Taking Advantage of My Free Time This Semester

Well, it’s my last semester here at the University of Michigan, and I’m lucky to be only taking six credits. It’s a huge change in terms of how much time I actually have on my hands; suddenly, I have class only on Monday, Tuesday, and Wednesday, leaving me more days without class than with class.

This was probably a good choice. For one, why take an excessive number of credits when each class costs a lot of money and I’ve taken almost every class I need to graduate? It’s also a welcome break after 2016, which I spent as a Senior Arts Editor for The Michigan Daily. It was a position that seemed to sap almost every night of free time, even though it’s a relatively small time commitment compared to an editorial position on the news section, for example.

The thing about the Daily was even if it could be a pain to spend so much time there when I had so much studying to do all the time, it was rarely not fun being there. I worked closely with many of my best friends there, and it was a comforting place to go to each night I worked, not an unwelcome one. So even though the end of my editor position means a lot of nice free time, it also means spending less time in that fun environment surrounded by the people I laugh around the most. As a result, I think, I’ve felt a little despondent in the week since we came back from winter break…a little unmotivated, unproductive, with too much time to just sit in my room. I’ve felt a little lonely, to be honest.

And we all know what the best thing is for feeling lonely: art!

So I’m determined to start taking in a lot more art this semester, and not feel guilty about it. To start, of course, I’m watching a lot of TV and movies, and listening to a lot of music, as usual. I recently finished watching The Leftovers, and I just started Bates Motel tonight. I also have The Americans and Twin Peaks on my agenda for this semester. I have an endless list of movies to watch, and I’m going to enjoy watching them.

The most notable things, though are these:

First, I’m going to read more. I feel like I haven’t really read for pleasure that much since at least the summer, but more realistically farther back—you could even extend that to high school. I’m finally finishing Goodbye, Columbus by Philip Roth after starting it over the summer and promptly stopping when school started. I also have Super Sad True Love Story checked out, and plan to read The Handmaid’s Tale and some other good stuff soon.

Second, I’m going to journal consistently. My journal is massively important to me—I still have to write a longer post about that sometime—and I always inevitably fall behind because I spend so much time on it, imbuing every entry with so many details. When I fall behind, it takes the emotional power out of some of the entries, because I’m recalling events long after the fact, so I’m going to make sure to catch up once and for all and journal consistently this semester.

Third, I’m going to start writing fiction again. I haven’t done this in a while, either, and I really need to just write a novel already. It’s not good to take huge breaks from writing, and I need to learn to really discipline myself when it comes to that.

Anyways, yeah, that’s it! I’m also, obviously, applying to jobs for after graduation and trying to spend time with friends, but sometimes it seems like I am the single least busy person this semester, so I’ll have plenty of extra time, and art is the best way to fill that.

It’s Golden Globe Sunday!

Welcome to award season 2017! It’s Golden Globe Sunday which marks the first big award show of 2017. November through January is always a great time for movies and television, and my goal every year is to see as many of the nominated films and TV shows as possible. This year was more difficult being in my first semester of college, but so far I’m been able to check a few off my list.

