REVIEW: Next to Normal

In an audience of musical theatre majors, my three friends and I sat to watch a small cast of six put on a musical we’d all hoped to see, called “Next to Normal.” There was very little publicity for the event, and it was pure chance that we found out they were even doing it. I’m so glad we did because it was yet another fantastic evening of musical-wonderfulness for me!

“Next to Normal” tells the story of a dysfunctional family dealing with the turmoil of everyday life. The mother of the family is a bipolar/schizophrenic character who struggles with coping, the father of the family is in denial of pretty much everything, and the sister has to deal with regular teenage angst while being raised by two struggling, and mostly absent, parental figures. The mother’s character was, as I’m sure you can tell by her description, a definite challenge, but Chelsea Wilson was absolutely amazing. She pulled off crazy so unbelievably well. Everyone was just cast so perfectly, like C.J. Eldred as the role of Gabe and Ted Stevenson as Dan, I could hardly believe it.

Complaints bring color to a review, but I’m seriously struggling here. It was long? Yeah, 2 and a half hours, I’d say, and a few of the songs dragged, like the saga “I miss the mountains.” Unfortunately, I couldn’t just press skip this time when it came on.

The passion of the show exploded off the stage for sure, and I felt the musical shift perspectives constantly, from mother, to son, to daughter, to father. The lighting would tilt and change its tone as the melodies would lift and fall. It’s one thing to hear the recording bajillions of times, and an absolute other thing to see it performed in front of you. I’ll never hear THAT recording the same way again.

It was such a great show, and I’m so so glad I have friends who are more informed than I to tell me what is going on in the distant woods of north campus. If you read this in time, go tomorrow night!

REVIEW: Spring Awakening

There are those musicals that are frivolous; the ones that of course you still enjoy, but you leave saying, “Oh, that was cute!” Some leave you cross-eyed, uttering, “What did I just watch?” Then, there is Spring Awakening where you leave physically hurting, the tension of the show washing over you in waves, long after the final chords have faded away. A musical that can make you feel the magic of intimacy, the pain of betrayal, and the beauty of the human existence can be deemed unbelievable, I suppose, but even that is sort of vague and nonspecific. It was awesome, let’s call it that.

I’ve seen the show before and heard the music thousands of times; however, the School of Musical Theatre here produces and attracts such remarkable talent that I could honestly say that I’d never heard the show like those students performed it last night. Conor Ryan, as previously seen in Caberet last semester, was an extremely impressive male lead playing the character of Melchior, a “radical” who goes against the grain of the 1890s German society of restrictions, regulations, and rules against young adolescents. His acting and vocal talent is postively flawless. Erika Peterson played the female lead, Wendla, with remarkable flourish and a moving vocal performance. I would honestly say I’d rather see her play the role again than ever watch Lea Michele as Wendla, as made famous from the show Glee but previously debuted the role of Wendla on Broadway. Granted, I have only heard Michele sing the songs; however, I truly loved Peterson’s voice for the part and thought she was spectacular. Her body language when she performed was so timid yet powerful as she spent most of the show, shoulders hunched and hands laced over her stomach. It’s a hard thing to describe and I’m sort of struggling here, but just trust me when I say it worked; it just worked.

My favorite performer of the show, if I had to choose, would be Ryan Vasquez in the role of Moritz, another male lead playing side-by-side as best friend of Melchior (Conor Ryan). I loved him in the role so much and afterwards, I could not get his interpretation of the song “Don’t do Sadness” out of my head. If you haven’t seen the show, this is not going to make much sense, but he added a bunch of rifts to the song that gave it a newer and more desperate quality. I got chills. The torment of his character was evident in every movement of his body and the songs he sang. I cried at the beginning and the end for poor Moritz.

After the show ended, I wanted desperately to close my eyes, rewind time, and just watch the show over and over. It’d only been about four years since I’d first seen the show, but in no way was I numb to the passion of this show. I hope that everyone has the opportunity to see Spring Awakening at some point because it is just so phenomenal of a musical that everyone is bound to find something they adore within its contents.

