OTM #27: Reminiscing

There’s always something odd about revisiting media you liked in middle school. I picked up reading “Homestuck” for the first time in about eight years, and I almost felt the puberty-acne reforming across my face. My mind and body transported to my middle school’s halls, where I would scramble to my locker in-between classes to secretly read just one more page on my phone. As I read, I could even smell the notebook paper I’d draw the characters on as a kid. I have so closely tied this webcomic with every scent, sight, and feeling of uncomfortable adolescence, but despite this discomfort, I was glued to the screen as I reread it. I found myself recontextualizing, finding a way to integrate it into my adult life instead of sulking in the past. Homestuck is just as fun as when I was younger, it turns out. I felt my consciousness transporting into some plane transcending space and time, chatting with my younger self and saying, “Hey, you actually have good taste, and that’s really shocking because all I can remember about you is how sad and cringeworthy you were.” I learned to appreciate that younger Katelyn a bit more. Media has helped me through a lot, and I’m grateful that I’m able to look back and see how much I’ve grown via this silly webcomic. Have a good week everyone!

A Day In Our Lives #20

Hey guys,
Everyone can agree that the second semester of the year is always the hardest. It always feels much more stressful and gloomy with the snow and cloudy weather. I am super looking forward to spring in Ann Arbor! Right about now is midterms, so good luck everyone! This is a time of studying and taking care of yourself. This semester has seemed like it is flying by. I just recently got Hogwarts Legacy and I am really liking the cute library study vibes. That made me want to include the big window behind the subject in my drawing.  I liked creating the books to place all around her. To do this I created a bunch of books individually, and then decided which ones I liked the most. I then stacked them on top of one another, and copied and pasted the entire unit throughout the drawing.

See you next week!

Marissa 

A Day In Our Lives #19

Hey guys,
This week I’m uploading an illustration that I had started for a zine that was accepting submissions here on campus. With my busy schedule, it was really difficult to meet the deadline and I was unable to enter, however, I felt like it was a good opportunity to work on my digital illustration skills.  I think that it could have ended up as a pretty cool submission. It is important for an artist, especially a college student, to have good time management. I draw digitally on my iPad using procreate. I hope everyone is having a good spring break!!
See you next week,
Marissa 

Letters by Lydia: Faux Calligraphy

Welcome back to another post! Today is all about faux calligraphy, so let’s start by explaining what that even is.

Faux calligraphy got its name by, as you might have guessed, being a sort of “fake” form of calligraphy.  Where traditional calligraphy uses a brush pen to get those thin upstrokes and thin downstrokes, faux calligraphy allows you to get the same technique with a regular old pen (or, really, any sort of pencil, marker, etc that creates a standard line).

In this example, the top version is regular calligraphy with a brush pen, while the bottom version is faux calligraphy using a marker with a bullet tip.

So how does this work? It’s actually pretty simple, which is why a lot of people, especially beginners, prefer it over traditional calligraphy.  A lot of beginners also use it as a gateway into traditional calligraphy, because it uses the same principles without requiring the technique involved in using a brush pen.

To start, you can just write whatever word/letter/phrase you have in mind.  This can be in cursive, or in print, whatever you prefer!  The next step is the key: you need to identify all the downstrokes. In the example below, I showed where the downstrokes are on the cursive letter “a”, but if you want a more comprehensive guide, I have a few other blog posts about handlettering basics that should help you out!  Once you identify where all the downstrokes are, you simply make those lines thicker, whether by drawing an outline and filling it in like I did, or by just adding a few extra lines around it.

Find the downstrokes, outline them, and fill them in 🙂
Here’s a little alphabet guide to help if you’re struggling with the downstrokes, too

Once you’ve got the basics down, this another style where there are a lot of fun variations to play around with. I included some of my favorites below, to show that you can do this with cursive or print, vary the thickness of the downstrokes, bring in color, etc. With the “lazy” and “hard” styles, the lazy one is just what you’ve been doing already (it isn’t lazy, it’s just easier than the hard version). The “hard” version is where you kind of map the downstrokes out in your mind ahead of time so that the lines don’t intersect and downstrokes remain solid white. This takes some practice to get the spacing right, which is why I called it the hard version, but it’s definitely not impossible and can be really fun to practice!

I hope you enjoy trying out a new style, or at least learning about it, and for all the umich students out there, have a great spring break!

OTM #26: Caffeinated

Walking is one of my favorite things. I just got over having COVID this past week, and I think an extremely long walk was exactly what my body needed after the long rest period. I wasn’t that eager to walk in the first place, but sometimes coffee just has an insane effect on me – I think it’s funny how things in our bodies can change so quickly just because of different substances. I was shaking even after the walk, my body tired and asking me to lay down yet simultaneously twitching and shaking with vibrant energy. Despite that dissonant discomfort, it felt good in a way. It is grounding to feel my body at work, to gain awareness of my internal systems reacting to what I’ve fed them. After a week of illness, it felt like I was being Frankensteined back to life. It felt good to be out in nature, moving my limbs back and forth, back and forth. This week, it feels particularly good to be human. I hope you’re all hanging in there with midterms and looking forward to break!

Letters by Lydia: Ribbon Lettering

Welcome back to Letters by Lydia! This week I’m gonna give you all a rundown of something called ribbon lettering, which looks a little something like this (you might recognize that last picture from last week!):

In my opinion, the easiest way to do ribbon lettering is to use something most you probably already have: a highlighter. My personal favorites are the zebra mildliners, but any old highlighter with a chisel tip like this will do! When it comes to actually using this technique, the first thing you need to do is make sure you’re holding the highlighter the right way.  Instead of holding it like you would to highlight a something, where it draws a thick line horizontally, you want it to be the opposite way; once you’ve rotated your pen so you’re holding it correctly, it will draw a thin horizontal line and a thick vertical line.  Then you can start writing!  You want to keep your pen oriented that same way the whole time, because that’s what will give you this kind of 3D/layered ribbon effect. Another tip is to keep your strokes simple, especially when you’re first starting out. For example, instead of writing a lowercase “a” like you would in your normal handwriting, it might be easier to write it as a circle connected to a vertical line.

Satin Ribbons | Paper SourceThe next step is figuring out the “layers”, so to speak. For this part, it’s super helpful to think of what an actual ribbon would look like.  In this photo I got from the Papersource website, you get a really good sense of what I mean by the layers of the ribbon.When trying to figure this out with your own letters, you want to look for junctions where there’s some overlap, which I tried to illustrate in the diagrams below.  For ribbon lettering, there are a ton of options in terms of style, so you can either outline the sections of each letter, color in the “shadowy” parts, or do both!  I showed both examples so you can get a sense of how they each work.

Once you feel comfortable with that, you’re pretty much good to go! This is definitely one of those things that gets easier with practice. I love doing this kind of lettering because it’s very formulaic and reliable, so it’s nice to use for notes headings or things like that, as well as some mind-numbing doodling. That said, there are a lot of options to spice it up!  I illustrated a few below–as you can see, you can do this by just outlining the sections, or coloring in the shadowy parts, or both, like I mentioned before.  But you can also do this in cursive or in print, outline and color in the shadows with the same color, a different color from your base, or a different color entirely.  The options are really fun to play around with, so once you get the basics of it, enjoy playing around with all the different options!

Hopefully this was educational and made at least some sense! Please feel free to leave any other questions you have, and have a lovely week!