Arts In Color Choreographer Spotlight

Arts In Color is a campus arts organization that celebrates diversity through dance! It was started by Johanna Kepler, a dance major and recent graduate of the Dance Department here at Michigan. This year with the inability to share dance and performances live the organization created “Range of Reactions” a 5 short film production all choreographed and filmed by Dance Department Students. They began rehearsals and auditions for this project early in the school year and finally, after all of their hard work the film was released on Friday! Katie Besser is a sophomore from Los Angeles and was a choreographer for this project. I have had the pleasure of working with Katie previously and was interested to see what inspired her to create a piece for this project, what she found to be challenges, and how she enjoyed working with film.

 

Introduce Yourself- name, pronouns, major/minors, and hometown

“Hi, my name is Katey Besser and my pronouns are she/her/hers.  I am a dual degree student with Dance in the School of Music, Theatre, and Dance and Movement Science in the School of Kinesiology.  My hometown is Los Angeles, California.”

Why did you want to be a choreographer for the Arts In Color Showcase? 

“I wanted to be a choreographer for the Arts In Color Showcase because I really like choreographing and was inspired by the AIC showcase last year so I knew that I wanted to choreograph a piece this year.  After attending the informational meeting I was inspired by the concept of the showcase “Range of Reaction” and had many ideas that I was excited to start developing.  So much has happened in the past year that I was excited for the opportunity to work closely with other dancers and create a meaningful piece. After not dancing with other people for months of quarantine, I was excited to go back to creating art and collaborating with others for the AIC Showcase and am very grateful for the opportunity to do that safely.”

For those who don’t know what Arts In Color is can you explain the organization and what it means to you?

“Yes, Arts In Color is an organization that uses dance and the arts to advocate for social justice through events that celebrate diversity, equity, and inclusion.  We use our voices and gift of dance to influence change on issues from topics including race, sexuality, gender, identity, and more.  Arts In Color encourages conversations to promote an inclusive and meaningful learning environment within the Department of Dance and for the UM community.  I have really enjoyed attending meetings and learning from my peers and their experiences.  It is a really safe space to learn, share, and make a change.  As a woman in today’s society there are many challenges I have faced so AIC has helped me be able to open up about my stories. Through the process of working on my piece for the showcase, my dancers really inspired me by hearing their stories which helped me incorporate their individuality into the piece.”

When creating this work was there an initial idea that sparked your creative process?

“Yeah! The prompt of the Showcase “Range of Reaction” was ‘how a person’s environment and genetics influence the person they are and the life that they live’.  This statement really resonated with me because I think everyone has had an experience where they felt silenced to speak up for their beliefs by their peers or what was in the media.  I wanted to research the response people receive within a structured group when they are trying to break away and disturb the system.  So in this piece I focused on the individual versus the groupthink.  The piece looks at how external influences have altered our innate intuition and knowledge, specifically with social justice issues such as racial inequality, income inequality, and discrimination. I pictured the image of a wolf pack when wanting to portray the individual versus groupthink.  Wolves rely on one another for food, safety, warmth, and acquaintance.  When one wolf breaks away from the pack the dynamic of the group is disturbed and the pack tries to bring them back to their group.  This relates to us as people because today there is pressure to put aside our personal beliefs to adopt the opinion of the people around us.  Ultimately, we need strength to form our own opinions and break from the group so our voices can be heard.”

When casting your work what were you looking for in dancers?

“When casting my work I was looking for dancers that were eager and excited to dance as well as open to having conversations and exploring different concepts.  I ended up having an amazing cast of two freshmen and one junior in my piece as well as myself who is a sophomore.  It was really neat being able to work closely with a cast of all different years in school because going into it we didn’t know each other that well but everyone brought in such new perspectives and we quickly all bonded.  With Covid and not having many classes in the building together as a department, it was nice for us to connect over this.  The piece came together so nicely because of the dancers and they made the experience so enjoyable, I am so grateful for them!”

What was the process like? How was it choreographing, rehearsing, and performing during a time of COVID? 