REVIEW: Little Women the Musical

Speaking as someone who knows Little Women the Musical, as in memorized the soundtrack, researched the musical history, and followed the actors who have played the roles in the show, the performance of the students of the Musical Theatre department fit the way I’d imagined the show nearly perfectly. It was actually a little spooky how well cast everyone was to their characters:

Jo March, played by Jane Bruce, was absolutely perfect. Quirky, lively, and strong, she played Jo March with perfection. In many incidences throughout the play, I was brought to tears by her emotional and heart-warming vocal performance and gut-wrenchingly truthful interpretation of the character.

Furthermore, the character of Marmee March, the mother of the March sisters, by Katherine Thomas, was equally as impressive. One of my favorite songs of the show is “Days of Plenty,” where Marmee urges Jo to have faith that the death of her sister Beth is not completely in vain, encouraging, “You have to believe, there is reason for hope.” She performed it beautifully and did not disappoint.

All of the characters had amazing chemistry. Laurie, played by Joel Sparks, was dorky, adorable, and lovable. He fit the role perfectly, but in a different way than I’d previously imagined his character. It was for the better, I’d say, that Laurie’s character wasn’t the dashingly handsome hero who won Amy March’s heart but brought the audience to tears when he didn’t end up with his best friend Jo. I felt his interpretation of Laurie was fitting in that you saw, even from the beginning, that Laurie and Jo would never last together, at least on Jo’s end. I think the chemistry between Laurie and Amy overpowered any feelings of disappointment that anyone felt for the lack of union between Laurie and Jo.

The role of Professor Bhaer, played by Trevor St. John Gilbert, was equally as ideal. I felt he really understood how he and Jo fell in love: amongst bickering, arguments, but in the end, beneath a shared, “Small Umbrella in the Rain.”

Even the opening scene was magnificent. They had all the characters flying through the stage, ascending and descending from all sides, and moving set pieces with ease and distinguished flair. I saw the entire play as a story, seen through Jo’s eyes, set in the magical attic of the March household. Perfection.

This musical was tremendous and the entire cast did such a fantastic job. I’m so glad I had the opportunity to see this play performed (finally!!!) and I can now put a proper backdrop behind my favored and well-loved Little Women soundtrack.

PREVIEW: Little Women the Musical [finally!!!]

Not even words can capture how excited I am for this performance. I want to just set up a link that’ll take you to the soundtrack as soon as you click to read my preview so you can hear just how amazing and beautiful the songs of this show are. AND what’s extra exciting about seeing this performance of Little Women is not only because it’s put on by the musical theatre dept. here but because it’s directed by UM alumnus Danny Gurwin who starred in this musical on Broadway as Laurie!!! Do you realize how awesome this show is going to be?! I don’t even think I know how great it’s going to be. The show closed on Broadway after 137 performances (thanks, Wikipedia.org) in spring of 2005, so I was forced merely to memorize every song on the soundtrack to satisfy my cravings for the beauty of this show…until NOW! Hooray!!

Performances will be December 8-11 in the Arthur Miller Theatre. I hope you find time to attend because it is going to be fantastic. Quoting from one of my favorite songs in the show, it is sure to be “astonishing.”

Read more about the performance and buy tickets here: http://www.music.umich.edu/departments/mustheatre/productions.htm

REVIEW: Broadway Comes Home

Our Women’s Glee Club president snagged free tickets for a few of us to go to the “Broadway Comes Home” concert Friday night, featuring Michigan alumni that have made it on Broadway. All I had to hear was Broadway, Gavin Creel, and free to nearly tackle our president, Allison, for a ticket to the show.

Rackham was lit up pink for the “walk the pink carpet” theme of the event. Fabulously dressed men took our pictures as we filed in and awkwardly avoided their lenses. Allison said it was formal attire required, so I felt especially classy in my slacks, boot, lacey top, and pearls. A man seated behind me was slightly classier, however, rocking a cocktail dress, heels, and sequined purse.

