OTM #17: Snowing

Each year, when the snow finally rolls in, I’m always thinking about the ending of The Shining. Especially this year – the weather had been so gorgeous for so long, and all of the sudden it dropped and snow poured from the skies. It’s the Michigan condition, and we have to love it a little, but it’s so drastic. My mood changes as the cold arrives, I want to do nothing but sit and think. I can see myself perfectly in the movie’s ending, just as Jack was out freezing in the dark, covered in ice and snow. Winter kind of sucks, I think to myself, but there’s comfort to be had in it, too. Break is coming up, and soon I’ll be cozied up by a fireplace eating turkey. The end of the semester is coming up, and I can finally take my winter hibernation. I hope you’re all fighting through the cold okay! Good luck this week and thanks for reading.

Letters by Lydia: Upstrokes and Downstrokes

Welcome to another week y’all! Today I thought I’d give you all a little intro on brush lettering 101.

To start, what exactly is brush lettering? Just what it sounds like.  It’s handlettering, but specifically with brush pens.  If you’re new here, a brush pen is basically a marker with a brush tip, which handletterers use when they want to get line variation in their letters.  I would say brush lettering is probably the most common type of lettering, but it definitely has a bit of a learning curve.

The key to it is in learning the different kinds of strokes, or lines.  The basics all come down to upstrokes and downstrokes.  Upstrokes are thin lines that use just the very tip of the brush pen, and they start from the bottom and go in an upwards direction (as the name implies).  Downstrokes, again, what a shocker, start at the top and go in a downward motion.  These are thicker lines because they involve using more pressure on the pen.  I demonstrated this with the pictures below, using my favorite brush pens, Karin brushmarker pros.

 Once you get these basic strokes down, you can start experimenting with more complicated strokes.  I’m not sure who originally came up with this set of strokes to practice, but I know I’ve seen @thehappyevercrafter and @ensigninsights use these on Instagram (highly recommend their accounts, especially for beginners!).  In any case, these are essentially the core kinds of strokes or lines you’ll need to be comfortable making, because they appear in a lot of letters.

They can definitely be a little awkward at first, but once you get the hang of them, lettering with brush pens will be soooo much easier!  In the picture I included here, I drew the strokes in the top line and added in a circle so you know where to start, and then arrows so you know which direction you’re drawing in.  In the second line, I drew the same strokes again just so you can see them a little more clearly.  As you can see, all the upstrokes are thin and all the downstrokes are thicker lines.

So how do these actually show up in lettering?  Let’s look at some letters so you can see 🙂

 Here’s your basic lower-case, cursive “a”.  To make this, you actually have to use two strokes (shown in the picture), meaning you pick up your pen once in between.  For the first stroke, the oval-ish shape, you start where I put the little 1 in a circle.  From there, you start with an upstroke, then transition into a downstroke, and finish off with another upstroke that connects to the first.  Then, you pick up your pen, and begin stroke two!  This one is a lot easier–start at the same height as the top of your oval, and just go straight down, then kind of flick your pen back up for that final upstroke.  I’m not going to guide you through every letter because we’d be here forever, but I did include a little sheet I drew of all the letters and some guiding arrows for each of the strokes involved.  I also color-coded them, so the stroke you start with is in red, followed by a yellow stroke, and on a few letters there’s a third stroke which is in blue.  Of course, there are tons of styles for writing the alphabet, and every lettering artist does it a bit different, but this is how I tend to do it!

I hope you enjoyed learning a bit about brush lettering, and please let me know if you try this and found it helpful, or have any questions! See y’all next week 🙂

OTM #16: Waiting / Music

Happy Tuesday yet again! I’ve been reflective as of late, arriving up to thirty minutes early to classes just so I can sit in the empty halls and stare at the wall. It’s become sacred to me; my music becomes the forefront of my focus rather than a backdrop, and I picture animated sequences moving with the song’s notes. I used to use Flipnote Hatena every day growing up as a kid, an animation program that came free with the Nintendo DSi. It was my primary motivation as an artist; there were thousands of young animators that would post their work there, animation trends, short stories, and more. Because of Hatena, I discovered all sorts of music and animation styles. It was really popular to animate original characters to songs in pseudo-music videos, and I would often make my own. I’d sit in silence at sleepovers, drawing frames over and over again, listening to the same 3 second loop of Carly Rae Jepsen trying to animate my warrior cat persona. It’s something I have, in a way, carried with me into adulthood; I listen to music with the intent of seeing an animated, silly music video in my head. So, with these minutes before class, it’s been really helpful for me to allow myself to go back to that childlike mind and simply sit with the music.

Have a great week, everyone! Thank you for reading.

Letters by Lydia: The Process

Hi y’all!  Hoping everyone had a good Halloween and enjoyed the lovely fall weather today 🙂

Instead of a pen review, this week I thought it would be fun to talk about my artistic process.  So, as a way to welcome the new month, I’m going to show you how I made this piece.