“The process definitely had its ups and downs but I am very happy with how it turned out.  I started with my concept and from there found music, found a location, and imagined an overview of how I wanted the piece to look.  I then started choreographing on my own and mapping out the structure.  Choreographing in the time of Covid was more challenging because I have a limited space at home to move which definitely took longer than if I were in the dance studio but it was also fun to dance and choreograph in new places like my driveway.  I then held rehearsals with the cast.  We started each rehearsal discussing a new question that helped us develop the idea for the piece and so that everyone had contribution.  Most rehearsals were outside on the concrete basketball courts so that we were outside and wearing masks around each other. There were a couple times when the weather made it so that we had to rehearse on zoom and it is nice that we have the technology for this but also makes putting together the piece more difficult. Rehearsals do feel different when they aren’t in the dance studio but everyone adapted well.  If I were to choreograph this piece in non covid times I would have used more partner work but I had to be creative with how to portray some of the sections since we cannot touch as well as how to use the space so there was enough room between us. We also had an issue where Washtenaw county ordered a stay at home because of covid for two weeks and we were supposed to film that weekend.  The filming got put on hold until the order was lifted but by that time it was really cold outside which was tough for filming because our muscles were not warm to dance but we pushed through.  I am so grateful for the resilience and strength of my cast they were so easy going and made it all possible.  Covid has changed a lot of things in the world and the best we can do is to adapt to this new way of life and continue pursuing our passions.  I am so happy with how the piece turned out and am very grateful that I had this opportunity to dance and choreograph.”

Having the pleasure of watching the entire short film, I loved watching katies choreography immersed in nature. The music choice was beautifully encompassed in the filming and dancing. The sun piercing through the trees as the dancers moved in neutral colors. They were extremely grounded and it was relaxing to watch, The filming, editing, and dancing were all done extremely professionally since this whole production began and ended with students. If you have not had the opportunity to watch the short film the link to watch this amazing project is below.

https://vimeo.com/user131672535

 

 

+KHAOS+ EP.12: THE GAP BETWEEN

+KHAOS+ EP.12: THE GAP BETWEEN

+KHAOS+ EP.12: THE GAP BETWEEN

Milo, Ed, Kira, and Zion decide to team up to discover more about this mysterious corporation named Khaos. After an arduous journey, they arrive at Khaos, which is half above ground and half-buried underground. An eerie atmosphere surrounds the area, creeping everyone out at once.

+Author’s Comment+

KHAOS is a term used in Greek Mythology and it means the empty gap between earth and heaven. KHAOS can also mean the “nothingness” at the beginning of time, before the creation of the universe. 

Feel free to support me on my Art Instagram Account: @kats.art.folder

The Indian Artist: Emotion in Art

“A work of art that did not begin in emotion is not art” ~ Paul Cezanne

The true reason why I have always been drawn to art, regardless of its form, is the depth of emotion that can be delivered. We have all heard that a picture is worth a thousand words. For me, this adage is one that I make sure to always keep in mind when I am creating a piece. This is why I have always felt a strong disconnect from abstract, suggestive, and nonobjective modes of art. Rather, I divulge in conceptual art that strikes a different chord in every person.

For me, I feel connected to a creation when I am caught in the moment and experience something so visceral and real that I have to take another look, that I have to stare for just a minute longer. For me, this comes from art that has deep meaning and intent behind it. This pertains to any form of art whether it be music, dance, or painting. Something that is done with intention and feeling, that is something that deserves to be celebrated.

 

Art needs to be felt, not only seen…

 

Bête Noire is an original piece of mine done in ink, with dimensions of 8″x 11″. It was my dive into a literal form of expressive art. Dictated by a prompt given to me in my high school art course, I wanted to take my fear of spiders to a different level, a place where the viewer cringes and feels something deep within themselves. My goal in this piece was to not only develop my technical skills but also to create work that can evoke emotion.

My mother hates looking at this drawing and recoils, while my best friend winces but never diverts her gaze. As odd as it may sound, I have never rejoiced so much to have people look away when I showed them my art. How do you feel when you look at the drawing? Do you think that I succeeded in my goal?

As always, if anything that I discussed in this post stood out or if any questions arise please feel free to comment and share your thoughts!

