Evolving Emotions: Trust- Poetry

My Secret

 

You said my secret

was safe

in your locked box

made of rib bones

 

You said you bundled it up

in a cream-colored cloth

and tied it with string

so the pieces wouldn’t fall out

 

You said when you heard it

you took a key to your mouth

twisted it shut

and swallowed

 

Because there are listening ears

and sly fingers

there to consume

 

The secret that floats in my face

foaming from your mouth

between us and everyone

 

Where are the promises

the bond in the box

the oath tied with string

 

In the air with everything else

that you said was safe

in your locked box

made of rib bones

Evolving Emotions: Love- Short Story

Painted with Lavender

 

You lay beside me beneath sheets painted with lavender. My chest quivers at your touch, delicate fingers navigating the curves and pitfalls felt by no one else. The sides of your mouth lift in that way that they do to make my body melt into yours. I’m in awe of you, of this moment. An array of purples and blues outline your silhouette. Flecks of stars glimmer against your skin. You graze my hands, held close to my chest. They intertwine, so close to the beating of my heart. I shudder, knowing you bear witness to all of me. 

 

We fit perfectly, shaped by cosmic intention. A finger reaches my cheek, gliding along my skin which is now yours. You were made for me, and I pray I was made for you. The warmth under the covers sends me fluttering. I only wish that you’ll stay, that this moment could endure forever. That part of me aches. It remembers those lonely nights under twilight. No stars atop skin or sunsets to fall into. The wind carried whispers, but they weren’t yours. Before I reached your eyes and felt your lips, I would imagine you lying here—your skin on mine. Our breath intermingled like it had always been that way. That aching was black and cold and clutched at my throat. It hurt to be. I longed for you, and I pray you did too.

 

I frolic in the mundane

late-night grocery hunts for instant mashed potatoes

movie nights inside because it’s dreary outside

walks in the park where we see the trees we’ve seen one hundred times over

looking up at the stars, I still don’t know the name of

you outstretch to point, but I just look at you 

in the firelight

 

It’s amazing how time slips away, however dreadful it feels in the pit of my stomach. I’ve watched your smile crease and your eyes grow wings. They are lighter than they once were, not dull but dimming. But when I look closer, there’s something unchanged. You are still you and I am still me. You still laugh at my jokes. (Badly executed with the best intentions.) My ears still perk at the melody you dance to in the kitchen. The stars that glittered still shine the same way. You are mine, and I am yours, and I will cherish you like I do every day.

 

When the time comes, I won’t say goodbye. It would hurt too much. To admit that you’re gone is to cease any possibility, any flicker in my heart, that there is more to be had. There are so many words unspoken, so many songs unsung, so many dances not done,

so many late nights,

early mornings 

without you.

 

This bed is too empty, and the hole you left grows larger, a force upon sore ribs. I breathe in, but you aren’t in my lungs. Where has the lavender gone? 

Evolving Emotions: Anger- Poetry

Rehashed Rage

 

I woke up angry

to the blaring of a machine

in a world I didn’t ask to be thrown into.

 

I’ll go to work angry

at my boss

at that thing I said five weeks ago that nobody remembers but

 

I sit there

at my desk

listening in on whispers I don’t care about and

 

Still, I am angry

driving home

away from irritations to more irritations.

 

I didn’t do my laundry

so I walk over filthy clothes

hit my filthy couch and stew in it

 

Until it’s time to go to bed.

I yank a t-shirt from the floor,

scrape my teeth,

flick the lights,

and fall asleep, angry.

Evolving Emotions: Sadness- Short Story

Content Warning: Suicide, self-harm, depression, strong language

 

Last Night

“Why won’t you just talk to me?”

“I am talking to you.”

“No, Bram, you’re not. You’re pushing me away again,” Elexa said, snatching a cup from the cupboard and slamming it on the countertop. 

“Well, what do you want me to say? That I’m sorry for calling? Because I am.” The two lock eyes.

After a moment, Elexa slumps her shoulders, the aggression in her arms falling away. “No, I just-.”

“Look, I knew this wasn’t going to work.”

“Bram-.”

“What? It’s what we were both thinking, right? I never should’ve called you. It was stupid of me. I don’t know why I thought that I could-.”

“Bram, I’m glad you called me,” she says, reaching for his arm. He swiftly pulls away. She continues with stress building behind her eyes, “I care about you.”

