Preview: Music Theory Lecture: Sharon Krebs

Who: Sharon Krebs (Vancouver International Song Institute)
What: Lecture/concert exploring the historical context in which sopranos became refereed to as nightingales.
When: Friday, January 31 at 2:30 p.m.
Where: Moore Building (School of Music, North Campus) Rm. 2038
Admission: Free

In the 19th century, the Swedish soprano Jenny Lind took America by storm earning the title of the “Swedish nightingale”. However, she was not the only soprano which was granted the praise of being equated to the nightingale during the 19th century. This lecture/concert will feature Sharon Krebs from the Vancouver International Song Institute as she explores the 19th-century German literature in which this metaphor developed.

REVIEW: The Nose Live in HD

In 2010, William Kentridge’s staging of Shostakovich’s opera The Nose was one of the most acclaimed production of recent Metropolitan Opera seasons. This year, the production was revived to similar acclaim.

The Nose takes place during the course of one day, in which Kovalyov wakes up one morning only to find that his nose is missing. The circumstances in which his nose is lost are “enshrouded in mist” though the slip of his barber’s razor could be to blame.  Kovalyov’s nose swells to human scale, earning the rank of state councilor as Kovalyov searches in vain for his missing nose.

Baritone Paulo Szot played the role of Kovalyov, reprising the role from the 2010 premier in which he made his Metropolitan Opera Debut. A Tony Award winning actor (Best Actor 2008, South Pacific), Szot performed the role masterfully bringing a physical and vocal grandeur to a role which offers little opportunity for glamorous vocal display.

Featuring about 30 singers in 70 roles, the opera was the fast paced “peacocking” of a 22 year old Shostakovich demonstrating his phenomenal ability as a composer. Particularly notable within the ensemble was soprano Ying Fang, in her Met debut, as Podtochina’s Daughter and as the Female Voice in the cathedral.

The most interesting aspect of this production was the manner in which the machine of opera was clearly displayed to the audience. The movements of the sets were not hidden by the lowering of a curtain or dimming of the lights, rather, highlighted as the actors actively participated in the scene changes. Images of Shostakovich playing the piano were projected onto the set during instrumental interludes, reminding the observer of the process of composition which Shostakovich used during the creation of The Nose.

Performed without an intermission, The Nose has a runtime of 1 hour and 50 minutes. While removing this intermission shortens the length of the performance, the audience seemed drained by the near 2 hours of percussion-heavy orchestration which intimidated Stalin.

Overall, this was an extremely strong production worth attending. The Nose Live in HD will Encore Wednesday October 30 at 6:30.

PREVIEW: The Nose

What: Live Broadcast of the Metropolitan Opera’s Production of The Nose

Where: Quality 16

When: October 26 at 12:55 pm. Encore October 30 at 6:30 pm.

Price: $20 student, $26 adult.

Conducted by Pavel Smelkov, William Kentridge’s production of The Nose returns to the Met after its inaugural run in 2010.  Polish-Brazilian Baritone Paulo Szot reprises the role of Kovalyov, the bureaucrat whose misadventures are followed as he searches for his missing nose.

Click here to see an excerpt from the September 25, 2013 Final Dress Rehearsal.