REVIEW: Conduct Us

Even though mornings are always rough, especially on Fridays, attending Conduct Us made waking up worth it. Contrary to what I assumed in my preview, the weather was very warm: suitable for the festive and relaxed atmosphere at the event. Warm cider and donuts were provided too, so I even got free breakfast with the free live music (not to mention the free “Ono. Oh, Yes!” stickers)! I’m sure it was a very welcoming sight for the students heading to and leaving the MLB as well. Surprisingly, though, most of the audience was actually adults: most likely because it was a Friday morning.

Out of the many song choices, I recall hearing the Carmen Suites and In the Hall of the Mountain King the most. To those not well-versed in classical music, these titles may sound very unfamiliar, but trust me that if you look it up you’ll definitely recognize the tunes. Although I myself didn’t get to conduct, if I had the opportunity to I would have chosen In the Hall of the Mountain King too for its fun and exhilarating melody (in addition to The Victors of course). It’s a piece that starts quiet and slow like you’re sneaking inside the halls of a castle before rapidly speeding up when the king spots you! It was a lot of fun to listen to the giggles of the conductor and musicians accompanied by the sight of the conductor aggressively waving the baton (which at Conduct us, was a clothespin).

One of my favorite performances had two friends take upon the challenge of conducting the Michigan Pops Orchestra as a duo. It was very creative and inspiring to see people so interested in participating and enjoying the event: it really emphasized the point that the event is simply to create good vibes. It’s hard not to say, though, that Ono’s conducting was the highlight. Saving the best for last, the event ended with The Victors. To be honest, it was funny to watch him be flustered about conducting. It was also very endearing that afterwards the cellists invited him to play their part on The Victors, which unfortunately Ono declined. I’m sure we’ll see him play the cello one day though (he does actually play cello and pretty well too).

If you didn’t have the opportunity to attend this Conduct Us or want to attend once more, there will be another one coming up soon. Unfortunately, I don’t think Santa will be coming to town again. You can also support the Pops Orchestra at their end of semester concerts!

PREVIEW: Conduct Us

Santa’s coming to town! Specifically, Santa is coming to Ingalls Mall outside the League this Friday morning. During Santa’s meet-and-greet, the Michigan Pops Orchestra will be providing festive music for all to enjoy. They’ll be holding Conduct Us, an event where anybody (literally anybody) can take on the task of being their conductor. A variety of pieces will be at your disposal, like Les Mis, E.T., Forrest Gump, Star Wars, How to Train Your Dragon, etc. In fact, Santa himself will be conducting The Victors: it’ll be a sight I don’t want to miss out on! Conduct Us will be a good opportunity to also hear the pieces Pops has performed at their past concerts if you missed out, and also give you a sneak peek into what kind of atmosphere their next concert will be.

I’m very excited to come watch and hopefully conduct their ensemble, and I’ll be getting two birds with one stone by also taking this chance to see Santa.

Come watch and conduct the Michigan Pops Orchestra this Friday Morning from 11:30-12:30pm! Make sure to dress up warm too, since it’ll feel like the North Pole.

PREVIEW: 6th Annual Multicultural Yardshow

This Saturday, October 22nd at 8:06pm, music will be heard all throughout The Diag. Sigma Lambda Beta Fraternity Inc. will be hosting their 6th annual Multicultural Yardshow at the Block M, and a total of 9 greek organizations will be participating, each performing their own choreographies with their own music mixes.

I’m super excited to witness the lively atmosphere this Saturday night, and I’m most looking forward to the organizations performing a stroll. A stroll is a rhythmic dance performed in a line with chants, and it’s a cultural tradition started by Black greek organizations. If you haven’t seen a stroll yet, this will be a great opportunity to see them, especially since each stroll is unique to their organization.

If you’re looking for something to do Saturday night, consider coming to The Diag even just for a short moment!

REVIEW: MOCHAS + MURALS: WALKING MURAL TOUR

As an artist who is afraid of heights, the idea of painting a mural has always given me a shiver. I could not imagine being on a lift, hovering a paint brush or spray can over the side of a building. This has always been something I’ve been ashamed of because murals are a work of art for the people and they have a great benefit to the community. It could not be more true than in the Ann Arbor community. With the Ann Arbor Art Center (A2AC) pushing to add more murals, there is more art than ever in the city. 

