The Indian Artist, Revamped: The Festival of Lights!

Good evening everyone! Happy Diwali!

I hope that you all are well. I thought that I would bring back on of my old posts. Today is Diwali, The Festival of Lights, and beautiful and important Indian holiday. For new readers and old, I wanted to tell the fun story behind this incredible tradition.

Diwali is one of the most important festivals in Hindu culture and symbolizes the victory of light over darkness, power of good over evil, and knowledge over ignorance. During times of Diwali, families adorn and clean their houses, decorating it with beautiful flowers and ornaments. On the days leading up to the holiday and the day of, the entire home is lit up with candles and diyasDiyas are small oil lamps that are generally made from clay. The wicks are made out of cotton and fueled by some type of oil or ghee. These Diyas or oil lamps are lit for deities and to bring light to the house and ward off any darkness. Another part of custom adornment is something called rangoli, a personal favorite of mine. Rangoli is created from either chalk or pigmented powders and used to create beautiful designs on pavements as well as home entrances.

The lighting of candles and oil lamps is a welcome to the Goddess of Fortune and Prosperity, Lakshmi. It lights a path, welcoming her into blessing the home with good fortune, prosperity, and health. The holiday celebrates new beginnings and the start of the Indian fiscal year.

The story of Diwali is long and well-loved. Diwali is said to be the commemoration of the return of Lord Rama and his wife Sita (Reincarnation of Goddess Lakshmi) and brother from a 14-year exile into the forest. While on their exile, Sita is taken by the demon Ravana. Lord Rama and his brother travel with an army of monkeys far and wide, eventually conquering Ravana and bringing Sita back home. Lord Rama’s return to his home kingdom is celebrated by a festival from the townspeople that last for days with music, food, singing, and dancing. From then onwards, this festival came to be known as Diwali. The day Lord Rama returned home with Goddess Lakshmi (Sita).

This piece titled The Festival of Lights is a small depiction of Diwali and the beautiful tradition that it represents. The hands are covered in henna holding a diya lamp. The entire piece is done in colored pencil and was done early on when I started using my culture and upbringing as a topic of my art. For me, Diwali has always been a beautiful time of the year. Family and friends come together and we all sit around enjoying each other’s company and laughter. Eating delicious food and Indian cuisine, praying for one another’s health, prosperity, and happiness, we all forget the daily mundane troubles for a moment and lose ourselves in mutual companionship and love.

Once again, Happy Diwali to you all. I wish you all good fortune, positivity, and prosperity for the year to come! Please let me know if there is anything you all would like to see from me. If any questions or thoughts arise, please comment or reach out to me at my socials!

 

Until next week,

Riya

 

Instagram: @riya_aggarwal.art

Portfolio: https://theindianartist.weebly.com/

Chroma #2

Hey, everyone! It’s almost Halloween weekend, so I hope everyone’s excited and has their costumes ready. I’m here with another post for my series, Chroma, where I generate a random color palette each week and create an illustration based off of it. This week, the palette for my illustration was very bright and colorful, which are some of my favorite works to do. I especially love combining bright colors with black or darker/more neutral colors, which I tried to do with the woman and her dress.

I’m happy with how this one turned out, which you may be able to tell by the way I set it as my weekly header! I think the colorfulness of the background captures the vibrancy I’m using in this series. Again, I’ve been trying to do more backgrounds recently, and although it was repetitive to draw so many different bottles/jars, I liked to see it all come together.

A Day In Our Lives: Diag Squirrels

Hello everyone! My name is Marissa. This is my first post of many to come, and I am so excited to share with you all! 

I think that the squirrels on the Diag are always a positive part of my day and I like to imagine their lives. This series will touch on a lot of different aspects of living on campus or in Ann Arbor but I wanted to start with these cuties! They are a huge part of the culture here on campus and everyone seems to love them. One time, I had a baby squirrel hop on my feet! I grew up here in Michigan and nature has always been a big part of my life. I love all of the fall colors here in Ann Arbor and I’m ready to see what else I can incorporate into my art. 

