Letters by Lydia: Sometimes it Doesn’t Work

Welcome back to Letters by Lydia! Hopefully everyone was able to stay safe and warm in the snow, or maybe even go out and build a snowman 🙂

Today I want to talk about all the times–and trust me, there are many–that lettering ideas and techniques don’t work out.  A lot of times in the art community, especially on social media, we only see the work that people are super proud of: work that’s polished, high quality, creative, unique, and so on. Because of this, it can be really easy to fall into the trap of feeling like your work isn’t good enough, or that everyone else is much more talented. That said, I have noticed lately that people on social media seem to be getting a little more vocal about the importance of the process. Bad art is just as important as good art, because it helps you learn and grow as an artist. If your art was perfect all the time, there would be no room for experimentation, doodling, mistakes, and most importantly, fun!

I’m sure none of this is news to most of you, but I wanted to share an example of some lettering I did today that I couldn’t quite figure out. I wanted to try a new lettering style where it looks like letters someone wrote with their finger in the snow, which ended up being much harder than I anticipated.

After consulting an overwhelming number of google images, my first attempt landed me with this:

When I first did this, I wasn’t in love with, but with some distance I can honestly say this might’ve been my best attempt.  I chalk it up to beginner’s luck, though, because I could not for the life of me produce this kind of style again.  In hindsight, I think the key was only using two colors, because this was the only attempt where I limited my color palette that much.

My next attempt I’m actually super proud of and think looks pretty realistic. The issue? It took forever, so it didn’t feel reasonable to try and do a whole word in this style. My original idea was also to have this as a type of style, not a kind of one-time piece that would be difficult to recreate.  In any case, this is what I ended up with here:

After this, I started trying whole words, and played around with using the colors in different ways, different textures, and different thicknesses.  I don’t dislike any of these, but I don’t think any of them read quite as I wanted them to–they look like pretty snow-themed pieces, but not necessarily like someone was writing in the snow, unless you’re looking at them with that style in mind.

Of course, in this example of things not working out, I still generally liked the end results, they just weren’t what I had in mind originally.  That said, I can’t tell you the number of times I try things that end up looking absolutely terrible, and I can definitely start sharing that stuff too! But I thought it was important to show that there’s also this middle ground where the work you produce is still good, it just doesn’t align with the vision you had, because this also allows for artistic experimentation and learning new styles and techniques.

This is a style I plan to experiment with a bit more and see if it’s something I can refine, but even if it isn’t, I had fun playing around with something new!

I hope you enjoyed reading, and stay safe out there in the snow!

A Day In Our Lives #14

Hey guys,

This week is a little out of the ordinary, my drawing this week is on paper with colored pencils instead of on my iPad. I lost my apple pencil and I’ve been looking everywhere for it! I saw a squirrel for the first time in like two months so I was inspired to draw this little guy. I gave him a. little Starbucks cup to keep him warm. I liked drawing this week’s post on paper, so I might do something similar in the future. I regularly am a traditional artist and sometimes I feel like I am able to be looser with my drawing. It is hard for my brain to register the Ipad as some form of paper I think!

See you guys next week
Marissa 

A Day In Our Lives #13

Hey guys!

 

This week I thought that I would show a comic that I worked on last semester. I really like incorporating science and science fiction into my work. I like dinosaurs and wanted to pursue a minor in Paleontology but didn’t have room on my schedule. It has a little bit of humor at the end. This comic took roughly half the semester to work on all of the individual panels. I used a mix of colored pencil, Copic markers, pen, and procreate on my iPad in order to get all of the different textures.  It was convenient to be able to use procreate last in order to use it for the final editing and coloring.

 

See you guys next week! 

TOLAROIDS: Doors

One of my favorite things to photograph has always been doors. I am not sure why, but they are always interesting and colorful objects that speak not only for a given culture or place but also for an individual. Here is a collection of my favorite doors from around the world 🙂

 

 

A Day In Our Lives #12

Hey guys!

This week I wanted to draw what my commute to school normally looks like. I feel like I am always carrying a million things! Art school needs a lot of supplies. I live on central campus and have to commute to north campus to go to school, which means I have to take the bus. It feels awful to have to carry a lot of art supplies or your own artwork for everyone to see. The experience is awful especially when it is an art piece I don’t like or aren’t proud of. Have sympathy for us art kids <3  I hope the start of everyone’s semester is going well! All of my artwork in this blog is done in procreate.

Marissa Woods 

Letters by Lydia: All About Brush Pens

Welcome back everyone! Hopefully you all enjoyed the holiday break and are settling into the new semester smoothly 🙂

Today we’re gonna take a bit of a deep dive into brush pens. I’ve talked about them a lot before, but I’ve never fully gone into all the different types and variations, so let’s get into it!

First and foremost, there are three major materials brush pens can be made from: hair or bristles, felt, and plastic.

   

For beginners, felt or plastic is definitely the way to go–these are firmer, less flexible, and generally easier to work with.  Personally, I prefer plastic nibs, because they don’t really fray, they last a long time, and they’re usually a bit juicier.  The one I have pictured above is unusually large and clunky–usually these are small and very easy to work with. Felt tips are probably the most common, but they fray pretty quickly if you don’t use a certain kind of paper, and dry out more easily than plastic. Brush pens with bristles are the most difficult to handle, as they’re the most flexible.  That said, if you’re good at it, you can get incredibly results with these.

From there, size is the other important factor to consider, and it kind of goes hand in hand with elasticity.  Brush pens that are more elastic will be more flexible, which means you can get thicker strokes with them in addition to the thin strokes.  Below you can see some different types of brush pens, from super small and firm–you may recognize the monami plus pen 3000 here, which I reviewed a while ago–to really big and flexible.

In terms of major categories, there’s essentially just super small pens (as in, monami plus size), medium sized (I don’t have a lot of these, but the faber-castell is probably the closest bet), and then large (ecoline, marvy uchida, tombow, and karin are all good examples of this).  Hopefully you found this interesting and learned a bit about brush pens, and have a lovely first week of classes!