This past Friday, I wandered to the A2AC on Liberty Street. A chatting group, iced coffee, and cookies that felt all too early in the morning  to eat for a college student like me (even at noon) awaited. We all gathered here for a tour of the city’s 15 murals put in place with the help of A2AC. 

Most of the murals appeared in the time that I lived in Ann Arbor. However, because of covid constantly moving me away from Ann Arbor and living in a dorm without a centralized location to downtown my freshman year, I wasn’t able to admire the way that these murals were really transformed the city. I think a page in the Murals activity book describes this change the best. It shows the before and after shots of the bland buildings and the shots of them after they have been painted. I feel like the image speaks for itself on the effect that the murals have had. 

On the walk, we stopped to admire many murals. Some were grand and impossible to miss. Others were fun and almost Easter egg-like, like the orange man on top of the A2AC. I discovered my favorite mural in the alley way of the Blind Pig. Painted by Chris, it depicts red dokkaebi which are inspired by Korean folklore. Their mischievous spirit pairs well with the late night crowds that gather in the alleyway. Sometimes it seems that the young adults and dokkaebi share the same energy and spirit. 

Overall, I would highly recommend checking out the city’s murals so you can pick out a favorite of your own. While you may not be able to have a guided tour like I did, the A2AC offers an online mural guide and activity book so you can go on a self guided tour.

REVIEW: How to Build a Disaster Proof House

How to Build a Disaster Proof Home is the latest installation at the Institute for the Humanities on campus. Artist Tracey Snelling transforms the space into an explosion of color, sound, and texture as various home interiors occupy the room. Working both on a life-scale and a miniature scale, Snelling presents an exploration of what home really means and how one mentally and physically finds refuge in the contemporary world.

I’d like to examine this exhibit in a bit of a fractured way, pinpointing and elaborating upon various aspects as these come together to create the complete multisensory experience of Snelling’s work. Firstly–the aural. Before you even enter the space, you can hear a variety of monologues, sound effects, and music. This is because almost every section, or constructed home, has accompanying audio materials. Whether that’s a series of films being played all at once, or Duran Duran filling up a corner of the space, there’s a sense of the place being alive. The weaving together of sounds (the less delicate may call it a cacophony) create an entirely new sonic experience, one where the simulation of human presence is achieved. This simulation has both the comfort of a TV left on in the living room and eeriness of interacting with Siri or other faux-human presences. 

The same kind of aural complexity exists in the textures of the space. You find the tactile, familiar comfort of a worn rug juxtaposed with the tackiness, insincerity, and flatness of an idealized sunset-rainbow-beach wallpaper. There’s a dedication to different temporalities here, as a portrait in 70’s fashion hangs above a cherry red plush carpet circa the year 2000. The melange of these tributes to homes of past decades is fun and very carefully coordinated to maintain coherency, but there’s also a deeper, more touching and humanistic idea at the core of how we maintain familiarity and keep the things that we treasure most close to us (even if that’s the flimsy metaphor of hope behind a rainbow).

 

Finally, the color is alluring. Bright tones, eye-catching patterns, and iridescent touches are not only attractive, but add a very specific voice to the message of this exhibition. Ultimately, How to Build a Disaster Proof House is a sensory delight that makes you appreciate wherever you call home.

PREVIEW: How to Build a Disaster Proof House

The Institute for the Humanities’ latest exhibition will be on view this week, beginning March 16th. How to Build a Disaster Proof House consists of the work by the current Roman Witt Artist in Residence, Tracey Snelling. Snelling previously exhibited here and has come back again with sculptural conceptions of various worlds, looking to themes of escapism and environment while also integrating eye-grabbing pop aesthetics.

 

The show is free and certainly not one to miss, as there’s a slew of accompanying programming in conjunction with the works. It’s truly a community effort, as talks and workshops intersect with corresponding exhibitions and installations coming from institutions like the Ann Arbor Film Festival and the Ann Arbor Art Center.

 

The Institute for the Humanities is right across from the MLB, situated right in central campus– be sure to stop by!