Evolving Emotions: Fear- Short Story

Trigger warning: Strong language, mild gore, horror theme

The Man

“Get out of here, asshole!” 

“Screw you, Stace,” Cole spits, pushing up from the couch. Stacy shoves his back, causing him to jerk forward as he stands. Stacy’s complexion is unmoving, with hot rage steaming beneath. Whether it be in spite of the absurdity of the argument or the embarrassment he feels, Cole gestures with his middle finger, boldly displaying it before disappearing up the basement steps. 

Cole’s palms slam against the door, causing the tattered screen to bounce before settling in its original position. Standing on the porch, Cole shakes his hands at his sides, hoping to reduce the sting. Before heading out, he checks his watch: 7:00 pm.

The block is illuminated by a soft, warm glow, characteristic of picturesque summer evenings. The delicate breeze and pinkish sky evoke a sense of calm in those traversing the patchy sidewalks, apart from Cole. 

As he grumbles toward home, his scowl deepens into a defiant squint. He holds a hand to his forehead to take in the view. At the tree line lingers an impatient August sun, barely holding onto the sky, wishing for dark winter nights. Its light pours between each pine needle on every tree, producing beams that project onto homes bordering the street.

Cheerful people cross Cole’s path, accelerating his fury. They amble without intention or direction for the sole purpose of breathing in the evening air. One such passerby approaches Cole from a great distance. As he gets closer, a white cane comes into view. It passes the pavement like a pendulum, sweeping back and forth. The man looks to be in his late sixties. His face is worn and tired with age, accompanied by browning age spots. His white hair is intact but thinning and almost the texture of cotton. His walk is a hunched shuffle, slow and effortful. 

As the man approaches, a chill runs down Cole’s back, causing his hair to stand atop his skin. The clicking of the cane crescendos as the man reaches him. Despite wanting to look away from the man, Cole finds he cannot. He is by no means a sight to behold but remains inexplicably captivating. 

The man is a few feet away, still sweeping the ground with his cane. “Boy,” the man calls, “I am looking for Empyrean Drive. Do you know where I can find it?”

Cole blurts, “Can you really look for it? You seem pretty blind to me, old man.” 

The corners of the man’s mouth contort into a smile.

Despite the warmth of the sun still hanging in the sky, a cool breeze rushes past them both. Cole shivers, and abruptly, a realization overwhelms him: “If he is blind, how did he know I was here?” Cole looks back at the man to find his features strangely distorted. Up close, the man’s face is almost skeletal. Defined curves and jagged edges make up his emaciated aspect. Cole’s stomach twists as he observes the man’s sunken eyes. The skin surrounding them is scarce, giving the eyes an unnaturally placed appearance as if foreign to the face. The eyes themselves are large and oddly round. Grey hues swirl in spiraling patterns around obsidian centers. Each eye is thickly glazed over, yet the blackness deepens, and the pupils dilate the longer Cole stares. 

“Do you know where I can find it?” the man happily asks once more.

Unable to speak, Cole continues in his perusal of the eyes.

As he does so, shadows creep onto the man’s flesh, shrouding his skeletal appearance. 

Finally, Cole draws his gaze away and looks to his feet, now disguised in the black of night.

Cole rubs his arms with clammy palms, attempting to soothe himself. “Look man,” he finally starts, “I’ve never heard of that street and I really need to get home.”

With that, Cole begins walking, which soon evolves into a frantic jog. 

After passing two blocks, he stops, sucking in shuddering breaths. “Shit, that guy was weird,” he declares to himself. Lifting his head, he observes that the sun has set prematurely. “Also weird.” Cole reads his watch: 7:05 pm.

“What the hell? It’s only been five minutes? Is this thing broken or something?”

Two clicks. Cole whirls around. Two more clicks. The darkness is thick, the stars and moon dulling fast. Squinting, he finds the man. 

“Stacy is very upset with you, boy.” 

