REVIEW: Las Cafeteras

Having looked forward to this event for the entire week prior, I was thoroughly pleased by the impressive performance given by Las Cafeteras during the middle of last week. What I thought would be essentially another Latin pop performance was much more than that. The group experimented with vibrant, modern sounds while maintaining a traditional essence, and the aspect of their performance that was most meaningful to me was the social commentary that was emotionally striking throughout. After experiencing this performance, I couldn’t wait to write this piece and to explain how Las Cafeteras would give us a reason to listen to their music long after the curtains closed.

The style of their music was a perfect blend of modern sounds and a traditional essence. In other words, many of their songs gave a traditional Latin impression in terms of having upbeat tempos, uniform time counts, and classic instrumentation. In addition to these components, the group instilled some of their own personal flares into their songs that gave a revolutionized impression, such as rapping in some verses, filling up the auditorium with the hard and fast strumming of their guitars or ukuleles, or showcasing the baseline beat given by a full drum set. While these aspects of music composition may be more often seen in the rock genre, the group was able to utilize these techniques in their genre to make their music all the more well-rounded, far-reaching, and complete.

Part of what captivated me the most about the performance by Las Cafeteras were the personas of its members. Aside from being musicians, the three main performers were able to show us just how personable they were, expressing their vulnerability during songs about injustice or hard times and their utmost passion during songs about enjoying life and loving your family. When Hector Flores entered the stage, I immediately felt uplifted and attentive; he was the driving force behind the audience’s involvement in their performance. As Denise Carlos bellowed each song, she seemed to sing in a difficult range with ease, allowing us to feel like she could just be a passerby singing down the street. When Daniel French contributed to verses by rapping, he gave an impression that he could be my cousin or brother, writing and singing to address common social issues among our Latin community.

The most important aspect of their performance were the underlying messages in each of their songs. It was emotionally jarring when they talked about the hardships of immigration, the acceptance of diversified communities, and corruption in our nation’s highest influential powers. I believe that their attempt to bring light upon these issue was successful in the sense that everyone left the performance on the same page and forward in the same direction. In the end, what I left the performance with was a drive to achieve purpose in life. Throughout their songs, they continually asked us, “What would you do? Who are you? What are you here for?” and I will continue to support the idea that whatever we choose to pursue in life, it will only be worth doing if we make it meaningful to us.

REVIEW: Love and Information

What’s the purpose of life if not to find love and learn information? “Love and Information” features many short vignettes of everyday life, showing scenes everyone can relate with to some extent. With the anonymous characters running around onstage, there is a universality of the scenes that makes everything connect. The play explores different variances of love and methods of information as the characters struggle to gain information and connect with others.

The title of each vignette aptly described the main point of a scene. Words such as “secret”, “remote”, “silence”, “dream”, “privacy”, “children”, and “facts” convey the information within that scene in a succinct way, while giving some frame of reference so the audience isn’t completely lost. The reoccurrence of certain themes, such as the child who didn’t know certain emotions, brought an underlying thread between these vignettes that might otherwise be hard to connect.

The 18-person SMTD cast embodied all the characters wonderfully, slipping into one persona only to run offstage and return as someone completely different, though the intrinsic drives of that person remain the same. This show, written in 2012, remains completely contemporary, featuring the latest dance moves and songs and all the current trends. The presence of screens on cell phones and televisions is also prominent, a modern source of constant information, one that can invade our privacy and also steal our attention.

The stark contrasts of some of the scenes leave a stronger resonance. One character has perfect memory and can recall any detail of any date, while another character can no longer recognize his own wife. One character suddenly and happily remembers a vivid memory of his dad during a memory game, while another character is traumatized by a flashback they wish they never remembered. Information is fleeting, and it can also be absolute.

The same can be said of love. Affairs can mean the end of something great, or the start of something better. As one vignette points out, sex is a way of transferring and creating information through an act of love, connecting the title of this play neatly.

The play ponders the question of science, philosophy, religion, mathematics, politics, and humanity — everything that gives us thought, forms our personalities, and makes us human. The characters range from children to elders, and it also touches on mental illnesses, such as schizophrenia and attempted suicides.