Rubbing his face roughly, Bram says, “See? That’s the problem. I don’t need you or anyone else to pick up after my shit,” he declares with an exasperated smile and wide eyes.

Heat grazes Elexa’s cheeks at the comment. “That’s really cruel and you know it.” Her stance stiffens as she observes him.

“Elexa, don’t cry over this, okay?” he says, practically laughing. 

“Bram… if you hadn’t called me-.”

“I know,” Bram says, his smile fading slightly, “But maybe it would’ve been for the best.”

“For the best?” Now she was the one with the smile, perked up by the absurdity falling from his mouth. “Not having you on this Earth is for the best? Are you hearing yourself right now?”

“Can you stop making such a big deal over this?” Bram asks, aggressively waving his hands in the air.

Elexa presses her palms into the edge of the countertop, displacing all of the weight she feels onto the granite. “Bram, it is a big deal.” She stares at him as if she could show him what she sees. Her heart sinks, knowing it won’t. “I think you should see someone.”

“Elexa, I don’t fucking need someone, alright?” His firm tone dissipates into a cracking jumble. He looks to the floor, tilting his head as far from her gaze as his neck would permit.

“You could’ve died last night, and you don’t want to see someone about it?” Lifting her hands to her head, she rests them there, elbows outstretched, awaiting a reply. 

Bram opens his mouth, then stops short. “No,” Bram finally mumbles. “I don’t.” His speech is monotone, utterly void of appropriate emotion.

“So what are you going to do then, huh?” Elexa asks, taking her hands from her head to the nape of her neck. 

“I don’t know,” Bram whispers. He wipes across his face and looks back to the tiled floor.

Tears begin to well up in Elexa’s eyes, swirling around in her vision. She chokes them down, causing her throat to dry up. “You don’t know?” Her throat clenches harder, holding back everything he means to her. 

After a few steadying breaths and an unsatisfactory swallow, she says, “We both know you aren’t okay. Especially after last night, but even before that. To see you struggle night after night is fucking torture. And I see through it every time you’ve tried to hide it.” She pauses. “Either you get help or I have to leave.”

“I want you to leave,” he says bitterly. “I’m done. Just go.”

“You know you can cut the ‘high and mighty’ bullshit. You are a coward. You’re scared that I will judge you. That the world will judge you. You’re scared to be known. You’re scared that now that I’ve seen you like you were on that bathroom floor that you’ve ruined the disguise that kept me around. I know who you are and I’m still here. I still love you.”

Bram falls silent. With glossy eyes and a clenched jaw, he resumes his previous position, memorizing the cracks and patches of dust on the flooring. 

“I’ve said what I need to say.” Elexa backs up from the countertop and crosses her arms. “But just promise me-.”

“That it won’t come to that again?” Bram interjects, lifting his head up to face her. “That everything will be okay? You know I can’t promise that.” His voice is tinted with that dullness again. 

“Then stay,” Elexa says in a whisper. 

“I can’t. I shouldn’t have gotten this close to you in the first place.”

“Please.”

“Goodbye Elexa,” Bram says, exiting the kitchen, twisting the doorknob, and, with a simple click, separating them for the final time.

***

Please reach out if you or someone you know is in immediate danger or experiencing suicidal thoughts. You are not alone.

911

988 Suicide and Crisis Lifeline

CAPS After Hours Urgent Support: 734-764-8312

UM Psychiatric Emergency Services: 734.996.4747

UM Sexual Assault Prevention and Awareness: 734.936.3333

Department of Public Safety and Security: 734.763.1131

National Suicide Prevention Lifeline: 1.800.273.TALK (1.800.273.8255)

The Trevor Lifeline: 1.866.488.7386

Crisis Text Line:  741741

Evolving Emotions: Fear- Short Story

Trigger warning: Strong language, mild gore, horror theme

The Man

“Get out of here, asshole!” 

“Screw you, Stace,” Cole spits, pushing up from the couch. Stacy shoves his back, causing him to jerk forward as he stands. Stacy’s complexion is unmoving, with hot rage steaming beneath. Whether it be in spite of the absurdity of the argument or the embarrassment he feels, Cole gestures with his middle finger, boldly displaying it before disappearing up the basement steps. 

Cole’s palms slam against the door, causing the tattered screen to bounce before settling in its original position. Standing on the porch, Cole shakes his hands at his sides, hoping to reduce the sting. Before heading out, he checks his watch: 7:00 pm.