Manchester by the Sea, Hacksaw Ridge, Deadpool, La La Land, Arrival, Fences, War Dogs, Stranger Things, The Crown, and This is Us are all of the Golden Globe Nominees that I’ve seen. It’s actually more than I had thought, but there are still so many movies and tv shows that I want to see!
Based on my limited sampling of the nominees I can categorize them into Great, Okay, and Not Great. I didn’t see anything that was terrible, but I would consider this season to be somewhat underwhelming when compared to last year’s selection (The Big Short, Spotlight, the Revenant, etc).
So, “the Greats,” which are still a work in progress as I make my way through the noms, are Manchester by the Sea, Hacksaw Ridge, Arrival, and Stranger Things. If there was an award for most depressing movie ever made, Manchester by the Sea would win hands down, and would probably never be usurped. Aside from the ridiculously tragic plot that gets worse even when you think it’s impossible, Manchester by the Sea was one of the best movies I’ve ever seen. I’d be surprised if Casey Affleck isn’t rewarded for his incredibly moving performance (Nominated: Best Performance by an Actor – Drama). Arrival was also a favorite, but when they went towards a more fantasy approach (Spoiler: she starts time traveling in the end… I think…) the film lost a lot of it’s credibility and intensity and started to get a bit cheesy for my taste. When they were focusing on communication and different responses to the alien invasion I was totally on board. Up until the end it seemed realistic enough for a movie about aliens landing on Earth, and that was the most intriguing aspect.
The “okay” category is abnormally large this year. Like I said, I’m just not as entertained, if you will, by this year’s choices. Deadpool, War Dogs, The Crown and This is Us definitely get spots in this category. However, my opinions on television aren’t very strong as I never really think critically of television. Deadpool was a great comedy, but I had almost completely forgotten about it and had never imagined it would be involved with the award shows this year. I guess I never think about the summer blockbusters making it through to the New Year, but it was definitely worthy of a spot in the comedy/musical categories. I’m actually happy that an actual comedy is featured in this category, when so many times there are movies featured that are the last thing you would think of as a comedy.
Time for the “not greats.” Fences and La La Land. Unpopular opinion: I hated La La Land. Maybe it’s unfair of me to judge due to my preexisting distaste for musicals, but I could barely sit through the whole thing. It takes a lot for me to get bored or restless during a movie, so on the rare occasions that that happens, it usually means that it didn’t hold my interest at all. Now I’ll acknowledge that it was beautiful. The colors, scenery, and cinematography in general was stunning, but that was pretty much all I liked about it. Ryan Gosling (The Nice Guys…10/10 would recommend) and Emma Stone are some of my favorite actors, but lets be honest. They can’t sing. So many “cringey” moments and feelings of second hand embarrassment were induced by their performances which was a bummer because I love them. Also the songs…not a fan. I did like the instrumental parts, but the lyrics were forgetful and annoying. Maybe I’ll give it another chance…everyone is raving about it and I’m sure it will take several awards, but right now I’m still anti La La Land.
Okay, so I’ll stop here since I could keep going on and on. Hopefully I’ll be able to watch the actual award show… the amount of neglected reading I have for women’s studies makes that highly unlikely but I’ll give it a shot. Also, Jimmy Fallon is hosting which seems more promising than past hosts (second hand embarrassment is a very real thing and I am extremely sensitive to it).
I’ll make predictions for the top categories based on what I’ve seen. Hopefully by the Oscars I’ll be able to make more educated predictions.

Best Drama: Moonlight (Haven’t seen it but based on what I’ve heard there is little doubt it will win.)
Best Comedy/Musical: La La Land (yikes)
Best Actor Drama: Casey Affleck
Best Actress Drama: Amy Adams
Best Actor Comedy/Musical: Collin Farell
Best Actress Comedy/Musical: Emma Stone

(Nocturnal Animals, The Lobster, and Jackie are first on my list as I try to catch up in time for the Oscars…stay tuned. 🙂 )

Dear Carrie Fisher,

It feels strange to write to you like this. After all, I did not really know you by your true name. No, I, like millions of others knew you from the silver screen first. I didn’t watch the original Star Wars Trilogy until I was in high school. Like all teenagers, I was convinced that it would be too child-like, too unsophisticated. Somehow, you could take this fantastical premise and fill it with wonderment and imagination. You were our Princess, unlike any we had seen before. Leia may have been royalty, but she was also a rebel. When Han and Luke burst into her cell, she shows that she is more than able to hold her own in a fight, entirely usurping both Luke’s and the audience’s preconceptions. In the second and best movie of the trilogy, it is always the relationship between Leia and Han that captures my attention. It was a romance that didn’t apologize for its nostalgic charm, because your caustic vulnerability made it surprisingly refreshing. In the middle of an enormous galaxy, Leia was a beacon of defiance against both the Galactic Empire and stale Hollywood stereotypes.

I also remember where I was when I learned that you had passed. I had just woken up, but as I scanned my phone, I swore it was like I was still trapped in a nightmare. Some might say that it is silly to react this way to someone you only ever saw in the movie theater or on daytime talk shows. Frankly, I don’t care. I am not sure you would either. After all, you had an acute sense of the power of celebrity. You never sought the spotlight, instead it effortlessly chased you. That is what made it especially special when you did choose to embrace the bright lights. You brought awareness to social issues by willingly exposing your personal struggles with drugs and mental illness. There are so many celebrities that seem to chase fame crassly. You managed to achieve a universal presence in our lives, just by being yourself. Your honesty was always impossible to ignore.

