REVIEW: Israel Philharmonic Orchestra

When’s the last time you listened to music by itself? Not in the background, not while walking to class, not as you’re watching the music video, but just on its own; when was the last time? Before the evening of March 15, I probably could not have given an accurate answer. It seems that we’re always multitasking nowadays, and that being busy reduces our ability to sit and listen. That’s what I did during the performance from the Israel Philharmonic Orchestra, and I would recommend it to you.

The music hardly paused once the first note was played, and the entire performance was rather intimidating. Hill Auditorium’s stage was filled with extraordinarily talented musicians who played Bruckner’s 8th Symphony, a rollercoaster of tempo and dynamics, for 90 minutes. 90 minutes that flew by because so much of the audience was entranced by the sounds the Israel Philharmonic was able to produce. I don’t know why I keep being surprised by how talented professionals are at their professions, but all of the musicians occupying the stage played their parts passionately (especially you, triangle player and cymbal player. You both played for just a handful of measures an hour into the performance and stole the show, at least from where I was sitting).

Of course, I’m no expert because most of the time, if I am listening to classical music then I am also studying. This time, however, there was nothing else to pay attention to but the orchestra. While listening to them, I got the full force of fortissimo without the ability to turn down the volume, not that I would have wanted to. I felt the floor shake under my feet with the vibrations emitted from the low brass section. When’s the last time you avidly observed someone play the timpani?

I would imagine that most of the audience would agree that what we heard was a brilliantly executed performance from the Israel Philharmonic Orchestra. I feel privileged to have received that performance live; I know now that live symphonies are so much better than a YouTube playlist can produce.

Again I’m no expert, but I think that should make the following advice mean even more: don’t be afraid of classical instrumental music. I don’t think you’ll be bored, and I hope you’ll enjoy yourself. The university gives us great opportunities to see extremely talented people, so take advantage of it! In a few years you’ll have to pay full ticket price.

PREVIEW: Israel Philharmonic Orchestra

Who: Israel Philharmonic Orchestra

What: Performance of Bruckner’s Symphony No. 8 in C Minor

When: This Saturday, March 15 at 8:45pm

Where: Hill Auditorium

The University Musical Society presents the Israel Philharmonic Orchestra for this one-night only event. Tickets are still available on the UMS website, and there are special discounted prices for students.

If you would like to know what you’re getting into, here’s a link to the symphony they’ll be playing, but don’t think that listening to this version is comparable to what you’ll hear on Saturday. I’m sure the 1955 version in this video is significantly different from the 1890 version that the Israel Philharmonic will be performing.

PREVIEW: Collage Concert at Hill

Who: The School of Music, Theater and Dance

What: A collection of pieces by students for you, the audience.

Where: Hill Auditorium

When: 8 PM

Cost: $10 with a student ID

This Saturday
This Saturday

The collage concert is just that–a collection of student pieces interweaving aspects of dance, music, and theater all into one. This year the concert celebrates the 100th anniversary of Hill Auditorium, so it should be especially awesome.

As the Michigan Daily puts it: “The ensemble conductors and selected groups collaborated to form a diverse and kaleidoscopic program. The wide variety of performance material and participating groups should make the concert appealing to an audience with diverse tastes and expose the participants to new kinds of performance.”

 

Preview: The Barber of Seville, Saturday 11/16/13 8PM

Barber of Seville
Barber of Seville

The University SMTD Opera Studio is putting on The Barber of Seville by this weekend at the Power Center! The cast is made up of Doctor, Graduate, and Upperclassmen voice students. The plot is super funny, involving disguises, and trickery! Student tickets are only $10 at the Power Center ticket office.

You don’t want to miss this one!

Thursday 11/14/13 7:30 PM Power Center
Friday 11/15/13 8:00 PM Power Center
Saturday 11/16/13 8:00 PM Power Center
Sunday 11/17/13 2:00 PM Power Center

Review: James Blake – Blown Away

James Blake came into my auditory life about a year ago through a friend who’s taste in music I hold in high regard. After adding Blake’s music to some play lists and burning a couple CD’s for car trips (yes, I still make mix ‘tapes’) Blake became a staple. It wasn’t until this past summer that I started learning more about this phenomenal musical talent.

