Chroma: ARE YOU SURE?

Hey everyone, welcome back to Chroma. This week, I painted someone looking into a mirror in a bathroom, having a crisis about their reality. I feel like bathrooms, whether in your home, a club or bar, or even just random public bathrooms, are almost liminal spaces. Somewhat unconsciously, I’ve gravitated towards drawing them for my backgrounds in a lot of my illustrations. Looking at your reflection, specifically your eyes, can sometimes be freaky in different contexts, which somewhat inspired the text written in the mirror. Additionally, this character I drew here has accidentally become someone that I’ve been including in a lot of illustrations, so prepare to probably see them again soon.

Evolving Emotions: Anger- Poetry

Morning

 

Flecks of glass across hardwood

shimmering in refreshed morning light

like faux emeralds.

 

Chair legs rest

splintered and sharp

near the toppled kitchen table

that you bought with her.

 

Looking down

knuckles: green and yellow

with blistery red accents.

 

Your eyes are red too

like burst fireworks

or spider webs.

 

Spent, you sit

on an old wine stain

the carpet carries

letting an empty home fill your head

with silence deserved.

 

Industrious Illustrating #25 – A Year of Progress

This month I’ve been working a lot on “Flamechaser” behind the scenes as the team develops the 0.6 demo build that we hope to post on Itch (https://jarojakd.itch.io/flamechaser) early this year. It’s been nearly a year since I joined the team, and as a result of foraying into game art and mecha design for the project, I’ve developed a lot of new techniques and built upon old ones.

I drew the new illustration of the Penguin and the Phoenix Heart clashing in hand-to-hand combat this year on the 11th, while I drew the old illustration of the 3rd of February last year. When I put these two images side by side, I’m pretty satisfied with how much progress I’ve made over the past year! I’m motivated to keep working on my art to see what new heights I can reach artistically in the future.

If you’re an artist, I encourage you to try redrawing an old piece of art that’s a year old or older and compare them side by side to see all the places where you’ve improved and where you can still continue to improve. I promise it’s a good exercise and also motivational!

Unhinged Auntie Hima

This is Brinnslow’s Auntie Hima. I may have talked about Brinnslow in the past, all you need to know is that Brinnslow was separated from her family when she was young, and has body horror-themed powers. Hima has similar powers that she uses for destruction and revenge. I wanted to give Hima a plain red coat similar to Brinnslow’s, but I realized she’d contrast Brinnslow better with more classy and stylish clothing. With spikes, of course. I would give her aviators but I don’t like drawing sunglasses. It was cool drawing someone who is older. I think I made Hima to be in her 40s?

The Kingdom of Tokavsk, Session 10: Potential Conflict of Interest

Tokavsk does accept foreign emissaries in its court, and indeed almost every day of the year one can find an ambassador roaming within the castle’s walls.  There is little to distinguish Tokavsk from other nations in how it receives representatives from abroad.  Visiting parties are given appropriate accommodations regardless of foreign relations, though it is rumored the nicest rooms are often saved for the King’s enemies.  An interpreter either brought by the emissary or supplied by the Court facilitates communication.  Foreigners are introduced to Tokavskan customs and treated with cold respect.  Tokavsk, at least under the current King, is not inclined to war.

This is why whispers of the missing ambassador are so fascinating.  There is no evidence to suggest King Stergye Tallat would resort to subterfuge, nor is there documentation implying such corruption among his courtiers.  At the time of this anthology’s compilation, there is no definitive proof of the ambassador’s disappearance beyond the two documents included previously.  We have little reason to believe this matter needs to be analyzed further, as it does not concern the subject of this anthology.  Rather, these documents have been included to be juxtaposed with Tokavskan legends to provide a detailed report on Tokavskan history and culture.

However, if more evidence is to come upon our desks, we are wont to include it in this anthology.  Such a scandal would provide a picture of the culture in the modern Tokavskan court.  While we surmise more information will be made known to us as we compile this report, we are uncertain how it will impact our project at this time.