PREVIEW: Artists of the Photo-Secession Gallery Tour at UMMA

When did photography become an art? At some point, people took cameras and tried to capture people and places and things not simply for the sake of capturing them, but for the beauty of it. This was the beginnings of pictorialism.

As the UMMA web site states about the early pictorialist photographers:

Their poetic compositions drawn from contemporary life, combined with the use of expensive and labor-intensive printing materials such as platinum and gum bichromate, established these photographs as complex and nuanced works of high artistic quality.

The exhibition is open now and will remain open until March 5th.

Their next FREE upcoming gallery talk/tour is:

Sunday, December 11th at 2pm

Check out their calendar here for more information on the other upcoming gallery talks:

January 15th at 2 pm

February 19th at 2 pm

REVIEW: Helicon’s Synesthesia

Friday night’s Synesthesia was the first Helicon event I’ve attended, so I had no idea what to expect – which is usually the most interesting way to enter into an art show. It was what I can only describe as a down-the-rabbit-hole experience; from walking in the door, past crowds of people, art was found in the corners stairwells, in the basement, in the attic. At one point, I wasn’t sure if I was standing in line for the bathroom or for an art installation. Not only did I double take at the art, but at UM faculty milling about past students: not an everyday occurrence outside of the classroom, at 10 p.m. on a Friday night. Synesthesia featured the work of dozens of students; mediums ranged from sculpture to photography, from painting to video installation.

fullsizerender-4
Image from @umicharts

The space itself was immersive; as I stood looking at sculptures in a basement where exposed cement walls and open staircases were not an artistic design choice, I began to fear for the strength of the structure as I could hear every footstep and movement above me. The element and adventure of risk became a theme as I climbed past people up steep stairs not equipped for a dual-flow of traffic. As I sat on the floor of an attic, staring at an image projected onto a sheet asking myself when the show was going to begin or when the technical support was going to arrive, I realized it already the show had already begun. The fuzzy image on the screen was the art, the music in the back the focus. It was then I began to question whether or not I am equipped to “get” art. Regardless, my favorite piece of the night, a readymade (which is the embodiment of comedy gold in the art world; an artist with a sense of humor) consisting of a Virgin Mary figurine titled Abstinence. Lesson learned: you do need to be literate in the ways of painting/drawing/sculpting to be considered an artist, merely innovative.

fullsizerender-3
Image from @umicharts

If Synesthesia intended to create an experience, an art piece in itself, it succeeded. At one point, while standing in a hallway waiting for a mass of people to pass by, a person crawled out from behind a black sheet, pulling themselves up from what I can only hope was a work of experiential art. Some say you can find yourself through art; if this holds true, I’ve come to find I am the equivalent of a suburban mom of the art world. I may not understand what’s going on, but I am so ready to cheer on every student out there making, creating, and putting their work and themselves out there.

PREVIEW: Helicon’s Synesthesia

synesthesia-1

UM’s campus is hardly lacking for artistic talent. In its varying forms, students are quick to represent their abilities. Helicon, the History of Art Undergraduate Society, will be giving a space to such talent and displaying student curated and student made art in a one night only pop-up exhibition titled: Synesthesia. The event is open to any and all looking to check out some art in a cool and casual setting.

Synesthesia will be taking place on November 18, 8-11 p.m. at 504 Catherine St.

PREVIEW: SMTD@UMMA

europe_on_paper_website_slider_v1
from umma.umich.edu

If you’re an indecisive appreciator of art, or an enthusiast of all forms, the upcoming SMTD@UMMA performance, Image in Motion, is for you. In this collaboration between the Department of Dance and the University of Michigan Museum of Art, U-M Dance students will use UMMA’s new exhibit Europe on Paper as inspiration for the performance. The Europe on Paper collection features the work of German and Austrian Expressionist painters; dancers will interpret the works’ emotion and color through movement.

These two artistic modes lie close to my heart, and based on past STMD@UMMA performances, the beauty of UMMA’s gallery space only further brings SMTD work to life. This marriage of artistic forms is happening Thursday, November 17 at 7:30 in UMMA, and is free and open to the public.

