Reshaping the Shackles on Banned Books

Nigel Poor, a visiting artist residing at Alice Lloyd Hall, has inspired a great movement in the arts over the past week. She has introduced a new form of social-redemption in literature, which reworks censored material into a more liberated state. This banned book project has been incorporated into the community of Alice Lloyd, allowing students to take part in reshaping novels into new pieces of art.

Whether it be torching a copy of Fahrenheit 451 or separating black-and-white pages from The Adventures of Huckleberry Finn, the process of recreating these books more powerfully captivates the original spirit of the work itself. Especially now in the information age, when physical books often go extinct for the more suitable online medium, the power of paper in a work is an attempt at reviving the spirit of physicality available in books. There is something about bookstores and libraries that is intrinsically pleasing in real life, as opposed to the digital medium. One can argue the aesthetic value of actually seeing the sheer volume of information available in a bound piece. When this body, this container for the substance within, is minimized to the visually unsubstantial work on a computer screen or digital reader, something is lost within the book. It is like a person being transformed into digital material, like on Facebook or Twitter or any other form of social media. The ideas—the spirit—of the person remains, as they can write their mind and demonstrate the thoughts swimming within via pictures and art and music and all these great things, but the container, the body, is not transferred. Therefore, it is not the same. We crave to meet people in person; which is why we still have interviews and keep restaurants and social gathering places in business. The body, our container, affects the content. Be it from body language or outward expressions of our personality—hairstyle, skin color, piercings, etc—our physical form has an effect on the thoughts within. This is what the banned book project plays upon.

The paper books themselves were not the things that were banned, it was the ideas within. However, in order to truly demonstrate the power of those ideas, text is not entirely captivating. While we can write about the struggle and ignorance of censorship and topics of controversy for hours, the physical art form is what embodies a deeper meaning, which can withdraw personal emotion and insights from the viewer and give off something the banned books were once unable to give—inspiration and revelation.

They embody the power of the written word in a new shape, and provide a growing deviant of inspiration unachievable by simply the text itself. It gives new life to these formerly shackled pieces. It frees the book.

This project is currently on display at the University of Michigan’s North Quad, Room 2435, through December 8, 2012. In the spirit of this post, I encourage you to view them in real life. The pictures do not give them justice.

America, America!

With all the fury and fervor surrounding the Presidential election, particularly Tuesday’s momentous win for Barack Obama, I cannot help but have politics on the brain. The notion of patriotic art, however, is one I try to refrain from. Trust me, I love nothing more than artwork that conveys a political message of sorts (my passion for art began with Britain’s YBA who are infamous for their outlandish and provocative art). But artwork that displays a spirited passion for America?  That’s something I could pass on.

Or so I thought. I then remember Jasper Johns and his incredible flag paintings – combinations of oil paints, encaustic, collage and fabric. The works are stunning – in initial viewing they appear as mere depictions of the American flag, but further musing reveals the mastery and technique of Johns. The work below, titled Flag, is on view at New York’s Museum of Modern Art. The painting was created in 1955 and is 42 by 60 inches, approximately. Beneath the paint are glimmers of the newspaper that Johns used as part of his artistic process – newspaper that forever acts as a time capsule – an unadulterated portal into the past.

While the flag itself is beautiful, I am most enchanted by the technique of Johns – the duality and complexity inherent in the work and the value of the newspaper acting as a barometer of the time when the work was completed. The work may be visually appealing, but I think there’s nothing cooler than a work of art that reveals a slice of history – especially a slice so pristine as newspaper clippings.

The Politics of Appreciation

So it’s the day of the election, which means that I’m going to be spending a long night staring at my computer screen refreshing Huffington Post and probably spending too much money on comfort foods and possibly ordering pizza house. But y’know. That’s pretty much every Tuesday night for me, except for that election part.

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The one thing that really makes me feel so strange about the election is how ridiculously unifying it is. I mean, to be totally fair it’s not unifying at all, but consider for a second that most everyone in the country has something to say about two men. There are two men out there right now that are being talked about more than anything else. You say the word “Romney” or “Obama” and it feels like you are speaking a raindrop that has traveled halfway across the world to fall upon your tongue. You know these men. You probably don’t know them, but you do. You have judgements on their character, on their opinions, and probably know at least something about their respective dogs.