The block is illuminated by a soft, warm glow, characteristic of picturesque summer evenings. The delicate breeze and pinkish sky evoke a sense of calm in those traversing the patchy sidewalks, apart from Cole. 

As he grumbles toward home, his scowl deepens into a defiant squint. He holds a hand to his forehead to take in the view. At the tree line lingers an impatient August sun, barely holding onto the sky, wishing for dark winter nights. Its light pours between each pine needle on every tree, producing beams that project onto homes bordering the street.

Cheerful people cross Cole’s path, accelerating his fury. They amble without intention or direction for the sole purpose of breathing in the evening air. One such passerby approaches Cole from a great distance. As he gets closer, a white cane comes into view. It passes the pavement like a pendulum, sweeping back and forth. The man looks to be in his late sixties. His face is worn and tired with age, accompanied by browning age spots. His white hair is intact but thinning and almost the texture of cotton. His walk is a hunched shuffle, slow and effortful. 

As the man approaches, a chill runs down Cole’s back, causing his hair to stand atop his skin. The clicking of the cane crescendos as the man reaches him. Despite wanting to look away from the man, Cole finds he cannot. He is by no means a sight to behold but remains inexplicably captivating. 

The man is a few feet away, still sweeping the ground with his cane. “Boy,” the man calls, “I am looking for Empyrean Drive. Do you know where I can find it?”

Cole blurts, “Can you really look for it? You seem pretty blind to me, old man.” 

The corners of the man’s mouth contort into a smile.

Despite the warmth of the sun still hanging in the sky, a cool breeze rushes past them both. Cole shivers, and abruptly, a realization overwhelms him: “If he is blind, how did he know I was here?” Cole looks back at the man to find his features strangely distorted. Up close, the man’s face is almost skeletal. Defined curves and jagged edges make up his emaciated aspect. Cole’s stomach twists as he observes the man’s sunken eyes. The skin surrounding them is scarce, giving the eyes an unnaturally placed appearance as if foreign to the face. The eyes themselves are large and oddly round. Grey hues swirl in spiraling patterns around obsidian centers. Each eye is thickly glazed over, yet the blackness deepens, and the pupils dilate the longer Cole stares. 

“Do you know where I can find it?” the man happily asks once more.

Unable to speak, Cole continues in his perusal of the eyes.

As he does so, shadows creep onto the man’s flesh, shrouding his skeletal appearance. 

Finally, Cole draws his gaze away and looks to his feet, now disguised in the black of night.

Cole rubs his arms with clammy palms, attempting to soothe himself. “Look man,” he finally starts, “I’ve never heard of that street and I really need to get home.”

With that, Cole begins walking, which soon evolves into a frantic jog. 

After passing two blocks, he stops, sucking in shuddering breaths. “Shit, that guy was weird,” he declares to himself. Lifting his head, he observes that the sun has set prematurely. “Also weird.” Cole reads his watch: 7:05 pm.

“What the hell? It’s only been five minutes? Is this thing broken or something?”

Two clicks. Cole whirls around. Two more clicks. The darkness is thick, the stars and moon dulling fast. Squinting, he finds the man. 

“Stacy is very upset with you, boy.” 

“Fuck you, man! What is your deal?” Not wasting any more time, Cole sprints, scraping the pavement with the soles of his shoes. 

Click. Click. Click. The noise is in Cole’s ears, growing louder than his breath. 

Click. Click. Click. It gnaws its way through his ears to his brain. The sidewalk is enveloped in pitch black. Each step is taken only by faith. 

As Cole sprints, he can’t help but question, “Where is everybody? The street lamps? The moon? Anything?”

“Do you know where I can find it, boy?” The question arrives, conveyed through the air by the clicking echoes.

Up ahead, a single street lamp remains, illuminating Cole’s home. Not stopping, Cole rushes to the door. He gasps in relief as he locates the key in his pocket. His hands shake violently, making it near impossible to push the key into the lock. With a succinct click, he twists the door handle, pulls upon the door, and slams it shut.

Cole is greeted by solitary darkness. The blackness consumes his wood-floored hallway, the kitchen table, and everything else. A pang of panic rushes through his fingertips as he reaches beside the door. There is no light switch. Vigorously brushing his hands along the wall, he feels nothing.

Hopeless, he presses his back to the door. His forceful pants slow to trembling, shallow breaths. As he sinks to the floor, he realizes that the tapping has ceased. Now enveloped in strange darkness, he cannot see his hands squarely in front of him. 

Something knocks into the door. The walking stick. “Let me in, Cole.”

