REVIEW: The Danish Girl

(Please note: This review is written in such a manner as to not spoil the film for those who have yet to see it.)

The Danish Girl is a fictionalization of the true story of painter Lili Elbe—the first transgender woman to undergo a sex change operation—and her wife, Gerda Wegener. It stars Eddie Redmayne (The Theory of Everything) and Alicia Vikander (The Man from U.N.C.L.E) in these roles, respectively, and is a bittersweet little film set in 1920s Copenhagen.

Everything about The Danish Girl is beautiful and tragic, from the brilliant acting by Redmayne, Vikander, and the supporting cast, to the gorgeous cinematography and settings and costumes, to Alexandre Desplat’s haunting score. Director Tom Hooper clearly has a knack for period pieces—and for filming Eddie Redmayne, with whom he previously worked on Les Misérables. Hooper perfectly captures both the prickly uneasiness of Redmayne’s Lili first experiencing the discomfort of being subjected to the male gaze and the lovely empowerment of her discovering what it feels like to be at home in her own body for the first time.

However, if anything, Vikander actually upstages Redmayne in many respects. While this film definitely feels like it was made primarily as a vehicle to showcase Redmayne’s range after last year’s Oscar win for The Theory of Everything, Gerda’s pain, love, and desperation to understand and help Lili are apparent in every shot of Vikander. The film is easily as much hers as it is Redmayne’s.

The Danish Girl is perhaps a little too long, and feels almost a little too proud of itself for tackling the story it has, especially considering how the filmmakers cast a cisgender male in one of the few roles built for a transgender actor. Despite this, it still accomplishes what it set out to do—not to tell the drama of Lili transitioning from man to woman, as much as to share the love story between Lili and Gerda.

In the end, the title character of “the Danish Girl” could be either one of them. Perhaps, it is up to the audience to decide.

The Danish Girl opens at the State Theater on Thursday, December 24th. Tickets are available now at the box office.

PREVIEW: Star Wars: The Force Awakens

If you haven’t heard by now that there’s a new Star Wars movie coming out, you probably live in a galaxy far, far away.

Star Wars: The Force Awakens will hit theaters in a little under a week, on Friday, December 18th, with opening night showings beginning Thursday evening. The film is set thirty years after Episode VI – Return of the Jedi and will feature a mixture of new and returning cast members. Newcomers Daisy Ridley and John Boyega will play a scavenging wanderer and existential crisis-ridden Stormtrooper, respectively. Little else is known about the plot or characters.

Directed by J. J. Abrams, who is best known for his recent, wildly successful reboot of the Star Trek franchise, this will be the first Star Wars film made without the direct involvement of franchise creator George Lucas. However, some argue that this could be a change for the better after the wary performance of Episodes I through III earlier in the 2000s.

Either way, Star Wars fever has taken over the world. Advance ticket sales already forecast the film as easily producing the biggest opening weekend of 2015–likely ever. Popular ticketing website Fandango even crashed for many users the day tickets went on sale, and screenings were already selling out back in October.

As a lifelong Star Wars fan, this is incredibly exciting. I have countless memories of watching the original trilogy with my family when I was little–dressing up as characters for Halloween and even hunting down some of the iconic filming locations when my family visited Death Valley once on a road trip.

This film’s tagline is “every generation has a story.” I can’t wait to experience ours.

Tickets are on sale now for showings at both Goodrich Quality 16 and Ann Arbor 20 (Rave). Grab ’em fast, because the Force (aka the chance that the screening you want to attend will sell out) is strong with this one.

 

REVIEW: The Hunger Games: Mockingjay – Part 2

(Please note: This review is written in such a manner as to not spoil the film for those who have yet to see it and/or who are yet to read the book.)

The Hunger Games: Mockingjay – Part 2 marks the conclusion to box office sensation and critically acclaimed series The Hunger Games. As the title suggests, the film follows the second half of Suzanne Collins’s young adult dystopian novel Mockingjay. It does this in a manner which remains largely faithful to the source material, with brilliant acting by its all-star cast and amazing production value, from the sets to the costumes to the special effects.

However, despite the more intense and action-heavy material of this second half of the Mockingjay story, Part 2 continues to suffer of the same shoddy pacing and occasionally overdramatic writing that led to Part 1’s decline from the earlier installments in the series.

I wanted to like Mockingjay – Part 2 more than I did. As a huge fan of the Hunger Games franchise, I had high hopes for the Mockingjay films, especially after the roaring success of the second film in the series, Catching Fire (which doubles as one of my favorite movies of all time). However—perhaps because of how much I wanted to love this movie—I walked out of the theater Thursday night feeling like I’d been cheated. Not a lot, but a little.

