REVIEW: Broadway Comes Home

Our Women’s Glee Club president snagged free tickets for a few of us to go to the “Broadway Comes Home” concert Friday night, featuring Michigan alumni that have made it on Broadway. All I had to hear was Broadway, Gavin Creel, and free to nearly tackle our president, Allison, for a ticket to the show.

Rackham was lit up pink for the “walk the pink carpet” theme of the event. Fabulously dressed men took our pictures as we filed in and awkwardly avoided their lenses. Allison said it was formal attire required, so I felt especially classy in my slacks, boot, lacey top, and pearls. A man seated behind me was slightly classier, however, rocking a cocktail dress, heels, and sequined purse.

The event was dedicated to celebrating the 40th anniversary of the Spectrum Center. The Spectrum Center is an organization on campus that actively supports the LGBTQ community in Ann Arbor, offering guidance and support in a safe and welcoming environment. Interspersed between performances, many active members in the LGBTQ community spoke about their experiences and how the Spectrum Center has influenced them. It was possibly the most inspiring part of the evening. I heard how so many people have been impacted by the Spectrum Center and motivated with the knowledge that “it gets better.” The speakers, including our past student body president Chris Armstrong, were incredibly uplifting, spreading love, strength, and pride. The messages were universal, and I doubt there was a single person in the audience who walked away uninspired.

The musical performances, as my initial reason for coming, were just as inspiring. Gavin Creel, tony-nominated Broadway star, recruited several other Michigan alumni to accompany him in performing at this event. Creel was absolutely amazing and kicked the evening off to an outstanding start with “Could Be” from West Side Story. His enthusiasm on stage was infectious. His voice was beautiful. His shining moment of the night was his concluding song, “Let the Sun Shine In” from the musical Hair he himself sang on Broadway. The freshman class of the musical theater program this year accompanied him, encircling the audience and wowing us with their powerful sound.

And Gavin Creel wasn’t even the best performer of the evening (it was a close tie between all the alumni, in my opinion)! Other returning Wolverines included Celia Keenan-Bolger, an incredibly adorable person with a beautiful voice, and Maddy Wyatt. Those two sang a song they wrote together about gay marriage that was both hilarious and powerful. Others included Daniel Reichard, who starred in Jersey Boys on Broadway and actually sang “Don’t go, Baby” from that musical while backed up by three men from the musical theater department. The other featured performer was Danny Gurwin. I know him as having played Laurie in Little Women the musical on Broadway and a few other notable roles. What’s crazy too about Gurwin is he is actually directing the Little Women production U-M is doing in December (I’ll be previewing and reviewing that performances as well – can’t wait!!). Towards the end of the evening, all these Broadway-bound alumni joined together to sing “Ordinary Miracles.” It was gorgeous and gave me serious goose bumps.

When speakers weren’t presenting or Broadway alums weren’t singing, the University of Michigan Jazz Ensemble was performing. I’d never heard them before, but they were so talented. I was blown away.

As you can probably conclude, this night marked one of the most epic performances I’ve attended all semester. So many amazing performers, speakers, and musicians – it was fantastic. I was absolutely inspired and I hope you get a chance to go to one of the Spectrum Center’s events because it is an admirable organization that deserves all the recognition it has acquired.

P.S. For more information on the Spectrum Center and the resources available there, check out their website: http://spectrumcenter.umich.edu/home

PREVIEW: Gibson Fleck

When I think back about the talent here at the University of Michigan, odds are high that Gibson Fleck will stick out in my mind.  I cannot explain to you the itching anticipation I’m experiencing for this show and I hardly know anything about it.  Gibson Fleck, presented by the Department of Musical Theatre, is an original production with music and lyrics written by A.J. Holmes and Carlos Valdes and book by Ali Gordon.  These names may sound familiar to you, and they should.  The creators of Gibson Fleck are all current U of M students.  This impressive and ambitious young team has worked incessantly to produce a show that is sure to continue the university’s tradition of innovation and creative genius.

