REVIEW: How to Train Your Dragon 3: The Hidden World

 I had mixed feelings about the third movie in the trilogy. On the one hand, there were many elements that I enjoyed. For one, I loved the soundtrack. Two, the animation was amazing. The Hidden World was creatively imagined, and I really enjoyed seeing new species of dragons that hadn’t appeared in the previous two movies.

 

I could also tell that the animators did research on birds and other biological organisms in order to display a diversity of dragon species and behaviors. Toothless’s mating dance was clearly based on mating dances of birds of paradise. Lastly, I thought the themes explored were substantive and intriguing. Hiccup’s coming of age story was heartfelt; he eventually found his sense of self and established self-confidence, even without Toothless. Flashbacks to Hiccup’s childhood were emotional and vulnerable. Toothless and Hiccup’s relationship also demonstrated the important lesson of how love and loss comes hand in hand.

The weaknesses in the film, I thought, were generally in the plot. At times, it was rushed and sloppy: there were unanswered questions in the narrative, levels of threat posed in the story were either exaggerated or understated, illogical choices were made by Hiccup as a leader, and the main villain was unconvincing.

Loose threads/unanswered questions: What happened to the warlords (secondary antagonists) in the story? After Grimmel (primary antagonist) was defeated, the warlords just dropped out of the narrative, which was odd given their massive army, resources, and ambition to conquer the world. The narrative could have been stronger, arguably, if they were taken out of the story completely.

Plot points that don’t make sense: Why would the Vikings of Berk abandon their home without a concrete plan? Yes, Hiccup’s thinking and style of leadership is unconventional, but their village has hundreds(?) of people from an older generation accustomed to combat and warfare. It would make more sense for them to hunker down and fight Grimmel, meanwhile sending out people in search of the Hidden World so they can move there later (once they’re sure the place even exists).

Exaggerated and understated levels of threat: (1)Grimmel had six Deathgrippers, versus the hundreds/thousands of dragons on the island of Berk. Hiccup’s forces significantly outnumbered Grimmel’s forces. Why would the people of Berk feel threatened enough to flee their island they’ve populated for seven generations? (2)Near the end of the movie, Hiccup’s crew attacked a massive fleet of ships in order to save Toothless and the Light Fury. They were outnumbered—possibly 1000:1. However, only two or three ships attacked them and were then easily defeated. There were no cannons fired, no arrows shot, no naval tactics were employed. What??? If only ten or fifteen ships were present in the scene, I would have been less confused and unsatisfied by the enigmatic ease with which Hiccup’s crew defeated the antagonists.  

Regarding the antagonist: I thought Grimmel was an unconvincing villain because he didn’t possess strong intrinsic motivations. Why did he target Night Furies? Why didn’t he want to train Toothless into being his servant instead of killing him? Why didn’t he kill Toothless, given the many chances that he had, if that was his ultimate goal? The movie briefly tried to answer some of these questions during Grimmel’s few monologues and encounters with Hiccup, but I just wasn’t convinced. Perhaps if the movie included a couple of flashbacks from Grimmel’s past, it would have shed more light on his hate of dragons and ambition to hunt Night Furies specifically.

An Aside: Strangely, Astrid felt like a different character in the third movie. I’m not able to pinpoint why, but I think it may be because she had a more masculine role in the first movie (engaging in combat, being jealous of Hiccup, picking a fight with him, being rash(?)), and in the third, she took on a more feminine role (pacifying Hiccup, being the voice of reason, etc). Just the way she talked felt different for me.

Agree or disagree—what are your thoughts on the film?

PREVIEW: Yoni Ki Baat

Yoni Ki Baat– which loosely translates from Hindi as “Talks of the Vagina”– is a show that centers around women of color.

Inspired by The Vagina Monologues, YKB started off for South Asian women. At the University of Michigan branch, the organization expanded to a larger array of diverse performers. Here is a student performance from 2018, to see a sample of what YKB has to offer.

YKB’s spring show is this Friday. You can RSVP here– it’s free. 

Check out their Instagram here and learn more about this year’s speakers.