It was a very solemn breakfast that day. My sister and I had first watched Star Wars together. We even started a new tradition two years ago, of going to the theater to watch every new release together. We didn’t eat much that day preferring to talk. There was a surreal quality to that conversation, to that entire morning. After all, memorializing the dead is always a difficult task. Everything fades too quickly, flickering like a mirage in front of our eyes. Everything feels transitory, as if I could blink this reality away and exchange it for another. I guess that is why I’m writing to you still. I hope that you knew how much you meant to all of us. I hope that it wasn’t painful. I know you are in a better place now. Hopefully, we will meet again, in a galaxy far, far away.

 

Sincerely,

Corrina Lee

Asymmetry

About 43 miles away from the University of Michigan is Detroit, otherwise known as the Motor City. You can commute downtown for a trip to the DIA, a game at the Joe Louis, or a slice of the nightlife. Many clubs and Greek Life communities hold events at venues in the city. Whether you are going alone or with a group, the opportunities are limitless. I ventured to the heart of the spoke wheel intersections in downtown to a place known as Campus Martius Park. Here, they provide ice skating throughout the cold spell in the Midwest every day including weekends and holidays. From the rink, I happened to notice the Quicken Loans building, particularly the two blocks jutting out the side of the structure.
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Tell me, why did the architect place these two blocks there? And why are they different sizes? Some may find the randomness displeasing, perhaps unsettling to the eye. Evenness seems correct. This idea could have stemmed from the human body itself; it displays symmetry in its image. We shape glasses to be two identical lenses to fit our eyes. What if we started wearing one round lens and one square lens? Or monocles? Parallelism with shapes reduces chaos and can be satisfactory, so one may try to further understand an object when its appearance isn’t as organized.

In art, there is no such thing as “correctness.” Being difference is what makes it an art. If we went around seeing paintings with literal interpretations of the same thing, or buildings of the same architecture, the world would be uniform, but it would be boring. Asymmetry makes can make a piece unique and beautiful.

 

Still Stressed about Movie Rankings

Recently, in an effort to produce a somewhat accurate top 10 list for 2016’s best movies, I’ve been trying to catch up and see some of the most acclaimed of the year. I follow a procedure after I finish a movie: I strike it from my ‘to watch’ to list, I read all the reviews I’ve saved beforehand from critics I like, and I add it to my 2016 ranking, which I assemble as I go throughout the year.

I’ve found recently, though, that making rankings isn’t that easy. When I left the theater after watching Moonlight, I felt like I was in a daze, like I couldn’t just go about my day as usual. I knew that it was one of the best movies of the year, and when I got home, I added it as #4. It just couldn’t match the pure ecstasy that I got from watching Sing Street, the hilarious absurdity mixed with tragedy of Swiss Army Man, or the nonstop laughs mixed with deep emotion of Don’t Think Twice.

And yet, in the weeks since I saw Moonlight, I’ve thought about it more than I thought about any of those other movies in the aftermath of watching them. While I used to have a strict rule about keeping my rankings in their original order, I’ve now made an amendment and allowed myself to tinker with them. Moonlight is now #1.

And while Captain America: Civil War used to be in my top 10—I gave it the four-star ranking on Rotten Tomatoes, which means I loved it—I’ve moved it below movies like Southside with You and Kubo and the Two Strings, neither of which I said I ‘loved’ originally. In retrospect, Civil War isn’t that radically different from any other Marvel movie, and the more of these superhero movies there are, the higher the bar is set for me in expecting something ‘different.’ There are a lot of internal character contradictions in Civil War, as Film Crit Hulk explained, and in general the movie was just kind of a solid action movie for me, fun while I was watching but ultimately forgettable. I’d rather re-watch the original Avengers, or maybe just cherry-pick the airport scene from Civil War.

