REVIEW: Currents and Crossings

Photo: School of Music, Theater, and Dance

The annual dance concert by the Department of Dance, Currents and Crossings made me realize that dance is such an interdisciplinary genre of art. While many aspects of dance are associated with performing arts, dance is a form of visual art at the same time because dancers constantly use their bodies, props, and costumes to “paint” the scenes on stage. Dance can also incorporate many other types of arts to stimulate audiences’ senses, such as music, visual arts, and engineering.

Out of the four dance pieces performed that night, I found the first one — “Into the Wind” — most intriguing. In addition to the eight skillful dancers, this piece incorporated flute and percussion improvisers, two paintings, a poem, interviews with the factory workers, and a “wind data sonification” system to present its unique atmosphere. This seemingly random combination of arts reflects its unique background — “Into the Wind” was premiered near the grounds of the Michigan Alternative and Renewable Energy Center, the groundin which renewable energy initiatives replaced the Continental Motors engine factory. As such, the dancers represented both natural and industrial sides of this story, by depicting the factory workers in one scene and the wind moving freely in another. While the props such as draping fabric and beautiful soundtracks helped create these scenes, the dancers’ artistry really made these scenes happen vividly.

This concert was a testament to how dance can serve as the bridge between all art forms. Although the School of Music, Theater, and Dance tries to encourage collaboration between these art forms, it’s a shame that the Department of Dance tends to be underrepresented in the SMTD community. (Case in point: there was only one act that featured in the Collage Concert last month, whereas there were many music acts and some theater acts.) I can’t wait to see what other shows they have in store for us, and what collaborations they are thinking of doing.

PREVIEW: Currents and Crossings

Image courtesy of SMTD

Currents and Crossings is a concert of modern dance by the School of Music, Theater, and Dance. The main piece in this performance is going to be Brisk Singing (1997), a lyrical and energetic dance set to excerpts of the opera Les Boréades by Jean-Philippe Rameau. The choreographer for Brisk Singing, Richard Alston, is acclaimed for his ability to respond to musical materials and to explore pure dance aesthetic. Other pieces in this concert are choreographed by the professors here at Michigan, and feature various aspects of nature — such as the African tradition of bottle trees and the elemental forces of wind. There are four chances to watch this performance this weekend. Even better, Currents and Crossings is on the Passport to the Arts so you can watch it for free! Don’t miss out! (Watch a trailer video here.)

WHEN: Thursday, February 5 at 7:30pm; Friday and Saturday, February 6-7 at 8pm; Sunday, February 8 at 2pm

WHERE: Power Center

TICKETS: FREE with the Passport to the Arts, or $10 with student ID. Get the tickets at the Michigan League Ticket Office!

REVIEW: Biorhythms Med School Student Dance Show

Well-dressed parents and friends entered the Lydia Mendelssohn Theatre, a somber atmosphere apt for an orchestra performance or Shakespeare performance. Biorhythms was nothing of the sort.

From the opening “Phlomax” to the sexually charged “Mance” performance at the end, the entirety of the show was full of energy, creativity, and enthusiasm. Unlike many companion pamphlets, the ones provided at this show had lyrics and descriptions that allowed the audience to follow allow with medical school-themed manipulations.

An altered rendition of OutKast’s “Ms. Jackson” begins “I’m sorry Ms. Rosen. I’m an M1. Never learned a single histo slide,” and in another instance the lyrics to Kanye West’s “All of the Lights” became “Cre-Lox. Post-docs. Primer stocks. Chalk Talks…”

As science major and possible pre-med student, I enjoyed the clever medical adaptations, as well as the plethora of creativity. One can only imagine the rigors of medical school without actually being in medical school, and consequently much of the show felt like an elaborate stress relief via performance. We watched Brazilian Samba, a Bollywood dance-off, flag dancing, a capella, and even an acoustic performer (Vince Pallazola).

Despite the diversity and talent throughout the show, there was a highly sexual aspect that detracted from its artistic merit. For every talented soloist, there was a group of young, half-naked bodies gyrating on the stage. At the risk of sounding like your conservative neighbor down the street, it was an awkward juxtaposition at times. Furthermore, since these were medical students putting on a show twice a year, the show had an overall feeling of a high school musical. The audience was dominated by friends and family, and most acts had a practiced but unpolished tone.