“GO AWAY!” Cole screams, fear ripping at his throat. “Go away, go away, go away,” he mutters incomprehensibly.  

“Do you know where I can find it?” The man’s voice is lower than before. “Do you know where?”

“Please go away,” Cole whispers through pleading sobs. Despite the blackness of the room, he squeezes his eyes shut. 

“I know you’ve seen it,” he says in a distorted, otherworldly tone.

“Seen what?” Cole asks, gasping for breath. 

“Cole. Let me in, Cole. Let me see you.” 

Upon that last word, a violent pain rips at Cole’s eyes. He gasps and clutches at his eyes. It is as if they were set ablaze by hell’s fire. The scorching compels agonizing screams and pleas for mercy. Each optical nerve twists and tugs under immense strain. Cole rocks back and forth before getting on all fours, face pressed to the floor. Then, everything stops. The pain disappears, although the panic lingers.

Cole opens his eyes. “It’s over,” he thinks, as something trickles down his cheek, seeping into his mouth. It is vile and metallic. “Oh, God,” he cries. All is black. No figure, shape, or object, not even the floor or street lamp outside, is visible. The void is all that is left. The viscous blood continues to flow from his eyes as Cole’s breathing diminishes. Finally, he slumps to the ground.

“Thank you, Cole.”

 

Evolving Emotions Joy-Short Story

Content warning: Suicide, self-harm, depression, strong language

 

Thorns and Roses

“Joan? Are you okay? Joan? Mrs. Chrysalis, Joan is really out of it.”

A dull thud from the back of the classroom instigates clusters of sharp gasps and gossipy whispers. Mrs. Chrysalis whips her head towards the sound and asks, “Crescent, could you lay him on his back? I’m going to call the nurse.” Quickly rising from her desk, she scans the classroom, phone in hand. “Everyone, get back to reading Chapter Five.”

***

“You’re lucky your mother is at work, Joan.”  

“I know.” Water seeps through the ice pack, sliding down Joan’s arm. His fingertips tingle as numbness sets in. In hopes of clarifying his fuzzy vision, he squeezes the bag more tightly against his head. Unfortunately, that invites more water to trickle down and onto his sweatpants. Frowning, he looks down at a now entirely noticeable and infinitely unflattering puddle. Crap.

His grandmother shuts the car door and walks toward the driver’s side. For a moment, she looks outward, hands on her hips, as if searching for something. There is a sober concern on her face, formed with squinting eyes and sagging skin. 

I should’ve eaten a fucking granola bar or something. None of this would be happening.

Joan’s grandmother displays traits characteristic of most grandmothers, with a few deviations. Her hair is a long, natural gray, adding a genuineness to her complexion. Years of labor are remarkably invisible to the eye, as her hands are delicate and her posture remains intimidatingly straight. Despite the weathering of her face, her features exude powerful, ageless strength. Like coffee beans, her eyes are a rich brown, and her jawline is smooth but strong. Most notable, though, are her arms. Intricate tattooing runs from her palms to her shoulders. Each arm dons striking, all-black patterns, detailed line work, and undoubtedly, layers of history.

Joan sinks in his seat, bargaining with God to let him fall through the floor and melt into the blacktop of the parking lot.

With an emphatic exhale, she hops in and starts the engine. The car roars to life, causing it to jostle in place. “Are you feeling a bit better now, Joan?” 

He stares aimlessly out the window and replies, “Mhhmm.” 

“I was talking with your mother, and she said you’re not eating enough. Are you sure you don’t have… oh what’s it called-?”

“Anorexia?” Joan turns to face her, choking down a laugh. Or is it a scoff at the suggestion?

“Right. Well, do you? Because when I read that article your mother sent me I-.”

Towards the window, he says, “I don’t, Grandma. Stop worrying.”

“Okay then.” She purses her lips with that concerned look again before pulling out of the parking spot. 

The school remains unchanged and miraculously still. Rows upon rows of cars sit within neat lines. The hedges lining the building are unbothered. Trees stand guard, only moving slightly in the breeze. Each brick on every wall is aligned and content in its placement. All is fine and perfectly ordinary. No crowds, no sirens, no eager students peering out classroom windows.

Thank God. That would be embarrassing as shit. 

Despite the school’s orderliness, the sky is a twisted gray, and in it hang heavy clouds. The clouds look as if they are clutching each other, pleading to stay in place. The pools of water that form their very existence also weigh them down. It is in their nature to collapse into pieces and plummet to the Earth. All one can do is wait for the inevitable.