I’ve also had trouble figuring out how to rank movies based on what actual emotional reactions they provoke in me. Watching Manchester by the Sea was certainly an emotional experience, and I entered the same sort of trance I had when I watched Moonlight, but because the movie is pretty unsentimental for long stretches, I didn’t have any one moment as emotionally overwhelming as the scene of Hailee Steinfeld crying in The Edge of Seventeen. (Keep in mind that this may just be because watching a teenager express her deepest insecurities still feels very relatable to me.) How do I compare Manchester by the Sea and The Edge of Seventeen in my rankings, when the former ‘feels’ like it should be higher but the latter does so many specific things that I love? Does loving unabashedly happy endings and teenage romance justify keeping Sing Street, or should I place it below something audacious like Krisha?

Then, today, I watched Arrival. The first three quarters or so of Arrival I really liked, but more for its intelligent ideas and amazing direction than for how deep it cut emotionally. I kept thinking, ‘This is brilliant,’ but I never thought ‘This is emotionally destroying me.’ Then the last 20 minutes or so happened, and I found myself swept up in everything, brought nearly to tears every time I even thought about the implications the ending made. I didn’t quite cry, because I’m emotionally stunted, but I felt my face contorting into that ugly face that people make when they cry.

So where do I place a movie that I generally really liked, but which didn’t really enrapture me until its ending, which is probably the best ending of the year for me? How does that compare to something like The Edge of Seventeen or Manchester by the Sea, both of which completely held my attention throughout?

The answer, of course, is that there’s no answer. I realize that this is the same issue I already wrote about last year, when I struggled with justifying putting movies like Trainwreck, Spy, and Kingsman: The Secret Service higher in my rankings than Carol or Spotlight. And I’m still vexed by the same issue, and I’m sure I’ll continue to experience this every year that I remain stubbornly dedicated to creating movie rankings.

University Horror Story

Panic.

Exams are coming.

However far you run or blissfully ignore them, there is no way to escape their presence. You can see them in the steady stream of students swallowed by the library doors. You can see them in the coffees, the Red Bulls, the drawn tiredness of students who studied too long into the night. I can feel them now, as I hurriedly type. Should I be studying? Probably. Even a temporary respite feels like a betrayal. I won’t fail, can’t fail now, there is too much on the line. It is the culmination of weeks of studying, papers, endless reading assignments. So, I keep my eyes open, even when they yearn to slide shut. It may be 2:00 in the morning, but I don’t care. There is a strange adrenaline running through my veins. The type that only comes from absolute dread as I sense the monster approaching ever closer. I should have known when I first discovered the operating hours at the UGLi. I should have known when there were two therapy dog sessions within one week. I should have known after midterms. But the characters in a horror story always run into the abandoned asylum despite every glaring warning sign.

So, run.

But you can’t escape.

I hope that this gets easier because the tests certainly never stop. I thought the spelling tests in third grade were the biggest challenges, until I confronted the SAT. After approximately seven SAT study guides, there was AP testing and endless college applications. Tests are the perfect representative of a society that has grown more scientific, calculated, and objective. They are impartial, uncompromising, which is why we put so much faith in them. They give us clear black and white answers instead of relying on undependable humans to judge intangible qualities. They play on our need for approval. They are proof that we are talented, worthy, valuable. Unfortunately, they are also temporary bandages, a solution in disguise, because there is always another one. Although, tests may try to rank our best qualities, but I don’t think they bring out the best in us. I look around and hope that no one is judging me when I turn my back. I measure my conversations carefully in case that it is more than a conversation. It is a subtle paranoia that scares me as much as any haunted house.

It can’t be stopped.

I still wish I had a chainsaw.

So why do I keep trying to live up to these arbitrary standards? Like a trained seal, I keep jumping through the hoops for the treat that never seems to come. I know the answer that I’m supposed to give, the one that has been ingrained in me. It’s for the knowledge, the joy of learning. But ever-growing pit in the bottom of my stomach seems to disprove that theory entirely. I am perversely glad for the lack of clarity though, only to prove that life is not a test with clear rights and wrongs. I know I should be studying right now (Or at least sleeping….it is 3 am in the morning after all). My brain is gasping as I race to the finish line. This tortuous cycle is almost over. I’m glad we’re here together.

I collapse into sleep.

Peace.