I don’t have a super strict way of doing things, so my process usually involves a lot of experimentation.  But, to start, you need a concept.  Sometimes these come to me super quickly, and other times I need to exhaust my Pinterest or Instagram feeds to get a spark of inspiration.  Either way, I usually come up with the word first, and then the visuals.  Today I kept it pretty simple with “November”, and once I picked the word, I knew  I wanted to involve autumn leaves and stick to a fall-themed color palette (warm, earthy tones).

I started by testing colors and playing around with how the leaves and letters interact.  I liked the idea of using negative space, so I experimented with that for a while.  As for the pens I used, I found that wider tips worked better for coloring in the large leaf areas, so I mainly stuck to Tombow Dual Brush Pens, Staedtler Marsgraphic Duos, and Pentel Fude Touch Pens (let me know if you’d like a review on any of these!).

Once I had a concept, general plan, and a satisfying set of markers, I began the actual finished piece.  First, I drew in the letters with pencil.  Because this is just for fun and all freehand, it took me a few tries to get the spacing right.  After that, I drew in outlines of a bunch of different types of leaves.  Using references was really helpful here!  As you can see, adding in the leaves kind of created a jumbled mess, but I was able to fix that a little bit through erasing.  

A bit about erasing: it’s important to erase the pencil lines because once you color over them with marker, they’re permanent.  But, you don’t want to erase so much that you can’t see the lines at all.  To do this, I like to use kneaded erasers (they have a texture kind of like silly putty) because you can erase by just pressing it on the paper instead of rubbing back and forth.  This way, you can lighten the graphite without getting those streaks or worrying about erasing too much.

After all that, it’s finally time to color!  This part took the longest, mostly because I kept getting confused about which leaf was what and how it all connected.  I also tried hard to make sure the colors were dispersed evenly, and that there weren’t any big empty spaces.  But, after an episode or two of Vampire Diaries in the background (guilty pleasure), my work was done!  Finish up with some extra erasing, cleaning up some lines, and there you have it!  Here’s the unedited finished product (with kind of bad lighting, apologies) which you can compare to the edited final at the top.

I hope you enjoyed a sneak peek at my process!  If you’re also an artist, I’d love to hear about your process too!! See you next week 🙂

 

 

 

 

Industrious Illustrating #16 – Table Layout

Boo! You didn’t expect an Industrious Illustrating post on Halloween, did you? Yes, this post is three days late, but that’s part of the spooky surprise!

In reality, I’ve been so busy with preparing for Youmacon, aka the first big pop culture-related convention I’m selling at, that updating this weekly column slipped my mind. But I can now share the test table setup I made with my tablemate yesterday! We don’t have all of our prints displayed yet, and we’ll probably move some things around as well to maximize visibility, but this is close to what our final table setup will look like this weekend! Also, I wish I could share what our table number is, but that’ll likely have to wait until the post I make this Friday (first day of Youmacon). If any readers are planning on attending Youmacon 2022 in Detroit, I look forward to seeing you there!

Speaking honestly here, while I do enjoy working on more refined and detailed paintings to turn into prints, I also feel like I’ve been slacking a lot on making life studies and personal artwork, rather than just painting what I think will sell to an audience. That’s not to say that I feel like I’m not making progress in my art, but I do feel like I could be pushing myself in more ways than I am at the moment.

Even though it’s not New Year’s yet — we still have Thanksgiving and Christmas left to go before the end of 2022 — my resolution is to study more of the pictures I took of the scenery and other peoples’ artwork while exploring Hong Kong this summer and implement those studies into my artwork as an illustrator and character designer.

Anyway, I hope to see you guys this Friday either in person or with my next Industrious Illustrating column!

OTM #14: Reaction

Happy almost-Halloween! I went to the theater to watch Perfect Blue with my friends last week, an old horror classic for animation nerds like myself. Every time I watch it, I’m profoundly affected; it so wonderfully blends reality and fantasy, its horror comes from its psychology. However, I think I was in a different mindset than the rest of the crowd. Several times throughout the film, people clapped, cheered; it was as if they’d seen the film millions of times and weren’t affected by it anymore. I was kind of shocked at this. I wasn’t mad by any means, but with such heavy subject matter, I wondered, how can they all be so cheerful right now? So when the lights came on at the film’s end, I sat there motionless, tears filling my eyes while the rest of the crowd happily moved on with their day.

This isn’t the first time I’ve experienced this – an insanely different reaction than the rest of the theater – but with this particular film, it felt personal. I want to laugh at myself a bit more, to say, “stop taking it seriously!” But I am who I am. I guess in some ways I like to be profoundly affected by media. Hope you are all able to enjoy a good movie (perhaps a horror flick) this week!