Overall, biorhythms was well worth the time. On a Sunday with not much else to do except study, the show was a welcome and entertaining distraction, and well worth seeing in the spring.

PREVIEW: Biorhythms Medical Student Dance Show

Biorhythms is an opportunity for graduate students to maintain an interest in the arts and perform on stage. The spring show is one of their two annual shows. Both shows are student-directed, produced, and performed.

  • When: Sunday, January 25th @ 7 PM
  • Where: Lydia Mendelssohn Theater (Michigan League)
  • Cost: $7 at the door (cheap!)

As t hey state on the web site: “This year’s lineup includes: Brazilian, Hip-Hop, classical Indian, Flags, Tahitian, singing, rapping, and Mance!”

What is Mance you ask? I don’t know either but I intend to find out.

Check out the website:  https://biorhythmsdance.wordpress.com/about/

 

REVIEW: Collage Concert

Now in its 38th time, Collage Concert by the School of Music, Theater, and Dance on January 17, 2015 put together another incredible show featuring many departments within SMTD. This unique performance, in which one act followed another without pauses, showed how interconnected different disciplines of art can be.

On a performance style like that of Collage, where works from old and new come together to create one performance experience, Maestro Gustav Meier (former professor at Eastman School of Music and U-M School of Music) states:

“…[A] quartet called the Five Century Ensemble, a soprano, a tenor, cello, and harpsichord, … performed music from every period with the last note of each work overlapping the first note of the next composition. … We were all just stunned. It never occurred to me that such a programming technique could happen. What a contrast — old music, new music — so close together.” (Quoted from The Instrumentalist, February 1980)

At the University of Michigan that night, in our own Hill Auditorium, we created a gigantic Five Century Ensemble — or rather, Five Century and Disciplines Ensemble. We are lucky to be at a school where many departments are top-notch in their fields, and the School of Music, Theater, and Dance is no exception. However different the appearances may be, all performances were tied to the core of artistry.

This kind of performance requires a lot of careful planning, both logistically and artistically. First of all, there are hundreds of performers in Collage, who are all students with different, busy lives. Organizers have to connect with all of them to make sure they are at the right place at the right time. In addition to this, the lighting cues can be complex, and stage setups can require special knowledge. I wonder if the logistics coordinators for this performance got to sleep at all in the past few days with all of this in mind. All of these were executed perfectly, at least to my knowledge.

Artistically, the directors put together a program that just flows. There is no worry about the quality of the performances, as the individual acts are very strong. However, the program — which included various types of music, skits, and dance works — somehow needs to make sense without any gaps for applauses and reset. With that said, the performace order was truly stunning, especially in the first half. My most favorite was a reading and stunt of Shakespeare’s “Henry V” by Ian Johnson and Ben Reitemeier, going into Gandolfi’s Flourishes and Meditations on a Renaissance Theme, played by the Symphony Band. The music seemed to compliment the Shakespeare play so perfectly. Many other surprising yet understandable combinations happened throughout the two-hour show.

I have been on two sides of the Collage: performer and audience. I performed in the Collage last year as a Symphony Band member, and it was such a wonderful experience. Now, I am happy to see the performance from the other side, sharing the surprises with the general public. It excites me that I share practice rooms with these students, and I can only imagine how great they will become in the future in their arts. (And perhaps me too — hopefully?)

PREVIEW: Collage Concert

Collage_Poster

Collage Concert is an eclectic collection of performances representing all departments of the School of Music, Theater, and Dance. Unlike in other performances, all the acts in the Collage Concert are presented without pauses. Solo organ, dance pieces, jazz combo, theater company, choir… You name it, they’ll have it. If you are thinking of attending just one performance by SMTD this year, this is the one — it’s a night of virtuosic performances that would never fail to amaze you.

WHEN: Saturday, January 17 at 8pm

WHERE: Hill Auditorium

TICKETS: $10 with student ID; available online or in person at the League Ticket Office