One of the most appealing aspects of the play was the scenery, set designs, and costumes. Each separate scene was distinguished by its color, and all the props and clothing accessories that appeared in the scene emphasized this distinct feature. With a chilling white backdrop surrounded by white boxes and actors in all white clothing to start with, the evolving and uniforming color schemes around this base neutral color brought life to this play.

Love and information can bring great joy and meaning to our lives. However, loss and pain are also facets of love, just as information can be painful and lost just as easily. This play leaves us trying to make sense of the universe, our existence, our relationships, and our daily lives.

PREVIEW: Happy Death Day 2U

Directed by Christopher Landon, Happy Death Day 2U is a follow-up to 2017’s slasher hit, Happy Death DayHappy Death Day told the story of Theresa “Tree” Gelbman, a college girl who is murdered by a masked killer on the night of her birthday — and then wakes up and finds herself reliving the same day over and over. Happy Death Day 2U takes place immediately after (or, in a way, concurrently with?) its predecessor, as it follows Tree after she is transported to a different dimension, where she must again relive that same Monday while figuring out a way back to her home dimension.

Jessica Roth (La La Land) reprises her starring role as Tree, with Israel Broussard, Phi Vu, Rachel Matthews and Ruby Modine also returning. Happy Death Day 2U is currently showing at local theaters such as the Quality 16 and the Ann Arbor 20 IMAX.

PREVIEW: Arab Xpressions

One of my favorite events last year was Arab Xpressions put on by the Arab Student Association, so my expectations for Arab Expression 2019 are high. I have every reason to believe that those expectations will be met for tomorrow evening’s show. The community of students involved in Arab Xpressions is highly dedicated to this annual extravaganza so they’ve been practicing since the Fall. Arab Xpressions is truly a unique experience in that you can spend a night getting a glimpse into the diverse cultural heritage of the Arab world and, more specifically, the Arab community on campus. Last year’s performance was particularly unique as it highlighted the work of Arabs on campus and in the state of Michigan. On campus, the Arab community successfully petitioned the school to have Middle East/North African added as a racial/ethnic category on official documents and worked to have the divestment proposal recognized by Central Student Government. Abdul El-Sayed, democratic gubernatorial primary candidate, was also featured at the performance. Other parts of the performance which we can be assured will return this year is the fashion show and many dabke dance troupes. One of my favorite parts of last year’s show was the many different interpretations of dabke by the various troupes put together for Arab Xpressions. I’m sure there will also be plenty of musical performances and spoken word, as well. This event is at 7pm tomorrow, February 23rd, at the Power Center and tickets are only $5 so make sure you’re there!

Image courtesy of the Arab Student Association.

PREVIEW: The Exonerated

The School of Music, Theatre & Dance is putting on a documentary play called The Exonerated. The play interweaves six true stories about wrongfully convicted survivors of death row. It was composed from real interviews, public records, letters, and case files. The narrative weaves between first-person monologues and scenes from courtrooms and prisons.

This is a really important example of art exposing relevant problems in our society, legal system, and justice system. This provocative narrative exposes injustice and has sparked public debate. In 2003, it won Drama Desk for Unique Theatrical Experience and the Outer Critics Circle Award for Outstanding Off-Broadway Play. In 2005, the play was made into a movie.

(Photos by Peter Smith Photography)

Date: February 22 & 23 at 8 PM, February 24 at 2 PM

Price: General Admission by Floor $20 • Students $12 with ID

Location: Walgreen Drama Center – Arthur Miller Theatre

More Info: https://events.umich.edu/event/52131

 

PREVIEW: Third Place Concert Series presents: Zelasko // LaBonte // Rosen

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The way a singer’s voice can move is astounding: it will swallow you up whole, soar high above the heavens, drop to the depths of the sea, travel to the ends of the earth, dilly dally in the swirling of an Arctic spring, drive air into the lungs of every living thing…and it will do it all in the span of a second or two.

Looking for a beautiful musical experience without forking over $1,000 for VIP Ariana Grande seats? Come over to Blom Meadworks on 100 S Fourth Ave (Suite 110) on Sunday, February 24 at 7 PM. There is no charge for admission, only a suggested donation of $5/person.