Preview: Robert Redford+Co. Stomp The Yard

Robert Redford (Now-ish)

Actually, there will probably be no stomping.  Probably some clapping.  Maybe some hoots and hollers.  Our favorite Hollywood stud won’t be there either.  He’s also not the dude you remember from ‘Out of Africa’.  At 73, Robert Redford, the actor turned environmentalist and Sundance Film Festival creator, has decided to take his baby to the people.  On Thursday night, from a prerecorded video, Redford will address the 1700 seat, sold-out crowd at the Michigan Theater. For the first time in its history, Redford will introduce Sundance to the rest of the country.  As part of the new Sundance USA program, Sundance will leave its lush quarters in Park City, Utah and present films across the country.  On Thursday, Ann Arbor will join the ranks of Boston, New York, Chicago, L.A., San Francisco, Madison, and Nasheville in welcoming a film from this year’s Sundance Film Festival- along with the film’s directors.

Thursday’s film is “Cyrus”, a new comedy from brothers Jay and Mark Duplass.  Sundance tells us to expect to feel “a tingling, irresistible experience of utter discomfort”.  This discomfort with the discomfort of trying to decide who gets the armrests in a sold-out theater only sounds comforting to me.

Thursday, January 28.  7:30 pm. More info here: http://www.michtheater.org/sffusa.  Tickets are sold out but, like anything in this fair town, you can find a way to get in.  Check the box office day of, talk to craigslist, do what you gotta do. Sold out movie theaters are too fun.  Until then,  Bennett

Review: Black Transmen or Just People?

They’re people. Gender, race, sexuality are only parts of who people are. We can love people for everything that they are. This is one of the main themes of Still Black: A Portrait of Black Transmen, along with loving yourself and being yourself. This documentary looks into the lives of six African American people that have undergone female to male transitions or identify as transmales.
The film introduces people one at a time in an interview format, only it is artistically rendered by leaving out all questions and responses of the interviewer, leaving only the voice of experience. We hear people’s life stories from the comfort of their own homes.

Kylar Broadus from Columbia, MO used to be a corporate attorney, but after being fired by his company for announcing and beginning his transition he has become an activist for transgender and gender queer people. He tells the story of how hard it is to be something that you’re not and how he struggled every day to dress in “hose and makeup” to comply with his company’s conservative views on image. Now he is an activist and he is finally happy with himself.

Ethan Young of Toledo, OH tells us the story of his transition and the journey he took to find his own identity. After originally believing himself to be a lesbian, he realized that he was a transsexual gay man. Ethan shows us how hard it is to find ourselves in a world that is so set on its views and how one must be brave enough to be oneself, no matter what. Ethan also tells us the story of how dating has changed and how he asks people if they are attracted to him or not. His results are interesting, since many men and women, both gay and straight, still find him attractive.

Jay Welch from Evanston, IL is a poet (a man out for my own heart). He lives and breathes for poetry. He discovered his trans identity while in a relationship with a woman. He says that he just woke up one day and knew that he was meant to be someone else, something he had always known, but never actually understood. Family reactions are always hard to take, but Jay’s father was incredibly supportive, and even happy to have a son. Though Jay is still in the beginning stages of transitioning, his father is happy to help him find a job in construction, help him dress appropritately, and is ‘showing him the ropes,’ so to say, of being a man. Jay’s mother, on the other hand, is taking it badly and feels as if she is losing a daughter. It’s an interesting continuity of opposites, the way people are treated before and after such a huge stage in their lives.

Nicholas Rashad of Chicago, IL is a proud transman that tells us how his journey has affected his life and the lives of his family. His brothers are happy to have a new man in the family and teach him how to date women as a man. His younger sister, however, is not so happy with the transition and is having a hard time with the entire idea.

Louis Mitchell, of Springfield, MO, expresses his feelings about the new stereotypes he must face as a black man as opposed to those of a black woman. The media conveys that black men are either obnoxious rap artists, or street thugs and thieves. Louis says that people are afraid of him now that he is a big black man, and that the media makes it harder for him to be who he is. Another obstacle Louis faced was that of his lesbian partner. Even though they love each other dearly, they were unsure whether his partner would still be attracted to him after the transition. They are still together and they are very open with communication. Louis’ new identity also makes his partner feel as if she is losing her identity as a lesbian. These sorts of issues and stories are the reasons that this documentary is so interesting. It asks questions that one may not think of when considering the hardships and joys of being black transmen in different geographies of the country.

Carl Madgett, also of Chicago, IL, is a preacher at the church “Pillar of Love.” He met his wife through the church and found an incredible amount of support from its loving membership. Carl and his wife were lucky enough to go through the process of artificial insemination, using Carl’s eggs, a sperm donor, and his wife’s uterus. They were given a 0.7% chance of actually conceiving a child and lo and behold they had twin baby girls. The family is now living happily, but like any family they have disagreements every now and then.

Each of these brave men agreed to tell their life stories to an entire generation and provided us with a new view on identity. What we see on people isn’t important, it’s what we see inside them that matters.

