The Kingdom of Tokavsk, Session 23: An Entry from the Diary Lord Eskyil

They treated me as though I was a dead ennet or a commoner demanding funds. To accuse me of something so preposterous should be grounds for immediate removal, seeing as I am protected by the King and am His closest ally. The audacity of that captain makes my fingers blacken just writing about it. Those sharp eyes could cut the hardest of gems. A meaty, swollen brute of a man was he, absolutely violating the integrity of my position and the Crown. To accuse me is one step away from accusing the King Himself, treason so great its punishment is not banishment but death. He would be better scraping ice off the hulls of ships or making furbrushes. Someone as hard and cruel as he should not have access to such power. He and his filthy little minions surrounded me, bombarded me with questions, asked how much I knew about the death of Lord [name stricken]. I was afraid, and in my confusion I may have had a minor slip once or thrice. Even greatness is occasionally bound to err. I will not deny that I did not know how to react in such a situation, but I postulate hardly anyone would were they not expecting it. I anticipated the questions about my personal relationship to Lord –, but I never even in fits of ague imagined that I could be so much as suspected of such a thing. How hard I have worked to achieve my position, and they dare challenge me? I shall inform the King of this transgression first thing in the morning. I doubt He will approve of His trusted advisor being besmirched.

Fiber Fridays #3: Tapestry Crochet

Hello everyone!
This week I wanted to focus on tapestry crochet patterns and explain how to read them. These patterns can also be called alpha patterns. Alpha patterns are gridded images (such as pixel art) that can be directly translated into a 1:1 crochet pattern. These crochet patterns are straightforward once you know how to change your colors as you work. I personally choose to use a 5 mm hook for these in generic acrylic cheap scrap yarn that I find. With just a couple rows of single crochet, you can take your piece visually to the next level.

For my example, I crocheted a dinosaur. This was my first attempt at making an alpha pattern, so I believe it came out well! My color changes didn’t turn out exactly as I had hoped, but those will become cleaner over time and with more practice. I chose to use a single crochet for every square in the pattern. It is best to use tighter tension when crocheting this way. This creates a tighter crocheted image which will keep your lines cleaner. Tapestry patterns can come in any type of image you’d like to create. You can look up pre-made images that have already been turned into pixels, or you can pixelate your own images at home. These are super cute and can be applied to sweaters, bags, blankets, etc to give a little more detail. They can also be used as wall hanging decorations just as they are.

Here I have included more advanced samples if anyone would like a starting point for ideas! Pinterest is a great resource to find different patterns for every genre.
I would personally like to create more of these and use them in my “scrapbooking” sculptural work. I would like to create a bunch of images and sew them together to make a story. I am currently collecting small tapestries , granny squares, and amigurumi figures that I have created over time to hopefully be able to consolidate them all into one great piece. The incorporation of 3D forms could also be really cool to layer amongst the pieces. I also really like sculptural wearables and plan to work more on the human form. Applying these illustrative images to garments could also be really interesting.
I encourage you to try out this method and let me know how it goes for you in the comments!
See you next week,
Marissa

The Glorious Cacophony

There they are! The fancy Fae-Dragons (this is a misnomer they’re all fancy)! I toned down the saturation of the red I usually sketch with.

When I designed the citizens of this court, I had the tropics on my mind: jungle birds, bugs, and fancy flowers. Feathers, wings, and bug heads. I also gave them a vintage bent, at least for the commoners. I imagine those with bird wings will fold them in a way to resemble a shawl or short cloak, like the gargoyles from Gargoyles.

An additional concept I had but didn’t include was them having transparent limbs stuffed with flowers, like those glass decorations with flowers in the middle. Or maybe some have glass scales they press flowers behind. Lots of room for expansion here.