 

 

~ Riya

 

Personal website:   https://riyarts.weebly.com/

Untitled

In a wash of white noise 

I hear crickets 

Strumming a long tone 

To accompany the click of your finger’s keys 

You sat beside me 

With orange light streaming 

As flight attendants moved back and forth

I reached out to touch your hand 

Encapsulating mine 

In your warmth cold 

How many days can we have like this 

Listening to silence 

How many days can we have like this

reflections

while 2020 has ended and 2021 has taken on its face, reflecting on how far we’ve come is important. to be honest, i have no more faith in this year than i did the last. while i’m getting ready to turn 20 in march, i have been thinking about my growth during my time at the university. it’s really hard to imagine much of any grand milestones, especially since my freshman year was ripped in half due to covid and i’ve been under lockdown in my apartment ever since. i feel upset and angry when i think about my lack of a “real college experience” on campus in east quad, in dining halls, in lecture halls.

but even though i can’t feel as safe as i used to right now, and even though it’s difficult to believe that i have done my best in “making the most” of my college years, i still find moments when i am able to appreciate the fact that the person i am today has learned so much since the first time i physically set foot on campus. i’ve made friends and grown apart from others. i’ve cried, vomited, and laughed. i’ve had fun and had days that i would rather forget. i’ve been embarrassed. i’ve felt guilt and shame. i’ve performed on stages, gotten involved in organizations, won a hopwood award for my poetry, and learned and developed a more compassionate and complex view of the world and myself. i’ve found love. i’ve found depression. i’ve found warmth and art and i’ve felt winters that have stayed long after its snow melted.

i have a better understanding of how i want to live my life in this moment, but that understanding has also brought great uncertainty in my safety and my success. i’m black, queer, and trans. it’s been really hard to survive, but i also have felt great when experiencing the smallest things. sometimes, though, i feel nothing at all. i don’t know whether or not i’ll “make it”. but i also realize that there are more people in this world who are more scared than fearless in the face of reality. i take comfort in that. i’m lost and i’m sure that i’m lost.

Art Biz with Liz: Amanda Gorman’s “The Hill We Climb”

At President Joe Biden’s inauguration on January 20th, 2021, 22-year-old Amanda Gorman delivered her poem, “The Hill We Climb.” The Los Angeles resident made history as the youngest known inaugural poet, sparking admiration and conversation the following weeks.

The poem isn’t without criticism, however. People have taken to the comment sections in newspapers like The Hill to voice their opinions. Check out Reddit’s r/Poetry subreddit, a place to share and discuss published poetry, and you’ll find similar sentiments. One user said, “The meter is all over the place. The wordplay is inane. It’s full of patriotic platitudes and contains nothing new or surprising. It wouldn’t inspire anyone at any time except Americans, today.”

I’m not qualified to judge what makes good poetry and what doesn’t. I’ve heard various people commend the artist yet criticize the poem for things such as “cliches” and “frustrating meter.” Additionally, some praise “The Hill We Climb” for its messages and pacing but question whether it is “technically strong.” Regardless, I think that there is great merit in the work as a piece of art. Art and creativity can be important tools in inspiring people, and Ms. Gorman utilizes them to do just that. A Forbes article says, “Gorman has produced poetry and studied sociology, so in combining complex social science into an art form, she has developed a unique offering in both fields.” I’d have to agree.

Rewatching her performance, I hear rhythms and repetitions that remind me of Hamilton. There are two references to the musical within the poem, in addition to commentary on current events. Journalists, teachers, and Youtubers alike have begun analyzing Gorman’s piece, noting references to the bible and other poets’ work, as well. The significance? Gorman is purposeful in her words and presentation. One thing that I believe is incredible about her piece is its accessibility, which is somewhat indifferent to the “technicality” of it as poem. There is still value that can be measured in the conciseness of words and density of thought within Gorman’s piece, but its reach to the general masses could be considered invaluable. The outbursts in feelings it evoked in countless people, if only for a moment, have been monumental (just check out the positivity related to #AmandaGorman on Twitter). Gorman’s position as an inaugural poet gave her a platform to send a message in a moving way, reaching to those who previously wouldn’t have given poetry a second thought. I think this is one area that she succeeds, not just in her poem, but in her touching yet empowering performance.