After finishing the movie, Gabe and Lauren from the Spectrum Center, facilitated a conversation with the audience. We talked about the different artistic values of the movie, such as it being filmed without any color, unique screen shots, and strange angles. We discussed how the movie made us feel about having an identity that others may not understand or that is different than the “normal” way of doing things. And we talked about what we thought the film was missing, what questions we still had for the men on the screen, and what sorts of experiences we didn’t hear about. I believe that there were only about two people, out of at least thirty, that didn’t say anything during this talk, which was great. Everyone participated and enjoyed themselves.

As if to give us another mission, Jim Toy (founder of the Spectrum Center almost forty years ago and current GLBT activist) asked if anyone knew of any films about people that identify as gender queer (outside the gender binary male-female system). None of us had heard of one, but I’m sure someone will be making such a film in the near future.

The documentary was great. The interviews and characters themselves were amazing, and they were only improved by the unique style of the director. Many different effects, such as splitting the screen, inverting the picture, and having multiple views at once, helped the movie create its own style and mood. The lack of bad commentators and random experts provided us with a closeness that normal documentaries do not have. Instead of hearing what doctors thought of Transmen, we actually heard the men tell their own stories. And that’s what’s important when it comes to issues of identity. It is not who others label you as, but who you are and how you express yourself.

For more information about the film visit
http://stillblackfilm.org/

As always
This is Danny Fob: Artist and Art Reviewer
P.S. sorry for all of the heartwarming lessons talk, but it is MLK week.

Review:Thinking Straight: The Why’s and Why Not’s.

What happens when you fill a theater in the UMMA with friends and members of the LGBTQA family? Advertise that it’s free and that there’s free food? Of course we have a blast! Any event like this is sure to leave everyone with smiles on their faces. “I Can’t Think Straight” proved to fulfill all expectations. Tonight a bunch of my Commission friends and I, along with so many other people, filled the Helmut Stern Auditorium at the University of Michigan Museum of Art (UMMA) to watch the film directed by Shamim Sarif.

The film was labeled a “Romantic Comedy,” but oh it was so much more. The characters and the jokes were so well written that we were laughing constantly. Lisa Ray and Sheetal Sheth portrayed two Jordanian girls of Palestinian origin, one raised in Jordan, the other in London. Both must go through the process of learning about their own sexualities and coming out to their parents, a very common theme in the gay film industry, but this movie still made it seem original and close to heart.

One of the most common and best delivered themes in this movie was that of cultural diversity and identity. It was interesting to see how having roots in a culture as diverse as the middle east affected the daughter who was raised in London and then to contrast it with the daughter raised deep in the socialite culture of her country of origin. Combining this sense of cultural identity with religious views based on cultural norms and with sexual identities and how these cultures accept or don’t accept them was an amazing feat. The film gives us the journey that both take to find themselves and each other and does it while giving us great laughs, excellent back stories, wonderful acting, and of course attractive sex scenes (well, at least for people who like those kinds of sex scenes).

This theater, located in the basement of UMMA, is a nice little presentation room that was a very comfortable place to watch this, or any, film. YKB, or Yoni Ki Baat multicultural women’s organization, hosted this event due to interests from members of the group. There was supposed to be a Q&A section after the show with women’s studies prof Sri Nair, but unfortunately she was unable to make it. Good news, however, was that Lauren from the Spectrum Center filled the position and hosted an impromptu comment section. Basically the audience just made interesting observations and Lauren and the YKB member hosting the event responded in the appropriate manner.

This film opened a lot of new views for the world and consequently has won a slew of awards and LGBT Film festival honors. Most recently it has improved the Wednesday night of an audience at the University of Michigan. As our world progresses it will produce more works of art similar to this one, in which the LGBT theme is not the determining factor that makes the movie worth watching. This film was great for more than its significance in gay culture; it was a wonderful romantic comedy that just happened to have some lesbians in it.

Preview: Well, If You ‘Can’t Think Straight’….

Or even if you can, the movie “I Can’t Think Straight” is being presented by YONI KI BAAT multicultural women’s organization.

The movie is an award-winning lesbian romantic comedy (rated PG-13) that is a title quite common in LGBTQ culture. I’ve never seen it, but I’ve wanted to so many times. I know that other organizations have put it on, but I’ve always been too busy to attend. But not tonight!!! The film starts at 7:00 pm in Helmet Stern Auditorium in the UMMA (UofM Museum of Art). And here’s the kicker… Free Food and Free admittance. That’s right. Won’t cost you a dime. The event has been sponsored by the ever colorful Spectrum Center, the Michigan Student Assembly, and the UMMA. Don’t forget to stay for the Q&A with Women’s Studies Professor Sri Nair! You don’t have to recognize yourself as LGBTQ, the event is open to all allies, guests, and curious people looking to watch a modern romantic comedy. I hope to see everybody there!
When: Tonight, 1-6-10
Where: UMMA Helmut Stern Aud
Costs: Free admittance and Free Food
What: I Can’t Think Straight
Ps. HAPPY NEW YEAR!!
Danny Fob: Artist and Art Reviewer