REVIEW: Value the Voice

The UMMA auditorium was a beautiful venue for Value the Voice. Each storyteller had a different color spotlight which seemed almost hand-picked for the stories they shared. The theme for this event was “The Shoulders of Giants” and each storyteller had a very different kind of giant in their life. The stories were both heartbreaking and uplifting as I had expected going into this event. The fact that this event was put on by the Department of African and Afro-American Studies and the Comprehensive Studies Program meant that the crowd was on the smaller side but very tight-knit with many of the crowd members knowing each other. It was obvious which storytellers were community figures based on the vigor with which the crowd screamed and cheered when they were announced.
The first story was bathed in bright pink and centered around a freshman’s experience with her mother’s body dysmorphic disorder. She told us about a life with two mothers, one that was absent in some ways but present in many others. Her mother’s disorder often prevented her from attending school events or even leaving the house in general and sometimes led to conversations spoken through doors due to her anxiety with being seen. However, she was always present in her daughter’s life in one way or another whether it was through the lunches she packed for her everyday or being the first person to hug her after graduating from high school.
Another story that resonated with me was the second to last story about a senior’s experience losing many of her giants. She described growing up in Detroit, working Saturday’s at her family’s Eastern Market flower stand, and the friends and family that she made in this community. She told of the teacher that bought a bouquet every weekend and paid for her and her brother to go to a dinner with Trayvon Martin’s parents and a local businessman with a roll of cash that always tipped her and her brother separately so they didn’t have to split it with the shop. The storyteller later shared that she had lost all of these giants she talked of so fondly. The most heartbreaking part of her story was about a dear friend that she described as her soulmate (in a non-romantic way) and his suicide only a year or so prior. As her voice faltered with the emotion of the loss she shared the crowd snapped in support carrying her through to the end. Despite all this loss, she told us of the airplane earrings she wore to remember her friend who had wanted to be a pilot and the fact that she would be graduating this Spring.
Value the Voice is the perfect name for this event as that is what it promotes, putting value in the stories and wisdom of our community members and allowing us to create supportive spaces where we can share with and learn from others.

PREVIEW: Exhibition of Art by Michigan Prisoners

The Prison Creative Arts Project is putting on its 24th Exhibition of Art by Michigan Prisoners as of March 20th going until April 3rd on North Campus in the Duderstadt Center Gallery. The Prison Creative Arts Project (PCAP) is a University of Michigan collective composed of students, faculty and staff, and community members that are passionate about connecting the Umich community and those affected by the justice system in artistic collaboration. Their members included both youth and adults that are currently in detention facilities and have past experience in the carceral system. Students and faculty members participating in PCAP visit correctional facilities across the state of Michigan every year to collaborate with prisoners on their art, promote art communities in correctional facilities, and select pieces to display in the annual exhibition. PCAP is centered on the fundamental value that anyone can create art and using the connections art can build to create bonds and foster learning between its participants. This art exhibit is one of the biggest of its kind in the country and is continuing to expand. This year PCAP will be offering audio commentary in conjunction with the exhibit which visitors can access with their phones. Further, PCAP has partnered with the local restaurant, Detroit Filling Station, where they had their launch party. Beyond the dates of the exhibit in Duderstadt’s gallery, pieces from this collection will be on rotating display in Detroit Filling Station to further engage the community in their project. I’m excited to see this exhibit and experience the ways experience in the carceral system affects artistic work.

Image courtesy of the PCAP website.

PREVIEW: The 39 Steps

A raucous reimagining of Hitchcock’s thriller (which requires no prior knowledge of Hitchcock to enjoy), The 39 Steps comes to Ann Arbor courtesy of the RC Players, who will perform this comically thrilling (and thrillingly comic) play March 22nd and 23rd at the Keene Theater in East Quad. Suggested ticket price is $5.

PREVIEW: Haley Heynderickx

A gentle yet powerful force took the stage of Hill Auditorium for a quick set on the first night of Folk Festival, and now she returns to The Ark for an entire show at the end of March. Haley Heynderickx’s unique voice and lyrics fill the air, her folksy and soulful songs fitting her whimsical personality perfectly. After her strong Folk Fest debut in January, she will take Ann Arbor by storm on March 29 for her show at 8 PM. Students can get a free ticket using a Passport to the Arts voucher.