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It strikes me sometimes that the world is global and that the butterfly effect is real. It strikes me sometimes that I am a person within an ecosystem within an ecosystem within a way of life within the world and I have a part in this reality. It’s a tremendous honor to be a human being and be where I am now, but it is a tremendous responsibility. It’s in many ways the honor I feel as an artist. I’m called to be something that is hugely important, to be a person that expresses and comments and keeps check on and celebrates and frightens and learns and cries. It’s an incredible responsibility. It’s an incredible task.

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I hope the election goes the way I want it to, but if it doesn’t, the world will keep flying through space and turning and turning and turning. Four years will pass and I will experience this strange awareness again, this odd overwhelming mix of duty, awe, and being totally overwhelmed. I’m proud to have taken part in America’s democratic process and I think that’s a pretty incredible feeling. I also think it’s worth taking note of the huge sphere of influence this election has over our lives. Not in the policy that comes from it, but from the social influence of campaigns and partisanship. I don’t know if I like that influence but I don’t really know if I like the influence that my stress eating habits have over my life, either. But so it goes. Another day, more food, more music, more life.

The Fix

It’s a drug. It may not be marijuana or ecstasy or moonrocks acid Robitussin heroin meth, but it is most definitely a drug. You can’t buy it on the street; you can’t put it in your pocket. You can’t eat, snort, smell, shoot, or smoke it. You can’t pass it in a circle or offer some to your friends. You can’t even touch it. But when it starts, there’s no stopping it. It’s the taste that gets you going. The want need desire to find more. But I couldn’t even tell you where to find it if I tried.

Walking down the streets, no one knows your secret. You think about it on your way to class, watching the slide change and change, lights flashing, numbers words and pictures constantly written, but this never stops the need for a fix. The thing itself is innocuous, enjoyable when consumed in moderation. That’s how it is for most, anyway. A healthy dosage can be enough to make you satisfied. Enough so that you don’t have to get out of your seat during class because the thought of sitting in class while you learn about price points and net present value isn’t too much for you to handle while thinking about it. Enough so that you don’t miss the punch line to the joke your friend tells you on the walk home, or that you don’t have to re-read that page another five times to understand that it’s just a housing contract.

In most cases, you’re fine. It’s when you have the taste of that one type that sets you off. It’s different for everyone, which is what makes it so potent. Even if I tried to let you have a taste of mine, you wouldn’t understand. A drug so powerful that it changes your life. Ideals that you once held are now turned upside down inside out and thrown across the yard. The approach to your goals that you’ve stuck with forever are suddenly reevaluated. Then it becomes what you think, smell, taste, dance, carry with you everywhere and always because you can’t get enough. The all consuming nature can be tragically euphoric. Your whole world is changed. Colors brighter and darker at the same time, music playing to the beat of the influence. People staring because they don’t understand but it doesn’t even matter because what matters is that you have it.

It’s everywhere, in the air, water, sunlight, laughter and tears. It’s the drive from the tragedy you just witnessed, the inspiration for a life changing endeavor, the song that made you understand why they did that to you. It’s in everyone, but its finding that one spec out of a million that makes the change. It’s an unexplained desire to be consumed by it, and devote every waking moment you have to making sure that you have more of it ; live it ; breath it; taste smell and feel it between your fingers.

Have you found yours?

Remakes: Cultural Re-iterations for Make Benefit of America

With Baz Luhrman’s new adaption of The Great Gatsby due in May, I got to thinking about the notion of the filmic remake and why Hollywood seems to be so saturated with things of the past that it tries to polish and transform into things of the future.

If I am honest, most times I see that a film is being remade, I roll my eyes and ask why Hollywood didn’t just get it right the first time?

But the other day in my British Romantic Poetry class (which is a lot more intense than it sounds, believe or not), my professor told us that the role of the poet was not to invent new truth, but rather to create a new iteration of truth that resonates with modern cultures.

