. it is a cinch, a noose, like being shushed as you are strangled. the snaggletooth peeks out and waves to the camera. your eagerness betrays you, but only for a second. your grandparents sit on the top of the fridge, tight-lipped, stone-faced. i’m sorry, you say. what for? i grab your hand as the shutter clicks. carved out of paper, nonetheless, but a smile preserved.

Industrious Illustrating #57 – Katsucon 2024

Hello, and welcome back to another week of Industrious Illustrating! This week’s post is late because I spent the entire weekend in National Harbor, Maryland (near Washington D.C.) at Katsucon — a large anime convention — in the Artist Alley selling merchandise of my artwork! It broke my previous convention sales records several times over and I ran out of a bunch of merch designs, so I’m very happy with the results! I also got to network with and meet a bunch of other amazing artists!

When I was in the area, I also visited the Steven P. Udzar-Hazy Center, which is an offshoot of the Smithsonian Air & Space Museum located nearby in Virginia where the space shuttle Discovery is on display alongside an SR-71 Blackbird, a Concorde supersonic plane, an X-35B STOVL, and many other exciting civilian and military aircraft! I took lots of reference pictures and even did some on-site sketching to the best of my abilities, though I’m not as practiced at drawing aircraft and I was exhausted from driving all the way to D.C. (with an overnight stop at Pittsburgh) last week.

Anyway, I’m elated that I got the opportunity to do a convention outside of the Michigan-Ohio area for the first time and that I gained so many valuable experiences from it, plus I had lots of fun and made enough money to fund my next art business ventures and pay for a bunch of personal expenses! I’m looking forward to my slate of upcoming cons next month (Anime Milwaukee in, well, Milwaukee at the beginning of the month, Sakuracon in Seattle at the end) and I also hope to do more original design work soon with aircraft as inspiration!

The Indian Artist, Final Year: Intaglio

Good Afternoon everyone! I hope that you are well. I know that I haven’t posted in some time, but I wanted to write a short post today showcasing some work that I did last semester using a brand new technique!

Intaglio is a means of printmaking in which which the image is carved into a surface and the incised line or sunken area holds the ink. This method is the direct opposite of a relief print where the parts of the matrix that make the image stand above the main surface. Linoleum carving is a type of relief printmaking whereas copper etching is an example of intaglio. I had the privilege of learning intaglio last semester and it was a pure joy! I wanted to share the steps that I learned and the pieces that I made. Enjoy!

  1. Create your sketch! Figure out the subject matter than you are interested in rendering and create an initial drawing.
  2. Prepare the plate! In order to transfer ink from the etched copper plate to paper, it is fed through a press. If the edges of a copper plate are left raw, they can cut through the paper.
    • The first step is the burnish and round off the edges of the plate
    • The second step is to degrease the surface of the plate so that the ground can stick to it. Degreasing the plate is done by mixing a solution of vinegar and whiting together and rubbing it all over the surface. Once this is done comprehensively the plate is rinsed and dried.
    • Lastly, something called a ground is rolled onto the surface of the plate and cured on a hot plate. This ground is what is carved into to expose copper. The exposed copper will be etched when put into acid!
  3. Transfer your image! This is simple, just use some transfer paper and get your image onto your plate.
  4. Now you are ready to etch! Using a thin needle, draw into the hard ground to expose the copper plate. This can be done in layers as the longer the copper is exposed to acid, the darker the lines will be and vice versa.
  5. Etch the plate! Put a piece of contact paper on the back on your copper plate to protect it from the acid. Then, just suspend the copper plate in a vat of ferric acid. Again, etching for longer will make the lines darker.
  6. Print the plate! Apply ink to the plate and wipe off the excess. The ink will sit inside of the etches lines and will transfer to the paper when put through a press set to the correct pressure!

And that is all it takes! I know this was a long overdue post and a bit of a different one, but I hope that it was interesting to read! I have always really admired printmaking and am so lucky that I have had the opportunity to dive into it this past year. I am currently working on a woodblock print and look forward to sharing it with you all.

As always, please feel free to reach out to me or comment if you have any questions, concerns, or thoughts! If you would like to see my work, please feel free to check out my website and follow me on Instagram.

Until next week,

Riya

Instagram: @riya_aggarwal.art

Website: https://theindianartist.weebly.com/

Capturing Campus: February

Narcissus circa 2024

I loved someone
so deceptively tangible
so close, almost touching
our breath intermingling
between pauses and thought
I try to survive
the pain in my chest
the aching empty cavity
I loved someone
so deeply
so closely
it killed me

Please reach out if you or someone you know is in immediate danger or experiencing suicidal thoughts. You are not alone.

911

988 Suicide and Crisis Lifeline

CAPS After Hours Urgent Support: 734-764-8312

UM Psychiatric Emergency Services: 734.996.4747

UM Sexual Assault Prevention and Awareness: 734.936.3333

Department of Public Safety and Security: 734.763.1131

National Suicide Prevention Lifeline: 1.800.273.TALK (1.800.273.8255)

The Trevor Lifeline: 1.866.488.7386

Crisis Text Line:  741741