Gorman’s presence exudes strength, but her poem also reflects pain. Poignant words remind young Americans–not unlike Gorman–that our work is not done. We must strive for progress in a society that is fast-paced and continuously evolving. Accommodating changing times also means acknowledging the dark that remains. In doing so, perhaps we might “raise this wounded world into a wondrous one,” as Gorman states in “The Hill We Climb.” Will the poem be remembered and recited for years to come? I don’t know, but I don’t believe that its relevance to the “now” detracts from the message it has to tell. If anything, the call for light and unity is one that we needed.

Look below for a video of Gorman reciting “The Hill We Climb”  (courtesy of The New York Times) and a full transcript of the poem.

Transcript of the poem:

When day comes we ask ourselves,
where can we find light in this never-ending shade?
The loss we carry,
a sea we must wade.
We’ve braved the belly of the beast,
We’ve learned that quiet isn’t always peace,
and the norms and notions
of what just is
isn’t always just-ice.
And yet the dawn is ours
before we knew it.
Somehow we do it.
Somehow we’ve weathered and witnessed
a nation that isn’t broken,
but simply unfinished.
We the successors of a country and a time
where a skinny Black girl
descended from slaves and raised by a single mother
can dream of becoming president
only to find herself reciting for one.
And yes we are far from polished.
Far from pristine.
But that doesn’t mean we are
striving to form a union that is perfect.
We are striving to forge a union with purpose,
to compose a country committed to all cultures, colors, characters and
conditions of man.
And so we lift our gazes not to what stands between us,
but what stands before us.
We close the divide because we know, to put our future first,
we must first put our differences aside.
We lay down our arms
so we can reach out our arms
to one another.
We seek harm to none and harmony for all.
Let the globe, if nothing else, say this is true,
that even as we grieved, we grew,
that even as we hurt, we hoped,
that even as we tired, we tried,
that we’ll forever be tied together, victorious.
Not because we will never again know defeat,
but because we will never again sow division.
Scripture tells us to envision
that everyone shall sit under their own vine and fig tree
and no one shall make them afraid.
If we’re to live up to our own time,
then victory won’t lie in the blade.
But in all the bridges we’ve made,
that is the promise to glade,
the hill we climb.
If only we dare.
It’s because being American is more than a pride we inherit,
it’s the past we step into
and how we repair it.
We’ve seen a force that would shatter our nation
rather than share it.
Would destroy our country if it meant delaying democracy.
And this effort very nearly succeeded.
But while democracy can be periodically delayed,
it can never be permanently defeated.
In this truth,
in this faith we trust.
For while we have our eyes on the future,
history has its eyes on us.
This is the era of just redemption
we feared at its inception.
We did not feel prepared to be the heirs
of such a terrifying hour
but within it we found the power
to author a new chapter.
To offer hope and laughter to ourselves.
So while once we asked,
how could we possibly prevail over catastrophe?
Now we assert,
How could catastrophe possibly prevail over us?
We will not march back to what was,
but move to what shall be.
A country that is bruised but whole,
benevolent but bold,
fierce and free.
We will not be turned around
or interrupted by intimidation,
because we know our inaction and inertia
will be the inheritance of the next generation.
Our blunders become their burdens.
But one thing is certain,
If we merge mercy with might,
and might with right,
then love becomes our legacy,
and change our children’s birthright.
So let us leave behind a country
better than the one we were left with.
Every breath from my bronze-pounded chest,
we will raise this wounded world into a wondrous one.
We will rise from the gold-limbed hills of the west.
We will rise from the windswept northeast,
where our forefathers first realized revolution.
We will rise from the lake-rimmed cities of the midwestern states.
We will rise from the sunbaked south.
We will rebuild, reconcile and recover.
And every known nook of our nation and
every corner called our country,
our people diverse and beautiful will emerge,
battered and beautiful.
When day comes we step out of the shade,
aflame and unafraid,
the new dawn blooms as we free it.
For there is always light,
if only we’re brave enough to see it.
If only we’re brave enough to be it.