The event was dedicated to celebrating the 40th anniversary of the Spectrum Center. The Spectrum Center is an organization on campus that actively supports the LGBTQ community in Ann Arbor, offering guidance and support in a safe and welcoming environment. Interspersed between performances, many active members in the LGBTQ community spoke about their experiences and how the Spectrum Center has influenced them. It was possibly the most inspiring part of the evening. I heard how so many people have been impacted by the Spectrum Center and motivated with the knowledge that “it gets better.” The speakers, including our past student body president Chris Armstrong, were incredibly uplifting, spreading love, strength, and pride. The messages were universal, and I doubt there was a single person in the audience who walked away uninspired.

The musical performances, as my initial reason for coming, were just as inspiring. Gavin Creel, tony-nominated Broadway star, recruited several other Michigan alumni to accompany him in performing at this event. Creel was absolutely amazing and kicked the evening off to an outstanding start with “Could Be” from West Side Story. His enthusiasm on stage was infectious. His voice was beautiful. His shining moment of the night was his concluding song, “Let the Sun Shine In” from the musical Hair he himself sang on Broadway. The freshman class of the musical theater program this year accompanied him, encircling the audience and wowing us with their powerful sound.

And Gavin Creel wasn’t even the best performer of the evening (it was a close tie between all the alumni, in my opinion)! Other returning Wolverines included Celia Keenan-Bolger, an incredibly adorable person with a beautiful voice, and Maddy Wyatt. Those two sang a song they wrote together about gay marriage that was both hilarious and powerful. Others included Daniel Reichard, who starred in Jersey Boys on Broadway and actually sang “Don’t go, Baby” from that musical while backed up by three men from the musical theater department. The other featured performer was Danny Gurwin. I know him as having played Laurie in Little Women the musical on Broadway and a few other notable roles. What’s crazy too about Gurwin is he is actually directing the Little Women production U-M is doing in December (I’ll be previewing and reviewing that performances as well – can’t wait!!). Towards the end of the evening, all these Broadway-bound alumni joined together to sing “Ordinary Miracles.” It was gorgeous and gave me serious goose bumps.

When speakers weren’t presenting or Broadway alums weren’t singing, the University of Michigan Jazz Ensemble was performing. I’d never heard them before, but they were so talented. I was blown away.

As you can probably conclude, this night marked one of the most epic performances I’ve attended all semester. So many amazing performers, speakers, and musicians – it was fantastic. I was absolutely inspired and I hope you get a chance to go to one of the Spectrum Center’s events because it is an admirable organization that deserves all the recognition it has acquired.

P.S. For more information on the Spectrum Center and the resources available there, check out their website: http://spectrumcenter.umich.edu/home

PREVIEW: Gibson Fleck

When I think back about the talent here at the University of Michigan, odds are high that Gibson Fleck will stick out in my mind.  I cannot explain to you the itching anticipation I’m experiencing for this show and I hardly know anything about it.  Gibson Fleck, presented by the Department of Musical Theatre, is an original production with music and lyrics written by A.J. Holmes and Carlos Valdes and book by Ali Gordon.  These names may sound familiar to you, and they should.  The creators of Gibson Fleck are all current U of M students.  This impressive and ambitious young team has worked incessantly to produce a show that is sure to continue the university’s tradition of innovation and creative genius.

Gibson Fleck, a story of a young man searching for a place to call home, incorporates a blend of both folk rock and musical theatre idioms.  The show is sure to be an emotional rollercoaster, as Gibson is faced with the enduring uncertainty of the meaning of “home.” I have no doubt that the inspiring story of Gibson Fleck will take you into a world unbeknownst to you.

Gibson Fleck will run throughout the weekend in the Arthur Miller Theatre on North Campus.

Thursday, November 18th: 7:30 PM (SOLD OUT)

Friday, November 19th:  8:00 PM

Saturday, November 20th: 8:00 PM

Saturday, November 20th: 2:00 PM

Sunday, November 21st: 2:00 PM

Limited tickets available at the League Ticket Office: 734.764.2538

Cost: $24/$10 with student ID

Cheers