UMMA + Chill

PREVIEW: Caustic & Bitters – UMMA + Chill

Caustic: sarcastic in a scathing and bitter way.

Bitters: liquor that is flavored with plant extracts, used as an additive in cocktails or as a medicinal substance.

I received an unexplained Google Calendar invite a week or so ago from a good friend. “UMMA + Chill – Group Chat: Caustic & Bitters. 7pm 2/27.” I wasn’t quite sure what I was being invited to, but my weekend evenings have been painfully bare due to COVID, and every UMMA event I’ve ever attended has been well worthwhile, so I texted my friend and let her know I was coming. 

I’ll be catching the last of the UMMA + Chill winter events tomorrow evening, a virtual guided museum tour and mini cocktail-making lesson. The tour will be guided by Isabelle Marie Anne Gillet, a UMMA Stenn Fellow in Public and Digital Humanities and Museum Pedagogy, with the theme of humor as an artist’s tool to “undermine the superficial meaning of what is depicted and subvert or even confuse expectations.” I haven’t been on a museum tour, in-person or virtual, in a good while, so I’m very excited to spend the evening with the UMMA collection and some friends from the comfort of my own living room.

Today along with my regular grocery shopping, I picked up ingredients for a cocktail designed by the Bellflower Restaurant, which we will be learning how to mix during the guided tour. The prep email also included the option to purchase pre-made kits directly from the restaurant, and also a non-alcoholic mocktail recipe. 

Tomorrow evening, I plan to put on a nice outfit and kick back on my couch to enjoy a virtual guided tour with my friends through Zoom–a sophisticated Saturday night in.

REVIEW: Virtual Life Drawing with Anti Diet Riot Club

About a week ago I had stumbled upon information for Anti Diet Riot Club’s life drawing sessions. Anti Diet Riot Club is a London-based organization that fights against diet culture and works to empower individuals to love themselves and their bodies. Loving their message, and interested in seeing what a virtual life drawing session would be like, I took the leap and registered.

a layered sketch from the session

The event, held on the 4th Wednesday of each month, is advertised as “NOT a serious art class” and is instead meant to be an exploration of creativity as a way to challenge perfectionism and what we’ve come to see as typical beauty standards. Studies have shown a correlation between attending life drawing sessions and positive body image.

My artistic skills with a pencil and paper are typically limited to stick figures and simple doodles, but I sat down with my paper and markers ready to take on the challenge of drawing the human body. 

As soon as I logged into the Zoom call, I was met with a gallery full of smiling participants of all ages, in their respective Zoom squares. There were about 140 participants in the Zoom call, and we did a check-in through the chat. Most people were calling from England, but as I typed that I was calling from the States, I was excited to see that people from all over the world were joining in on this drawing class–Scotland, Poland, Germany, France, and a few people from the US, joining from Colorado and New York. 

three sketches from the drawing ‘games’ we did

The session was guided with silly drawing ‘games’ to help “kick the perfectionist out–” beginning with a simple, 1-minute timed sketch of our amazing model, Lucie. Any worries or hesitations I had about my drawing abilities disappeared once we started flowing through the exercises. Drawing without looking down, drawing with the non-dominant hand, drawing using only triangles or circles, using bold colors, and having a set amount of time for each sketch took the focus off of creating “perfect” art and left space for simply admiring the human form and putting it on paper, to the best of my untrained ability.

The session reminded me, in quite an emotional tidal wave, of how objectively beautiful the body is. Seeing the body, and especially types of bodies that aren’t often recognized in mainstream media, as a piece of art helped to mute the ingrained judgements that often blare, unwelcomed, at the thought of my own body’s ‘flaws.’ Artistically appreciating the details of a real and ‘imperfect’ body made a clear and powerful difference in the way I felt about myself after the session versus before.

If you are interested in joining next month’s session, tickets are available at Eventbrite (also linked below) and cost £5 – £8 (roughly $7 – $12 US). I will definitely be joining again, and for now I move into the rest of my day wrapped in confidence, compassion, and self-love.

my final drawing for the session, using color

https://www.eventbrite.com/e/virtual-life-drawing-with-anti-diet-riot-club-tickets-134033550959?aff=ebdssbonlinesearch&keep_tld=1

 

REVIEW: The Invisible Life of Addie LaRue by V.E. Schwab

“…it is sad, of course, to forget.
But it is a lonely thing, to be forgotten.
To remember when no one else does.” 

Adeline LaRue, a young girl in 18th century France, makes a deal with the devil. Or, something like the devil. She’s given the chance to live and be free–but with all dark deals, there is a catch, and that is that she will live until she wants to give up her soul, but that no one can ever remember her, and in this way she walks through the memory of the world as invisible. She cannot say her name, she cannot write, she cannot create or break things. Until, three hundred years later, someone remembers her. 

I’m surprised at the speed with which I devoured this book. I felt like everywhere I turned I was hearing about this novel–from the internet, from friends, from the UofM Honors Reads program that’s scheduled a discussion of the book for early March. Wanting to get a head start for the Honors Reads session, I picked up the book early. I had not predicted that I would be done with the ~450 page sucker in the matter of a few days.

I didn’t want to like this book as much as I did. The books I tend to gravitate towards are typically dark and almost pretentiously intellectual–think Donna Tartt’s The Secret History or Kazuo Ishiguro’s Never Let Me Go. This bestseller, while still possessing some dark and gothic elements, in tone was relatively fluffy and light-hearted. It still managed to captivate me. 

V.E. Schwab has spun a tale that reads smoothly and effortlessly, though at times the pace is slow and repetitive–a flow fitting for the world of our spirited, immortal heroine Addie.

If you’re like me and romance in books has never really struck your fancy, you may find yourself frustrated with the love story of the novel. Beginning the book, I was intrigued to discover how Addie would choose to handle her curse, and was a little disappointed when the story shifted more than I had hoped into a somewhat cliché love triangle trope (albeit with some interesting twists). However, even I was able to set aside my cynicism and enjoy how love and connection mattered in the life of a girl cursed to never experience any.

Despite the heterosexual romance, the representation of bi, pan, and queer characters in the book was, as NPR’s Caitlyn Paxson describes, “refreshingly casual for fiction.” I also appreciated the use of art to weave together the story of Addie LaRue throughout each of the book’s sections.

If not just a fun and entertaining read that I was begrudgingly sucked into for a few days, this book did cause me to think about the idea of living forever with the curse Addie carried. How would I spend my time if I had as much of it as I wanted? In the end, I realized my answer was still relevant to the finite time we all have living now. No matter how many limited or unlimited years, months, days, hours, minutes, seconds we get: it’s not as much about how much time we get, but instead how we choose to savor every bit of it.

3.5/5 stars