Yet another Taya update(I changed her shirt)

I don’t know how professional character designers finalize any work, everything’s so fiddly. I thought I had taya’s design all figured out but then I placed her with my other characters and she looked too old-timey. I changed her vest to a sweater vest but that wasn’t fun to draw. I gave her this high-collared dress shirt and I like it better.

And I also decided on her color scheme too. At first I thought to make the coat mainly green with black accents but it didn’t look good with the shirt. I feel the reversed colors look much better now.

Dungeons and Drag(ons)

I have the utmost respect for cosplayers and cosplay queens, but I myself am not one. Cosplayers, for the uninitiated, are people who dress as a character from a movie, book, or video game. These artists use painstaking detail in their recreations of outfits and wigs, and I’ve witnessed some that included tentacles, working wings that would pop out, satyr goat legs, a fully working back half of a centaur, and tons more. Cosplayers are some of the most incredibly talented artists around.

As a drag artist who can lean into the more bizarre or inhuman side of drag, some people might mistake me for a cosplayer. After all, most mainstream drag doesn’t include people with bright red or blue skin tones or wearing elf ears or such. However, as I am not trying to make accurate recreations of any character that already exists, this would be an incorrect label for me. Furthermore, drag is performance art. While plenty of drag artists focus on their looks or online presence or don’t perform live much, they are still not cosplayers. A drag queen is not required to perform, although the majority do. 

So in accordance to all that I’ve laid out above, we can come to the conclusion that I am, in fact, not a cosplayer (although I wish I had so many of their incredible construction skills). However, this doesn’t bar me, as a drag artist (or any drag artist) from creating cosplays or cosplay-esque looks. For me, my more fantasy character looks lean toward cosplay, and I’ve even created looks inspired by characters who exist in the Critical Role world of Exandria.

 

See, aside from drag, I adore playing Dungeons&Dragons, also known as D&D. I also love live-play D&D shows, particularly Critical Role, a Twitch-streamed D&D series of eight (now nine!) voice actors playing large campaigns of D&D over several years. They’ve grown from a single home game to three full-length campaigns, hundreds of thousands of hours of content, millions of fans around the world, several canonical books detailing the world Dungeon Master Matthew Mercer created, and now an animated series on Amazon Prime. They’re kind of a big deal. And I’m kind of obsessed with them and with D&D as a whole!

So this week’s look was inspired by Opal, the Twice-Crowned from their Exandria Unlimited series, created and played by Aimee Carrero. While it’s not a totally accurate recreation of how Opal appeared in the campaign, it’s my version of her character. And one of my most popular looks, surprisingly enough! 

Into the void

 

 One night

 I dreamt of a void 

When touched, dark blue ripples 

ricocheted outward 

pulsating on my fingertips. 

Flat, alive, and just wide enough

For me to step through. 

 

Opaque ground 

Sprawled out 

Blanketed 

A Blue forest. 

I stepped 

Around ocotillos 

Weaved through 

Joshua Trees 

And listened 

To the buzzing of bees.

 

Forest fades 

And buzzes turn into voices 

Singing of freedom 

From fear 

Their hope 

Echoing and elaborating 

In variations 

The cries of their loved ones

Dead 

Sounds a monody. 

 

In the void 

I find myself 

In a battle royale with my thoughts 

Wondering 

When it would be best 

To emerge

 

 

Evolving Emotions: Regretful “I”

I

Question her lack of

Reciprocation. I made a

Declaration about my

Intentions and yet her dull

Reaction leaves me in my

Emotions. Is further

Action necessary? Or should I stir in my

Ambitions and keep

Caution close to the chest? For the

Duration that I remain

Fixation is all I know.

Rumination about what could have been if I had

Conviction in my speech. What could have been of this

Situation if I had told her? My only

Communication was a pitiful

“I…”.

 

Art Biz with Liz: Sculpting a Block “M”

Lately, I’ve been spending a lot of time in East Quad’s art studios. For my sculpture class, our first assignment was to make a plaster object with some sort of negative space. The guidelines were fairly open-ended and our envisioned projects were left up to our imaginations, but they were to be achieved by cutting foam boards and attaching them together to make a mold that plaster would be poured into.

I made a simple square tile with a block “M” shape, which took longer than I had anticipated given the need to convert measurements and make sharp cuts into foam with an exacto knife. I cut out several duplicate block M shapes and layered them to create a deeper “M.” After hot gluing the Ms together, I wrapped the sides in clear tape for a smoother edge.

This first image shows the mold I made out of foam, hot glue, and tape. Plaster was poured into the mold in liquid form, so I had to ensure that all corners and edges were sealed properly. I brushed the inside of the mold with Vaseline to make it easier to remove from the plaster.

This point of view is actually from the bottom of the original mold. The sides and bottom of the mold were removed, and despite hot gluing the M to the bottom, it pulled apart from being stuck inside the plaster. In the above image, you can see textured lines where the plaster picked up on the Vaseline brush strokes. The inner corners of the M aren’t quite as sharp as the mold was due to yours truly being too generous with the Vaseline (my professor and I were nervous about this part in particular sticking to the mold and breaking off).

It was surprisingly difficult to remove the remaining part of the mold. Carefully using a chisel as a wedge, I was able to pull out the M. In the process, I ended up breaking the foam and separating the layers that made up the mold. In retrospective, I should’ve cut the sides of the foam M on a slight angle to make it easier to pull out of the plaster. This was something I learned from my professor, who had previously expressed concern over how deep my M was and how small the inner corners were. The inside of the M wasn’t as nice as I would’ve hoped, but I’m relieved it didn’t break off completely.

Based on the color, you can tell that the plaster in the previous image is still a little wet. Conversely, it’s notably paler in the picture above. My water to plaster ratio wasn’t perfect (this was my first time trying, after all), so it took a bit longer than it usually would for my piece to dry. Although the texture left by the Vaseline was interesting, I wanted a smoother finish, so I set to work cleaning up the piece by sanding it down once it was dry. I also used a chisel and several other smaller tools to clean up the corners and edges.

Ta-da! I still have some more work to do to clean up the inside of the M, but it turned out okay. I’m not sure what happened with the strip of discoloration in the middle, but that’s okay.

While the finished product isn’t perfect, it was a fun process to create it. I had never worked with plaster prior to this project and am looking forward to doing so again. What do you think? Should I leave my block M as is, or should I paint it? Would you be interested in seeing another one of my art projects?

TOLAROIDS: Take a peak

The general flatness of the Midwest does make me long for the mountains sometimes, and I know I am not the only one. So, take a peak at some previously-seen and unseen mountain photos that made me feel a bit nostalgic this week.