Tonight’s choice of organ music was none other than “Over the Rainbow,” from the Wizard of Oz, a fitting tune considering featured guest Athi-Patra Ruga recently put on a show of the same name. Ruga framed his lecture by talking about self-made superheroes, these characters or rather, avatars, that he has both created and embodied to deal with past traumas. These figures have become the central focus of all his varied artistic ventures throughout the years.
One of the very first avatars he created was “Miss Congo,” who he describes as a “club kid.” At this time he took up tapestry work, saying that he would prefer to define his own fate, and his own story, rather than let others do so for him. In particular he wanted to explore the way that black women have been portrayed at art.
The next character he explored was “Injibhabha,” which translates from his native language of Xhosa into alopecia, or hair-loss, in English. This character was created directly in response to a specific incident that occurred in his life. Ruga had been in Switzerland when he saw a poster featuring cartoon white sheep kicking a cartoon black sheep out of the country, with the message promoting “cleaning up” the country by forcing immigrants out of the country. He had built up in his mind Switzerland as a kind of utopian space, but in this moment it all came crashing down. He did a piece of performance art in which he dressed up as this avatar by sewing together an outfit of “costume afros,” and entering a pen of white sheep. He continued to experiment with this avatar for a while, and some of the photos he took at this time of Injibhabha are placed below.
The next character he began exploring was “Beiruth,” which was made in response to a news story covering a South African woman that had been attacked by a man in a taxi for simply wearing a miniskirt. Beiruth was meant to be hyper sexualized, and create an immediate reaction in those that come across her. However, eventually the weight of these issues began to wear on him, and so he “killed off” both of these characters with a dramatic photo of Beiruth standing in front of the crashing waves.
His next major avatar was “Ilullwane,” which refers to a bat, or in the context of his culture, a boy who goes to circumcision school as a rite of passage. Many young boys would die because of infection and ill treatment during this process, and those who leave the program would have to face heavy social stigma. He wanted to create a “superhero” that would provide inspiration for these young boys. This idea led to several other interesting works. One of which being, “The Body in Question.” He showed the video below during the presentation.
With this series he hoped to raise awareness about transgender rights. One of his more elaborate works with the avatar of Ilullwane involved a performance act in an Olympic-sized swimming pool and 12 synchronized swimmers. The photo gallery below shows just some of the images from that performance.
The most recent of his series is “The Future White Women of Azania.” Azania is a word used to reference the East African coast line since at least 14 AD among the Greeks. The major motif of this series is Ruga’s body entirely covered in balloons, and by popping these balloons he is “shedding his identity.” This project is ongoing, and he continues to find new ways to explore this series, already producing everything from sculpture to photography to textiles.
The presentation ended with the premier of Ruga’s new video, “Queens In Exile,” which marks the start of yet another character. The video started out with Ruga dressed as a queen, with extravagant jewels and costuming. The video took us through several distinctive sections before ending with the shot you see below. You can see a clip of the video, and hopefully eventually the full video on Ruga’s Facebook page. https://www.facebook.com/AthiPatraRuga/
I also got a chance to attend the Q&A session immediately following the presentation. Nearly every lecture has a Q&A session, and I’ve always found them to be tremendously enriching. This time Ruga discussed in further depth his thoughts on the recent US election, the current trend towards conservatism globally, his process for getting into character, and the influence the internet has had on his life and work.
The Stamps Speaker Series is held every Thursday at 5:10 PM at the Michigan Theater. There are only two more presentations this semester, but the series will pick right back up next semester.
as a proposal and reimagining of existing locations, as a documentation of the sculptural work that she does, and as an element within the sculptures themselves. Her current work is focused on several ideas, such as reimagining and making a statement on public food, transforming industrial equipment into sculptural ecosystems and exploring our relationships with objects.
about the background behind these objects that we study. In particular, she became drawn to cobalt, which is not only use to produce beautiful blue pigments, but is also used in defense technology and green energy. The state of Michigan has ties to cobalt as we house one of the country’s few cobalt mines. She ended the lecture on this note, ending a few minutes early due to the events of the prior day.