This stems from the way director Francis Lawrence—who has helmed the franchise from the second installment onward—handles the pacing in Mockingjay. The novel itself struggles to find a good rhythm as the trilogy transitions from its traditional setup of pre-Hunger Games build-up, to Hunger Games intensity, to post-Hunger Games fallout. Now, the country of Panem is at war, which is a different game entirely. But rather than fixing the pacing as the filmmakers claimed to hope they would when they announced they would be splitting the third book into two movies (as all good YA book-to-film franchises should be, clearly), they’ve exacerbated these issues. Pivotal scenes in Part 2 move too quickly for the audience to keep up with what’s going on, let alone feel their full impact; scenes between action sequences drag, drawing attention to the film’s bloated two hour and seventeen minute runtime.

This becomes most evident in the scene that finds itself at the heart of Mockingjay’s climax. I don’t want to spoil you if you don’t know how Mockingjay ends, but essentially this scene is the one that makes the series. It’s what Katniss’s journey has been building to from the beginning, the scene that ultimately drives the lessons of the series home. It is the scene on which, more than any others in the entire series, the filmmakers should linger. Instead, we hurry through it, like Francis Lawrence is desperate to get this difficult moment over with. And yes, this is not a happy moment, but it is one that matters. It is one that deserves the extra weight that comes with pausing on it, letting it sink in, so that it can resonate with the audience.

Rather than lingering on this moment, however, we instead spend loads of time on a love triangle that leads to more derisive laughter from the audience than actual investment, along with clunky dialogue rendered decent only by the immensely talented cast speaking it. Indeed, the script spends a lot of time trying to come across as being As Grim and Serious as Possible, which results in more awkward laughing at the movie than genuine laughing with it. For a film about the horrors of war, this is especially unfortunate.

Despite all this, however, Mockingjay – Part 2 is far from a bad movie. In fact, it’s actually a pretty good one, especially when you compare it to the majority of adaptations made from young adult novels. While the Hunger Games franchise’s greatest asset has always been its cast—which includes a bevy of Oscar-winners and household names—the amount of passion and detail put into constructing the world has also been key to its success, and that passion continues to be on display here. Everything about the Hunger Games world is intricate, thought-out down to the smallest detail and too complex to ever fully catch while watching. It is a feast for your eyes. Now, throw Jennifer Lawrence into a world like that, and even the most outrageous elements of The Hunger Games feel horribly real.

While Francis Lawrence might be confused about pacing, he does understand that Jennifer Lawrence is the linchpin to the series. Part 2 thrives on close ups of her face at key moments that tell us more than any exchange of dialogue ever could. She is both parts strong and weak, hardened and dissolving before our eyes, a child thrown into these terrible circumstances and a brave young woman rising to not only meet her fate head on, but to take control of it as well. She truly is the Mockingjay.

So: Mockingjay – Part 2 is not the best film ever made. In fact, it’s a far cry from even the best film in the Hunger Games series. But despite this, it does its best to give moviegoers a valid and satisfying conclusion to arguably one of the best book-to-film franchises ever to come out of Hollywood.

More than anything, Mockingjay – Part 2 is a reminder that this series has been a fantastic ride. And for that I’ll always be grateful.

The Hunger Games: Mockingjay – Part 2 is in theaters now. Tickets are available for showings at both Goodrich Quality 16 and Ann Arbor 20 (Rave).

PREVIEW: The Hunger Games: Mockingjay – Part 2

The highly-anticipated conclusion to the Hunger Games film franchise, The Hunger Games: Mockingjay – Part 2, will hit theaters Friday, November 20th, with special screenings beginning as early as the evening of Wednesday, November 18th. The film will follow the second half of Suzanne Collins’s bestselling YA dystopian novel Mockingjay, as Katniss and Co. lead a rebellion against the sinister and cunning President Snow in an effort to end the Capitol’s tyrannous reign over their country of Panem once and for all.

Directed once again by Frances Lawrence, with Jennifer Lawrence, Josh Hutcherson, and Liam Hemsworth leading the award-winning cast, the film promises to be the movie event of November.

As a huge fan of the Hunger Games franchise, I’m excited to see how this film turns out. (I’m also dreading it, because if they do this movie right, it will be heart-wrenching to say the least. But mostly I’m excited, because I am a masochist.)

I thought Mockingjay – Part 1 was by far the weakest installment of the series so far, but early reviews of Part 2 call it “one of the year’s most satisfying popcorn movies” (Alfonso Duralde, The Wrap) and “the most thrillingly downbeat blockbuster in recent memory” (Tom Huddleston, Time Out). So, I have high hopes for this one.

Watch the Girl on Fire burn the Capitol to the ground this Friday. Tickets are available now for showings at both Goodrich Quality 16 and Ann Arbor 20 (Rave).