“Darn. I should’ve grabbed an umbrella. It looks like it’ll be pouring soon.”

Joan mumbles something beneath his breath.

Chaos will erupt shortly. All it takes is one drop that cascades into two and then three, four, and five. Soon after, there will be no stopping it. An onslaught of showers will pummel the dirt and drown grass blades. Roads will become rivers and intersections ponds. Rushing from the sky, they will fall. 

As Joan’s grandmother maneuvers the car into the left lane, she reignites the conversation. “Honey, you know you can tell me absolutely anything. I don’t know what’s going on with you, and your mother is worried sick. We want to help.”

Finding himself buried in his seat, Joan pushes into his palms, lifting himself to her height. “You can’t.” He pauses before muttering, “I’m sorry.” Is she really that worried? Mom seems more pissed off than anything. Oh, how I love our nightly screaming matches.

She stops at a red light, sighing. “Can you at least tell me what’s going on? This is the second time you’ve fainted at school, you hardly leave your room, your friends haven’t been by the house in months, your grades are dropping-.”

“Hold on-.”

“And you’ve been fighting with your mother, Joan,” she adds tersely. 

Silence lingers, weighing on Joan’s chest. Why is this such an issue? Everyone’s in interrogation mode all of a sudden. I mean, why shouldn’t I be pissed off? They both need to just leave me the fuck alone.

“What’s going on, Joan?” 

Joan chains his gaze to a telephone pole on the side of the road. He stares as if it would rescue him from impending doom. Maybe I could climb one of those, swing on the wires, and see how far I could get before my nerves fry.

“Joan?”

Unmoving, he observes the enchanting features of the pole. 

“Joan?”

The graffiti really highlights the missing persons’ posters. Captivating.

“I know you’re vaping.”

Whirling around, he faces her, wild with fear. After a few seconds, he shrinks inward and looks away, groaning. “Shit,” he says under his breath. He brushes his hands through his hair and rubs his forehead. “Oh my God, please don’t tell Mom. I’m begging you. She’ll kill me. Does she already know? Shit. God, there’s no air in here. Please tell me she doesn’t know.” 

“She doesn’t know.” After a moment, his grandmother says, “And if you tell me what’s going on and promise to throw that thing out, I won’t say anything to your mother.”

“I’ll throw it out as soon as we get home, I promise,” Joan says with trembling hands. The familiar click of the turn signal settles in his ears, accompanied by the pounding of his heart. 

  They park in an abandoned lot. The yellow lines are patchy, having long since faded into the pavement. The ground is best likened to swiss cheese, sporting massive holes and thick chunks of uprooted gravel. Vines and overgrown foliage line the edges of the property. The abandoned building itself is uneventful, aside from some artist renditions of a particular body part. Along its walls is the occasional shard of broken glass or slab of peeling wood. They sit there, mute.

Joan shuffles anxiously in his seat. By the second, the pit in his stomach enlarges, causing acid to creep its way up. He clears his throat. Shit. Where are we? Maybe I should book it and find a dumpster to dive in and die in?

“Joan, you’re a good kid. You know that, right?” His grandmother turns to face him, but he avoids her delicate eyes. “So, what’s going on with you?” She lifts her hand and gently places it on his shoulder. “I mean, how many times am I going to have to ask for you to just tell me?” she asks with an exasperated laugh.

Joan shifts to look at her. To keep the thoughts from spilling out of his mouth, he holds the air in his throat. Fuck. He looks to the window, hoping to find a haven from this invasive inquisition. Though, considering he was comatose on a gum-adorned tile floor thirty minutes ago, it is proving difficult not to give in. Finally, the fuzzy pounding in his head compels a cough.

“Joan.”

“I don’t know!” Joan pants. “God.” He lets out a sigh and rests his head on the window. “I don’t know. I can’t sleep. I can’t eat. And the fucked up part is, I don’t even know why. I’ve been stuck in this limbo of not feeling anything for years and it scares me that I don’t even care anymore. Maybe I never did. I should be happy right? Or at least I should want to be happy but I… I don’t want that.” He shifts in his seat before continuing, more softly this time, “I don’t know what’s wrong with me. I’m tired of pretending like we all live in this magical fucking kalediscope when everything is so… grey.”

He swallows dryly. “I don’t want to be here. Or anywhere. Not dead or alive or in some weird in-between. Just nowhere.”

