Industrious Illustrating #54 – Progress Pictures

This week’s column is a day late because I’ve been tabling at Isshocon, a new 3-day anime convention located near us in Novi Michigan! So far it’s been going fairly well considering that it only has fewer than two thousand attendees — I’ve made more money than at Motor City Comic Con Fall for a much less expensive table, though my work is much better geared to anime conventions. Here’s a picture of my table:

The main topic of this week’s column is going over some work-in-progress pictures from my recent drawings, which has been on my mind because the application for Fanime Con (a large anime convention that happens in San Jose, CA on Memorial Day weekend) required a signed work-in-progress picture to weed out AI “artists” and art thieves. I’m in a group chat with a bunch of other artists who sell at conventions and seeing everyone else’s progress pictures was really interesting for seeing how other artists work. I won’t use the work-in-progress images I used for my Fanime application to keep it private, so I’ll instead go over a chibi mecha design I drew last year with WIP screenshots I took during the process.

My typical digital working process starts with “blocking” out the drawing as a color sketch, working more on getting the general idea down rather than having perfect proportions or coloring.

As I work on this base colors sketch, I freely use the lasso tool and eraser to resize and edit parts I don’t like in addition to working more with the default oil paint brush tool I use for my work.

Once I have a baseline I’m happy with, I start doing lineart from the top to the bottom on another layer, working more on the rendering and polish as the lineart solidifies what I want the drawing to look like.

Compare with my finished drawing:

Would you guys like to see me do more breakdowns/work-in-progress sequences of my drawings in the future? I’d love to know if you do!

Fiber Fridays #7: Applique (Sewing)

Hello everyone,

I am taking a fiber sculpture class, and I had no idea what I was getting myself in for. Why did I assume I would be hand sewing or crocheting different sculptures I would come up with? Turns out it’s a sewing course. (I was freaking out!!) I know how to sew from a pre-college fashion sewing course I took at Academy of Art University in San Francisco during high school. (Although, not very well, and not on the monstrous sewing machines they have at Stamps.) I was still worried. Never have I had to sew for an actual college course and I had no idea what that entailed. I have learned that it is fast paced, and high expectations are set. I find that to be a really great motivator for me and enjoy how quickly we are making things.

This week through that course I learned how to sew patches onto fabric. Listen, I know they aren’t very good, but it was my first try! I had a lot of fun trying them out and that is what matters. I had about 30 minutes to complete all three examples. I cut all of the shapes that I wanted out of different colors of scrap fabric. I thought flowers would be a cute and somewhat challenging shape to do so I went for it.

See you next fiber friday!

-Marissa

Industrious Illustrating #53 – Life Drawing 5

Hello, and welcome back to another week of Industrious Illustrating! This week’s update is a little brief, since I’m just recapping the trip I took to the La Brea Tar Pits Museum in Los Angeles over winter break. When I was there I took the opportunity to draw some of the fossil skeletons on display to better understand the construction of animal bodies, as I hadn’t seen some of these skeletons in real life before and I want to make more creature/scientific illustrations in the future.

Something interesting about my trip there was that there was a glass windowed viewing area to look at scientists at work cleaning fossils recovered from the “tar” pits (which are actually filled with liquid asphalt!), and there were a few informational plaques and displays sitting on the windowsill ranging from excavated bugs and microshells to stuffed animals of the animals most commonly found in La Brea. There was also a scientific illustrator on staff (who I assume drew the lovely drawings on some of the plaques) who was actively working on a scientific illustration on their iPad when I was visiting. I especially enjoyed the puppet of the now-deceased mountain lion P-35, as I’d just read about his story in the excellent book “Crossings: How Road Ecology Is Shaping the Future of Our Planet”.

