A New Man and a Crispy Realization

BI22_tp0004c_Double_Gate_Cover3-PROD

On September 30th, Bon Iver released his newest album 22, A Million. Upon first reading the title, I didn’t understand it. What does the number-word combination mean? At first glance, why should I understand it? When you meet someone for the first time, are you supposed to know anything about him or her? Well, no. That’s the beauty of getting to know someone! I have never met Bon Iver singer-songwriter Justin Vernon and maybe I never will, but slowly I may get to know what Justin Vernon sounds like.

His friend Trever explains that the “22” represents the recurring symbol of the number 2. Growing up, he has seen this number continuously appear on signs, jersey numbers, and other patterns. Justin identifies with 2 as the duality he feels between himself and “A Million” people with whom he shares the world: the many people he will never know. Justin Vernon is just one of “A Million” people with his own individual sound. Read more at http://boniver.org/bio

We all have a collection of sounds for our life. Each day has a new sound. If you have a routine, then this song repeats like a chorus. When something shakes the repetition, a new verse begins. It’s difficult to learn the words of these unique lines as opposed to the chorus. Change is hard. But these verses contain the most spectacular messages hidden within the change in sound. The lines are in the song for a reason just like things in your life happen for a reason.

Bon Iver’s previous albums deliver a sense of reflection like the beautiful For Emma, Forever Ago he wrote as a recluse near his home town, Eau Claire, as a means of coping with longing and lost love. Compared to these previous albums, he creates more of optimistic tone in 22, A Million. The unique layering of sounds makes you peel apart each element of the song and think. Usually his songs let you wind down like unraveling the tension between two strands of tightly intertwined rope, but this album lets you wind down, then sends you into a new direction of thought like those singular fibers of a strand of rope becoming independent of each other and modified into a new shape. This journey of thought is one that you may take alone. The use of echoing vocals creates a sense of isolation, but not in a negative way. It’s as though you have rebuilt yourself from trouble in your life and have finally turned the corner into a direction of prosperity, into a new direction of thought. On Bon Iver’s album For Emma: Forever Ago, there is a song called “Re: Stacks.” This is one of my favorites particularly because of the honesty in one line when he says, “This is not the sound of a new man or crispy realization; it’s the sound of the unlocking and the lift away.”

Now it’s been a while since the For Emma: Forever Ago album. 22, A Million sounds like the transition to a new man and a crispy realization.

 

The Freeing Nature of Halloween

I’m not a super outgoing person. Unless I’m with people I’m really comfortable around, it’s hard for me to open up and make a lot of jokes and take risks with what I say; sometimes I worry that I’m a funny person, but that my humor only comes across to really close friends. That’s why Halloween is a special time of year for me. Ironically, it’s the one time where I can show what I’m really like. By being someone else, I can be myself. (Hashtag deep.)

I’ve always aimed for costumes that are, if not hilarious, at least noticeable. I still remember my sixth grade math teacher laughing hysterically at my old lady costume, and a lady in the neighborhood mistaking me for a girl after dressing as a nun one year. Last year, I was Jack Skellington, which involved enlisting my roommate Marnie to cover my face in makeup.

But my crowning achievement was, and probably always will be, my sophomore year of college, when I dressed up as a wacky wavy inflatable arm-flailing tube man, one of those big obnoxious things they put outside of car dealerships to attract customers. I meant to create the costume myself with only some suggestions from my crafty mom, but she ended up doing most of the work, and it got stressful for her, and I felt terrible. But I like to think the payoff was worth it, as I attracted a lot of attention.

That’s why Halloween is so nice for me. I have an excuse to make a spectacle out of myself, which I’m usually too nervous to do. On the weekend of Halloween, I can go to a party, talk to strangers about our costumes, and move on without any real fear of what they think of me. That weekend sophomore year, I took so many pictures with random strangers, and some of them have to have ended up on Facebook. I dream of finding them one day.

This year, I thought about what I could be for a whole month leading up to Halloween. Last year, there was no chance my costume would live up to the standard set the previous year, so I’d picked Jack Skellington, going for impressive in a different way: through makeup. Generally, Halloween in college isn’t treated very seriously; people mostly put on a half-assed costume and go drink somewhere. There’s certainly a charm to that, but I’ve always found it fun to go all out in college. It defies expectations.