Gibson Fleck, a story of a young man searching for a place to call home, incorporates a blend of both folk rock and musical theatre idioms.  The show is sure to be an emotional rollercoaster, as Gibson is faced with the enduring uncertainty of the meaning of “home.” I have no doubt that the inspiring story of Gibson Fleck will take you into a world unbeknownst to you.

Gibson Fleck will run throughout the weekend in the Arthur Miller Theatre on North Campus.

Thursday, November 18th: 7:30 PM (SOLD OUT)

Friday, November 19th:  8:00 PM

Saturday, November 20th: 8:00 PM

Saturday, November 20th: 2:00 PM

Sunday, November 21st: 2:00 PM

Limited tickets available at the League Ticket Office: 734.764.2538

Cost: $24/$10 with student ID

Cheers

REVIEW: “Into the Woods”

One of the greatest perks about being a UofM student is having exquisite art right at our fingertips. The school of Music, Theatre and Dance is home to one of the top rated musical theatre departments in the country. This department rarely disappoints and “Into the Woods” was no exception. The University Production of “Into the Woods,” with music and lyrics by Stephen Sondheim and book by James Lapine, delivered nothing less than what one would expect from this incredible department. The sold out show delighted its audience at the Lydia Mendelssohn theatre last Thursday evening.

The musical flawlessly intertwines the storylines from several of the Brothers Grimm fairy tales as it takes the audience to a place they’ve never seen. Namely, the darker more tragic endings that are not so “happy” after all. The main plot focuses on a baker and his wife and their quest to have a child all while interacting with characters from the stories of Little Red Riding Hood, Jack and the Beanstalk, Rapunzel, and Cinderella among others. Sitting in the audience, it was difficult not to lose all concepts of time and space as the cast and crew took you on a mystifying journey through these stories.

As for the performers themselves, Andy Jones and Sam Lips stole the show with their hilarious performances as Cinderella and Rapunzel’s Princes. While skipping across the stage, these two performers nailed the roles impeccably. Their rendition of “Agony” was simply side splitting as the song enlightened the audience to their narcissistic personalities. The two characters provided the majority of the comic relief throughout the show, as they were often unaware of anything that was happening around them.

Additionally, you could not help but fall in love with Olivia Hernandez as she took on the role of Cinderella. She created a character that was relatable and loveable, all while having a powerhouse voice. You could not help but root for her character as she lived amongst an evil stepmother and sisters and was married to a lackluster prince who would rather role around in the “thicket” with another woman than be faithful to her. I must say that Olivia’s interpretation of Cinderella was nearly spot on. Her performance was by far my favorite out of this cast.

The overall production of the show was incredibly high as well. With wonderful costuming, set and lighting design, the show matched that of a professional theatre. As mentioned before, University Productions rarely disappoint and this was but another example of the incredible talent here at the University of Michigan. The show has since wrapped, be I would advise you to be on the lookout for upcoming University Productions!

Cheers

Review: “Trafford Tanzi”- A Definite A-show!

April 9,2010

Grappling, booing, catcalls, cheers, lock ups, sleeper holds, a flying referee, take down, venus flytrap, countout, submission,sweat pouring down faces both on and off the ring! You are thinking of WWE RAW right? No, I wasn’t watching the WWE. I was at this  true-to-life wrestling ring constructed for the Malcolm Tulip production of  Claire Luckham’s play “Trafford Tanzi” at the Arthur Miller Theatre, replete with posters from the seventies and the dazzling blue lights as well as the seats arranged around the ring in true pro-wrestling style!

This play is about “Trafford Tanzi”, a girl who lives in a uncompromising and hard world where she is not allowed to pursue her dream of being a professional wrestler. It is all about how she fights (literally) her way through this. It is an interesting play where the struggles of a character are portrayed so clearly and yet subtly in a way that will make the audience feel exactly what the character feels. The essence of each character (the referee cum school psychiatrist, Platinum Sue, Tanzi’s Mum& Dad, Tanzi’s husband Dean Rebel) shows in the way each fights Tanzi. The wrestling is so important to this play. The actions speak and actually, the actors don’t really have too many lines (except for the comic and talented referee).  The character’s internal conflicts are more clear and there isn’t much use of ambiguous complicated metaphors. This simplicity of showing the character’s emotions is unique and hats off to Claire Luckham for this! It is fascinating to think of life this way. Of course, this play reflects strong feminist views and Tanzi emerges the winner at the end.