Industrious Illustrating #46 – Common Merchandise Types

Hello, and welcome back to another week of Industrious Illustrating! In previous weeks I’ve gone over profit margins and event types that artists can sell at. This week, I’m discussing a few different types of merchandise that I personally offer and their most common prices at pop culture convention Artist Alleys and online sales. Since this is another long post, I put my list underneath a Read More:

Read more: Industrious Illustrating #46 – Common Merchandise Types

Stickers ($3-8)

I used to sell stickers, but I stopped because the thin profit margin wasn’t worth how much trouble it was to market and display them in exchange for enough money to maybe buy myself a single boba per sticker. Other artists see great success with selling large volumes of them or in addition to higher priced items though. It all depends on your business strategy!
Keep in mind that some event venues will outright ban stickers and other sticky-backed items (phone grips, window decals, etc.) because of potential vandalism.

Buttons/Pins ($3-$15+)

While buttons and pins are sometimes used interchangeably as terms, they describe different types of merchandise. Buttons are typically laminated paper pressed into a metal backing with a safety pin attached on the back to secure it to clothing or other soft materials. Pins are typically wood, acrylic, metal, or enamel with an attached pin post (shaped like a metal nail) and “clutch” (typically rubber or metal) to attach it to soft materials. Pins are also typically more expensive than buttons because of the higher production cost that comes from outsourcing them to a manufacturer rather than being able to mass-produce them at home using a button press. However, these two types of merch are oftentimes displayed together on table displays using corkboard, canvas banners, vinyl cubes, etc. Prices on buttons and pins vary a lot and are generally dependent on the production cost, size, materials, etc.

I currently sell some specialty buttons shaped like coffins or made of soft plush material and a few pins either made out of metal in the shape of a bottle cap or made of responsibly sourced wood. They’re not my bestsellers, but I’ll see how they’ll do over time as I accumulate more online sales and attend more events to sell my art.

Most of my coffin-shaped button designs

A wood pin I’ve made with a fat squirrel design.

Acrylic Charms ($8-$20+)

Acrylic charms are printed 2D artwork sealed within a (typically) laser-cut piece of acrylic cut to the artwork’s outline. The most common size of charm that I see is 2.5 inches with a clear border around the design and a hole in the top with a metal keychain clasp for hanging the charm on something else.

These typically sell for about $12-15, which may seem like a lot for such a small and simple item until you remember that acrylic charms are almost all produced in China (so, higher shipping costs than sourcing domestically like you can for prints) and are relatively sturdy and long-lasting compared to stickers or prints.

Larger charms and charms with special finishes/gimmicks such as holographic finish, foil accents, attached hanging acrylic pieces, special clasp designs, an internal compartment with shakable acrylic pieces, etc. can sell for a higher price, typically somewhere between $20-$30. Charms smaller than 2.5 inches can go for lower, typically somewhere between $8-$10. There’s also charms made of other materials such as metal, wood, PVC, and enamel, but they’re a lot less common than acrylic charms either for durability or cost reasons.

Charms sell best for me through online sales compared to other merchandise types. I assume this is because charms take up less space and that the charms I offer are in a niche that doesn’t have many other artists making small merchandise (mecha/robots) even when compared to the broader internet.

Two recent acrylic charm designs I made that far surpassed my sales expectations when I listed them online

Prints ($10-$25+)

Prints without specialty finishes like holographic (rainbow crystal) laminate or metallic spot foil accents are fairly cheap to produce, totaling about 1 dollar per print for 11×17 inch prints and even lower for smaller prints like 8.5×11″ or 4×6″ prints. Their high price point compared to their production cost comes from the length of time a typical print artwork takes compared to smaller merchandise with simpler designs, and also their relative large size compared to other forms of cheap-to-produce merch such as stickers and buttons. This still means that their profit margins are much better compared to other merchandise types, which also means that competition in the print-selling market is extremely competitive, especially in Artist Alley.

The most common prices I see for common print sizes at pop culture conventions is $10 for 4×6/5×7 prints, $15 for 8×10/8.5×11″ prints, $20-$25 for 11×17/12×18″ prints, and much higher for anything larger. Specialty finishes up the prices per print size by at least $5, though in my experience customers are willing to pay an additional $10 or more for a special shiny-looking print. However, these prices are actually relatively low compared to how much fine artists charge for prints at fine art events, as the typical attendee there is expecting higher prices compared to the average anime or comic con attendee.

My best-seller at cons is by far prints, though prints also account for a majority of the merchandise that I offer in the first place.

