The Indian Artist: Art from a Cone

Hello everyone! I hope that you are all doing well! Today I wanted to do a shorter post sharing with you all my newest mehndi and henna designs. I hope that you all enjoy!

I have gone into a little more detail as to what exactly henna, or mehndi, is in a previous post of mine on my piece, “The Art Between Genders“. But for the sake of explaining, here is a brief introduction into what exactly mehndi is. Henna, the plant itself, which is found in many parts of the world, is a small four-petaled flower ranging from yellow to pink. Twice a year the leaves are harvested, dried, and ground into a fine powder. This powder is used to dye hair and for the ancient eastern art of mehndi. Powder from the henna plant can be fine or coarse and pure natural henna powder can be bright to deep green, khaki, or brown. These powders render stains that are orange, red, burgundy, cinnamon, bittersweet chocolate brown, burgundy-black, black cherry, and near-black in color. Colloquially, mehndi and henna have become the same, referring to the method of applying body art with a smooth silky paste. It is most commonly applied to the hands and feet during times of joy and celebrations. No Indian wedding is ever complete without a Mehndi ceremony.

I fell in love with the beautiful art form that is mehndi from a very early age. I started trying my own hand out early on as well, practicing on anybody and everybody who would let me. Now, I practice on myself and my friends as well as simply

on paper.

Generally, mehndi can be commercially bought in a cellophane cone. This makes it easy to handle and apply as if you were using a pen to draw on the skin. Becoming comfortable with the cone, pressure, and speed takes a lot of practice and patience but is well worth it.

I see mehndi as a way of spreading joy and pride for my culture. If any of you every are interested in getting henna done, please do not hesitate to reach out!  If anything that I discussed in this post stands out, or if any questions arise please feel free to comment and share your thoughts!

 

Looking forward to next Monday!

 

~ Riya

Instagram: @riya_aggarwal.art

Personal website: https://theindianartist.weebly.com/

Yet another Taya update(I changed her shirt)

I don’t know how professional character designers finalize any work, everything’s so fiddly. I thought I had taya’s design all figured out but then I placed her with my other characters and she looked too old-timey. I changed her vest to a sweater vest but that wasn’t fun to draw. I gave her this high-collared dress shirt and I like it better.

And I also decided on her color scheme too. At first I thought to make the coat mainly green with black accents but it didn’t look good with the shirt. I feel the reversed colors look much better now.

Dungeons and Drag(ons)

I have the utmost respect for cosplayers and cosplay queens, but I myself am not one. Cosplayers, for the uninitiated, are people who dress as a character from a movie, book, or video game. These artists use painstaking detail in their recreations of outfits and wigs, and I’ve witnessed some that included tentacles, working wings that would pop out, satyr goat legs, a fully working back half of a centaur, and tons more. Cosplayers are some of the most incredibly talented artists around.

As a drag artist who can lean into the more bizarre or inhuman side of drag, some people might mistake me for a cosplayer. After all, most mainstream drag doesn’t include people with bright red or blue skin tones or wearing elf ears or such. However, as I am not trying to make accurate recreations of any character that already exists, this would be an incorrect label for me. Furthermore, drag is performance art. While plenty of drag artists focus on their looks or online presence or don’t perform live much, they are still not cosplayers. A drag queen is not required to perform, although the majority do. 

So in accordance to all that I’ve laid out above, we can come to the conclusion that I am, in fact, not a cosplayer (although I wish I had so many of their incredible construction skills). However, this doesn’t bar me, as a drag artist (or any drag artist) from creating cosplays or cosplay-esque looks. For me, my more fantasy character looks lean toward cosplay, and I’ve even created looks inspired by characters who exist in the Critical Role world of Exandria.

 

See, aside from drag, I adore playing Dungeons&Dragons, also known as D&D. I also love live-play D&D shows, particularly Critical Role, a Twitch-streamed D&D series of eight (now nine!) voice actors playing large campaigns of D&D over several years. They’ve grown from a single home game to three full-length campaigns, hundreds of thousands of hours of content, millions of fans around the world, several canonical books detailing the world Dungeon Master Matthew Mercer created, and now an animated series on Amazon Prime. They’re kind of a big deal. And I’m kind of obsessed with them and with D&D as a whole!

So this week’s look was inspired by Opal, the Twice-Crowned from their Exandria Unlimited series, created and played by Aimee Carrero. While it’s not a totally accurate recreation of how Opal appeared in the campaign, it’s my version of her character. And one of my most popular looks, surprisingly enough! 

Into the void

 

 One night

 I dreamt of a void 

When touched, dark blue ripples 

ricocheted outward 

pulsating on my fingertips. 

Flat, alive, and just wide enough

For me to step through. 

 

Opaque ground 

Sprawled out 

Blanketed 

A Blue forest. 

I stepped 

Around ocotillos 

Weaved through 

Joshua Trees 

And listened 

To the buzzing of bees.

 

Forest fades 

And buzzes turn into voices 

Singing of freedom 

From fear 

Their hope 

Echoing and elaborating 

In variations 

The cries of their loved ones

Dead 

Sounds a monody. 

 

In the void 

I find myself 

In a battle royale with my thoughts 

Wondering 

When it would be best 

To emerge

 

 

Evolving Emotions: Regretful “I”

I

Question her lack of

Reciprocation. I made a

Declaration about my

Intentions and yet her dull

Reaction leaves me in my

Emotions. Is further

Action necessary? Or should I stir in my

Ambitions and keep

Caution close to the chest? For the

Duration that I remain

Fixation is all I know.

Rumination about what could have been if I had

Conviction in my speech. What could have been of this

Situation if I had told her? My only

Communication was a pitiful

“I…”.