Joan shifts roughly in his seat, avoiding his grandmother’s eyes. Barely audible, he starts, “All I-.” He exhales sharply. “All I want is to climb a tall building and jump off,” his breath hitches. 

Why did I say that? Shit. Now I’m going to be forced into a fucking mental hospital, and I’ll have to make a pact with a serial murderer and a quirky side-character there for comic relief to help me break out after I grant them my chocolate pudding stash. 

Silently, Joan sits and lets the words hang in the air, waiting for them to harden and crush him.

After what feels like hours, Joan turns to observe his grandmother’s expression. Surprisingly, she looks calm. Then, it hits him: She gets it. She knows these words swimming in stale car smell. 

Her eyes meet Joan’s before she pulls him into a hug. “I’m so sorry you’ve been dealing with this. I know how difficult it can be.” 

Over her shoulder, Joan’s face is stricken with confusion.

Sighing heavily, she asks, “Have you ever wondered why I have these tattoos?”

Joan pauses, then his face curls with discomfort. “Oh Jesus, Grandma. I just assumed you had them because you wanted to be ‘not like those other grandmas’ or that you made really poor life choices in your twenties or something.”

His grandmother chuckles, “Well I’m flattered that you thought that and, for the record, I’m not like other grandmas. I’m cool and you can’t fight me on that.” She nudges him affectionately to relieve the tension. “So, you can guess where I’m going with this but I think it’s important that you know.” 

“When I was in high school, things got difficult for me and my father. Your great grandmother had just passed before the summer of my senior year. As you know, my father took up drinking and he wasn’t always pleasant to be around. Things got dark, and I didn’t see a way out.” Her brown eyes dull, and her skin pales at the thought. “I tried to take my own life. But, thank God, your great grandfather found me.”

“Shit, Grandma.”

“Shit indeed. But I just want you to know that I’m happy I’m here today, telling you this. I would have never met you or your mother. There are so many moments in life that make it worth all of that pain. You just have to be patient and know that things will get better. Do you understand what I’m saying?”

“I guess so.”

“Alright,” she says, pursing her lips definitively. 

“I do have one question though,” Joan says.

“What is it?”

“Do the tattoos mean anything or are they just to cover up the scars?”

“Well, this large one right here,” she points to the center of her right arm, “is a rose covered in thorns. Your great grandmother adored her rosebush. She tended to it everyday. I had never seen her so full of joy as she was with those roses. It reminds me that you can’t have those extraordinary moments without some bad ones. To embrace the struggle of life is to find beauty within it, even where you thought there might be none.” 

She squeezes Joan’s shoulder and says, “I love you and I want you to stick it through. It’s okay to feel low. Even when there may not be a clear reason for it. But I need you to know that you bring a lot of happiness to my life in spite of those thorny parts. And, even though it might not seem like it, your mother loves you more than you could ever imagine. You’re her rosebush.”

A tiny water droplet strikes the gravel, leaving a perfect circle. Then another. Another. Another. A chain reaction begins in the sky as thousands drop to the Earth. The dark clouds hang low, heavy but lifting, as they release piece after piece of themselves.

“Thank you, Grandma. For everything.” 

“You are very welcome. And… if you think therapy would help, we can do that. Or, if you just need someone to talk to, I’m retired,” she says, laughing.

Joan smiles with relief.

Suddenly, a small creature materializes, flying through the storm. A small mourning dove lands, lightly chirping as it finds sanctuary. It shakes its feathers beneath a rotting piece of plywood propped against the abandoned building. Although the current state of the world should inspire fear in the little bird, it hops around, pecking curiously at the wood fibers, unaffected by the loud crashes and vigorous rain. 

“I think that bird has the right idea. Why don’t we drive around the corner and get milkshakes to wait out the storm? 

“That sounds great, Grandma,” Joan says sincerely.

Reaching over, she ruffles Joan’s hair and starts the car.

 

***

Please reach out if you or someone you know is in immediate danger or experiencing suicidal thoughts. You are not alone.

911

988 Suicide and Crisis Lifeline

CAPS After Hours Urgent Support: 734-764-8312

UM Psychiatric Emergency Services: 734.996.4747

UM Sexual Assault Prevention and Awareness: 734.936.3333

Department of Public Safety and Security: 734.763.1131

National Suicide Prevention Lifeline: 1.800.273.TALK (1.800.273.8255)

The Trevor Lifeline: 1.866.488.7386

Crisis Text Line:  741741