Examples of holographic finish prints that I sell online and at my Artist Alley table

Apparel ($20+)

I don’t personally sell apparel because of the high cost per unit (at least $10 per printed shirt) and the amount of stock I’d have to order for sizes S through XL without knowing if it’d actually sell, but there’s some artists who sell shirts or sweaters either printed on by a third-party manufacturer or that they screenprint on themselves. There’s a decent amount of potential money to be made by selling apparel since it’s not a common Artist Alley item and a lot of customers see appeal in functional items, but it also takes up a lot of storage space (a problem especially for weight restrictions on flights for faraway events) and you end up having to compete on price with fast-fashion corporations who can afford razor-thin profit margins far more than an independent artist can.

Other merchandise?

Keep in mind that this list is far from exhaustive and that there’s lots of other things that you can either create yourself or get your art printed on! This is just meant as a quick introduction/overview of commonly sold merchandise types in the specific type of small art business that I currently work in.

Remember that the advantages of selling mass-produced merchandise based on an original drawing instead of focusing on selling one-of-a-kind original art pieces are that you can reuse your designs infinitely and across various types of merchandise to potentially make lots of sales across a long period of time from a few hours of labor. Your budget and time are the true limiting factors when it comes to what kind of merchandise you can create and offer as an independent artist!

Anyway, Motor City Comic Con is next weekend (November 10-12), so I’m waiting on several merchandise orders to ship in ahead of that con. I’ll be debuting new merchandise like rubber deskmats and double foil prints to experiment with what my customer base likes best, and I’ll be sure to write a column after that convention talking about how my first comic con tabling experience went!

S3 Scribble #4: Closer to Fine

“And I went to the doctor, I went to the mountains, I looked to the children, I drank from the fountains,”

It’s the first of November of my senior year. “What’s next?” I’ve been asked, and the truth is, I’m not quite sure. I just submitted yet another application that may or may not determine the course of my future, and I’ve been riddled with self-doubt (which is surprising and disorienting, because I tend to be confident and decently sure of myself). Accepting the fact that there are many things out of my control at the moment is a challenge. Even without the self-doubt and the other responsibilities that school and life entail, the fact that I don’t have any idea what my life will be like in just one year from now is something I must grapple with constantly.

“There’s more than one answer to these questions pointing me in a crooked line.”

But, really, must I grapple with it? The Indigo Girls’ “Closer to Fine” reminds me that in order to be happy, I need to let go of the unknown. I can try my best to prepare myself for the future, but knowing what will happen is simply impossible. Therefore, the best I can do is let myself enjoy where I am now and enjoy where life takes me. I don’t need to grapple – I need to accept that there are unknowable things, and then I need to let them go. 

“And the less I seek my source for some definitive,”

When one door closes, another door opens, and, so far, things have worked out. Maybe not in the way that I had hoped or anticipated that they would, but things have worked out nonetheless. It is not my job to worry about what is beyond my control. It’s my job to take advantage of opportunities – and create opportunities – for myself. It’s my job to enjoy the ride.

“Closer I am to fine.”

Listen to Closer to Fine by The Indigo Girls here: https://www.youtube.com/watch?v=1HWV5hq4Bh8

Wolverine Stew: Happy Halloween!

My nights this time of year are made of

Home-made cemeteries and their hundred lights

Laughing in the forest made of

Bony twenty-sided dice

The candy corn tree and strings

(both web and metal)

Of an open mic echoing in halls I once walked

My own breath becoming fog in

The lamplit snow falling as we passed out candy from

An antique plastic pumpkin

Watching together as skeletons dance in gourds

Every porch lined with grinning faces

Their night-sky mold interior lit by electric candles

The sky clearing just in time to see the Hunter’s

Moon hanging in those last moments of running

In the dark, in my mask, in the cold, content

I will wish everyone I know and those I pass

That feeling of being at home in all this

My ideal is to be a worm-infested caramel apple

Hoping to be sickly sweet and full of life

Sometimes I worry I make a ghost of myself

But tonight, I get to come back

And this time, I’ll remain a little longer