Mixed on Campus #2 – Indira Sankaran

Name: Indira Sankaran
Mix: Indian, White-American
Major & Year: PitE and EEB; Junior

Q: How has being mixed affected your campus experience?

A: It has definitely been an experience! I have always had difficulty understanding where I fit into society and coming into a new environment, without any strong cultural foundation, is hard. Especially with so many ethnic and cultural organizations, I always have a difficult time joining them because I did not have a similar upbringing or experience from others. However, being a junior and meeting so many new people from many backgrounds, I have cultivated a community where I feel safe to express myself.

Q: What do you wish more people knew about the mixed experience?

A: That my mixed experience is soo different from others who identify as mixed or multiracial. We should not be defined into a category and everyone expresses or represents in so many different ways!!

Q: What is your proudest moment?

A: My proudest moment was recently when I realized that my school or academic success doesn’t define me or my future.

Q: What are you most anxious about right now?

A: Presently I’m nervous about internships! But overall, I’m anxious about leaving college and my safe community in a year.

Q: What kind of person do you aspire to be?

A: That is a hard question but i aspire to be a kind and grounding person. I want to be the person that is independent and kind to herself and others 😌

Q: Who is the most influential person in your life?

A: Would it be narcissistic to say myself haha. I’m proud of myself and how much i have grown these past two years! I aspire myself to work on myself and I think that is the most influential thing a person can do.

Industrious Illustrating #33 – Character Turnarounds

Apologies for the lack of a post last week. I’ll make an extra post to make up for the gap.

Recently I realized that I’m lacking character design work, specifically turnarounds, in my portfolio. As a result, I decided to make more detailed character sheets for my cast of original characters for my cyberpunk/post-apocalyptic story idea “Blade of Seafoam”. If I were to one day make “Blade of Seafoam” into a video game or a comic where I have other artists assisting me (e.g. 3D modelers or character artists on a video game, art assistants on a comic) I would need to have these design sheets to pass along to other artists as a reference for how they should depict the characters. Even if I don’t end up doing anything substantial with the “Blade of Seafoam” story concept, I can still use these in my portfolio to apply for character design jobs with larger companies.

What I want to do next is work on turnarounds/orthographic (internal/detail) views of the mechs in Blade of Seafoam to better establish the world that these characters live in as well as demonstrate my ability to draw mechs when applying to video game art jobs. Stay tuned to see those!

Also, if anyone is interested in seeing me in real life, I’ll be selling my art in the Artist Alley at Con Ja Nai at the MLB on April 8th, and I hope to table at more conventions pending results! (I’m still waiting on artist alley application results from Anime Central and Dokidokon in particular).

A Day In Our Lives #21

Hey guys,
This week I am posting some of my character sketches/studies. I really enjoy creating characters. One of my favorite things to draw is human anatomy. I really love boosting the color in people’s undertones in order to create my painting/coloring style. For lighter skin tones I start with a base of sage green, for darker skin tones I use an undertone of red or blue. I also created a new header image for this series. I feel like this frame from one of my comics fits the vibe better here. I like creating a variety of characters in order to push myself to stay away from “same face” syndrome, which is a really hard thing to overcome if you have a distinct art style. This just means that because of your style, you sort of accidentally draw the same face over and over.

See you guys next week!

Mixed on Campus #1 – Alice Conner

 

Hi, my name is Alice Conner! The first post of this series is a self-portrait. I’m a 2nd-year undergraduate student majoring in Industrial & Operations Engineering. I racially identify as mixed (Japanese and White-American) and drawing is one of my hobbies! This series is called Mixed on Campus and was inspired by the Humans of New York project. The purpose of Mixed on Campus is to give a voice to this university’s mixed community and shed light on its members. Being mixed means to be multiracial, multiethnic, and/or a transnational adoptee. Through Mixed on Campus, mixed students have the opportunity to have their portrait drawn and share their experiences!

Being mixed has been a defining part of my life, even when I didn’t fully understand it myself. Growing up, I struggled to find a community that would accept my whole identity as it is without judgement or discrimination. Since coming to this university, I’ve been able to find a place within a supportive and inclusive community that has helped me understand my identity and uplift myself. I’m very grateful to the student organization Mixed@Michigan, whose purpose is to foster a community of mixed, multiracial, multiethnic, and transnational adoptee students at the university. I joined in the fall of 2022 and now serve as a board member for the org. This project would not be possible without Mixed@Michigan!

A Day In Our Lives #19

Hey guys,
This week I’m uploading an illustration that I had started for a zine that was accepting submissions here on campus. With my busy schedule, it was really difficult to meet the deadline and I was unable to enter, however, I felt like it was a good opportunity to work on my digital illustration skills.  I think that it could have ended up as a pretty cool submission. It is important for an artist, especially a college student, to have good time management. I draw digitally on my iPad using procreate. I hope everyone is having a good spring break!!
See you next week,
Marissa 

Letters by Lydia: Faux Calligraphy

Welcome back to another post! Today is all about faux calligraphy, so let’s start by explaining what that even is.

Faux calligraphy got its name by, as you might have guessed, being a sort of “fake” form of calligraphy.  Where traditional calligraphy uses a brush pen to get those thin upstrokes and thin downstrokes, faux calligraphy allows you to get the same technique with a regular old pen (or, really, any sort of pencil, marker, etc that creates a standard line).

In this example, the top version is regular calligraphy with a brush pen, while the bottom version is faux calligraphy using a marker with a bullet tip.

So how does this work? It’s actually pretty simple, which is why a lot of people, especially beginners, prefer it over traditional calligraphy.  A lot of beginners also use it as a gateway into traditional calligraphy, because it uses the same principles without requiring the technique involved in using a brush pen.

To start, you can just write whatever word/letter/phrase you have in mind.  This can be in cursive, or in print, whatever you prefer!  The next step is the key: you need to identify all the downstrokes. In the example below, I showed where the downstrokes are on the cursive letter “a”, but if you want a more comprehensive guide, I have a few other blog posts about handlettering basics that should help you out!  Once you identify where all the downstrokes are, you simply make those lines thicker, whether by drawing an outline and filling it in like I did, or by just adding a few extra lines around it.

Find the downstrokes, outline them, and fill them in 🙂
Here’s a little alphabet guide to help if you’re struggling with the downstrokes, too

Once you’ve got the basics down, this another style where there are a lot of fun variations to play around with. I included some of my favorites below, to show that you can do this with cursive or print, vary the thickness of the downstrokes, bring in color, etc. With the “lazy” and “hard” styles, the lazy one is just what you’ve been doing already (it isn’t lazy, it’s just easier than the hard version). The “hard” version is where you kind of map the downstrokes out in your mind ahead of time so that the lines don’t intersect and downstrokes remain solid white. This takes some practice to get the spacing right, which is why I called it the hard version, but it’s definitely not impossible and can be really fun to practice!

I hope you enjoy trying out a new style, or at least learning about it, and for all the umich students out there, have a great spring break!