But this year, I couldn’t really think of anything impressive. I think I’m just going to end up going as Steve from Blue’s Clues, since my friend has a handy green striped shirt, and I have the same general characteristics as Steve (white, skinny, short brown hair). No makeup, no hastily assembled materials. Hey, at least it’ll be cheap, but I’m still a little sad I’m not going all out with something spectacular for my last Halloween in college.

Oh well. I still have my 20s.

Fresh(man) off the Boat

Image Courtesy of the Office of New Student Programs

I arrived in Michigan excited, curious, and half-asleep. I was an explorer in a strange, foreign land, which the natives called Detroit Metropolitan Airport. I knew where I was headed, I had committed to the University of Michigan for months, yet, this was my first time in the state. It created a peculiar state of unknowing that I had never felt before. It was a feeling that I did not take much time to reflect on. I was too busy corralling two wayward suitcases. And so the grandest adventure of my life thus far began, not with a bang, but with a half-stifled yawn as I walked past a closed McDonald’s.

Over the next few weeks, I began to learn more about my new home. One of the most quintessential experiences of the out-of-state student, is the “weather talk”. I had never experienced more than two feet of snow, much less a true blizzard. Every time, I asked, I saw the same reaction. A slight widening of the eyes, a hesitation that was just a little bit too long, and finally, a nervous, forced giggle. “Of course, you’ll be fine”, reassuringly said, but not with any hint of true belief. I supposed that it was only the natural course of events, the circle of life. I would freeze in the winter storm and be reborn in the fickle sunshine of the spring. I swore to myself that I would become a true Michigander (Michiganian? Michiganite?). Soon, I, too, would be able to nod my head cynically and wisely assure a wide-eyed, unworldly freshman, that they were going to survive with most of their fingers and toes intact. I was ready to be the student on the cover of every college brochure; strolling down the sidewalk, smiling, confident in their destination.

Unfortunately, life is constantly taking turns, not unlike a squirrel distracted by a nut. I woke up one day and it was midterms already. Fall was in full blossom. Colors had crept up the leaves like a slow disease. It was all a bad dream, moving in quick flashes. One moment, I was studying at midnight. The next, I was staring down at the test writing down my U-M ID number. I didn’t even know when I had memorized it. And then, it was over and graded and done, and I was left wondering if I had experienced college at all. If college was supposed to be place of monumental change, then it must have passed me by.

Yet, as I walked back to my room, I realized I had. I experienced the freedom of waking up without parents. I got the opportunity to study where I wanted, when I wanted. I ate more chocolate chip cookies than I can count, jaywalked, and fed a squirrel. As a freshman, I wanted dramatic change. I wanted to be the winter storm, blasting through the door, entirely new. I got the small stuff instead, as imperceptible as the reddening of the autumn leaves, until it is all around you, swirling in the wind.

autumn-colors
At the Matthaei Botanical Gardens

We Begin in Onett

We begin in, “Onett, a small town in Eagleland.” At the outskirts of town, there is a home, inside there is a boy sleeping and then the world shakes, and our hero, Ness, wakes up in the middle of the night. Outside, there are cops standing around doing nothing except prevent you from getting to the meteorite that landed on a cliff to the north of town. Since the adults prevent you from checking it out, you, naturally, go back home and go to sleep. Then, later that night, furious knocking wakes you up. It is your neighbor, Pokey – his younger brother has gone missing. The two of you, and your dog tags along as well, you and Pokey go exploring. The cops are gone; instead, wild brown dogs, green snakes, and cool crows with sunglasses replace them. They attack you, and all you can do is defend yourself with a cracked bat. Eventually, you get to the unguarded meteorite and it is here you finally meet an alien – its name is Buzz Buzz and it is a bee.

He tells you a prophecy…that you are the chosen one…blah blah…but wait, he’s a bee? So is he an alien or what? Well Buzz Buzz joins your group, and as you head back, a Starman beams down from the sky and engages you in battle. This isn’t a crow, a snake, a dog, this is a metallic looking alien with his tentacle-like arms resting on his hips, exuding confidence as if he is just going to tear your child body apart by just standing there, or even worse, send you through some galactic head-trip by shooting astral objects as you, forcing you through some Kubrikian stargate, leaving you as some star child floating through space saying, “WTF?”. But you have Buzz Buzz remember? Buzz Buzz protects your entire party with a shield and you win, easily. You’re untouchable; this game is going to be a breeze. So you go home, again, for the third time in one night, and what does your mom do? She freaks out about the bee and smacks it and kills Buzz Buzz.