And isn’t that what a remake is?  A new, culturally resonant iteration of old truths?  As I sat in class, my former negative views towards remakes began to fade away.  Although many remakes fail to be half as good as the original, I thought I’d highlight some that in my opinion are better.

1. Ben Hur (1959)

While, in my opinion, any talkie is going to be better than its silent counterpart, this contribution by Cecile B. Demille highlights the best of the best in the Golden Age of Hollywood and especially Hollywood ‘Sword and Sandal’ films.

2. Ocean’s Eleven (2001)

After viewing several of his films, I would say that I have definitely acquired a taste for Steven Soderbergh.  If you haven’t seen any of his work (he’s also known for ‘J.Lo’ and most recently the surprisingly dark and gritty ‘Magic Mike’) the Ocean’s franchise is probably his most accessible to date.  Like many of his other films, it is very self-contained, non-meta, and visually seamless.

Okay, Soderbergh gushing over.  The reason I think this film improves upon the original, is that it creates its own self-contained team dynamic, whereas the original relied upon an extra-textual dynamic of the Rat Pack franchise.


3. Pride and Prejudice (The 1995 Version with Colin Firth in the best wet T-shirt scene in history)

Yes, this film was re-made ten years later with Keira Knightley (which seems waaaay too soon in terms of cultural updating.  Honestly, how much do British period films change in ten years?).  However, much like the upcoming Hobbit re-boot, this film is very, very long and its length does justice to its source material.  There is also a simplicity to this version that I find refreshing.  While I am a HUGE Keira Knightley fan (Is there a film that she doesn’t look stunningly gorgeous in?) I found that the story was second banana to the Keira Knightley brand, the great score, and the stunning visuals.  I was less focused on the story/characters and very aware of the fact that I was watching a film.

4. Romeo + Juliet (1996)

Talk about cultural relevance.  This film took something that I don’t think had been culturally updated for five hundred years and gave it Hawaiian shirts, love at first sight through the fish tank, and 9mm ‘broadswords’ that could do more damage than any stage weapon ever could.  Good move, Baz Luhrman.  I am looking forward to every film you ever make (and commercials too).

5. Hairspray (2007)

A vast improvement upon the original film (although the 2006 version was more of a Broadway-to-Cinema adaption.  In terms of directors, it moved from Jon Waters to Adam Shankman.  In other words, the story moved in terms of cultural appropriateness, from ‘Pink Flamingos’ to ‘A Walk to Remember’.  I think this was a turn in the right direction.

Did you know these were adapted?

1. O Brother Where Art Thou? (Homer’s Odyssey)

2. West Side Story (Shakespeare’s Romeo and Juliet)

3.  Clueless (Jane Austen’s Emma)

4. The Lion King (Shakespeare’s Hamlet)

5. Strange Brew (Shakespeare’s Macbeth)

When The Road Gets Rough, Make Good Art

As I sat on my rock-hard dorm bed, completely unmotivated to continue on with what I needed to do (homework, homework, and more homework), I came across a comic strip whilst I surfed the Internet. It was titled Make Good Art. It gives off the message that when you are struggling with something difficult in your life, art can be used as inspiration to propel you to do something positive with the negative situation.

I thought about my negative situation: not receiving my new phone in the mail and having to wait another two weeks for it (I know can you spell materialistic and doesn’t matter?). But granted, I’ve been putting all of my anticipation and happiness in receiving this one electronic item, and to my great disappointment it’s going to take longer for it to come. Then, as the tears began to stream down (a little exaggeration, but hey), I mustered up enough energy to read this strip, and suddenly I was enlightened by my situation.

After seeing this comic strip I was really able to put into perspective, not only the good that I have in my life, but also the positivity that art can bring to any bad experience. After this realization my spirits were lifted. I became more willing to be productive and more inspired by the outcome. Not completely saying I jumped right into my mountain of homework with enthusiasm, but I did wipe away the dramatic tears, and I was able to find the vast opportunities that could busy me as I awaited my beloved phone.

Comic Strip credited to Neil Gaiman from zenpencils.com