PREVIEW: Mary Mattingly- Stamps Speaker Series

As a special treat, the Stamps Lecture Series will be offering not one, but two lectures this week. Today, November 9th at 5:10 pm at the Rackham Amphitheater, the esteemed artist, Mary Mattingly will give us a personal glimpse into her creative process. You will soon be able to see her installation work either on the diag as a part of your daily walk to class, or at the Institute for Humanities. Tomorrow, November 10th, join us in the Michigan Theater at the same time to see a speech by the inventive and inspiring Athi-Patra Ruga.

a21boulder_textMattingly’s installation at the Institute for Humanities is entitled, “Objects Unveiled: Boxing, Rolling, Stretching and Cutting,” and it explores the use of cobalt as a pigment throughout the ages, and the social issues surrounding it. There will be an opening reception for this exhibit immediately following her lecture today. You can find more information about the event here.

https://events.umich.edu/event/33059

Mattingly uses her work to explore ideas such as nomadic lifestyles and travel, connections and human relations, and exactly what it is that defines our home. Her work merges performance art, architecture, sculpture and more in harmony to make a bold statement.

Her project to design “wearable portable architecture,” and to create a “wearable home,” embody this melding of ideas perfectly. The contrast between fashion, and the most extreme form of function, is strikingly obvious in the following pictures.

 

One of her most exciting projects is the Waterpod Project, a livable floating platform that was docked outside New York and has housed many artists.  You can watch a video highlighting some of what made this project so special below.

Her “House and Universe” photo series is also strikingly resonant, and the photos featured here are just a small sample of those in the series.

Lastly, she returned to many of the ideas she has worked with on the Waterpod Project, in her 2014 project WetLand.  This work explored the responses to the changing environment and the future of the human race because of this changing environment. Mary and several other artists created and lived in this work as it floated along the Philadelphia river, making a statement about sustainable living.  I have included another video about the project below.

All images and videos are from www.marymattingly.com

REVIEW: LHSP Pop-Up Luminary Parade

Students of Lloyd Hall Scholars Program’s art instructor, Mark Tucker, may theorize from past experience that rain often comes with luminary showcases. This year’s pop-up parade in Grand Rapids proved that theory wrong.

These students are LHSP student assistants and some Ypsilanti high schoolers who devoted the past month to creating luminary puppets: three-dimensional wire sculptures wrapped in papier-mâché with lights strung inside. The theme this year intersected space with sea – Emily Miu’s blowfish comet and Anna Minnebo’s full-body NASA/sea explorer costume were among whales and jellyfish, for examples.

Emily Miu's blowfish/comet luminary in lower right
Emily Miu’s blowfish comet luminary in lower right corner

On Saturday, October 8th, these students and some LHSP alumni (including yours truly) took a trip to Grand Rapids’ Art Prize to enjoy the public art and to create a pop-up parade of these luminaries at sunset around the city’s center. Last year’s debut parade day was rainy, which made for a very small audience and short-lived march. Last Saturday was graciously clear as the students prepared to carry their month’s worth of work around the busy downtown at night. The current LHSP student assistants carried their new puppets and others either carried older works brought along for the ride or drummed on metal and plastic buckets to draw more attention. Being a pop-up parade, nobody other than us from Ann Arbor and Ypsilanti knew what this was. As hoped for, this only made for a more intrigued audience.

We marched around the city center as sunlight dissipated, across bridges with lit-up puppets, eccentric drum rhythms, and excited energy. Passersby on foot and in cars looked on in awe (and some confusion), shouting and honking their approval toward us. It went on for about an hour with high energy building and lasting throughout. It was a great opportunity to surprise an artful city with even more art from across the state, making its people smile and wonder what prompted it all.

The next time you’re in Alice Lloyd Residence Hall, take a look in the art studio to see what wild art they’re creating next. Maybe you’ll be the next member of a surprise audience.

Waiting for the sun to set; students getting ready to march
Waiting for the sun to set; students getting ready to march