I realize I haven’t even told you what I’m talking about yet. What I’ve essentially just summarized is the beginning of the game called Earthbound. It was a game that was released, coincidentally, the year I was born, 1994. However, I never played it when I was a child, I only played it just recently, in college, when I should have been doing other more productive things. Being a cult classic, this game already has numerous articles and videos dedicated to analyzing its perplexing oddities and absorbing story all over the Internet. People talk about the boss at the very end, they talk about the colors, the story, the odd enemies like a crazy looking duck or a floating Dali clock, they talk about how vagina symbolism, fetus symbolism, and on and on and on. So what can I say about a game that I never grew up with?

I can tell you that this experience was by no means unproductive. I firmly believe, that I am the most productive when I don’t feel like I’m working. Essentially, when others believe I’m wasting time, doing nothing, I’m actually doing far more than I’d be if I were working on some essay that I had zero interest in. This game was a piece of art and I’d love to analyze if it weren’t for the fact that it hadn’t been analyzed to oblivion by now. So harking back on the comment about others judging me about playing games during college, in a similar light, I’m not exactly in a position to be analyzing Earthbound with any real integrity. In reality, those who grew up with it, who played it when they were young, and revisited the timeless game when they were older, those are the people that can truly understand what the game is about. To some, or to many, it’s a game about growing up, about seeing a world that is the meeting point between childhood and adulthood, to see a world that isn’t all nice and filled with friendly caricatures, instead, it is occupied by cultists, brutish police officers, apocalyptic alien threats, and abstract embodiments of everything evil in the world. All you have is a bat and some friends – three to be exact.

Am I a gamer? Given that I’ve played games more than once in my life, yes, I’d say I’m a gamer. But am I an expert on the gaming world? Definitely not. But I can recognize that Earthbound is a game that certainly goes against the grain. It is at the peak of its deconstructive powers when it brushes up against storytelling clichés or video game tropes for it revels in dialing up the absurdity meter regularly, taking each step into the unknown, the strange, with a sure idea of where it is going. But that is the thing, isn’t it, the player is the one that is confused, not the game. The world is just the world – it doesn’t know it is weird, only you do. But as you play the game, the strange becomes the normal and you understand the logic that was at first foreign. In other words, the game felt accessible to me because it never thought that it was strange. It never wavered in its identity; it was more stable than me.

This game hasn’t changed my life drastically, unlike some dedicated fans claim (which I must say, had I played it as a child, would be very understandable). But it made me care about it, unlike some Jane Austen novel I had to read or something. I was upset, but at the same time, laughing, when Buzz Buzz met an untimely death. I was horrified when I finally saw what the Giygas looked like. I gave a shit about a world that doesn’t seem weird at all anymore. This is more than just growing up as a child. Even today, I don’t care about everything. How can I? The world is expansive and I don’t understand 99% of it. But when you get naturally immersed in something new and you start to understand, it is one of the greatest feelings in the world.

Bonding through Bad Movies

Watching TV and movies is a good way to bond with friends. Many of my friendships originally began because we shared an enthusiasm for a particular show—I still have go-to friends to text when I watch a new show that I love. But let’s be honest: when it comes to being close friends with someone, you need to have more than just a couple shows you watch in common. To take that final step to becoming close friends, you have to talk about something other than the newest episode of Jane the Virgin. (That said, the season premiere of Jane the Virgin, which aired yesterday, was emotional and hilarious, and I’ll love anyone who watches that show.)

I went on a ‘retreat’ this past weekend with a few of my friends for fall break. We stayed a night at my friend Christian’s parents’ cabin on Sage Lake. There may have been some drinking going on—not that I partook, obviously, since I won’t be of legal drinking age for another two months. But in terms of actual activities, we played some card games, played a game of sardines, and mostly just hung around by the lake or in the cabin. It was definitely a fun way to spend a day, with lots of good company.