As a part of the audience, you sit there and watch Tanzi getting pushed around and hit many times and when she ends as the winner, naturally you root for her. In this production, I didn’t  watch a play. I was in one, watching a real fight. This ability to engage the audience completely is why Malcolm Tulip’ s production of “Trafford Tanzi” wins full points. This production has everything right. The physical element in this play is crucial to delivering its message and the actors under the tutelage of Charles Fairbanks, ( a filmmaker and wrestler who goes to the MFA program in Art and Design at Uof M) got this right! The audience were encouraged to be cheer or boo and if there had been beer, cigarette smoke and vendors with peanuts, we would have been in a real wrestling match! If one had walked in midway he/she would have assumed that it was a wrestling show. It was that good!

There were  many scenes where I was extremely uncomfortable. For instance, the character Dean is in his briefs throughout the play. Even though we see a lot of nudity and of course tons of skin exposure on TV these days, this sudden encounter with a almost-naked actor felt so in-the-face and it was disconcerting initially. But I think this “costume” was quintessential to the definition of Dean’s character. The other costumes were so cleverly designed too. Tanzi’s mom wears pearls and apron over a tight swimsuit as if to show that she was a conforming shallow woman who knows that males are hypocrites but still basks under their attention.

The thuds from the numerous falls of the actors as they wrestle each other make you flinch and you want to jump up and see if the actor is alright.  But then that is how the play was so realistic. The grossness quotient in this play was a lil high too. For instance scenes like a 1-year old Tanzi with her fingers full of boogers and up in her nose, like Dean pulling out hankies and flowers from his underwear- YUCK! . But this is what set the scenes where Tanzi is made to kiss the ground  by her opponents apart. The hilarious (and disgusting) scenes along with the other semi-serious scenes infused realism and it seemed so genuine. I loved the fact that the actors all spoke (or as per Mr.Tulip, “tried to”) speak in pitch-perfect British accents.  It added that little extra element of humor.

As for the music, Carlos Valdes was amazing. His covers for Gloria Gaynor’s”I will survive” and Beatles’  “I wanna hold your hand” were absolutely hilarious. His background score was cheeky, fun and brilliant!  He has done a great job.I loved the referee’s acting  (played by Torrey Wigfield). His frequent flamboyant entries like diving across the ring  or in a cowboy outfit as well as his witty delivery was fun to watch. His rendition of the French song “non, je ne regretten rien” had the audience in splits. Dean Rebel, the character most booed in this play and played by Louis Marino  who had to wear in a blue brief throughout, did a very confident job. His acrobatic skills and fluid movements were great too. The totally disgusting and obnoxious character of  Tanzi’s Dad was portrayed perfectly by Nicholas Strauss-Matathia (his pronunciation of “buttercups” in that fake British accent had me cracking!). For this performance, the understudies Aimee Garcia and Charlotte Vaughn Raines performed the roles of Tanzi and Tanzi’s Mum respectively. Charlotte rocked the song “Stand by me” and Aimee gave a very strong performance too.  The endearing   (and as it turned out humorous) director Malcolm Tulip came out with the crew  for the talk after the performance and this was so illuminating. This is definitely a great success for Mr. Tulip and his team.

I had read a preview for this play and the plot didn’t appeal to me. But somehow I ended up going to this play and trust me when I say this- it is one of the best all-round entertainment you can ever get. I had such a delightful time! You are entitled to one too.

Don’t forget to catch one of the following shows:

Saturday April 10 @ 8 pm or Sunday April 11 @ 2 pm @ Arthur Miller Theatre

tickets available at box office or online: http://www.music.umich.edu/performances_events/productions/09-10/trafford.htm

A  delighted,

Krithika, for art[seen]