Review: After “Coco Before Chanel”

I always forget how interesting the State Theater is, but then I go and am astonished by the antique business that still has incredible artistic integrity. The theater is old, so old even that the bathrooms still have those waiting rooms with benches where the people with perfume used to sit. The advertisements are for classic movies, or maybe some independent films. People that work there seem artistic and very friendly. And the theater itself… it’s old, but it has a certain ambiance that the dollar theater in Briarwood could never muster. I was able to realize these things about the building because I happened to be the only one in the theater on Wednesday night around 9:30. Sad Face Land. There were people seeing “Serious Man” which I’ve heard is very good, but I was the only one watching “Coco Before Chanel.”

If I knew how to type with a French accent I would, but since I can’t, I’ll just ask you to imagine one before I go on. … Got it? This is important because the movie was in French… Ok, I think you’re in the right frame of mind now. “Coco Before Chanel” was an absolutely fantastic story. It composed the tale of Gabrielle Chanel’s life for us to see. Gabrielle, known by most as “Coco,” was placed in an orphanage with her sister at a very young age when her father traveled to America. She grew up an impoverished orphan, raised by nuns, and became a lounge singer/seamstress. Throughout the entire movie, Coco has this blunt confidence in herself and speaks her mind, no matter who it might hurt. As her sister runs away with a Baron, she is left alone to achieve what she hopes will be a fantastic performing career. She fails early on, but finds a “friend” in Etienne Balsan, a man whose money has bought him friends, lovers, and arrogance. Coco sort of pushes herself into his Paris country home and doesn’t leave. By the way, you shouldn’t be reading this with an accent; I just wanted you to feel the setting a little bit. Yeah, I know, I saw you there struggling trying to speak French. Don’t worry about it.

Coco learns to ride horses and starts reading, while also beginning what will become her legacy. Having only brought two dresses to her new home, she begins making new cloths from Balsan’s supply. Now I know that Chanel has one of the most artistic and fabulous clothing lines in the world, but in her meager beginnings her clothing was just awful. So many different plaids and flannels. It’s sad to say, but her clothes were terrible. Not what I expected. But her style was unflawed. A basic philosophy Chanel held about fashion was that one should remove one article of clothing before leaving the house. She disliked ornamental flowers, laces, and jewelry because she felt that they made women like peacocks, or show animals. Throughout the movie she wears a simple straw hat that is the essence of Chanel fashion, and that is the first step to the rest of her fantastic career.

Now Thats Chic
Now That's Chic

Chanel promised that she would never marry, because “A woman in love is helpless. Like a begging dog.” She is so confident in herself, and perhaps one of the first feminists in France, that the idea of being owned by a man was repulsing. That is, up until she met Capel, lovingly nicknamed “Boy.” They fall madly in love and the story takes a turn for the better. But like any true story, it can’t work. He is forced to marry another woman for social status, and Coco never marries, perhaps never falls in love, again.

Finally! Fantastic Clothing
Finally! Fantastic Clothing

I don’t want to ruin the movie for anyone, because it is so wonderful, so that is all I’m going to say about the plot. I will tell you that it ends with a fantastic scene of models showing off Coco’s clothing line. Remember though, that the State Theater, and the Michigan Theater for that matter, are both fantastic old venues that give us an idea of the past. Student tickets are only $7, pretty average, just bring your own concessions, because they are way over priced. It’s always a great experience, especially when other people are in the theater with you (it gets pretty lonely all by yourself, and I’m a talker). So overall, the setting was great, the clothing was mostly terrible, but the movie was amazing. It had a historical value and a pleasing muse. Definitely an 8 in my book.

Once again this is
Danny Fob: Artist and Art Reviewer

P.s. See you at Handel’s Messiah this Saturday!

Preview: Chanel on the Big Screen

‘ >Coco Before Chanel
“Coco Before Chanel”… A film that I’ve been looking forward to seeing and didn’t think I’d get the chance. But here I am, writing about it before I get to watch it, knowing that in three hours I’ll be sitting in the State Theater enjoying a medium popcorn and watching previews with a friend. The part of the famous fashion designer is played by Audrey Tautou as the movie moves from Coco’s sad beginnings to her huge success in the design industry. From what I’ve heard, the movie is supposed to be a fantastic story with wonderful acting. This drama is a classic Rags-to-riches story with sentimental and romantic backstage themes. I’m so excited! Everyone should hurry and go though, because there are only two nights left, tonight and tomorrow (Wednesday and Thursday, December 2 & 3). Both nights the show plays twice, 7:15 and 9:30.

Link to preview \"Coco Before Chanel\"

Only $7 for student tickets! So just to remind everyone…
Fantastic show
“Coco Before Chanel” rated PG-13
Wednesday, December 2 at 7:15 and 9:30
Thursday, December 3 at 7:15 and 9:30
State Theater, Ann Arbor
$7
Go see it!
Danny Fob: Artist and Art Reviewer