The Kingdom of Tokavsk, Session 6: From an Unsent Letter of a Southern Ambassador to his King

The air here is made of cold.  It breathes with the land and seeps into your bones, and when you take off your furs after being outside the beads of your fingers are yellow-white.  You have to learn to move with the cold lest it takes you, the locals say as they shudder behind layers thinner than my own.  As I write this, warmth and color have returned to my fingers, but they do not have full feeling yet.  I pray that is soon restored.  I know not how they survive in this eternal winter, the people of Tokavsk.  I know not how I will.

Their language and customs flow with the cold.  They have a saying here that he who nurtures winter’s chill will come to find spring in the snow.  This aphorism, I believe, combined with their strange affinity for those lumbering beasts, are what keep them same amidst the bitter winds that strip the tree of their color and the sky of its light.  A gruff courtier poorly learned in Artrudian [the writer’s presumed native tongue] explained this to me in broken lurches of language, but I gathered what I could in knowledge and pieced together what became my interpretation of the sentence above.  I began to observe in the nightly feasts the king held in a dark wooden room to celebrate the first week of my tenure an atmosphere of tenuous warmth clinging to the roast meats on the odd round plates and the braziers on the walls.  Wavering and yellow, it trickled across the dishes with names I know not made from roots and spices that sit pale on the tongue.  There was a hearth cut into the wall on each end of the room lined with stone, as even they know wood loves to burn.  Wood and scraps of food and bone served as fuel for the flames.  This peculiar ritual I learned was called ilskat, the burning of life.

I have already written you about the nature of these feasts, so I will spare you the details a second time.  Rather, I will focus on a particular custom that I should like to emulate.  The men here cover their faces in animal fat, which they say staves off the worst of the cold.  It is an old hunters’ tradition.  I am not sure if this method has credence, but the tenderness of my nose, ears, and cheeks each time I venture beyond the walls is sufficient to compel me to try.  I aim to ask a fellow named Vasel tomorrow through my interpreter.  Vasel is quick to ensure my needs are met.

Industrious Illustrating #18 – Ten Thousand Buddhas

Hello again to another week of Industrious Illustrating!

Last week I tabled at Youmacon with my tablemate Ria, another STAMPS student. My half of the booth was on the left, while hers was on the right. I blocked out everyone’s faces in the below picture to preserve their privacy.

By the end of the weekend, both of us had recouped all of our production costs as well as the cost of the table spot, and we’d made several hundred dollars in profit on top of that. Our total revenue was somewhere in the low four figures range split between the two of us. While we don’t plan on splitting a table again because we could both use the full 8′ table for our displays, we’re both hoping to apply to Youmacon again and table next year if possible!

Anyway, while I’m currently trying to keep up with a deluge of work and deadlines before Thanksgiving Break, I took some time last night to make a quick painted study of a photograph I took at the Ten Thousand Buddhas Monastery in Hong Kong this past summer. I focused on describing the value relationships and lighting as quickly and efficiently as possible rather than letting myself get mired in the details. Hopefully I can find more time to make these studies so that I can brush up on my painting skills and build up a better visual library in my head.

Good luck to everyone working on exams and projects close to the end of the semester, and see you again next week!

S2 Scribble #6: Transmission

“Well, I could call out when the going gets tough.”

This blog is a little different than my usual material, but to me, it’s an exciting change: this post is an ode to music, specifically live music. After spending a weeknight in Hamtramck at a concert for one of my favorite bands, Vision Video, I once again realized just how much of a hold and positive influence that live music has on me. 

“The things that we’ve learnt are no longer enough.”

Although Transmission is a song by Joy Division and not Vision Video, Vision Video played it as one of their final songs of the show (and has included a cover of it on their new record). Being there with my best friend and fellow Joy Division and Vision Video enthusiast added to the experience of hearing a cover of a song we love be played live by a band we adore. Dusty, the lead singer of Vision Video, told the audience that someone once told him to never end live sets with covers. The person who said that clearly did not see the joy that this cover brought to me and my friend – it was one of the first songs we sang and danced to together on a night out over a year ago and it was great to be able to do so again.

“No language, just sound, that’s all we need know.”

After a stressful and overwhelming few weeks, a night spent with my best friend experiencing one of my favorite bands perform live was exactly what I needed. That’s why I started this blog series in the first place: music understands and music heals. Thank you Vision Video for an amazing and revitalizing night! 

“To synchronize love to the beat of the show, and we could dance, dance, dance, dance, dance, dance, to the radio.”

Listen to Transmission by Joy Division here: https://www.youtube.com/watch?v=6jXyZFOkwjQ

Listen to Vision Video’s cover here: https://www.youtube.com/watch?v=rOnL-P1_ctQ