Toward the end of the night, we settled down to watch a movie. The movie was largely fun—it was Avalanche Sharks, one of the terrible Syfy schlocky movies about poorly rendered sharks terrorizing civilization. (One of my chief complaints was that there weren’t enough sharks! There should’ve been more gore! At least we got to hear the phrase “it’s spring break” uttered 30 times.) I’m of the firm opinion that if you’re aiming to bond with friends, it’s much more fun to watch a shitty movie than to watch a good one. A couple people wanted to watch Blue Velvet, which I’ve been meaning to see, but on a night when we’re supposed to be having a bunch of fun, is watching a quality neo-noir drama really what we want?

Some of my best experiences with watching movies have been watching dumb shit. My brother and I regularly quote Birdemic, the famously terrible amateur movie about a bird attack. I still smile remembering the night in high school when I got together with some friends and watched Mega Shark Versus Crocasaurus. (We also watched Paranormal Activity 3 that night, but high-quality horror movies might be the exception to the ‘good quality = bad for fun’ rule.) The thing is, most good movies you can watch anytime. You don’t need to be with friends to do it. In fact, I’d probably prefer to watch Blue Velvet alone; it’d probably be more impactful that way. When I’m with friends, on a night kind of meant for bonding, I don’t just want to check off something on my movie list. I want to do something fun.

Maybe that’s why I started to get bored after Avalanche Sharks, when we decided to just watch some TV on Netflix. I get it. It’s a comforting default to put on an episode of Parks & Rec or 30 Rock, especially when everyone is tired. But one of my few disappointments of the retreat was that we started to fall back on TV when we could’ve made more of an effort to connect. Then again, maybe a trip where the explicit purpose is to ‘bond’ is a little forced from the beginning.

I’ve just learned more and more recently that most good TV and good movies I prefer to watch alone. There are no variables—I don’t have to deal with possible spoiler sources, or the slight self-consciousness that prevents me from really physically reacting the same way I might alone. (For example, I actually said ‘what the fuck’ many times when I was alone watching Dogtooth. If I’d watched that with a friend, I probably would’ve said the same thing, but more for their benefit, for the social aspect, than as a genuine reaction.) I don’t have to have my opinion influenced by someone else and what they might be thinking. I don’t have to get pulled out of the experience by some annoying theatergoer who’s laughing a little too hard, or a crying baby, or a guy who’s pointing out the logistical issues in the third act of Finding Dory. I can react the way I want to.

So yeah, there are a lot of reasons I don’t usually like watching high-quality movies and TV with friends. It’s usually better to just pop in something stupid. Sure, it’s sometimes fun to watch It’s Always Sunny in Philadelphia when I hang out with friends from home. But every time I’ve watched Caillou, I’ve had a much more memorable time.

The Art of Intoxication

Being drunk around one’s family is always a sensitive subject to approach. For most people. their family has not seen them drunk until well after their first time drinking. This is true for me as well, but there is the extra layer of uncomfortableness regarding my drunken self with the rest of my family.  I am gay, and the drunker I get, the gayer I become. Most of my family knows that I’m gay, but how comfortable are they with my expression of my gayness?

I have freely gotten drunk with my family, but there has always been a barrier to protect me. The drunkest I have ever gotten has been at my cousin’s graduation party, but that gave me liberal cousins as a barrier to the rest of my family. I could act as effeminate or “gay” around them and it wouldn’t lead to drama with the rest of family. It was freeing to be able to have this much fun with the rest of may extended family around me. But that is not always the case…

This is something that every queer person has to come to terms with in their life. How queer can I be around my family? They want to be their true selves, everybody wants to be their true selves, but rejection is not something that everyone wants to face. It becomes a very difficult terrain to navigate as one must find their own path to openness with their family. How much is too much for our family to handle?Being completely open is incredibly freeing, but runs the risk of disownment. Where can an individual draw the line?

Even with a completely supportive immediate family, it is hard for me to draw the line. Today was a celebration and I did  not want to get too drunk be cause I did not know if my immediate family could handle how I actually present as a gay man. I had to limit myself in order to not be ostracized at this family event. In the company of extended family it becomes even worse. My extended family disagrees with me on so many political areas, that I’m honestly not sure if they would ever accept me as truly gay. It’s damaging to think that your family would never accept you.

It is hard to navigate openness with the people around you, and it becomes even more difficult when alcohol is involved. I want to drink to forget how my family might not accept me, but the more I drink, the more I reveal myself to my family. This is a part of the gay experience that is so difficult, but cannot be understand by our straight allies. I love my family, but I do not want to love them if they disapprove of me. How do I navigate this and how do I navigate being my true self around them?