Blake released his first EP “Air and Lack There of” in 2009, at the ripe age of 21. It was picked up by BBC Radio 1 where he was later asked to come in and do some mixes. In 2010 Blake’s single cover of Feist’s “Limit to Your Love” was released and made 47 on the UK Singles Chart. After this rating Blake received nominations for awards in the UK as well as increasing interest from the press. His self titled album was related in February 2011, later that year he collaborated with Bon Iver. His second album “Overgrown” was released in April 2013. This album awarded him with the UK’s Mercury Music Prize for best new album, Blake has previously been nominated for this award in 2011. This past Summer Blake toured Europe and entered the states to continue his tour in October.

Which brings us to his performance on Monday night at the Michigan Theater, sponsored by UMS. Michigan Theater has beautiful acoustics. It was an interesting choice for this type of music because of the permanent seats, which aren’t very conducive to ‘grooving’ to the music. However, the audience compromised by standing in their rows or clustering against the lip of the stage.

Nosaj Thing (http://www.nosajthing.com/) opened with an excellent DJ set whilst people were milling about the lobby sipping beer and wine. He could hardly be seen as a black silhouette illuminated by a strikingly blue light.

When James Blake and his fellow musicians Ben Assiter on drums and Bob McAndrews on guitar and sampler, the light show began and the crowd was captivated for the next two and a half hours. James Blake’s music isn’t just something you listen to, it is something you experience. I have never said this about any other musical talent I have had the pleasure to witness live; Blake’s music goes inside your body and captures you in an entirely unique way. The beats he uses in his music reverberate through your bones, his smooth, versatile voice slides into your ears and activates something within you. Seeing Blake live was a visceral and emotional experience. I have never been so affected by a performance in my life. In addition to the sound, this performance had the added sensory experience of Chris Bushell’s lighting design. Light of red, orange, white, blue and purple flickered in rhythms and patterns. They reflected off the walls, the audience and the atmospheric fog blown on to the stage. The musicians were alternately lit from above, behind and from all sides creating beautiful silhouettes and visual landscapes.

James Blake is by far the most talented musician I have ever seen perform live. This performance completely blew my mind.

Do yourself a favor and go listen to him immediately. If you are able to buy one of his albums on vinyl and put it on a decent sound system you will be much happier than digital. Barring that, hook your i-whatever up to some speakers and ride the wave.

James Blake: Measurements

REVIEW: Women’s Glee Club Fall Concert

Photo from A Night of Premieres Facebook event page

A night of premieres and a night of transitions, the Women’s Glee Club fall concert was fantastic. As a celebration of Hill Auditorium’s 100th anniversary, each song the club sang was composed or arranged in the year 2013, and the styles ranged from classical to operatic to pop.

The song choices were not the only demonstration of range in this concert, however, because there were little kids! Little, elementary-aged kids from the Ann Arbor Youth Chorale Descant Choir; older, middle school-aged kids from the Ann Arbor Youth Chorale Concert Choir; and even older, high school-aged girls from the Ann Arbor Huron High School Bel Canto Choir. It was a shocking, adorable transition when the Women’s Glee Club left the stage after a few opening songs and the tiny Descant Choir entered. Their first song, “The Path to the Moon”, remains one of my favorites of the concert because they all looked and sounded so adorable on the massive Hill Auditorium stage.

Each choir took the stage—getting progressively older, taller, and more mature voices—until we were back to the Women’s Glee Club, which proceeded to add another level to their program in the second act. A graduate student in the school of Music, Theatre, and Dance, the immensely talented Elizabeth Galafa joined the club as a soloist for a beautiful piece titled “BeNevel Vekinor”, which was composed by University of Michigan doctoral student Asaf Peres.

This one concert told a tale of the passion for singing that can span across decades of life. It just might be that some of the children who performed that night and heard the college students sing will be inspired to pursue music. Perhaps the next U of M graduate student studying voice or the next composer was sitting in the seats tonight after performing with his or her school choir. Concerts like this are important not just for the students who participate in them, but for the community to see and hear the talent that surrounds them.

Also, I can’t end this without saying that these women did a kick-ass version of the Bellas Final from Pitch Perfect. I mean it. Top notch.

Moral of the story: check out a Women’s Glee Club concert sometime, you guys.