The Indian Artist: Thoughts on Formal Art Education

Good afternoon everyone! I hope that you are all doing well. With the semester coming to an end I decided that I wanted to reflect a little bit on my first time taking a formal collegiate art course. I am doing a minor in Art & Design through STAMPS and this was my first semester being able to take a course.

I am finishing up ARTDES 105: Drawing Visualization. Seeing at is a foundational course, I did not expect to be challenged as I would be in a higher level course. I don’t think that I came out of the course learning much; however, I truly appreciate having time carved out of my week to devote to drawing. I found that once I started college, with the plethora of pre-medical courses, it was very difficult for me to prioritize my art and even more difficult to justify taking time away from my studies to paint or draw. Taking an art course has forced me to make my passion more of a priority and I have seen a massive shift in my mental health and state of mind since I started.

The majority of the first few weeks of the course was working exclusively with simple shapes (conical forms, ellipses, rectilinear planes, etc.), learning about perspective and foreshortening, and introducing composition. Nothing was new to me and I was quite comfortable with all of the concepts. However, I do think that I have learned how to be a little looser with my rendering. As someone who has done tightly rendered conceptual art for as long as I can remember, it was difficult to learn how to convey ideas with fewer strokes and details. We were encouraged to be brief with the rendering stages of our projects, and I truly believe this has helped me to become more perceptive of what details and forms are necessary to convey ideas to a viewer. This has aided me in forming a deeper relationship with my own art.

Overall, I do see value in obtaining some level of formal art instruction. Having been on my own until now, teaching myself by watching videos and observing others’ artwork, I look forward to being taught by professionals in the field of art, gaining new perspectives, and hopefully learning new techniques and methods. However, I am a true believer that a formal education in art is by no means necessary to becoming a successful artist and creator.

What are your thoughts on formal art education? As always if anything that I discussed in this post stands out, or if any questions arise please feel free to comment and share your thoughts!

 

Looking forward to next Monday!

 

~ Riya

Instagram: @riya_aggarwal.art

Personal website: https://theindianartist.weebly.com/

Fine Art Fables: The Bear Prince

The Bear-Prince is a fairytale that originates from Mexico intended to teach children about key aspects of Mexican culture. The fairytale begins with a woodcutter, chopping down trees in the forest. A bear is mad he is doing so, and stops him by grabbing the ax. The man says he must chop down trees or else he won’t have money to feed his three beautiful daughters. The bear says that the only way he will not kill the man is if he gives him one of the daughters to marry. Ninfa, the youngest daughter, volunteers to marry the bear. The two marry, and when they go back to the bear’s cave he transforms into a human. The bear-prince tells her that he was cursed into being a bear by an evil witch. Eventually, Ninfa returns home to see her family, and because the bear-prince is rich is is adorned in nice clothing and jewels. Her sisters are envious, and she tells them his secret. However, this breaks their promise of secrecy and the bear-prince runs away to the Castle of Faith in which Ninfa must now find. She encounters many different ‘beings’ along the way, including the Sun and Moon personified. Eventually, it ends with the prince being permanently transformed into a human and they two can be together. 

 

My artwork this week features the key elements of the story, with the bride and groom figures standing apart from each other and the bear figure in the middle.

Yesterday: Snail Diner

For this week’s edition of Yesterday, I painted an old-fashioned diner with an elderly snail enjoying some bacon and eggs, inspired by @slimetownusa on TikTok. As shown through the window, the newspaper, and the TV, there’s some trouble in the Snail Diner. While I wanted to make a cute painting, I also wanted to connect the 50s-style diner with the Cold War era going on at the time, in which there was a large nuclear war scare. The significance of the diner patron being a snail is up for interpretation!

Io the Snake Person

This is Io, one of Cyrene’s backstory characters. She’s been tagging along with the party for a while. She’s a yuan-ti warlock who got possessed by her sword/patron, which we got rid of.

I wanted to show her accountant job as well as her managerial position at Cyrene’s old workplace, so she gets a dress shirt and tie. As well as how she’s not really the best fit for the job desire-wise, so I made her clothing a bit mismatched for her occupation. I added her coat to show her allegiance to Cyrene, who has a similar coat.

Evolving Emotions: Numb

Sights have lost their luster

Songs are no longer melodious in tune

Colors are gray

Lights have darkened

In a haze

 

My pupils lazy

My mouth lame

My limbs heavy

 

Unable to express

Unable to cry

Unable to feel

 

What would it take?

 

To allow the dreaded

Thoughts

Sensations

And concerns

Inside

 

Accepting them

Embracing them

Unafraid and willing

 

Would it make a difference?

 

In the haze

There is no beginning

No middle

No end

No light at the end of the tunnel

 

It is an indifference

A distance

An apathy

 

Disturbing as it may be

Not feeling

May be dangerously appealing

As a small price to pay

 

Round green shapes of varying sizes glow against the black background. The text reads, "Immersive."

Immersive #23: Career Trajectory

A violet three panel comic. The first panel depicts an astronaut with the text "what do you want to be when you grow up?" The second panel is a silhouette of a girl looking through a telescope, and the text reads "what are you planning on majoring in." The third panel depicts a girl looking uncertain with text that reads "what are you going to do after graduation."

I admire the confidence in our younger selves to boldly declare a fantastical career path and follow through with it until one day it all sinks in and your vision for the future turns into uncertainty. What causes this shift in the way we imagine our future self? As we grow older, we have the opportunity to encounter new experiences and perspectives that shape how we navigate the world, which ultimately changes our values in life (even if it doesn’t seem clear to us in the moment) and how we see ourselves pursuing them through a career. Right now, I’d imagine many of us are in that uncertain state, whether that be in high school as someone thinking about college majors or in a late-stage career as someone having a mid-life crisis. We’re thinking about where the past has led us, a time where it seemed like we had everything put together, and how the future now looks so scary and out of our control in comparison with all these external expectations to have all the answers. But, it’s not. You’re the dreamer of your own life, and whatever you decide to do in the future will be absolutely fantastic.