“Fuck you, man! What is your deal?” Not wasting any more time, Cole sprints, scraping the pavement with the soles of his shoes. 

Click. Click. Click. The noise is in Cole’s ears, growing louder than his breath. 

Click. Click. Click. It gnaws its way through his ears to his brain. The sidewalk is enveloped in pitch black. Each step is taken only by faith. 

As Cole sprints, he can’t help but question, “Where is everybody? The street lamps? The moon? Anything?”

“Do you know where I can find it, boy?” The question arrives, conveyed through the air by the clicking echoes.

Up ahead, a single street lamp remains, illuminating Cole’s home. Not stopping, Cole rushes to the door. He gasps in relief as he locates the key in his pocket. His hands shake violently, making it near impossible to push the key into the lock. With a succinct click, he twists the door handle, pulls upon the door, and slams it shut.

Cole is greeted by solitary darkness. The blackness consumes his wood-floored hallway, the kitchen table, and everything else. A pang of panic rushes through his fingertips as he reaches beside the door. There is no light switch. Vigorously brushing his hands along the wall, he feels nothing.

Hopeless, he presses his back to the door. His forceful pants slow to trembling, shallow breaths. As he sinks to the floor, he realizes that the tapping has ceased. Now enveloped in strange darkness, he cannot see his hands squarely in front of him. 

Something knocks into the door. The walking stick. “Let me in, Cole.”

“GO AWAY!” Cole screams, fear ripping at his throat. “Go away, go away, go away,” he mutters incomprehensibly.  

“Do you know where I can find it?” The man’s voice is lower than before. “Do you know where?”

“Please go away,” Cole whispers through pleading sobs. Despite the blackness of the room, he squeezes his eyes shut. 

“I know you’ve seen it,” he says in a distorted, otherworldly tone.

“Seen what?” Cole asks, gasping for breath. 

“Cole. Let me in, Cole. Let me see you.” 

Upon that last word, a violent pain rips at Cole’s eyes. He gasps and clutches at his eyes. It is as if they were set ablaze by hell’s fire. The scorching compels agonizing screams and pleas for mercy. Each optical nerve twists and tugs under immense strain. Cole rocks back and forth before getting on all fours, face pressed to the floor. Then, everything stops. The pain disappears, although the panic lingers.

Cole opens his eyes. “It’s over,” he thinks, as something trickles down his cheek, seeping into his mouth. It is vile and metallic. “Oh, God,” he cries. All is black. No figure, shape, or object, not even the floor or street lamp outside, is visible. The void is all that is left. The viscous blood continues to flow from his eyes as Cole’s breathing diminishes. Finally, he slumps to the ground.

“Thank you, Cole.”

 

Industrious Illustrating #15 – Flamechaser

Hello again! It’s almost November already, and yet I still haven’t finished posting about what I made over the summer.

Starting from earlier this year, I’ve been working alongside a team of other UMich students to make an anime-style visual novel called “Flamechaser” about lesbians piloting giant robots in space and uncovering a deeper conspiracy lurking in the shadows. We released a demo of our minimum viable product earlier this month on itch.io, and we’re planning on releasing the full game on both itch.io and Steam in the spring of 2023!

I hand-drew all of the mech and character sprites, as well as designing the logo and painting all of the background art. There’s another artist on the project helping with cleanup/flat colors/graphic design/some of the character designs, but otherwise the majority of the art can be credited to me. I feel extremely lucky that I’m getting the opportunity to work on this project alongside some really talented people, and I’m going to put in my best effort to make this visual novel a brief yet enjoyable experience for its readers!

Here is the current main title page featuring all of the main characters:

Here is a promotional poster design I drew to celebrate the release of the Minimum Viable Product earlier this month:

Here’s a few select screenshots from the game’s most recent build:

If you’re interested in following along with the game’s development, be sure to check out our newest builds and updates on our itch page and our Twitter:
https://jarojakd.itch.io/flamechaser

Now it’s time for me to get back to working on making new prints and managing my inventory before Youmacon happens in two weeks… See you guys next week for the next post!