All in all, my visit to the La Brea Tar Pits left me feeling more inspired and motivated than before. While I doubt I’ll pursue scientific illustration as a full-time career, I still want to explore different subject matter I find interesting as much as I can so that my work will be versatile and never grow stale or predictable. And of course, there’s no need to travel far from home to do so — even back in Ann Arbor there’s several resources such as the Natural History Museum, the Leslie Science & Nature Center, and the Creature Conservancy that all have skeletons or live animals on display to see and understand in real life.
That’s all for this week! What would you guys like to see me discuss next week? Let me know!

MediaScape Musings # 8 : Asking Alice

I hope you’re having a wonderful start to the new semester! I am thrilled to extend an invitation to you for the upcoming performance of “Asking Alice,” a collaboration between creators from Performing Arts Technology and Dance!

Event Details:
* Date: January 19th & 20th
* Time: 7:30 pm (Doors open at 7:00 pm)
* Venue: Arthur Miller Theater (Adjacent to Pierpont Building)
* Tickets: Free- available at the box office a half-hour before the show

“Asking Alice” is a futuristic reinterpretation of Lewis Carroll’s novels, in which Alice ventures through a cyber Wonderland on a journey of reinvention in an increasingly digitized world. Along the way, she encounters iconic characters and creatures from the original tales. The work features dance, robotics, and an original score featuring a solo cellist. Don’t miss this whimsical show, playing this weekend only! 

We looking forward to welcoming you to Wonderland!  

Fiber Fridays #6 : Sentro Knitting Machine

Hey everyone!

In order to complete my Christmas gifts for family members this year, I invested in a Sentro knitting machine. This is going to be my honest review of the machine and what it can and can’t do.

I purchased the 48 needle machine knowing that the majority of the crafts I would be making for Christmas would be using the tube setting. This ended up being a really easy and intuitive setting on the machine. The machine has little suction cup feet that will keep it planted to the floor or a counter top while you crank the handle. I was able to hang out with my partner and watch television while I worked.

I used a thicker acrylic yarn which the machine seemed able to turn into a really pretty knit fabric. When i had attempted to use a finer self-striping yarn (which the machine advertises that it can handle) the stitches were much too far apart for the fabric to be usable. When one uses yarn that is too thick for the machine, the hooks will get caught on the yarn, causing the user to be unable to turn the handle. When this happens, there is damage occurring to the handle. It is important to pick a weight of yarn that will work well with both your project and the machine.

I was able to create many hats that my family members seemed to love which this machine. When I had ordered the machine from amazon, it came with four different sized puff makers, a few skeins of yarn, a crochet hook and a few darning needles.

This machine sells for around $50 and is a good investment if you see it as something that you might use often. Keep in mind the yarn weight restrictions and make sure to pick a a machine that has the right amount of needles for the types of crafts that you would like to create.

I personally really enjoy it and think it makes crafting really efficient and more relaxed.

I hope this review helped anyone in their decision!

See you next week,

Marissa

Industrious Illustrating #52 – Experimentation

Hello, and welcome back to another week of Industrious Illustrating! It’s now 2024, which opens up a lot of new possibilities and directions for the rest of the year. That means I want to highlight a few drawings I’ve made recently that are more experimental or different from what I usually draw.

This was more of a graphic design-esque drawing I made for some zippered coin purses that I ordered from a supplier during a sale depicting a plastic file, two different types of plastic nippers, and two hobby markers that would all be common tools for building model kits. I wanted to go for something simple yet bold, as my usual style focuses a lot on details and elaborate painting.

This, meanwhile, is a quick digital doodle of the cell towers disguised as palm trees that I saw all around the Los Angeles and Orange County areas when I was visiting family there over winter break. I wanted to convey the feeling of driving home after a long day and realizing something is slightly off with one of the freakishly tall palm trees lining the freeway. I also wanted to free myself from needing every drawing to be highly polished, so I set myself a time limit on this one and stopped drawing once the 20 minutes was up.

That’s all for this week, but I want to wrap things up with a quick question. What ways have you personally experimented with your artwork recently — and if not, how will you experiment with it in the future? I’d love to hear about it!